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You could tell us...

What's your favorite book, band, TV show, movie, app, etc?

What's the wackiest thing about you?

Do you have a job(s)?

What are your hobbies?

What are your favorite foods?

What's the most embarrassing thing that's ever happened to you?

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Advice From Previous Students

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Units This Semester

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The Road by Cormac McCarthy

Short Stories

Poetry

Non-fiction Articles

Personal Accounts

Unit Assessment:

Monologue

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Into the Wild by Jon Krakauer

Short Stories

Poetry

Non-Fiction Articles

Personal Accounts

Unit Assessment:

Multimedia Presentation

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  • Part 1: Shifting Gears to the Hero Unit
    • We will be brainstorming, in pods, to get our minds focused on the concept of “hero”
    • Each pod needs to get out a piece of paper and divide that paper into 4 sections.

  • Part 2: The Last American Man by Elizabeth Gilbert
    • The novel will be handed out today!
    • For Wednesday, please read Ch. 1. You will have a quiz on Wed (same format).

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The Last American Man

SHORT STORIES

NON-FICTION ARTICLES

PERSONAL ACCOUNTS

Unit Assessment:

On-Demand Writing

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Please put your copy of

The Road in the cabinet!

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Working with the people in your pod, list as many qualities as you can that are associated with being a hero.

Use the first section of your paper and try to keep brainstorming for 2 minutes!

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In the second section of your paper, come up with a group definition of a hero.

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In the third section of your paper, write down as many people as you can who, to you, are heroes.

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Now that you have your list of heroes, use the fourth section of your paper and try to put them into categories.

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If you haven’t done so already, please put your copy of

The Road in the cabinet!

Tom Downing, Vietnam Veteran

(Munk’s Dad)

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Flip your brainstorm over.

For this unit, you will be choosing your own text!

In your pod, come up with a list of criteria for choosing a book.

Fiction? Nonfiction? Biography? Autobiography? Hero? Antihero?

What’s important to us as we choose our own books?

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Lit Terms

  • Hero/Heroine: synonymous with protagonist, a hero or heroine is the main character of the work.

  • Antihero: a protagonist who does not exhibit the typical qualities of the traditional hero. Instead of being grand or admirable (brave, honest, magnanimous), an antihero can be ordinary, petty, or a criminal.

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Book Clubs have 10 minutes to accomplish the following:

  • If you don’t know one another, introduce yourselves 😊
  • Each Book Club member should…
    • Share which book they have chosen and WHY they chose this book for the Hero Unit
    • Share your current definition of HERO
    • Share their Essential Questions
    • Share 3 questions/observations for today’s reading
    • LISTEN while others are speaking
  • If you haven’t chosen your book yet, be honest about that with your pod and see if anyone has any recommendations for you!

Day 1

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Book Clubs have 10 minutes to accomplish the following:

  • Each Book Club member should…
    • Give a recap of what they read last night
    • Remind the group about what your Essential Questions are
    • Share 3 questions/observations from last night’s reading
    • LISTEN while others are speaking
  • Together, the Book Club should…
    • Review each group member’s current definition of “hero”.
    • Think about your group’s definitions of “hero” and try to come up with a group FOCUS. What does your group want to dig further into in terms of the complex concept of “HERO”?
      • Example: Our books have heroes that are very different from one another. Does being a hero mean that you do something gallant or could it also mean that you simply endure what life has to throw at you?

Day 2

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Lit Term

  • Epistolary Novel: a novel that tells its story through letters written from one character to another.

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Lit Term

  • Bildungsroman: a novel that recounts the development of an individual from childhood or adolescence to maturity, to the point at which the protagonist recognizes his or her place in the world.
    • Basically… a coming-of-age story.

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Book Clubs have 10 minutes to accomplish the following:

  • Each Book Club member should…
    • Give a recap of what they read last night
    • Reference progress toward/revision of Essential Questions
    • Discuss 3 questions/observations about last night’s reading
    • LISTEN while others are speaking
  • Together, the Book Club should…
    • Review each group member’s current definition of “hero”.
    • Think about your group’s definitions of “hero” and try to come up with a group FOCUS. What does your group want to dig further into in terms of the complex concept of “HERO”?
      • Example: Do Joseph Campbell’s concepts of “the hero with a million faces” and “the hero’s journey” apply to ALL literature or just books that have a clear hero? What does this reveal about “hero”?
    • Be ready to share your group’s FOCUS

Day 3

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Lit Term

  • Epiphany: sudden enlightenment or realization; a profound new outlook or understanding about the world usually attained while doing everyday, mundane activities.

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Lit Term

  • Round Character: characters which are fully developed, with the complexity and depth associated with real people; they can surprise readers convincingly and have full-blown personalities complete with contractions and quirks that make it difficult to describe them reductively.

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Day 4

Book Clubs have 10 minutes to accomplish the following:

  • Each Book Club member should…
    • Give a recap of what they read last night
    • Discuss 3 questions/observations about last night’s reading
  • Together, the Book Club should…
    • Establish OR continue analyzing the group’s FOCUS
      • Example: Are heroes born or created?
      • Be ready to share your focus with the class, or at least what your group is thinking about focusing on at this point.
      • Remember, you need to have your book read by Friday!

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Lit Term

  • Other: a person or category of people seen as different from the dominant social group; almost any ideology involves the classification of some group as the Other, often by virtue of race, class, gender, sexuality, or other characteristic - this practice often results in the marginalization and oppression of that group.
    • Example: People who read/have books in Fahrenheit 451 (Clarisse, Granger, Montag, etc.)

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Lit Term

  • Poetic Justice: the idea that virtuous and evil actions are ultimately dealt with justly, with virtue rewarded and evil punished.
    • Example: Fahrenheit - Beatty dies while Montag lives

You will have a 10-question matching Hero Unit Lit Terms Quiz on Monday next week!

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Day 5

Book Clubs have 10 minutes to accomplish the following:

  • Each Book Club member should…
    • Give a recap of what they read last night
    • Discuss 3 questions/observations about last night’s reading
  • Together, the Book Club should…
    • Continue analyzing the group’s FOCUS
    • For the Book Club SLAM, remember that it’s not enough to simply identify your group’s focus within each of your novels. You need to determine WHY this is significant and what it means for the concept of “hero” in American Literature.

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Lit Term

  • Archetype: the original model from which something is developed or made; in literary criticism, those images, figures, character types, settings, and story patterns that are universally shared by people across all cultures.
    • Examples on the next 2 slides

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Lit Term

  • Theme: the statements that a text seems to be making about its subject; usually a big idea like “ambition”, “freedom”, “fear”, “hero”, or “journey”.
    • Others could include “suffering”, “death”, “mortality”, or “happiness”.
    • Examples:
      • The Great Gatsby - ambition
      • Fahrenheit 451 - freedom
      • The Road - fear, death, hope
      • Into the Wild - journey

You will have a 10-question matching Hero Unit Lit Terms Quiz on Monday next week!

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  • Teenage girl resorts to extreme body modification to get a guy to like her (and to get back at Daddy).

  • Brave mother and father rescue their kidnapped children from a serial killer who wears her victims’ skins.

