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Navigating Through The Virtual Exhibit

Welcome to my Virtual Senior Exhibit- my “senior thesis” showcasing the culmination of my artwork done at Benedictine University Mesa!

Upon entering the exhibit, you will enter a “gallery room.”
Click on each artwork for a close-up view, and to learn more about it.
You can then choose to view more detailed images of the piece.
You can also click to read about the meaning and symbolism behind each piece.
Afterwards, click to go back to the gallery room, select the next artwork, and continue this process.
Once you are done with that room, click the link to move into the next room until you reach the end of the exhibit.
But first, my artist statement is provided, so you can read about the theme explored in this exhibit.
Enjoy!

Note: all the artwork and hand lettered quotes in this exhibit (unless otherwise noted) are available for purchase. Also, the written explanations behind each piece are solely my own meanings based on my intention of the piece as well as my interpretation of the corresponding passage or quote. Nonetheless, I also invite the viewer to develop his/her own meaning and interpretation of the artwork in whatever way it speaks to him/her.

Artist Statement

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Aveen's work attempts to exemplify the relationship between the human soul and what is Good, True, and Beautiful, by personifying various concepts of Christianity into visual illustrations. Her work does so by means of inspiration from Sacred Scripture passages and quotes left by the Saints. Through representations of these Transcendentals she is able to illustrate the vastness of the teachings of the Church and the fruits of a virtuous life, or a lack thereof. Her art will usually personify themes of virtue, vice, suffering, holiness, and corruption, among others, and their effect on the human person and soul. In this way, her work transforms what is invisible and conceptual into a tangible, illustrated reality, in the form of the subject matter, colors, textures, and media used, as well as other elements of each piece.

We cannot visibly and directly witness what takes place concerning our souls as we live each day- what happens to the soul and what happens to us because of its state- therefore, Aveen strives to capture that relationship through relatable, perceptible imagery. In a sense, her work takes a "behind the scenes" look at what the soul and human person may experience as a result of different moral behaviors and values.

Each piece is based on and illustrates either a passage from Sacred Scripture (passages are taken from the New American Bible, Revised Edition) or a quote from a canonized saint, which provides each piece its foundation and core theological meaning. Aveen then brings these words of wisdom to life in a manner that is approachable but that may also be unprecedented, captivating, and perhaps even playful at times, yet the spiritual significance remains. Regardless of the themes within each piece, they are all united and showcase in their own way the three Transcendentals- which all find their source and perfection in God, Who is Himself Goodness, Truth, and Beauty.

Aveen's main subject matter is generally the human person, as Christianity concerns humanity- most especially the salvation of humanity- for we are the recipients of the Word of God and each of us is called to holiness to be in perfect communion with our Creator. Usually, the figure is placed in a context independent of space and time; thus uniting the recognizable and everyday with the invisible and spiritual.

Her work is mostly done in oils, but she also creates mixed media pieces by attaching a variety of objects and materials onto the surface, which usually include handmade elements. These real world, three-dimensional components interact with the subject and composition of the piece in order to help "bring it to life" and further its underlying message. These elements can range from such materials as decor stones, artificial flowers, nails, duct tape, and handmade paper butterflies, among others.

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Artist Statement

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Inner Garden

oil on canvas

24 x 20 in

2019

$540

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We each have a garden within us that we must nurture, for it yearns to consume seeds and bear fruit; this inner garden is our soul. We ought to frequently plant "good seeds" in our minds and continually water this garden so as not to develop withered and lukewarm souls. We can strive to renew our minds by means of cleansing them of bad habits or any other "harmful seeds," and of remaining cautious of what we expose ourselves to. Our subsequent words and actions are born from the type of people we are, which develops from what we pour into our minds; therefore, constantly renewing our minds will help us not to conform to this age, but rather to better discern what is truly good, pleasing, and perfect.

This painting attempts to depict a "behind the scenes" of that inner garden. Simply, the water poured into the opened head of this girl represents the renewal of her mind (and that she is "open" to the idea of cleansing past ways). As a result of this "watering of the soul," she is nourished and produces good fruit, as indicated by the assortment of beautiful, vibrant flowers. Contrasting with the realism of the face and the transparent, soft flowers are the solid-colored shapes, which symbolize waves and the swirling movement of water. Further, the shapes surrounding the top of her head are rendered in the same colors as the flowers- presenting a connection between what is entering her mind and the flowers that are produced as a result. The reality of the patterns and norms of this age will be revealed for this girl, for her mind is being purified and her soul can now better witness and discern what is True.

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Amor est Pulchritudo

watercolor & colored pencil on paper

29.5 x 23.5 in (framed)

2018

$625 (framed)

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Whatever dwells in our hearts will naturally reflect in our personas and can simply be perceived through our appearances. If we hold and nurture genuine love in our hearts- and since God Himself is Love and the epitome of beauty- then true beauty will naturally radiate from that. This form of beauty is not fleeting or merely pleasing to the senses, but is lasting and pure because it is grounded in Beauty Himself, and is therefore captivating because one cannot ignore the Beauty of God.

