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Writer’s Craft

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Exposition:

What to look for in exposition examples in fiction

  • Who is being introduced (and what do we learn about them that seems significant?)
  • What is interesting or suspenseful about the place or situation we’re thrown into?
  • Why is this information being shared, why might the author telling us this specific information?
  • What do we learn about where the action or conversation is unfolding, if anything?
  • What elements of time, era or duration (the ‘when’) does this expository part of the story reveal?

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Exposition:

Exposition is the part of a story that establishes the background and provides important information about characters, setting, and plot. It is usually presented at the beginning of your story to provide context and help set up the rest of the narrative.

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Exposition:

What Is the Purpose of Exposition?

Exposition is designed to convey information that provides insight into a character or advances the story. The background information provided by exposition helps connect to the reader to the emotional stakes of the narrative. As far as literary terms go, exposition may be one of the simplest to understand. Yet nailing the exposition of a story is often one of the trickiest tightropes to walk for a writer; provide too little of a character’s backstory or background details and the reader will be confused, but write too much expository information and the reader will be bored (you’ve likely heard the motto “show, don’t tell”). That’s why it’s important to provide enough exposition to give your readers necessary context without tiring them with tedious details.

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Exposition:

What ways does dialogue unfold in a story?

  • Dialogue
  • Monologue
  • Narration/description of conflict/back story

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Exposition:

What do you consider when writing exposition:

  • Who is involved (characters)?
  • What is the conflict?
  • Where is it taking place?
  • Does the audience need to know some background info?
  • Would dialogue or narration best start the story?

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Rising Action:

What is it?

Rising action in literature refers to all the events that happen in a story on the way to the climax.

What is the purpose?

The rising action pushes the plot along, building tension to keep us invested in the story as it moves forward, and develop the characters.

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Rising Action:

How to create the rising action (options):

  • Introduce the protagonist and their goal
  • Reveal a conflict that will slow down the protagonist from reaching their goal
  • Give small victories as rising action for the main character & rising conflict for opposing characters (antagonist)
  • Put the character in a situation that will conflict with their beliefs
  • Raise the stakes by making it personal for them
  • Show how the protagonist has changed as a person because of what they’ve gone through

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climax:

The climax is the dramatic turning point of the story when the conflict is resolved and the main character reaches their goal.

The climax often occurs near the end of the story, but not always. It can sometimes occur in the middle of the story (known as a mid-point climax) or even at the beginning (known as an inverted plot). In traditional stories, the climax is the reflection point to the story's inciting incident in the beginning of the story.

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climax:

The types of climaxes

Crisis--A crisis climax is when the protagonist faces a life-changing decision. This type of climax is often seen in thrillers and suspense novels.

Catharsis--A catharsis climax is when the protagonist overcomes a major obstacle. This type of climax is often seen in stories that are about personal growth or transformation.

Revelation--A revelation climax is when a major secret is revealed. This type of climax is often seen in mystery novels.

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climax:

The importance of the climax

The climax is an important part of the story arc because it is the turning point. It is the pivotal moment when everything changes and the protagonist must face their final challenge.

Without a climax, the story would just be a series of events with no real purpose or goal. The climax gives the story direction and meaning. It's the resolution of the central conflict, the huge battle, the final showdown, the ending of the story's plot.

The climax is also the most suspenseful part of the story. This is when the reader is on the edge of their seat, waiting to see what will happen to the protagonist and what decision they will make.

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climax:

What makes a good climax?

A good climax is one that is unexpected but still makes sense. It should be something that changes everything but is still believable.

A good climax should also be emotionally impactful. This is what will stay with the reader long after they finish the story.

But the most important thing about a good climax: the protagonist needs to make a choice. This choice needs to be the hardest choice they've made in the entire story and show how much the character has grown. The climax is where your character proves they really are a changed person. This choice is usually the climactic moment of the story – the climax within the climax.

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Falling action:

Falling action in a basic plot structure is the events that happen after the climax and before the resolution. This part of your story is often used to show the consequences of the climax and how it affects the characters.