  • American invades foreign land, kills local leadership, and struggles to find an exit strategy.

  • A guy learns to love a girl without her Instagram filters.

  • An old man pretends to be bedridden for years until he gets a chance at some free chocolate.

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A guy learns to love a girl without her Instagram filters.

An old man pretends to be bedridden for years until he gets a chance at some free chocolate.

American invades foreign land, kills local leadership, and struggles to find an exit strategy.

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You will need your laptop later in class today. If you don’t have it with you, please go check one out from the library!

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Book Clubs have 15 minutes to accomplish the following:

  • Each Book Club member should…
    • Give a recap of what they read last night
    • Reference progress toward/revision of Essential Questions
    • Discuss 3 questions/observations about last night’s reading
    • LISTEN while others are speaking
  • Together, the Book Club should…
    • Review the Shared Line of Inquiry you have established and discuss how last night’s reading confirms or complicates it.
    • Spend a few minutes thinking about your Book Club SLAM (might be a good idea to divide responsibilities now)
      • Be ready to share-out
        • What you discussed about your Shared Line of Inquiry
        • One gem from today’s discussion
        • Book Club SLAM planning thoughts

Day 6

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Book Clubs have 15 minutes to accomplish the following:

  • Each Book Club member should…
    • Give a recap of what they read last night
    • Reference progress toward/revision of Essential Questions
    • Discuss 3 questions/observations about last night’s reading
    • LISTEN while others are speaking
  • Together, the Book Club should…
    • Review the Shared Line of Inquiry you have established and discuss how last night’s reading confirms or complicates it.
    • Spend a few minutes thinking about your Book Club SLAM (might be a good idea to divide responsibilities now)
      • Be ready to share-out
        • What you discussed about your Shared Line of Inquiry
        • One gem from today’s discussion
        • Book Club SLAM planning thoughts

Day 7

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Book Clubs have 10 minutes to accomplish the following:

  • Each Book Club member should…
    • Give a recap of what they read last night
    • Reference progress toward/revision of Essential Questions
    • Discuss 3 questions/observations about last night’s reading
    • LISTEN while others are speaking

  • Together, the Book Club should…
    • Review the Shared Line of Inquiry you have established and discuss how last night’s reading confirms or complicates it.
    • Spend a few minutes thinking about your Book Club SLAM (might be a good idea to divide responsibilities now)

Day 8

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Book Clubs have 10 minutes to accomplish the following:

  • Each Book Club member should…
    • Give a recap of what they read last night
    • Reference progress toward/revision of Essential Questions
    • Discuss 3 questions/observations about last night’s reading
    • LISTEN while others are speaking

  • Together, the Book Club should…
    • Review the Shared Line of Inquiry you have established and discuss how last night’s reading confirms or complicates it.
    • It’s time to really nail down what you will be focusing your Book Club SLAM (collaborative portion) on!

Day 9

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You will need your laptop for a majority of today’s class.

If you don’t have one with you, please go check one out from the Library.

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Book Clubs have 10 minutes to accomplish the following:

  • Each Book Club member should…
    • Give a recap of what they read last night
    • Reference progress toward/revision of Essential Questions
    • Discuss 3 questions/observations about last night’s reading
    • LISTEN while others are speaking

  • Together, the Book Club should…
    • Review the Shared Line of Inquiry you have established and discuss how last night’s reading confirms or complicates it.
    • It’s time to really nail down what you will be focusing your Book Club SLAM (collaborative portion) on!

Day 10

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Please separate and face your desks to the front of the room for your

Hero Unit Lit Terms Quiz.

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  • Take a minute to read over the comments people made on your Book Review.

  • You have 2 votes. Use them to show which Book Review post/comments you think were the most effective/well done for this activity.

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  • If you haven’t done so already, please create your group’s Google Presentation, share it with each other and Munk, and put the link to the presentation in your Hero Unit Plan document.

  • Call me over if you need help!

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  • Please share your presentation with me and put the link to the presentation in your Hero Unit Plan document.
  • Things I’m noticing at this point
    • Too much text on slides
    • One-sentence summaries = grammatical nightmare!
    • You don’t need to have everything you say on the screen!
    • Stressed about 1-minute snapshot or the presentation in general? PRACTICE!!!
  • When you deliver your SLAM, make sure you
    • Give an introduction to your group’s SLAM
    • Have notes with you if you need them
    • Be enthusiastic! YOU are the experts!
    • Don’t skimp out on the collaborative portion of your presentation - THIS is what I’m MOST interested in hearing from your group!
  • Call me over if you need help!

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Hour

Pre-Test

Mid-Point Test

1

54.45%

64.43%

2

51.34%

61.81%

3

58.94%

71.52%

What resources do you have available to you for improvement?

* These values represent class averages. Individual scores can be seen in Skyward.

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  • The person who created the group’s presentation needs to post it to the Google Classroom Stream. Remember that you have to title it or it won’t let you post.
  • If you are watching, be courteous! Don’t be that guy who’s working on other stuff and being rude.
  • If you are presenting…
    • Don’t sit or lean on stuff!
    • Remember to give an introduction!
    • Engage the audience! Show us what you’ve got! YOU are the experts.
    • Have fun with it and don’t forget to yell SLAM!

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Elizabeth Gilbert

Eustace Conway

The Author

The Subject

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  • Choose a NON-FICTION, BIOGRAPHICAL/AUTOBIOGRAPHICAL BOOK based on your personal reading preferences
  • Read the book mainly outside of class with some in-class reading days
  • Keep a journal
  • Discuss the book with your peers
  • At the end of the unit, do a mini-presentation on your book

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  • As the book lists are passed around, look through them and find titles that might interest you
  • Write down important information about the book so when you get into the library tomorrow, you can find it easily
    • The book title and author
      • The author will come first in the entry. The title will be underlined.
    • The call number (ex. 921 HAM NC)
      • This will tell you where you will find the book in the library

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Today is a 20 minute reading session.

You have 2 options during this time:

  • Read your book
  • Work on your journal

If you have not found a book at this point, come talk to me.

If you do not have your book with you today, you must keep quiet and busy with something else.

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  • 1871-1900 (died of tuberculosis)
  • Pioneer of naturalism
    • literary movement that dissected human instincts and behavior and examined the social environment that "conditioned" people to turn out as they did (why are people the way they are?)
  • Author of The Red Badge of Courage
  • Explored impressionism
    • In fiction, where the writer gives the reader not objective reality, but one character's impression of that reality

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SITUATIONAL IRONY

  • Occurs when there is a discrepancy between what is expected to happen and what actually happens

PREMISE OF THE STORY

  • Fred Collins, a private in the Civil War, risks his life on the battlefield in order to get some water

QUESTIONS TO CONSIDER AS YOU READ

  • Do you consider Collins a hero or a fool?
  • What is Collins' motive for doing what he did?
  • Does Collins' lowly rank contribute to your thoughts on his heroism/foolishness?

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ON-DEMAND WRITING PRACTICE

  • Open your textbook to pg. 486.
  • Today, we will be working on the format of On-Demand Writing.
  • REMINDER: Be ready for the Ch. 2 Last American Man Quiz tomorrow!