This piece, whose title in Latin simply means, "Love is Beauty," attempts to showcase the result of possessing love in one's soul. An almost unnoticeable golden cross in the center of the neck represents the love that is "within" this girl. The cross is minimalistic and obscure to allow the girl's beauty to stand out first, as this is usually how it is in life: we tend to notice others' beauty first before understanding where it comes from. Further, the flowers, leaf earrings, and leaves as a substitute for eyelashes all emphasize the idea of love and beauty "growing" within her. As this girl nurtures this genuine love, she also begins to resemble God's nature. This is subtly captured in each area where the leaves and petals overlap her face; those areas are specifically painted gold, which illustrates how she has begun to reflect the purity and richness of God, just as gold is pure and valuable.

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No Harm Done

oil on canvas

48 x 30 in

2019

$775

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Death should not be seen as a terrifying incident that will one day befall us all; rather, it is the passageway into Eternal Life. For those whose souls are pure, they will, by the Love and Mercy of God, be welcomed into the Kingdom of Heaven, our true Home.

This painting attempts to depict the frank reality that though our bodies will die, our souls will live on. This figure is depicted headless, which implicitly indicates the type of death he suffered. There is no blood or sign of torture, but through the simple absence of a head and an opening over where his heart would have been, one can understand the circumstance of this boy. The positioning of his arms gives the impression of surrender or a lack of self-defense, as if he allowed his death to take place. Then again, what was he afraid of? They killed his body, but could not kill his soul, which is symbolized by the seven birds flying out of his heart. The number seven holds biblical significance as it represents perfection- in this case, the boy's soul is in a state of perfection to be welcomed into Heaven. Furthermore, he is wearing a golden shirt, which indicates his victory over death and the richness and treasure he has now received through his martyrdom and in attaining Eternal Life.

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Just You Wait

oil, handmade paper butterflies, & duct tape on canvas

36 x 36 in

2019

sold

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We should never lose hope in what the future holds for us. Despite the sufferings we encounter and endure in this world- and all the sorrow and pain we experience in being human- we should never forget that all our sufferings will turn into joy in the world to come. Many times, we are so enveloped and drained in darkness that we firmly believe nothing good will come out of our afflictions. However, we are called to bear it all with patience and hope- and to wait in faith.

This painting attempts to conspicuously illustrate what this transition may look like. Feeling so long encased in a hole of darkness, this boy now emerges and witnesses the beauty, life, and serenity waiting for him on the other side. Sorrow and affliction are portrayed in the desaturated and monotonous colors of the figure, while the border of the hole is bursting and dripping with shades of green and elements of nature, which showcase life and movement. Just as gold symbolizes richness, so too the gold leaves and accents further the idea of perfection and richness in Heaven. Gold and marble duct tape are utilized for the leaves and butterflies, respectively, as this type of adhesive is associated with durability and permanence, yet here it is used to portray delicacy and freedom of movement- this contrast is another indication of the transformation of affliction and sorrow into assurance and joy.

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Divided We Fall

oil, staples, nails, & artificial leaf on canvas

24 x 24 in

2018

$550

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All of humanity is truly one, with every human person created by our one God in His image and likeness. However, whenever we forget this truth and allow feelings or thoughts devoid of selfless love to stir within us, this reality becomes clouded and we begin to experience everything other than peace- from individual relationships to our world at large. If we truly acknowledged and valued our belonging to one another, no one would dare hurt another, for in doing so, one would only be hurting oneself. Yet this is simply not the case in a fallen world, and so we must continually struggle in striving to live in perfect harmony with every brother and sister.

This painting attempts to showcase what takes place when humanity turns against itself and forgets the innate origin and connection between every human person. The globe (symbolizing humanity) is illustrated with a dove carrying an olive leaf (representing the Holy Spirit). The outline of the dove is formed with staples and nails; each single chain is constructed using individual staples that are hand-connected together, which symbolizes how each of us is "linked" together. This connection of seemingly insignificant, flimsy staples- once joined together- exhibit such strength and durability that allows and invites Peace to take shape. However, once division emerges between individuals, families, and nations, the chains break and fall apart. Yet the white form of the dove remains, which showcases that God has never, and will never, leave us, and that we still have the chance to reconstruct this peace if only we again acknowledge our one origin in Him.

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Why is it Always Me?

oil, gold liquid leaf, & LED lights on canvas

30 x 40 in

2020

$875

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Many times, it seems that the more virtuous we become or the more we progress in the spiritual life the more we are attacked, mocked, and tempted to give up. It seems so because what is genuinely Good, True, and Beautiful will inevitably be the cause of rejection and considered offensive to those blinded from the Truth. Yet, the closer we walk with Christ, the greater the sufferings we will endure; and the greater our deeds and desire to attain sanctity, the greater the obstacles and forces that will attempt to come in our way to prevent such spiritual progress. Everything that is of God is abhorrent to the Enemy- but that should only push us to strive for holiness ever more.