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Falling action:

Why is falling action important?

Falling action sets up your ending so you can close out all of those loose ends and give the audience closure on what they've just read. This is the part where your audience gets to witness what happens after your climax occurs.

Finally, falling action lets characters learn about themselves and how they've changed by experiencing their struggles throughout the story. This can help shape them into better versions of themselves or create change in their lives that wasn't possible before falling action happened.

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Falling action:

How do you write falling action in a story?

You can write falling action in your story by having your protagonist deal with the consequences of their actions. For example, if they killed someone in a fit of rage leading up to the climax, falling action would have them coming face-to-face with what they did and how it affected others around him or her.

If you're having trouble writing falling action into your story, try thinking about one thing that could happen following your climax that's significant enough for readers to get an understanding on where everything is going from here.

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resolution:

Resolution – The resolution is the story's conclusion where the story's conflict is resolved

Key elements of writing a satisfying story resolution

  • Resolve the central conflict of your narrative.
  • Give your characters closure.
  • Don't leave any unanswered questions (unless you're setting up for a sequel)

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Character:

Resolution – The resolution is the story's conclusion where the story's conflict is resolved

Key elements of a satisfying story resolution

  • Resolve the central conflict of your narrative.
  • Give your characters closure.
  • Don't leave any unanswered questions (unless you're setting up for a sequel)

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Characterization:

Characterization is the process of creating a character

Two Types: Direct and indirect

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Direct Characterization:

The author or narrator makes direct statements about a character’s traits.

The author TELLS us about the character’s personality.

The reader must make a judgement about the information being shared with them. How do the actions or dialogue show what the character is really like?

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inDirect Characterization:

the author or narrator SHOWS a character’s traits through his or her actions and speech.

Descriptions of:

  • Speech
  • Thoughts
  • Effect on others
  • Actions
  • Looks

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Character Types:

  • Protagonist – The protagonist is the story's main character. They are the one who drives the story forward and whose goal the story is centered around.
  • Antagonist – The antagonist is the story's main opponent. They are the one who is standing in the way of the protagonist's goal.
  • Secondary Characters – Secondary characters are the story's supporting cast. They help further the story's plot and provide assistance to the story's main characters.
  • Static and Dynamic Characters – Static characters are those who do not change throughout the story. Dynamic characters are those who undergo some sort of change or growth.

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setting:

The story's setting is the time and place where the story takes place. The story setting can have a significant impact on the story itself. It can affect the story's mood, tone, and atmosphere. It can also provide context for the story's events.

The three aspects to consider in a setting are:

  • Physical Location – Is your story set in a small town? A big city? In the country? On a planet far, far away?
  • Time – Will your story take place in the present day? The past? The future? A specific year? A specific season?
  • Environment – Is it set in an office building? A school? A forest? Underwater?

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dialogue:

Dialogue is the conversation between the story's characters. It can be used to further the story's plot, develop the story's characters, and create tension.

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dialogue:

The main purpose to have dialogue in your story is to relay information. The key aspect of dialogue is ensuring that it sounds natural and flows well with your story's pacing. Below are various types of dialogue with distinct purposes in a narrative.

  • Propel the action of the story forward
  • Reveal character traits/personality
  • Reveal relations/connections characters have
  • Reveal characters are thinking/feeling
  • Develops background information

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dialogue:

How to write good dialogue:

  • Remove unnecessary dialogue - get rid of small talk
  • Differentiate characters - give them a distinct voice
  • Use and create conflict in your dialogue
  • Avoid using dialogue tags too much

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dialogue:

How to write realistic dialogue:

  • Know the character’s intentions when they speak--we don’t always say what we mean, neither should realistic characters
  • Natural exposition as dialogue (use conversations to reveal background information, thoughts, feelings, conflicts…)
  • Write dialogue that’s messy--look at how we text, think about how we sometimes talk in fragments

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dialogue:

What makes dialogue great:

  • creates an arc of tension between the characters that builds suspense
  • character's personality is revealed in the way they talk
  • hides his true intentions well in his dialogue

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dialogue:

The mechanics of dialogue:

  • Quotation marks: Every piece of dialogue written for a book should be wrapped with double quotation marks. "Hello there!"
  • Dialogue Tags: Dialogue tags should be outside the double quotation marks. A dialogue tag is a word or words that tell us who is speaking, such as "he said," "she exclaimed." Dialogue tags are necessary for clarity, but they can also take up valuable text space if overused.
  • Dialogue punctuation: Commas should be used in dialogue to separate dialogue tags and the dialogue. For example: "Hello," he said, "I'm here for an interview." If you have to punctuate dialogue with an exclamation point or a question mark, leave them inside the quotation marks instead of a comma: "Where is the library?" he asked.
  • Paragraphing a conversation: When a different character talks, their dialogue should start a new paragraph.

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theme:

  • Theme is a universal message about life that the writing is expressing through their work.
  • A universal theme can usually be expressed as a generalization, or general statement about human beings or about life.
  • A stated theme is directly expressed in the work.
  • An implied theme is suggested by what happens to the characters.
  • Theme is NOT a word or phrase but a complete sentence.

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theme:

  • Notice a repeated topic/big idea within the text.
  • Notice how the characters deal with the topic/big idea
    • How do they respond to the conflict?
    • What do they say or do?
    • What are the consequences of the conflict?
    • How is the conflict resolved?

3) What does this teach the reader about life/human nature/the world? (That is the theme statement.)

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theme:

THEME IS NOT:

  • A summary of the plot
  • A single word
  • A cliché
    • Ex: Don’t judge a book by its cover
    • Instead: People are complex and deserve more than an assessment based solely on appearance.
  • Text or character specific
    • Ex: Harry Potter was afraid of fighting Voldemort, but he did it anyway.
    • Instead: Courage is being brave despite your fears.

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clichÉ:

  • At its simplest definition, a cliche is an idiom…a figure of speech, but since it was first written/said, people have been overusing it and it is no longer new
  • is a French loanword expressing that a saying has become overused to the point of losing its original meaning or effect, even to the point of being trite or irritating, especially when at some earlier time it was considered meaningful
  • expressions that either have a general meaning or have “lost their meaning” or impact/creativeness over time

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clichÉ:

Why are clichés a problem?

  • When people keep seeing the same popular saying over and over again in writing, they actually skip reading sections
  • Unless you’re getting ready to do some massive readings, you need to become aware of many common clichés, so your writing stays fresh and original, and doesn’t lose your voice (or readers)

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clichÉ:

What are some clichés?

This list does not and cannot include them all, but you probably have heard several of them:

    • If it ain’t broke, don’t fix it.
    • Too little, too late.
    • Sleeping like the dead.
    • Actions speak louder than words.
    • Two wrongs don’t make a right.
    • Never say never.
    • Laughter is the best medicine.
    • People who live in glass houses shouldn't throw stones.
    • Don’t judge a book by its cover

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clichÉ:

What do you do if clichés happen?

    • They do happen, but it is very helpful to read your work over to see if you’ve used any popular sayings in your writing
    • It is also beneficial to get someone else to listen to your work, paying attention to any sayings that are obviously not original or quoted material
    • Rewrite the overused saying in your own words

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Tone:

The story's tone is the overall feeling or mood of the story. It can be used to create a specific atmosphere within the story.