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ON-DEMAND WRITING PRACTICE

  • Read the Prompt and develop an arguable Thesis Statement.
  • Record Topic Sentence #1.
  • STOP! Do not move forward in the packet! Wait for further direction.

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  • Read what has been written by other pods so far.
  • Find a selection from the text that supports the Thesis and Topic Sentence #1.
  • Record your selected Direct Evidence under what has been written for Topic Sentence #1.
  • STOP! Do not move forward in the packet! Wait for further direction.

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  • Read what has been written by other pods so far.
  • Analyze the Direct Evidence that has been given for Topic Sentence #1.
  • STOP! Do not move forward in the packet! Wait for further direction.

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  • Read what has been written by other pods so far.
  • Turn to Page 2 of the packet.
  • Write Topic Sentence #2.
  • STOP! Do not move forward in the packet! Wait for further direction.

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  • Read what has been written by other pods so far.
  • Find a selection from the text that supports the Thesis and Topic Sentence #2.
  • Record your selected Direct Evidence under what has been written for Topic Sentence #2.
  • STOP! Do not move forward in the packet! Wait for further direction.

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  • Read what has been written by other pods so far.
  • Analyze the Direct Evidence that has been given for Topic Sentence #2.
  • STOP! Do not move forward in the packet! Wait for further direction.

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  • Read what has been written by other pods so far.
  • Turn to Page 3 of the packet.
  • Write Topic Sentence #3.
  • STOP! Do not move forward in the packet! Wait for further direction.

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  • Read what has been written by other pods so far.
  • Find a selection from the text that supports the Thesis and Topic Sentence #3.
  • Record your selected Direct Evidence under what has been written for Topic Sentence #3.
  • STOP! Do not move forward in the packet! Wait for further direction.

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  • Read what has been written by other pods so far.
  • Analyze the Direct Evidence that has been given for Topic Sentence #3.
  • STOP! Do not move forward in the packet! Wait for further direction.

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  • You should have your original packet back!
  • Read what has been written in the packet by other pods.
  • Turn to Pg. 4 of the packet.
  • Restate your thesis.
  • Summarize your main points.
  • STOP!

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Show Me What You've Got!

  • Since many of us have come from different teachers, it's important for me to see what you know about On-Demand Writing. Do your best, and we'll talk about what you come up with tomorrow.

PROMPT

Do you see Collins as a hero or a fool? Explain your answer.

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Today is a 20 minute reading session.

You have 2 options during this time:

  • Read your book
  • Work on your journal

If you have not found a book at this point, come talk to me.

If you do not have your book with you today, you must keep quiet and busy with something else.

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  • You will get 3 on-demand essays from yesterday
  • Your job is to compare the essays to each other (A, B, C)
    • A = Strongest
    • C = Weakest
  • Next, think about WHY you rated them this way. Somewhere on each essay, explain your choices
  • We will discuss in a bit

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  • Introduction Paragraph
    • Attention-Getter
    • Thesis
  • Body Paragraphs
    • Topic Sentence
    • Supporting Detail
      • Analysis
    • Supporting Detail
      • Analysis
    • Supporting Detail
      • Analysis
  • Conclusion
    • Restate Thesis
    • Summarize Main Points
    • Lasting Impression

The thesis tells your reader exactly what you are arguing! It is ONE, concise sentence.

The topic sentence of each body paragraph is like a mini-thesis for the paragraph. It tells the reader exactly what you are discussing in that particular paragraph.

The supporting details are EVIDENCE from the text. This can be DIRECT or INDIRECT. SDs need in-text citations.

The analysis explains how the piece of evidence proves your topic sentence, and more broadly, your thesis.

Restating the thesis and summarizing the main points helps the reader to review your argument. A lasting impression leaves the reader thinking about your piece.

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  • Position is clear and focused
  • Well-developed
  • Relevant
  • Insightful and logical
  • Critically discusses the crucial literary elements of the excerpt
  • Connects to hero
  • Well-integrated textual support from the unit
  • Three unit topics
  • Refers to three traits (of a hero)

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  • Varied sentence structure must be present along with challenging vocabulary used correctly

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  • Opener engages the reader in an appropriate and interesting manner
  • Transitions provide fluency and ease of reading and are varied
  • Thesis is clear, distinctive, and important
  • Closer satisfactorily signals the end of the piece

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  • Zero to three errors/no fragments or run-ons
  • Reading and understanding is unimpeded - PUBLISHABLE

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  • Today, you will be using what you have read in “A Mystery of Heroism” and “Surviving SEAL tells story of deadly mission” to write an on-demand analytical piece.
  • PROMPT: Choose two characteristics of a hero and discuss how the characters in the pieces above demonstrated (or did not demonstrate) those qualities.
    • Remember the format! Show me what you’ve got!
    • Include at least 2 direct quotations from the pieces. Be sure to include correct citations (author, pg. #).

Your piece is due at the end of class today!

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  • Firmly decide where you stand and write your thesis
  • Write your topic sentences
  • Go back and fill in the supporting details
  • Write your analyses
  • Put together your conclusion

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WRITE A NEW ON-DEMAND ESSAY (as a group)

  • Do you see Collins as a hero, fool, both, or neither? Explain your answer.
    • Stick to the structure!
    • Incorporate evidence!
    • Analyze the evidence to show how these pieces prove your point!
  • When you finish, make sure all of your group members' names are on your piece and turn it in.

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Today is a 40 minute reading session.

You have 2 options during this time:

  • Read your book
  • Work on your journal

Reminders:

  • You need to be keeping up with your journal!
  • Your first lab day to create your visual for the presentation is on Feb 20th. You should probably have your book read by then!

After today, you only have 3 reading sessions left in class. It might be a good idea to map how you're going to finish the book on time!

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Today is a 20 minute reading session.

You have 2 options during this time:

  • Read your book
  • Work on your journal

Reminders:

  • You need to be keeping up with your journal!
  • Your first lab day to create your visual for the presentation is on Feb 20th. You should probably have your book read by then!

After today, you only have 2 reading sessions left in class. It might be a good idea to map how you're going to finish the book on time!

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By the end of class today, your group needs to:

  • Finish writing the essay
  • Examine the structure and label each piece in your essay. You should have the following:
    • Attention-getter
    • Thesis
    • Topic Sentences
    • Supporting Details
    • Analysis
    • Restatement of the Thesis
    • Summary of Main Points
    • Lasting Impression
  • When you have finished all of this, turn your essay in!

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BREAK IT DOWN

What am I arguing?

  • THESIS: In Stephen Crane's "A Mystery of Heroism," Fred Collins can be seen as a hero due to his courage and selflessness.

How am I going to prove it?

  • TOPIC SENTENCE #1: Collins demonstrates heroic qualities through acts of courage.
  • TOPIC SENTENCE #2: Collins proves he is a hero by selflessly helping others.

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Collins demonstrates heroic qualities through acts of courage.

What pieces of evidence can I use to back this up?

" ' Captain,' said Collins, saluting and standing at attention...'Captain, I want t' git permission to go git some water from that there well over yonder!' " (Crane, pg. 489).