This painting attempts to illustrate what it may look like for such a soul to be confronted with those storms that rage against Goodness, Truth, and Beauty and that work even harder to dishearten a soul who has just come into the light of Truth. This boy is enveloped in a dark, unsettling storm, where he is found in deep thought. The deep purple color scheme adds to the uneasy, perhaps even ghostly, state of spiritual battle. Yet against the dark atmosphere, this boy's face is glowing with light- he is that great and beautiful work that is striving for sanctity. Even the golden flowers marked on his skin and emerging from beneath his clothing underscore the beauty and goodness of his being. Nonetheless, darkness encircles him, attempting to discourage and consume him, and he again begins to wonder, "Why is it always me?" His eyes serve as windows, revealing to the viewer that this is what his soul is battling because of his desire to live virtuously. His stature humbly and sincerely invites us to see this spiritual war. A purple tear falls from his eye, as if the purple storm has transformed, for it is the storm that is causing him unrest. However, for such a beautiful work, there is hope because Truth always prevails. As such, the stars in the background physically light up, providing a tangible portrayal that the soul's goodness and light will ultimately shine forth, and that because of this inner struggle, the soul will only become more perfected and sanctified.

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Not in Vain

watercolor, colored pencil, handmade paper flowers, & ink on paper

29 x 23 in (framed)

2018

$600 (framed)

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We cry many tears during our lifetimes on earth, but those sincerely shed are not done so in vain. Sometimes, we wonder the point of the trials we face and whether there is even someone up there hearing our cries- yet not a single one of these tears goes unnoticed by God.

This drawing attempts to capture this moment of revelation. This soul has now come back in contact with her past tears and gazes with wonder at the golden pool they have turned into. The positioning of the hands display awe and enlightenment, as she now rejoices in recognizing that God had heard her cries and had even saved these tears. A chalice and the written quote appear as indelible illustrations on her wrists, not only representing the inherent presence of this comforting reality, but also explaining to her what is now taking place. The flowers that surface from the tears, as well as the gold in the water, showcase how the tears have transformed into something beautiful in Heaven: her mourning has turned into joy and comfort.

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Thank You

oil & handmade paper butterflies on canvas

28 x 22 in

2017

$575

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However many times do we pass others without knowing what their lives are like or what they are currently going through! Therefore, a kind word or smile is the least we can give to each other- for that may just be the healing gift one needs in a time of desolation.

This painting attempts to illustrate what one kind word or smile can bring about for another. This girl is one such saddened and wounded soul, as depicted by her countenance and teary, red eyes from much crying. She is enveloped in a cloud of darkness and seems to look intently at the viewer as if pleading for help. Yet she is also just beginning to smile, implying that someone either uttered a lovely word or simply smiled at her, which in turn lifted her spirits. As a result, she replied, "Thank you," whether verbally or silently, for this simple gesture filled her with life, hope, and consolation. The smoke around her gradually begins to fade, dispelling the darkness and revealing the light she believed was long gone. Further, the butterflies now surrounding her indicate new life- even their burnt edges symbolize their emergence from the smoke- and the little globes of light also display a new presence of vibrancy.

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Heart Up, Feet Down

oil & gold liquid leaf on canvas

20 x 24 in

2020

$650

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Though we are to be in this world, we must remember that we are not of this world. Amidst going about our daily lives and taking care of all our temporal responsibilities, we should still keep in mind our ultimate goal- Heaven. In this way, we should neither become so caught up in our earthly lives that we forget our true home, nor should we become so absorbed in reflecting on the life to come that we neglect our roles, relationships, and duties here on earth. Rather, the knowledge of our end goal of Heaven should instead translate and be visible in our day to day work- evident to all others that we are fulfilling our roles on earth, but that our hearts are after the world we truly belong to.

This painting attempts to illustrate the beautiful disposition that our feet ought to be grounded on earth, while our hearts ought to be set above. A pair of shoes are positioned on the ground, showcasing the need to be present here and now, to attend to the work entrusted to each of us specifically. Yet the heart-shaped window within the shoe gives us a glimpse into the heavenly, ethereal sky. This portal symbolizes that this individual is walking on earth, but that her heart is ultimately in Heaven, which serves as the encouragement to persevere and strive in this life. But it does not end there- the heavenly sky leaks from the heart-shaped opening, leaving little drops on the ground. This illustrates how the heart's inclination to Heaven ultimately "leaks" into one's daily life, leaving subtle droplets on earth as evidence to others that his/her heart is set above. The bright, golden yellow color of the shoes displays the joy and hope of the individual who realizes his/her true home and is able to go about daily life with purpose. The type of shoes depicted- and even the presence of shoes compared to being barefoot- simply displays the reality that this all can be applied even living in the modern world. Finally, the golden birds illustrate the freedom that is brought about by knowing we are not of this world, but that we can still bring the heavenly into the everyday.