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Tone:

Positive Tone Words:

Amiable

Amused

Appreciative

Brave

Calm

Cheery

Compassionate

Complimentary

Consoling

Ecstatic

Encouraging

Energetic

Enthusiastic

Exuberant

Friendly

Happy

Hopeful

Jovial

Jubilant

Lighthearted

Loving

Optimistic

Peaceful

Pleasant

Proud

Relaxed

Reverent

Romantic

Soothing

Sympathetic

Humorous/ironic/sarcastic Tone Words:

Bantering

Comical

Cynical

Droll

Ironic

Joking

Mocking

Satiric

Sardonic

Taunting

Teasing

Wry

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Tone:

Neutral Tone Words:

Ambivalent

Contemplative

Detached

Didactic

Factual

Formal

Judgmental

Incredulous

Indirect

Informal

Informative

Instructive

Intimate

Learned

Meditative

Nostalgic

Objective

Patriotic

Reflective

Restrained

Questioning

Sentimental

Shocked

Urgent

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Tone:

Negative Tone Words:

Abhorring

Angry

Annoyed

Antagonistic

Apprehensive

Belligerent

Bitter

Condescending

Contemptuous

Derisive

Derogatory

Frightened

Harsh

Hopeless

Pedantic

Pessimistic

Scornful

Violent

Strong Tone Words

Ardent

Assertive

Authoritative

Candid

Confident

Determined

Direct

Dominating

Domineering

Earnest

Fervent

Impassioned

Matter-of-Fact

Persuasive

Stern

Straightforward

Strong

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Point of view:

First-Person Point of View

  • Let the reader know only what that character knows.
  • Uses the pronouns: I, me, my, mine, we, our, and ours.

Second-Person Point of View

  • Uncommon form of writing.
  • Used mainly with instruction manuals, recipes, giving directions, and poetry.
  • Uses the pronouns: you and yours.

Third-Person Point of View

  • Uses the pronouns: he, she, it, and they.

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Point of view:

The story's point of view is the perspective from which the story is being told.

First-Person Point of View

  • In first-person point of view, the story is told by a character who is directly involved in the story's events.

Second-Person Point of View

  • In second-person point of view, he story is told through a character's perspective who is not directly involved in the story's events.

Third-Person Point of View

  • In third-person point of view, the story is also told from an omniscient perspective, meaning that the storyteller knows everything about all of the story's characters. There are two types of the third-person perspective:
  • Third-person Omniscient – the narrator has total access to all characters' thoughts and emotions.
  • Third-person Limited- only gives insight into a single character's mind.
  • Third-person ObjectiveThe narrator remains a detached observer, telling only the story's action and dialogue.

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flashback:

A flashback is simply a scene or series of scenes that portray a past event. They can be used to reveal key information about a character's past, shed light on the current situation, or add suspense and tension to the story.

Flashbacks can be written in various ways, but it's important to make sure they serve a purpose and add value to the story. Otherwise, they will feel like filler and will only serve to confuse your readers.

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flashback:

Direct flashbacks are when the narrator directly tells the audience or another character what happened in the past. This is the most straightforward type of flashback, but it can also be the most boring if not done well.

Indirect flashbacks are when a past event is shown through dialogue, description, or action. This is a more subtle way to flashback and can be more effective in drawing readers into the story.

Dream sequences are when a character dreams about something that happened in the past. These can be effective in revealing key information about a character's psyche or motivations.

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flashback:

What purpose does it serve? Once you know the answer to that, you can start planning out your scene.

If you're writing a direct flashback, make sure the information you're providing is relevant and interesting. Don't just include a flashback for the sake of including one.

If you're writing an indirect flashback, be careful not to give away too much information at once. The point of an indirect flashback is to slowly reveal information and piece together the puzzle for your readers.

And finally, if you're writing a dream sequence, make sure it's clear that what the character is experiencing is a dream. Otherwise, your readers will be confused and may not even realize they're reading a flashback scene.

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Flashback Rules:

Rules for writing flashbacks

1. Don't flashback too early in the story--If you flashback too early, readers won't have the necessary information to understand what's going on. They'll be lost and may not even want to continue reading.

2. Write flashbacks that are interesting--Action is key in flashback scenes–you want your readers to feel like they're right there with the characters, experiencing everything firsthand.The best way to do this is to use active verbs and sensory details.

3. Earn your flashbacks--You should only include flashback scenes if they're absolutely necessary.

4. Use the flashback sparingly--Flashbacks can be a great way to provide information about a character or further the plot, but they should be used sparingly. You don't want your story to feel like one big flashback scene.