"But he was not sure that he wished to make a retraction even if he could do so without shame" (Crane, pg. 490).

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Collins demonstrates heroic qualities through acts of courage. This can be seen when Collins marches up to his captain and requests permission for what he wants to do. Crane writes, " ' Captain,' said Collins, saluting and standing at attention...'Captain, I want t' git permission to go git some water from that there well over yonder!' " (Crane, pg. 489). Collins takes the initiative to get water across the dangerous battlefield in order to give himself and his comrades some relief. Initially, Collins was nervous about completing this task, but he knew he had to do it. Crane writes, "But he was not sure that he wished to make a retraction even if he could do so without shame" (Crane, pg. 490). He consciously makes the choice to continue with this mission, even though he knew no one would fault him for backing out.

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Collins proves he is a hero by selflessly helping others.

What pieces of evidence can I use to back this up?

"His cap was gone and his hair was riotous. His clothes made it appear that he had been dragged over the ground by the heels. He ran on" (Crane, pg. 492).

"But Collins turned. He came dashing back. His face had now turned gray and in his eyes was all terror. 'Here it is! Here it is!" (Crane, pg. 492).

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  • Take a stab at writing Body Paragraph 2 on your own.
  • Use the topic sentence below. It doesn't matter if you agree with it or not - you're working on your writing skills right now.
  • Remember to include the topic sentence, supporting details with accurate citations, and analyses!

Collins proves he is a hero by selflessly helping others.

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Today is a 20 minute reading session.

You have 2 options during this time:

  • Read your book
  • Work on your journal

Reminders:

  • You need to be keeping up with your journal!
  • Your first lab day to create your visual for the presentation is on Feb 20th. That's a week away! You should probably have your book read by then!

After today, you only have 1 reading session left in class. It might be a good idea to map how you're going to finish the book on time!

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  • People
    • Marcus Luttrell
    • Michael Murphy
    • Matthew Axelson
    • Danny Dietz
  • Setting
    • Eastern Afghanistan

  • Conflict
    • Operation Redwing
      • OBJECTIVE: Find Taliban leader in the village he's supposedly in
      • SNAG: Compromised by 3 goatherds, held goatherds captive
      • QUESTION: Kill goatherds or let them go?

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  • The team decided as a group to let the goatherds go
  • Within 2 hours of letting them go, the team found themselves in a fight for their lives, surrounded by about 140 Taliban fighters
  • The SEALs lost men one by one - Luttrell survived
    • He was knocked unconscious, saved by tribesmen, and rescued days later by Army Rangers and Special Forces
    • Murphy, Axelson, and Dietz perished in the battle
  • In his book, Luttrell emphasizes his comrades' heroism

It can all be traced back to the team's decision to let the goatherds go.

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In your groups, have a brief discussion.

Use the following questions to guide your discussion:

  • Which of the people in the piece would you consider heroes?
  • Are there any people in the piece that you would say are NOT heroes?
  • Do you think there's anything the team should have done differently? Why or why not?
  • Do you think the men were deserving of the honors they received?
    • Dietz
      • Navy Cross (after death)
    • Murphy
      • Navy Cross (after death)
    • Axelson
      • Navy Cross (after death)
    • Luttrell
      • Promoted to Hospital Corpsman 1st Class, Navy Cross

Navy Cross: 2nd highest military decoration for valor and extraordinary heroism in combat

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Today is a 40 minute reading session.

You have 2 options during this time:

  • Read your book
  • Work on your journal

Reminders:

  • Your first lab day to create your visual for the presentation is next Wednesday. That's less than a week away! You should probably have your book read by then!

Today is the last reading session in class! If you haven't finished your book and journal after today, you will need to do the rest at home!

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  • You should have your Choice Text read by Wednesday!
  • Your journal should be up to date
    • EACH ENTRY should include the date, pages read, 2-3 sentence summary, and 3-5 sentence response
  • Your mini-presentation should be about 3-5 minutes long
    • Give a BRIEF summary of your book
    • Discuss whether or not your person should be considered a HERO (this should be the majority of your presentation)
    • Utilize a VISUAL AID
  • Your lab days for creating your visual are Wednesday and Thursday THIS WEEK!

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  • Each group folder contains 2 articles (2 copies of each article)
    • Each person needs to read one article (make sure each of the articles gets read)
  • Once the articles have been read, fill your partner(s) in on what your article was about
  • On a group piece of paper, record the following items:
    • Nominee's Name & Group Members' Names
    • Why the person was nominated for CNN's Hero of the Year (2012) - what heroic TRAITS does the person have? What heroic ACTIONS has the person taken?
  • Be ready to report out as a group. Tell the audience:
    • A quick summary of both articles
    • Why the person was nominated to be CNN's Hero of 2012
  • TIP FOR YOU: These articles are all pieces that could be referenced in your final on-demand essay for the Hero Unit!

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There's a good chance we'll have some extra time for you to have a BONUS reading session today!

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  • What are we writing about?
    • Write an essay that shows how heroic traits are exemplified in the pieces we've read during the unit.
  • Pieces you can use:
    • "A Mystery of Heroism" by Stephen Crane - Textbook pg. 487
    • "Surviving SEAL tells story of deadly mission" - Sean D. Naylor (green packet)
    • CNN Heroes Articles - Manila folders or at http://www.cnn.com/SPECIALS/cnn.heroes/index.html
    • Your Choice Text
  • Remember the requirements!
  • You can use whatever notes you have from the unit.

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  • Introduction Paragraph
    • Attention-Getter
    • Thesis
  • Body Paragraphs
    • Topic Sentence
    • Supporting Detail
      • Analysis
    • Supporting Detail
      • Analysis
    • Supporting Detail
      • Analysis
  • Conclusion
    • Restate Thesis
    • Summarize Main Points
    • Lasting Impression

The thesis tells your reader exactly what you are arguing! It is ONE, concise sentence.

The topic sentence of each body paragraph is like a mini-thesis for the paragraph. It tells the reader exactly what you are discussing in that particular paragraph.

The supporting details are EVIDENCE from the text. This can be DIRECT or INDIRECT. SDs need in-text citations.

The analysis explains how the piece of evidence proves your topic sentence, and more broadly, your thesis.

Restating the thesis and summarizing the main points helps the reader to review your argument. A lasting impression leaves the reader thinking about your piece.

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Captain Phillips: Hero?

  • Each pod has a folder containing copies of 2 articles. Divide the articles so at least one person per pod is reading each of the articles.
  • After each person has read their article, fill the other people in the pod in on what the articles covered.
  • Then, discuss the questions below with your group members:
    • Do you think Captain Phillips was a hero? Why or why not?
    • What heroic qualities did he have according to his version of the story?
    • What non-heroic qualities did he have in the other version?
    • What did you learn about point of view from these two articles?
  • When you finish, you can use the rest of the time to read for tomorrow’s quiz (LAM Ch. 8 - 36 pages!).