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So Be It

watercolor, colored pencil, & ink on paper

29.5 x 23.5 in (framed)

2018

$625 (framed)

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In wholeheartedly imitating the life of Christ, we can easily stand out and receive unjust derision and abasement. Yet in knowing we are standing for the Truth, we will develop the strength and will to confidently remain steadfast for Him. For, however much we may be humiliated and chaffed on the outside, remaining humble and deferential inside will surely deem us the victorious ones in the end.

This drawing attempts to depict all the pain and emotions one may feel upon experiencing mockery and humiliation for standing for the Faith. This boy has been through a great deal- his expression is stern and unwavering, but gentle and peaceful at the same time. Whilst enduring ridicule for his faith and the holy life he is striving for, this boy obediently accepts it all with a serene, meek heart and lets it be because he knows he is imitating Christ, and will be rewarded in the end. A collage of words, some of which include: humility, patience, perseverance, and suffering make up his simple attire and symbolize the attributes and experiences that comprise his character. In saying, "So be it," this boy endures the humiliation until the end and is eventually presented his crown- which is none other than his adorned golden halo of sanctity.

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Vernal Heart

oil, handmade paper butterflies, & artificial flowers on canvas

40 x 30 in

2018

$725

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When the love of God is continually in our hearts, and we perceive the world and those around us through His love, then we are perpetually blossoming and growing closer to this Source of Love. In the spring, the weather becomes warmer, flowers begin to blossom, and the birds are singing more; this is a time of fruitfulness and growth. This too is how it is in the hearts of those who always possess the love of God- they more easily nurture and grow in their faith, exhibit constancy in joys and trials, and produce greater fruits because of the virtues overflowing in their hearts.

This painting attempts to depict the embodiment of spring in one such heart. A serene girl is illustrated with a taste of spring bursting forth from her heart: a medley of flowers (daffodils, lilies, roses, daisies, and chrysanthemums) brushed with gold, golden butterflies, a golden bird, and a soft blue sky in the background with the sun hitting her face. In virtue of her love for God, her subsequent words and deeds (as illustrated by these elements of nature) are all covered with gold- the richness of God. What springs forth from her vernal heart is already coated with the love of God, since He already dwells there.

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The Peacemakers

oil & handmade paper birds on canvas

24 x 36 in

2019

$675

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Finding ways that will counter violence and anger by purposely treating such matters with tranquility and love is certainly a mark of character. If we bring a peaceful approach and mindset when facing challenges or arguments, we become "peacemakers," for we are intentionally bringing forth an attitude contrary to the situation. In sowing peace, we are deemed children of God- not necessarily in the literal sense of becoming a child, but in being called one of God's own- for we are resembling His loving nature.

This painting attempts to portray a literal and lighthearted illustration of this beatitude: two young children are in their own dreamy, peaceful world effortlessly crafting paper doves, which symbolize peace. By having created the birds, it is the children who bring these doves to life (as indicated by their vibrant colors), which now freely fly around them. Additionally, some of the birds are painted while others are origami- so providing a tangible reality or dimension to the fruits of sowing peace. Further, only the peacemakers' bodies are distinctly illustrated, their clothes exempt, which underscores the importance of their character rather than the material aspects. In this way, their clothes fade into the surrounding, allowing their being- their spirit of peace- to shine forth. The children's faces are also concealed, which not only furthers this idea, but also allows the viewer to imagine his/herself as the peacemaker.

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You’re Not One of Us

watercolor, colored pencil, & ink on paper

29.5 x 23.5 in (framed)

2018

$625 (framed)

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We were created by the Light of the World as His children and to live in the Light. However, we can sometimes act contrary to this truth by working in the dark and exhibiting behaviors that are not of God. Since we can find ourselves in the dark, we become blind to the Truth and spiritually fall asleep when we ought to be alert and on our guards. Yet we are not nocturnal beings- say, like moths- who rest during the day and work during the night.

This drawing attempts to depict the reality that we do not belong to the darkness. This girl is engulfed in a cloud of darkness and is framed by dry leaves due to the lack of life within her. Moths fly towards her in an attempt to wake her up, with one even trying to open an eyelid. They are trying to tell her that she is not like them- she was not made to live at night as they do, for she is marked with Christ. This indelible sign is the golden cross on her forehead, which symbolizes her belonging to God and serves as the proof that she is indeed a child of the Light. I have also received an outside perspective state that the moths may be approaching her because moths are naturally attracted to the light- and she is of the Light. I admire this view, as we certainly ought to attract others because of the Light that is within us and be the ones radiating It to those still asleep in the dark. Note, though creatures of the dark will not realistically be the ones waking us up or bringing to our attention Whom we actually belong to, the selection of moths for this role is simply an artistic, playful, and storylike twist to the underlying message.