5. Keep the flashback brief--A flashback scene should be just long enough to provide the necessary information.

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Foreshadowing:

Foreshadowing – the use of hints or clues to suggest what is to come later in the story.

Rules:

Rule 1: Make foreshadowing relevant

Rule 2: Understand the purpose of foreshadowing

Rule 3: Give the pay-off

Rule 4: Include plot foretelling at the outlining stage

Rule 5: Don’t overdo it

Rule 6: Make plot pay-offs fit their buildup

Rule 7: Use the revision stage to add or fix plot links

Rule 8: Get feedback

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conflict:

Plot Conflict - In literature, conflict is the central issue and makes the story move. Short stories have one conflict, while novels have many. Literary conflict includes internal conflict and external conflict. The way conflict is used and how the conflicts are resolved are all determined by the type of story being told.

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conflict:

Internal Conflict

Person vs. Self: Internal conflict is that which exists inside the character. Struggles with morality, fate, desire and belief, to name a few. This form of conflict is central to the character, or characters and must be resolved by the character alone. Every good character suffers from the weight of internal conflict, it lends them an air of complex believability. Internal conflict is also known as man versus self. Internal conflict is necessary for good characters, but it’s the least complicated form of conflict.

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conflict:

External Conflict

Unlike internal conflict, external conflict deals with the problems of the world. The story's characters will struggle against the circumstances of external conflict, they may even suffer internal conflict resulting from the issues of external conflict, but this is not as simple as internal conflict. External conflict occurs when characters are involved in the world's woes, such issues as community, nature, government and other characters are all examples of external conflict. External conflict manifests itself as person versus person, person versus nature, person versus society, and person versus fate.

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conflict:

Person vs. Person: Person versus person is the most fundamental type of external conflict. This form of external conflict occurs when a character struggles against another character. These struggles may be born from moral, religious or social differences and may be emotional, verbal or physical conflicts. Person versus person is almost always the conflict present when a hero fights a villain.

Person vs. Nature: Person versus nature conflicts occur when a character, or characters, find themselves at odds with forces of nature. A character struck by lightning, characters whose boat sinks in a storm and a character who struggles against hypothermia in a snowstorm are all characters experiencing man versus nature conflicts.

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conflict:

Person vs. Society: This external conflict exists when characters struggle against the morays of their culture and government. Works where character's battle evil, oppressive cultures are characteristic of person versus society conflict. One example of man versus society is Ray Bradbury's Fahrenheit 451, a

novel about a fireman who, though it's his job to burn books, secretly collects them.

Person vs. God, or the Supernatural: This could be any supernatural force that is outside the understanding of the protagonist, including monsters, aliens, or deities.

Person vs. Machine/Technology: places a character against man-made entities which may possess "artificial intelligence."

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Figurative language:

Figurative language is a tool that an author uses, to help the reader visualize, or see, what is happening in a story or poem.

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Simile:

A simile is a comparison of two unlike things that links them with words like, as, than, or resembles: fingers as cold as ice cubes, hair blacker than midnight, a voice like the sound of fingernails scraping a blackboard.

In “Broken Chain,” the broken bicycle chain lies in Alfonso’s hand “like a dead snake” (Soto). Then it pops up and cuts Alfonso “like a snake’s fang” (Soto). The similes help us see the chain in a new light, as if it were an evil creature bent on ruining Alfonso’s plans.

Examples:

His feet were as big as boats.

She’s as light as a feather.

The snow was like a blanket.

She ate like a bird.

His feet were as big as boats.

She’s as light as a feather.

The snow was like a blanket.

She ate like a bird.

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Metaphor:

A metaphor is a direct identification of two unlike things. In contrast to similes, metaphors make their connections without the use of the words like, as, than, or resembles: “He is a sullen toad,” not “He is as sullen as a toad.”

Like similes, metaphors extend the range of our imagination. When they are fresh and based on a writer’s first hand observation, we feel that a strong hidden relationship has been discovered by the writer.