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  • acknowledged to be the foremost american humorist of the 20th century
  • a gifted cartoonist and writer of essays, sketches, and stories
  • Grew up in columbus, ohio and attended ohio state university
  • moved to new york city and wrote for the new yorker magazine for the rest of his life
  • his writing most often focused on “the little guy” who cannot quite assert himself in a confusing world where women seem surer of their way

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  • walter mitty and his wife are on a trip into town to run some errands
  • the text alternates between the events in their trip and walter’s daydreams
  • pay attention so you take note of which is storyline and which is a daydream!

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Remember - If you did not set up your Google folder yet, please do so BY MONDAY!

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Uncertainty (adj): the state of being unsure about something

As a Junior in highschool, there are a lot of demands on you to make decisions about your future. If you're struggling to make these decisions, you're not alone.

What are you uncertain about in your life?

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At each stage of life, our ideas for our future can change. Things can even change for you as you move through college. Life is uncertain.

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  • 1916-1965
  • Difficult childhood, per her mother's verbal abuse and other mental and physical challenges
  • Lived with her husband in New Bennington, but was unhappy there
  • She was eccentric and didn't fit into society

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Background:

  • Set in a small town on one particular day in June
  • Families gather for a 2-hour process called "The Lottery"
  • The Lottery has been an annual tradition in the town for many years

Things to Watch For:

  • Building suspense
  • The role of family
  • The attention paid to the rules
  • Blindly following tradition
  • Randomness
  • Symbolism (the black box)

SATIRE

The use of sarcasm, irony, or ridicule in exposing, denouncing, or deriding vice or folly

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Each of you will get a different vocab word to work with. You need to:

  • Locate the word in the text and read the sentence that it's in.
  • Look up the definition of the word using either a dictionary or on online dictionary using your personal electronic device.
  • Figure out which definition is the most appropriate for the word's use in the story.
  • Be ready to explain your information to the class in about 10 minutes.

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  • 1863-1941
  • Born into an impoverished family
  • Success in writing allowed him to escape his hard-luck childhood
  • Published 13 short story collections, 5 novels, a few novellas, and some one-act plays

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Background:

  • Plot opens on a dark and stormy night
  • The White family is relaxing inside their cozy home - father and son are playing chess with mother looking on
  • Sergeant-Major Morris, a family friend, comes to visit
  • Morris tells stories of his exploits abroad; specifically, of a mummified monkey paw he bought from a fakir in India. The paw is said to have special powers.

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  • The danger of greed
  • The clash between domesticity and the outside world
  • The pattern of groups of 3
  • The weather and it's contribution to the mood of each section
  • Transformations
  • Symbolism: The Monkey's Paw, The Game of Chess

The Horror Genre

Intended to scare readers through heightened suspense and eerie mood. Often the central menace of a work of horror fiction can be interpreted as a metaphor for the larger fears of a society. Rooted in folklore.

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Today's Topics

  • The roots of Gothic literature (historical context)
  • Gothic literary conventions
  • Gothic character types
  • Applicable literary terms

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  • The terms "Goth" and "Gothic" describe Germanic tribes (ex. Goths, Visigoths, Ostrogoths) which sacked Rome and also ravaged the rest of Europe in the 3rd, 4th, and 5th centuries.
  • By the 18th century in England, "Gothic" had become synonymous with the Middle Ages, a period which was in disfavor
    • chaotic
    • unenlightened
    • superstitious

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Pointed Archways

Flying Buttresses

Narrow Spires

Stained Glass Windows

Intricate Traceries

Upward Movement = Heavenward Aspiration

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The term "Gothic" came to describe certain types of literature because these pieces of literature seemed to take place in Gothic-styled buildings.

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Ancestral Curse:

The current generation suffers for evil deeds of ancestors.

Body Snatching:

  • Grave-robbing
  • Stealing corpses from graves, tombs, or morgues
  • Illicit trade in cadavers
  • Violation of religious space
  • Commercially motivated by science

Dreaming/Nightmares:

  • Dredge up strong emotions such as terror, ecstasy, or joy
  • Reveal urges, impulses, desires even truths about oneself one tries to hide
  • Reveal the future; premonitions

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Entrapment/Imprisonment:

  • Being confined or trapped, as shackled to a floor or hidden away in a dark cell
  • Heightens the psychology of feeling there's no way out

Gothic Gadgets:

  • Physical elements allowing supernatural powers to display uncanny presence and abilities
  • “Supernatural props”: vocal and mobile portraits; animated statues and skeletons; doors, gates, portals, hatchways which open and close independently; secret passageways; secret messages and manuscripts; forbidden chambers and sealed compartments; casket lids seen to rise, etc.

Gothic Counterfeit:

  • Playful fakery of authenticity
  • The text is presented as a discovery or recovery by the editor; sometimes an ancient or forgotten text
  • Cloaks the real writer's authorship
  • Complicates the point of view - makes it more fun and intriguing.

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Mystery:

  • An event or situation that appears to overwhelm understanding

The Grotesque:

  • Mutations, often deformities
  • A mix of two separate modes, such as comedy or tragedy, creating a disturbing fiction in which comic circumstances often preclude a horrific tragedy (or vice versa)

Necromancy:

  • The dark art of communicating with the dead

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Revenge:

  • The act of repaying someone for a harm caused.
  • Can be enacted upon a loved one, a family member, a friend, an object, or an area.

Somnambulism:

  • Sleepwalking
  • Hidden sources of stress may be revealed or acts of guilt replayed

Superstition:

  • Variously considered as a belief in the supernatural or the mystical, and as valuing rituals or miracles
    • Ex: Garlic or wooden stakes for vampires; spreading salt for witches

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The Supernatural:

  • Events or phenomena that defy the rules of natural law
  • More often, and more intriguingly, uncanny events that could be explained or dismissed by the laws of everyday reality.

Transformations/Metamorphosis:

  • A striking change in appearance; a change in the form or function of an organism by a natural or unnatural process

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Devil:

  • Spirit of incarnate evil

Doppleganger:

  • German - "doublegoer"
  • Ghostly counterpart of another person
  • Body double, alter-ego, or identical other person

Ghosts, Werewolves, Vampires, and Witches

  • Various forms of supernatural beings

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The Pursued Protagonist:

  • A force that relentlessly, terminally, and unavoidably pursues, persecutes, or chastises another for some real or imagined wrong

Unreliable Narrator:

  • Ability to accurately relate events is suspect.
  • Makes incorrect assumptions or conclusions, or misunderstands situations or other characters.