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The Clean of Heart

oil on canvas

30 x 40 in

2017

$675

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At the time of our death, the purity of our soul will be essential in determining our capability to become perfectly united to God- for we will see ourselves as God sees us. When we come face to face with the One Who is entirely unblemished, but still possess souls stained by sin, then we will be incapable of immediately being united to Him. Therefore, for as long as we are on this earth, we ought to strive to cleanse our souls so that we may be wholly prepared to enter the overwhelming light, presence, and love of God.

This painting attempts to illustrate the progression of reaching perfect unity with God depending on the state of our soul. These souls are depicted as birds, which illustrate the notion of the soul "flying" from the body after death. There is a great mass of dark birds at the bottom, as many unfortunately die with a grave amount of sin still on their souls. However, many of these souls will experience purification in Purgatory until they are pure enough to see God in all His light and glory, shining brightly like the sun. These birds begin to lighten in shade as they fly closer towards the sun, for they are gradually coming to resemble God- eventually to become one with Him and completely engulfed in His light in Heaven.

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Hold What You Will

oil, handmade bottles, & string on canvas

30 x 24 in

2018

sold

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Through our deeds we showcase the fruits we hold in our hearts. As such, others will come to know the type of person we are simply through our works. Therefore, we ought to take care of what our hearts are like in order to, hopefully, produce good fruits and deeds.

This painting attempts to display a literal illustration of holding the Fruits of the Holy Spirit, by virtue of the presence of God in one's heart. This girl possesses these fruits and wants to be known by them, as seen by her hand gently holding a string of handmade bottles that contain the nine fruits: gentleness, faithfulness, kindness, goodness, love, patience, self-control, peace, and joy. Though she is physically presenting these fruits, her hand also represents her heart and what is held inside it. Each bottle is a custom expression of each fruit in a visible and tangible way through the color, materials, movement, and other decorative elements used. Several bottles are even literal depictions: "faithfulness" contains an angel above a cloud as the angels are faithful to the worship of God, "self-control" contains a layer of oil that is evenly balanced on blue water, and "love" contains red roses. This piece also hints at the connection between the "Fruits of the Holy Spirit" and "By their fruits you will know them.” In this way, now that we see the fruits she holds, we can also imply what kind of person she is because of them.

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If She Had Just Let It Go

oil, aluminum foil, playing cards, & artificial leaves on canvas

40 x 30 in

2020

$725

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At the end of our lives, however much worldly power, recognition, influence, possessions, or pleasure we may have accumulated will pale in comparison to however much love we had in our hearts, and we will find that all those earthly assets- if not used for our sanctification- did nothing to help us attain Heaven, but instead helped us lose it. For as much as one gains the whole world, one loses his/her life. In the end, we would have done anything to have given up the royalty of the world to have just been simple children of God.

This painting attempts to depict the spiritual harm caused by so great an attachment to the world, and the suffocating results it can have on the human soul. A troubled, helpless girl stands clutching a mess of darkened, charred items. This collection represents the world: foil coated with black symbolizes how that which appeared shiny and attractive in this world did not actually satisfy; blackened playing cards symbolize how the desire to be "kings" and "queens" of this world was both dangerous and futile; and black leaves symbolize how what was originally full of life was taken for granted. Yet if this girl had just let go of her attachment to the world, she just may have had a chance in the world to come. As a result of her refusal to let go, her fingers, too, begin turning black. She is also crowned with a dark, wiry crown, since she indeed chose royalty but of the wrong kind. The smoky, distressed, and oily background underscores the spiritual results of what she holds, and it replaces the vibrancy and beauty that could have been hers. Her intense, yet harmless gaze looks right at the viewer, as if warning him/her not to make the same mistake. Yet, she also appears seemingly innocent- this subtlety reveals that deep within us all is a beloved child. Yet her countenance holds an interesting dichotomy: if the viewer covers one side of the face, one would see that the right side of her face appears very childlike and radiates with light, while the left side appears morbid, murky, and exasperated. This paradox is truly the inner battle taking place within each soul who belongs to God yet becomes a slave to the world. In the end, that inner child would have much rather been considered lowly and nothing in the eyes of the world, knowing that he/she will be royalty in Heaven- for a child of God is also a child of a King.

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Ethereal Peace

oil, texture paste, & pearls on canvas

30 x 24 in

2017/18

sold

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Many times, we attempt to be better than our anxieties and negative emotions and not let them dwell in our hearts and minds, but it is difficult to set ourselves free of these earthy feelings and thoughts, for they are an innate part of being human. However, once we begin setting our minds on God and entrusting Him with all our burdens, we will feel as though a weight has been lifted, and a level of freedom, peace, and calmness now pours into our minds and souls. We will begin to "soar" above the natural and start to ponder eternal matters.