Examples:

Her hair is silk.

The football player is an ox.

My hands are ice.

Her hair is silk.

The football player is an ox.

My hands are ice.

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Personification:

Personification is giving human qualities, feelings, actions, or characteristics to inanimate (not living) objects.

Example: The house stared at me with looming eyes. The verb, stared, is a human action. A house is a non-living object. Therefore, we have a good example of personification.

Example: The ancient car groaned into first gear.

The verb, groaned, is a human action. A car is a non-living thing.

Examples:

a smiling moon the rain kissed her face art is a jealous mistress

a jovial sun the wind screams

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alliteration:

Alliteration is the repetition of the initial consonant. There should be at least two repetitions in a row.

Examples:

Peter Piper picked a peck of pickled peppers. The first letter, p, is a consonant. Its sound is repeated many times.

More Examples:

Sally sells seashells by the sea shore.

Greta Gruber grabbed a group of green grapes.

But someone still was yelling out and stumbling,

And flound'ring like a man in fire or lime . . .

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onomatopoeia:

Onomatopoeia is the imitation of natural sounds in word form. These words help us form mental pictures, or visualize, things, people, or places that are described. Sometimes a word names a thing or action by copying the sound.

We use onomatopoeia when we want to recreate a sound via our words. Onomatopoeia not only creates rhythm but also beats, as the poets try to create sounds imitating the sound creators. These sounds create a sensory impression in the minds of the readers which they understand.

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onomatopoeia:

In Harry Potter and the Sorcerer’s Stone, we have two examples of onomatopoeia in this excerpt, “SMASH! The door was hit with such a force that it swung clean off its hinges and with a deafening crash landed flat on the floor.

Examples: sizzle, ugh, ding, dong, POW, murmur, growl, smack, boom, buzz, splash, drip, rustle, hiss, moo, meow, and vroom

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symbolism/symbols:

A symbol is a person, place, thing, or event that has meaning in itself and also stands for something beyond itself. Many symbols are traditional. We easily understand them because people have agreed on their meaning. Uncle Sam is a symbol of the United States. A dove with an olive branch represents peace.

Many writers create their own symbols. In “A Time to Talk,” the speaker goes “up to the stone wall / For a friendly visit” (Frost). The stone wall is a real wall in the poem, but to Frost it may also represent the barriers that keep people apart.

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symbolism/symbols:

Symbols in poetry can acquire deeper meanings from the experiences a reader brings to the text. For example, the wall in Frost’s poem might have special meaning for someone living in East German when the Berlin Wall came down.

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hyperbole:

We use hyperbole when we make an exaggeration. In the opening lines of the American folktale of Babe the Blue Ox, the narrator comically describes how cold it was. The narrator claims that "Well now, one winter it was so cold that all the geese flew backward and all the fish moved south and even the snow turned blue.”

We use them in literature and in speaking to emphasize intensity. We understand that it is not literal.

We hear many examples of hyperbole in everyday speech:

  • This is going to take me forever.
  • My feet are killing me.
  • I’ve told you this 20,000 times.

My phone rang a million times.

You could have knocked me over with a feather.

It’s so cold even the polar bears are wearing coats.

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imagery:

Imagery involves one or more of your five senses – the abilities to hear, taste, touch, smell, and see. An author uses a word or phrase to stimulate your memory of those senses and to help create mental pictures.

Example:

He saw Lily looking at the bikes and she wanted one but she was not the right age to have one she needed to be nine to get one. The story notes that “Jonas could see that Lily, though she seemed attentive, was looking longingly at the row of gleaming bicycles which would be presented tomorrow morning to the Nines” (Lowry 57).

This is an example of sight he saw Lily his little sister looking at the bicycles that was for the Nines and they would get it the next day.

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idiom:

An idiom is a type of figurative language that is a phrase that people say that is commonly accepted as having a different meaning that the individual words may lead you to believe. For example, stating that “it's raining cats and dogs” does not mean that there are literally cats and dogs falling from the sky.