Villain-Hero:

  • Villain poses as a hero in the beginning of the story OR the villain possesses enough heroic qualities to be seen as more than just a bad guy

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The Pursued Heroine:

  • A virtuous, idealistic, and usually poetic young woman is pursued by a wicked, older, potent aristocrat.
  • The pursuit often threatens the woman's morals and ideals; she usually responds with passive courage

Revenant:

  • The return of the dead upon the living
  • A ghostly being who returns to life

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  • Atmosphere
    • The mood or feeling created in a piece of writing.
  • Allusion
    • A reference to someone or something that is known from history, literature, religion, politics, sports, science, or some other branch of culture.
  • Metonymy
    • Subtype of metaphor
    • Something is used to stand for something else (rain is used to stand for sorrow)
      • The film industry likes to use metonymy as a quick shorthand - we often notice it's raining in funeral scenes

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wind, especially howling

sighs, moans, howls, eerie sounds

rain, especially blowing

clanking chains

doors grating on rusty hinges

gusts of wind blowing out lights

footsteps approaching

doors suddenly slamming shut

lights in abandoned rooms

crazed laughter

characters trapped in a room

baying of distant dogs (or wolves?)

ruins of buildings

thunder and lightning

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  • Born in New York in 1933 (WWII, child of the Depression - tragic events shaped his writing to a degree)

  • 3rd child of 6 (2 brothers, 3 sisters), came from a good family

  • Served in the US Air Force

  • Lived in Alaska, Tennessee, and travelled during his time in the military

  • Married 3 times - no strong female characters

  • Wrote 10 novels
    • No Country for Old Men
    • The Road

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Setting: Post-Apocalyptic

  • Unnamed place and time (somewhere in the United States)
  • Man and boy are travelling along the road, headed toward the coast
  • "Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark."

Characters: Man and boy

  • Unnamed characters (adds to the anonymity of the piece)
  • They're all each other has in the world

Punctuation: Minimal

  • Could be McCarthy's way of showing that elements of the old world do not exist anymore

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Things to Watch For:

The relationship between the man and the boy

The man's dreams/flashbacks

Methods of survival

Skeletal/Frame Imagery

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  • Please get out a piece of paper and a pen or pencil.
  • As we begin our Fear unit, I would like for you to think about the things in life you’re afraid of.
  • As you compose your list, what you write down can be anything from spiders to death.
  • If you’re having trouble coming up with things, remember...everyone is afraid of something! If you still can’t come up with anything, try to list things you think other people are afraid of.

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From The Night Country

by Loren Eiseley

If you cannot bear the silence and the darkness, do not go there; if you dislike black night and yawning chasms, never make them your profession. If you fear the sound of water hurrying through crevices toward unknown and mysterious destinations, do not consider it. Seek out the sunshine. It is a simple prescription. Avoid the darkness.

It is a simple prescription, but you will not follow it. You will turn immediately to the darkness. You will be drawn to it by cords of fear and of longing. You will imagine that you are tired of the sunlight; the waters that unnerve you will tug in the ancient recesses of your mind; the midnight will seem restful - you will end by going down.

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What personal and societal fears are prevalent so far in your reading of

The Road?

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Lit Term

  • Style: The way in which a literary work is written; produced by the message the author communicates to the reader plus how the author chooses to present it.

  • Example: Dialogue in The Road

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Lit Term

  • Imagery: The use of vivid or figurative language to represent objects, actions, or ideas.

  • Example: “In the dream from which he’d wakened he had wandered in a cave where the child led him by the hand. Their light playing over the wet flowstone walls. Like pilgrims in a fable swallowed up and lost among the inward parts of some granitic beast. Deep stone flues where the water dripped and sang. Tolling in the silence the minutes of the earth and the hours and the days of it and the years without cease. Until they stood in a great stone room where lay a black and ancient lake. And on the far shore a creature that raised its dripping mouth from the rimstone pool and stared into the light with eyes dead white and sightless as the eggs of spiders. It swung its head low over the water as if to take the scent of what it could not see. Crouching there pale and naked and translucent, its alabaster bones cast up in shadow on the rocks behind it. Its bowels, its beating heart. The brain that pulsed in a dull glass bell. It swung its head from side to side and then gave out a low moan and turned and lurched away and loped soundlessly into the dark” (McCarthy 4).

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Lit Term

  • Foregrounding: Giving prominence to something in a literary work that would not be accentuated in ordinary discourse.

  • Examples: skeletal framework, desolate nature of setting, simplicity (punctuation), anonymity

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Jason Reynolds

Brendan Kiely

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Please grab a textbook from the bookshelf.

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Lit Term

  • Gothic: A genre characterized by a general mood of decay, suspense, and terror; action that is dramatic and generally violent or otherwise disturbing; loves that are destructively passionate; and landscapes that are grandiose, if gloomy or bleak.

  • Examples: “The Fall of the House of Usher” by Edgar Allan Poe

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Lit Term

  • Ambiguity: Lack of clarity or uncertainty in meaning; may be intentional or unintentional; the richness and complexity of literary works depend to a great extent on ambiguity; can be used to create alternate levels of meaning.

  • Examples:
    • The Road - just about everything
    • “The Fall of the House of Usher” - Madeline Usher

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  • Narrator
  • Roderick Usher
  • Madeline Usher
  • Physician

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In the next 5 minutes, focus your discussion on your reading for today in The Road.

  • Come up with 2 OBSERVATIONS your group has made about what McCarthy is doing as a writer (style, diction, tone, mood, symbolism, verisimilitude, etc).

  • Come up with 1 QUESTION you have about the text at this point.

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Please grab a textbook from the bookshelf.

Let’s finish up “The Fall of the House of Usher”!

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  • Keep your eye out for SOUNDS that are happening in different parts of the house

  • Watch for parallels between the HOUSE of Usher and the MIND of Roderick Usher

This piece is HIGHLY symbolic and there’s much more going on than meets the eye!

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Pre-Test

57.31%

Mid-Point Test

63.22%

Final Lit Terms test will be on Friday, June 3rd. This IS NOT your final exam for the class - it goes in as a test grade of 100 points.

  • Set a goal!
  • Use the Quizlet!
  • Review previous terms when you are studying for Unit Tests!

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Lit Term

  • Unreliable Narrator: a narrator who, intentionally or unintentionally, fails to provide an accurate report of events or situations and whose credibility is therefore compromised.

  • Examples:
    • “The Fall of the House of Usher” - narrator

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Lit Term

  • Verisimilitude: the apparent truthfulness and credibility of a fictional literary work. Works that achieve verisimilitude seem believable to the reader or audience because they mesh with human experience or accord with conventions that enable a suspension of disbelief.

  • Examples:
    • The Road - what do you think?

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Lit Term

  • Personification: a figure of speech in which human characteristics are bestowed upon anything nonhuman.

  • Examples:
    • “The Fall of the House of Usher” - the house
      • “physique” of the house
      • living and nonliving things are “sentient”

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Lit Term

  • Grotesque: strange or unusual things; bizarre or unnatural combinations of characteristics or images.

  • Examples:
    • The Road - the cellar
    • “The Fall of the House of Usher” - Madeline Usher in the tomb/at the end of the story

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  • The only NAMED character in the book
    • Lies about his name
  • Nearly blind
  • Important Quotations:
    • “People were always getting ready for tomorrow. I didnt believe in that. Tomorrow wasnt getting ready for them. It didnt even know they were there” (168).
    • “Nobody wants to be here and nobody wants to leave” (169).
    • “There is no God and we are his prophets” (170).
    • “When I saw that boy I thought that I had died...Where men cant live gods fare no better...to be on the road with the last god would be a terrible thing so I hope it’s not true” (172).
    • “When we’re all gone at last then there’ll be nobody here but death and his days will be numbered too” (173).
    • “Maybe [the boy] believes in God...He’ll get over it” (174).
    • “I don’t know what [luck] would mean. What luck would look like. Who would know such a thing?” (174).