This painting attempts to visualize what it may look like to transcend the natural feelings of this world and so be filled with a heavenly type of peace and tranquility. This girl is surrounded in a peaceful, ethereal state where it appears as if her soul is flying. The calm, pastel colors emphasize the sense of serenity and the dripping paint illustrates how peace begins to "pour" over her. Further, the pearls around her add to the heavenly surrounding, as they hold biblical significance in symbolizing the Kingdom of Heaven and Word of God. Additionally, only her face is distinctly illustrated while her mind is dissolved into the atmosphere around her, for her mind is not weighed down by worldly concerns. An outline of a dove rests beneath her, as it is the Holy Spirit Who bestows this peace over her and dwells within.

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Lux in Tenebris Lucet

oil on canvas

36 x 24 in

2017

sold

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Sometimes our world can seem so dark and full of iniquity that the future seems hopeless, as if the darkness has won. Yet we must always remember that darkness has no power over the Light of the World, and it will not overcome the Light that is within each of us: that of Christ. Whether it be the darkness we witness around us, or the darkness we battle inside ourselves, it is incapable of blowing out this Candle, which is continually living and burning within us.

This painting, whose title in Latin means “The Light Shines in the Darkness," attempts to depict this reality between the Light within us and the darkness of a fallen world. A distressed yet peaceful girl gently smiles as she cries amidst the darkness. She is well aware of the darkness around her and is saddened because of it, yet she possesses the Light and Love of God, as depicted by the single candle illuminating from within and radiating on her face. It is her conviction and faith in the endurance of this Candle that gives her the hope, strength, and perseverance to carry on. At the same time, this Light serves as a witness of hope to others- for this girl may be that “single candle,” while all others have become discouraged. She may be the only flame in a darkened room. Since darkness entails a multitude of concepts and emotions, the solid black background simply represents "all the darkness" in the world, which strikingly contrasts with the gentle light of this girl. Through the murky and distressed rendering of the figure, this piece also showcases that the darkness of this world may soil us on the outside, but it cannot soil our inner Light.

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It Will Hurt

watercolor & colored pencil on paper

23 x 29 in (framed)

2018

$600 (framed)

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Suffering is not just an end within itself, but a means to produce and nourish greater love. Since we are all created by Love, out of love, to love, and to return back to this Source of Love, we should not be afraid of fulfilling our call to love. We will know we are exhibiting true love when it hurts, for true love inherently entails suffering since it reflects and participates in the sacrificial Love of God- that love which led Him to willingly suffer and die for our sake. As such, there can always be something beautiful and redemptive in the love that is produced from suffering.

This drawing attempts to depict the reality that true, agape love can only be forged through pain and suffering. A pair of bruised, bleeding hands hold onto each other as red roses blossom from the open wounds. These roses represent the love and beauty produced from suffering, and they in turn give new life, as portrayed by the butterfly coming to rest on one. Initially looking at the piece, one will likely first be drawn to the beauty of the flowers, while the underlying wounds remain less noticeable- this represents how the love produced from the pain surpasses the wounds it grew out from. I have also received an outside perspective state that the wounds seem to resemble "reversed stigmata." I find this idea interesting as Christ's Stigmata are certainly proof of His Love for humanity, and in the same way, our own wounds ought to serve as proof of our sacrificial love for one another.

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Avarice

oil & rhinestones on canvas

28 x 22 in

2017

$575

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Living in a world that advocates for the supposed need of abundant possessions, we can easily fall into the desire for greater material wealth. However, there is a fine line between owning possessions and possessions owning us. Therefore, we ought to always be conscious of our attachment to earthly goods in order not to allow them to control our lives or define our identities- for life is so much greater than simply the quality or quantity of what we own.

This painting attempts to showcase cupidity (along with the added artistic display of vanity) and the negative consequences it can have on our souls if we begin to hoard and overvalue earthly possessions. This girl is rendered in a conceited manner as she displays the ownership of her grandiose diamond necklace, handmade with numerous individual rhinestones. However, she is unaware of what is taking place as a result. In this way, the rendering of the figure strikingly contrasts with the unpleasant reality: the foreboding blood seeping beneath the necklace symbolizes the harmful effects greed has on her soul (for where her treasure is, there also is her heart), along with its ability to lead to the distortion and negligence of what life should truly consist of- saving up riches in Heaven, rather than on earth, for all earthly treasures will one day pass and decay. The blood imagery is also mirrored in the background, displaying the depth of the harm; yet there is a hint of light at the top, which showcases that there is always still hope and the chance to amend this way of life.

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It Will Pass

oil, texture paste, & working clock on wood panel

22 x 30 in

2019

$750

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We should always remember that there is more to our current pains and sorrows than we realize. When we do not understand the reason for the upsetting and painful aspects of life, we can become blinded by negativity and perpetually suffer in our sufferings. Furthermore, when such darkness fills our hearts and minds, we can forget that there are such greater realities waiting for us, but only in time. As time passes, that which blinded us from seeing beyond our pain will soon disappear, and we will eventually not only witness the Glory waiting for us after death, but will also become enlightened about why we suffered that which we did.