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Lit Term

  • Tragedy: a serious drama, written in prose or verse, that typically ends in disaster and that focuses on a character that undergoes unexpected personal reversals.

  • Examples:
    • The Road? “The Fall of the House of Usher”? What do you think?

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Once there were brook trout in the streams in the mountains. You could see them standing in the amber current where the white edges of their fins whimpled softly in the flow. They smelled of moss in your hand. Polished and muscular and torsional. On their backs were vermiculate patterns that were maps of the world in its becoming. Maps and mazes. Of a thing that could not be put back. Not be made right again. In the deep glens where they lived all things were older than man and they hummed of mystery.

Torsional = twisting

Vermiculate = like a worm

What is the significance of the last paragraph of the novel?

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“Before God made the world, there was nothing but swamp to be seen, in which, however, there dwelt a very large trout. This trout was indeed a mighty fish, for his body reached from one end of the swamp to the other. Now, when the Creator produced the Earth, He made this creature to become its foundation. There lies the living trout beneath the world, taking in and sending out the waters of the sea through his mouth. When he sucks the water in, the ebb of the tide takes place, but when he sends it out the tide flows”

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The Road Write-Around

  • This was quite a reading! Choose ONE OR MORE of the items below to respond to in your reflection for this weekend’s reading. Try to keep writing until I stop you.
    • Discussion of a scene or event in the plot that surprised you and WHY it had that effect on you
    • Thoughts on the relationship between the man and the boy - realistic? believable?
    • Reflection on the novel as a prediction of what could happen in the event of an apocalypse
    • Commentary on specific elements of McCarthy’s writing style (you could even relate the text to the interview you saw since you have read almost half of the book!)

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  • DO NOT WRITE ON THE QUIZ ITSELF!!!
  • Remember to use a PENCIL on the scantron
  • In the matching section, make sure you use "BC" for "Heightens psychology of..."
  • When you finish, bring the quiz and your scantron up to the front
  • You may use the rest of the time today to finish up your reading of The Road for tomorrow's reading quiz (through the break on pg. 27)

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What is it?

  • An element of figurative language that contains an implied comparison; suggests that two dissimilar things are the same

Give me an example already!

  • "All the world's a stage, and the men and women merely players" -William Shakespeare

Why don't authors just say what they mean?

  • Metaphors paint a picture by drawing comparisons
  • Brief, but rich with meaning

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On your own, write 2 original metaphors. Be school-appropriate!

Avoid cliche comparisons!

We'll be using these again later in class so DON'T BE A SLACKER!

You have 5 minutes. Be ready to share out!

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What is it?

  • A comparison between two unlike things that continues throughout a series of sentences in a paragraph or lines in a poem

Give me an example already!

The sea is a hungry dog,

He rolls on the beach all day

With his clashing teeth and shaggy jaws,

He likes to chew on the most ghastly things

And spit them out over different land

Taking the rubbish with him.

Adapted from

"The Sea" by James Reeves

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"Hope is the thing with feathers�That perches in the soul,�And sings the tune--without the words,�And never stops at all,��"And sweetest in the gale is heard;�And sore must be the storm�That could abash the little bird�That kept so many warm.��"I've heard it in the chillest land,�And on the strangest sea;�Yet, never, in extremity,�It asked a crumb of me.” Emily Dickinson

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"I graduated from the University of Life. Alright? I received a degree from the School of Hard Knocks. And our colors were black and blue, baby.

I had office hours with the Dean of Bloody Noses. All right? I borrowed my class notes from Professor Knuckle Sandwich and his Teaching Assistant, Ms. Fat Lip Thon Nun.

That’s the kind of school I went to for real, okay?”

Will Ferrell's Harvard

Commencement

Address - 2003

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Choose 1 of your 2 metaphors to EXTEND. Be school-appropriate!

You need 5 additional lines (worth 10 points).

You'll want to practice this...you'll be using this skill on your unit final!

Your extended metaphor is due tomorrow at the beginning of class. If you finish early, you may use the remaining time to read for tomorrow's quiz on The Road (pg. 115-144).

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My mind is an empty well

Barren like the desert

Suffering from yearlong drought

With only dry dirt left

Desperate for a drop of knowledge

To save the crop of thought

People are tigers in a busy street

They push and pounce to get their prey

Jump on anything in the way

Take down anyone weaker

No sense of feeling bad for one another

Fight to the death with their brothers

The car was a tank on the highway

It glistened of black and Milwaukee Bucks Green

Its windows were a shade of nothing

The tires were as strong as a tiger

It destroyed everything in its path

So pull a Ludacris and get out the way!

Life is a highway

You start out slow with a roaring engine and slowly accelerate up to the full speed of life

Then you maintain constant speed for many miles as the end of the road draws near

You slowly slow down

And get on the exit ramp to your destination

Make a couple turns

Turn into the lot

Find a spot where the engine dies with you

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Be ready for your quiz on Monday!

We'll also be talking about your unit assessment on Monday :)

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Be ready for your quiz on Wednesday!

Tomorrow we will be in Lab C to begin work on the monologue!

3rd Hour will be in Lab A.

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Be ready for your quiz on Friday!

Tomorrow we will be in Lab C to continue work on the monologue!

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Be ready for your quiz on Monday!

We will continue working on the monologue on Tuesday in Lab B.

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You will need your laptop in class today.

If you don’t have it with you, please go check one out from the library.

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Think of a time you experienced a journey. Write about this journey - use descriptive language, elaborate, and tell the story!

You will have 10 minutes to write.

Do your best to keep writing until I stop you.

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You will need your laptop first thing today. If you don’t have it with you, please go check one out from the library.

If you have Google Classroom on your phone, you could use your phone instead.

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  • Nonfiction; moves back and forth through time
  • Published in 1996
  • Extension of an article Krakauer wrote in Outside Magazine about Christopher McCandless, a young college graduate who went off to Alaska to explore the wild

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A relevant quotation at the beginning of a book, chapter, etc.

I wanted movement and not a calm course of existence. I wanted excitement and danger and the chance to sacrifice myself for my love. I felt in myself a superabundance of energy which found no outlet in our quiet life.

Leo Tolstoy

"Family Happiness"

Passage highlighted in one of the books found with Chris McCandless's remains.

Don't skip them!!! They have significance to the section!

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A literary technique of beginning the narrative in the middle of the action; used to “hook” the reader’s attention.

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The vantage point from which a narrative is told.

“I won’t claim to be an impartial biographer. McCandless’s strange tale struck a personal note that made a dispassionate rendering of the tragedy impossible. Through most of the book, I have tried - and largely succeeded, I think - to minimize my authorial presence. But let the reader be warned: I interrupt McCandless’s story with fragments of a narrative drawn from my own youth. I do so in the hope that my experiences will throw some oblique light on the enigma of Chris McCandless”

-Jon Krakauer, from the Author’s Note of Into the WIld

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James Thurber was born in Columbus, Ohio, where so many awful things happened to him, on December 8, 1894. He was unable to keep anything on his stomach until he was seven years old, but grew to six feet one and a quarter inches tall and to weigh a hundred and fifty-four pounds fully dressed for winter. He began to write when he was ten years old...and to draw when he was fourteen.