This painting attempts to showcase what may be taking place as time passes. This girl is enveloped in a murky, withered state because of her sufferings, and as a result, cannot see beyond her undesirable condition. Yet a working clock (depicting the passage of time) gradually draws away the petals of the bloody flowers that have blinded her. These petals drift away while gently lightening in color and forming the hours of the clock. The transition bleeds into a lighter world- the world to come- which is depicted with rosy shades, golden leaves, and light. Though this piece captures this gradual yet beautiful time of revelation in a single image, this transition may have actually occurred over many years- or even a lifetime.

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Pure Freedom

oil, texture paste, & decor stones on canvas

30 x 24 in

2018

$550

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Attractive lies continually surround us, attempting to penetrate and influence our hearts and minds so as to turn us away from what is actually True. In not knowing Truth Himself, it is challenging to know the way and to navigate life- to discern what is right and wrong, what is of God and what is not- at every moment and in every decision. Therefore, we must wholeheartedly seek the "True Gold," for not everything that shines in this world is truly gold.

This painting attempts to simply display how freeing it is once one comes to know Truth, which can be likened to gold: precious, valuable, and pure. This boy has come to know and live in the Truth, as depicted by his being shrouded with a heavily metallic golden light. In becoming absorbed and enveloped in the richness of what Truth has to offer, he is now set free, as illustrated in the form of dispersing rocks that transform into birds. What had previously been inanimate, heavy, and heaped upon the earth has now transformed into living, free creatures. Some of these birds also become gold, for he is gradually tasting what it is like to live in and understand the Truth. These golden birds also showcase his growth towards sanctity- the ultimate fruit of this way of life- for him to one day become entirely enveloped and overwhelmed in this True Gold.

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The Wide Road

oil, paper, artificial flowers, texture paste, & decor stones on canvas

24 x 36 in

2017

$600

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Many times, the moments we fall into darkness, depression, and loneliness are times when we may seek relief and comfort through what appears gratifying and convenient, rather than run to our ultimate Physician for true healing and abiding consolation. However, we soon discover that these enjoyments are deceptive and, instead of pulling us out of our melancholy, merely present ephemeral, shallow relief that only leaves us needing greater help. The world can easily lead to that wide road, but only to leave us stranded there.

This painting attempts to depict the state of the soul once it turns to the world in times of need. Androgynous faces are hidden within the distress of the piece, yet no eyes are visible, as these individuals are clouded from the Truth by the depth of their darkness and immorality. They have resolved to rely on the pleasures of the world to relieve their pain, yet they are further dragged into vice and suffering. White lilies are now coated with black asphalt (representing impurity) and a dark cloud covers one figure’s eyes as black smoke emerges from the mouth (symbolizing the production of profanity). Furthermore, the central figure's head is a chaotic explosion of rocks (illustrating confusion), while the interaction of the paint, textures, and paper add to the distress of the imagery. Decay, corruption, and disorder inevitably result when we absorb ourselves in such a world that does not truly consider the safety and salvation of our precious souls. Note, the abstraction of this work allows for the case of pareidolia for viewers to discover and imagine more elements within the piece.

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Keep Me Safe

cardboard, aluminum foil, paper, acrylic paint, texture paste, artificial flowers/foliage, thread, eye hook, & wire

12 x 7.25 x 3.5 in

2019

not for sale

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Probably one of the most difficult aspects of the human person to preserve is one's heart. The heart is the nucleus from which all human behaviors, desires, and speech are derived. Yet the heart is also most attacked by the world and the Enemy, and once it begins to lose its purity and goodness, the products of the heart can have dangerous consequences for both others and one's own inner life. As such, despite all that we may face and experience in this world, we ought to preserve and care for our hearts as much as possible, for nothing good can flourish from a hopeless, decayed source.

This sculpture attempts to communicate the heart's plea to be kept safe and impenetrable from the darkness of the world. The outside of the heart is coated with a blackened, almost charred metallic surface- this illustrates the long-term effects caused by worldly disturbances and influences, which attempt to discourage and mar the inner goodness and peace of the heart. Even more, the flowers, leaves, and butterflies around the heart have turned black, for it is extremely difficult to not have even a single part of one's heart undisturbed by the world. Yet this opened heart exposes a white inner core, symbolizing that goodness and purity have still been preserved, and the dove hanging in the center prominently displays the continued presence of peace. Furthermore, there is a blackened olive branch entering the superior vena cava, where, anatomically, blood enters the heart; likewise, the darkness of the world attempts to seep into the heart and fill it with its own kind of "blood." However, emerging from the aorta, where blood leaves the heart, is a golden lily, which contrastingly illustrates that the goodness and purity of one's heart can, in fact, flow out to, and influence, the outside world.