Quick to arouse, he is very hard to quiet and people often just go away...He never listens when anybody else is talking, preferring to keep his mind a blank until they get through, so he can talk. His favorite book is The Great Gatsby. His favorite author is Henry James. He wears excellent clothes very badly and can never find his hat...He is Sagittarius with the moon in Aries and gets along fine with persons born between the 20th and 24th of August.

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The classification of literary works on the basis of their content, form, or technique.

Into the Wild = Travel Essay??

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An understanding between a reader and a writer about certain details of a story that does not need to be explained.

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A confrontation or struggle between opposing characters or forces in the plot of a narrative work, from which the action emanates and around which it revolves.

Ex: conflict between Chris and ALL the family secrets

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A speaker through whom an author presents a narrative; classified by point-of-view and whether they are intrusive (opinionated), unintrusive (detached), reliable, unreliable, self-conscious or self-effacing (not claiming attention, modest).

How would you classify the narrator of Into the Wild?

How do narrators affect readers’/viewers’ understanding of Walt McCandless?

(Into the Wild, The Wild Truth, all of the media surrounding this story)

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Carine McCandless, Ronald Franz, Billie McCandless

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A roundabout way of speaking or writing; pompous or wordy writing.

“The desert is the environment of revelation, genetically and physiologically alien, sensorily austere, esthetically abstract, historically inimical… Its forms are bold and suggestive. The mind is beset by light and space, the kinesthetic novelty of aridity, high temperature, and wind… In an unobstructed sky the clouds seem more massive, sometimes grandly reflecting the earth’s curvature on their concave undersides. The angularity of desert landforms imparts a monumental architecture to the clouds as well as to the land…”

-Paul Shepard, Man in the Landscape: A Historic View of the Esthetics of Nature

from Into the Wild, pg. 25

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Speech or writing that departs from literal meaning in order to achieve a special effect or meaning.

“The desert is the environment of revelation, genetically and physiologically alien, sensorily austere, esthetically abstract, historically inimical…. Its forms are bold and suggestive. The mind is beset by light and space, the kinesthetic novelty of aridity, high temperature, and wind… In an unobstructed sky the clouds seem more massive, sometimes grandly reflecting the earth’s curvature on their concave undersides. The angularity of desert landforms imparts a monumental architecture to the clouds as well as to the land…”

-Paul Shepard, Man in the Landscape: A Historic View of the Esthetics of Nature

from Into the Wild, pg. 25

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Why would Krakauer include the accounts of these men in

Into the Wild?

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A literary technique featuring the mental flow of one or more characters - determined more by free association than logic or grammatical rules; may seem fragmented, illogical, or incoherent.

Example: Chris’ journal/diary when he is at the bus. Especially toward the end when he has very little energy left to expend.

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The concluding section of a work.

What is the function of labeling the last section “epilogue”? Why not just have one last chapter?

Think about how Krakauer brings closure to Chris McCandless’ story (Walt & Billie making the trip to the Magic Bus). Consider what we now know about his upbringing - how does this change your reading of the epilogue?

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Good morning!

Please put your copy of Into the Wild in the cabinet.

Grab your test from the front table.

Get your phone/laptop ready for Kahoot!

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Please put your copy of Into the Wild in the cabinet.

Please grab a YELLOW and a GREEN sheet from the podium.

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  • Read
    • Excerpt from a larger work of American Literature (The Grapes of Wrath by John Steinbeck)
    • Mark it up keeping focus questions in mind
  • Write
    • Individually and in small groups, respond to questions about the excerpt
  • Speak
    • Use your “Read” and “Write” as preparation for a culminating Socratic Seminar focused on American Literature course content, skills, and structure

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“The Turtle” Mark-Up

10 points

5 Questions/Observations

10 points

American Lit Thought Questions

10 points

Socratic Seminar

20 points

Total

50 points = 15% of your grade

Final Reflection

20 points

Literary & Critical Terms Final

100 points

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  • As a group, discuss “The Turtle”
    • Make sure each of you has a solid understanding of what the excerpt was about
    • What did you mark up on the text itself?
    • Share your thoughts about the focus questions from the yellow sheet

  • On your own, prepare for the Final Exam Socratic Seminar
    • Come up with 5 questions or observations about “The Turtle” as it relates to the American Identity and American Literature course content (write them on the back of the yellow sheet).
    • Consider and write your thoughts about the American Literature Thought Questions (on the back of the yellow sheet).
    • If you have extra time, use Quizlet to study for the Lit Terms Final.
      • Linked in the “About” tab of the Google Classroom.

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  • You will need your laptop today in class. If you don’t have it with you, please go check one out from the Library. Like now.

  • If you have not yet turned in your prep materials for the Final Exam Socratic Seminar, please put them in 2 stacks on the front table.

  • If you have any American Literature course novels in your possession, please bring them to the final exam session tomorrow!

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In your groups, define the concept of JOURNEY.

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Now, brainstorm the KINDS of journeys there are.

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Lastly, brainstorm the CHARACTERISTICS or STEPS of a journey.

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Individually, incorporate Steps 1-3 to do a free-write about a journey you’ve been on. You WILL be turning this in!

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For Wednesday, please have the following sections read (you will have a quiz):

  • Ch. 1 "The Alaska Interior"
  • Ch. 2 "The Stampede Trail"
  • Ch. 3 "Carthage"

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This story explores one man’s journey as he swims through pools in his county in order to get back to his house. The story is highly symbolic and it uses many literary devices to convey Neddy Merrill’s discovery that perhaps his life is more empty than he thought.

THINGS TO WATCH FOR:

  • The inevitable passage of time
  • The emptiness of suburbia
  • The author’s use of alcohol as a means of clouding judgment and as a status symbol
  • Maps and the concept of exploration
  • Changes in the weather and seasons
  • Neddy’s interactions with other people

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  • Adjectives to describe Neddy Merrill
  • Neddy's goal/project when he leaves the Westerhazys' pool
  • Neddy's attitude/philosophy about swimming
  • Interactions with owners of pools that Neddy swims in
  • References to time
  • Changes after the storm
  • Evidence that the summer season has turned to autumn
  • Response of Neddy's former mistress to his arrival
  • Changes in Neddy's physical condition and behavior as story ends
  • References to money
  • The role of alcohol in the story
  • Signs that Neddy has lost social status
  • Your explanation for Neddy's discovery at the conclusion of the story

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Wayne Westerberg

Chris McCandless

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For Friday, please have the following sections read (you will have a quiz):

  • Ch. 4 "Detrital Wash"
  • Ch. 5 "Bullhead City"

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  • What is a journey? What kinds of journeys are there?
  • Do a free-write in which you describe, in detail, either a journey you've been on or a journey in your future.
  • I want you to keep writing until I tell you to stop. Plan on about 15 minutes.
  • You will be turning this in!

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For Monday, please have the following sections read (you will have a quiz):

  • Ch. 6 "Anza-Borrego"
  • Ch. 7 "Carthage"

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