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Terror of Demons

oil & liquid gold leaf on canvas

30 x 15 in

2020

not for sale

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Protectress of Humanity

oil & liquid gold leaf on canvas

30 x 15 in

2020

not for sale

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With the ever-rising crisis in the world of true fatherhood and motherhood, and the growing confusion of what masculinity and femininity inherently entail, the respective roles of men and women have become distorted and, in turn, the beauty and wholeness of the family has been stripped. Men and women are being attacked and becoming confused about their respective, irreplaceable roles, which is gradually depriving the basic unit of society of any truth, goodness, or beauty, and making it ever more challenging for the family to attain holiness. Yet, the world is a battlefield, and each mother and father is given different, though complementary, weapons to fight in the same battle- working together to protect and preserve the family. Conveniently, we have two perfect exemplars of true fatherhood and motherhood to look up to and to help us see the innate beauty and power in the role of men and women.

The left painting of this diptych, Terror of Demons, is based on St. Joseph and represents true fatherhood and masculinity- as St. Joseph is the epitome of what it means to be a father. A sword is chosen for fatherhood because such a weapon is used in direct combat in battle; in the same way, the role of a father is to be on the "frontlines" in the battle waged against the family, active in combat and willing to lay down his life for his wife and children. At the same time, the sword illustrates St. Joseph's "Sword of Purity," which every man is called to wield against the attacks of the Enemy. A regal, commanding, yet delicate sword is illustrated, with prominent lilies encircling the hilt. The white lilies represent innocence and purity of heart, mind, body, and soul (that is, purity in feelings and motives, in thoughts, in behavior and speech, and in the spiritual life). At the base of the sword's grip is a golden globe, which symbolizes how the world is not only in dire need of more virtuous men like St. Joseph, but how the world is also grounded upon such men. At the base of the hilt is a row of red gemstones and pearls, which add to the elegant and royal nature of the sword as St. Joseph is of the royal line of King David. The stems of the lilies transform into a ribbon which encircles the blade. While this movement adds to the royal nature of the weapon, the ribbon also alludes to the biblical image of the serpent-entwined rod: the traditional medical symbol representing healing. In this way, the father should be a source of healing and comfort to all those entrusted to his care who look upon him in times of need. Finally, the red, gold, and blue droplets symbolize blood, sweat, and tears, respectively, as the role of a father inherently entails sacrifice (blood), hard work (sweat), and joyous and sorrowful emotions (tears).

The right painting of this diptych, Protectress of Humanity, is based on the Virgin Mary, Our Blessed Mother, and represents true motherhood and femininity- as Mary is the epitome of what it means to be a mother. A bow and arrows are chosen for motherhood because such a weapon is used indirectly in battle, from afar; in the same way, the role of a mother is to participate in the battle waged against the family in such a way as to assist and direct the father. From a higher plain, the mother is able to stand guard and both attack and watch for approaching enemies in the distance, and so help direct the husband who is on the frontline. An elegant and regal bow is illustrated with lilies that transform into arrows. At the top of the bow is an image of a fetus, as mothers are the ones privileged to bear life into the world and are called to protect humanity from its very conception. At the bottom of the bow is a golden globe, which likewise symbolizes how the world is in desperate need of more women who reflect Mary, especially as it pertains to protecting life, but also how the world is built on the way in which a mother raises her family. Along the rim of the bow are a total of twelve blue gemstones, which both add to the elegant nature of the weapon and allude to the twelve stars that traditionally crown Mary. Prominent white lilies are also illustrated, which again represent innocence and purity of heart, mind, body, and soul. It is the power of such purity that transforms into the means by which she attacks the Enemy- truly virtue is as a sharpened blade in the face of vice. Likewise, the stems of the lilies transform into ribbons, which can also be seen as a motif of healing and comfort. Again, the red, gold, and blue droplets are illustrated, as the role of a mother also inherently entails sacrifice, work of a different kind, and joyous and sorrowful emotions.

The design of the two paintings are based on the design of the king and queen playing cards, which not only gives each piece a relatable quality, but also underscores the royal value found in possessing these "cards" in one's hand. Instead of the traditional playing card suits, these pieces belong to the "Fleur de Lis" suit (this symbol simply represents a stylized lily). In this way, these pieces become the "King of Fleur de Lis" and the "Queen of Fleur de Lis." The border of Terror of Demons is a deep red, which evokes a more masculine, commanding emotion, while the border of Protectress of Humanity is a light blue, which evokes a more feminine, gentle emotion and is the color most associated with the Virgin Mary. Ultimately, each man, husband, and father is called to be a "Terror of Demons" (an official title of St. Joseph), and each woman, wife, and mother is called to be a "Protectress of Humanity" (a personal, imaginary title I created for Mary)- and so, together, this diptych symbolizes the Holy Family. Only when the mother and father fight together, with the love and acceptance of their distinctive, complementary roles- and listen to one another's directives- can they effectively protect the family and help lead one another and their children to Heaven.

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