Many writers create their own symbols. In “A Time to Talk,” the speaker goes “up to the stone wall / For a friendly visit” (Frost). The stone wall is a real wall in the poem, but to Frost it may also represent the barriers that keep people apart.

Famous examples:

  • Break the ice * love is blind
  • Wear my heart on my sleeve * mad as a hatter

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Pun (think dad jokes):

A pun is a joke based on the interplay of homophones — words with the same pronunciation but different meanings. It can also play with words that sound similar, but not exactly the same. The joke’s humor (if any) comes from the confusion of the two meanings.

Examples:

The tallest building in town is the library — it has thousands of stories!

I can’t remember which state my wife wanted to visit for our next vacation — it’s OK, Alaska.

Read the joke out loud: “Alaska” sounds like “I’ll ask her.”

Why do amphibians take the bus? Because their cars are always getting toad.

“Toad” vs. “towed”

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allusion:

Simply put, allusion is a reference to something else. In literature, allusion is often used to refer to important cultural subjects or details. The most commonly alluded to book is The Bible.

Allusion does not describe the thing that is being alluded to because of this tendency for it to be culturally significant or at least widely understood by the audience. In this way, allusion relies heavily on the reader’s ability to have pre-existing knowledge or to be able to look more deeply into the allusion.

Examples:

  • Chocolate cake is my Achilles heel.
  • Why are you such a Scrooge? Buy it!
  • She’s a good swimmer, but she’s no Ariel.

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allegory:

An allegory is a story within a story. It has a “surface story” and another story hidden underneath. For example, the surface story might be about two neighbors throwing rocks at each other’s homes, but the hidden story would be about war between countries. Some allegories are very subtle, while others (like the rock-throwing example) can be more obvious.

In most allegories, the hidden story has something to do with politics, religion, or morality — complex subjects that are difficult to understand directly. Many authors find it easier to think through these issues by translating them into allegories, which are easier to understand (and more fun to read) than dense philosophical arguments.

Allegories deliver difficult messages in easy-to-read stories.

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allegory:

Example 1

George Orwell’s Animal Farm is one of literature’s most famous allegories. The surface story is about a group of farm animals who rise up, kick out the humans, and try to run the farm themselves. The hidden story, however, is about the Russian Revolution, and each of the characters represents some figure from that revolution. The pigs represent Communist leaders like Stalin, Lenin, and Trotsky, the dogs represent the KGB, the humans represent capitalists, the horses represent the working class, etc.

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allegory:

Example 2

Seuss wrote The Sneetches as an allegory for racism and other forms of prejudice. The story is all about creatures who are treated as inferior because they don’t have stars on their bellies. Like all Dr. Seuss stories, it’s written in a child-friendly, playful style, but it still contains an important political message.

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mood:

Mood: The Emotional Atmosphere of a Story

Mood is the overall feeling or emotional atmosphere that a piece of writing creates for the reader. It's what makes you feel scared, happy, sad, uncomfortable, or excited as you read.

Mood vs. Tone (Don't Confuse Them!)

Mood=how the reader feels Tone=how the author/narrator feels

The emotional atmosphere The author’s attitude

Created through setting, events, Created through word choice,

word choice narration style

Ex) The story makes me feel scared. Ex) The narrator is sarcastic.

Mood = The reader's emotional response Tone = The author's voice

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How is Mood created?

Six Elements That Build Mood:

1. Setting (Time, Place, Weather)

  • Dark, stormy night = eerie, ominous mood
  • Sunny day in a park = peaceful, cheerful mood
  • Abandoned hospital at midnight = creepy, tense mood

2. Word Choice & Diction

  • Harsh words create tension and danger
  • Soft words create calm and peace
  • Descriptive adjectives set the emotional tone

3. Imagery & Sensory Details

  • What readers see, hear, smell, taste, touch
  • Vivid, unpleasant imagery = dark mood
  • Beautiful, pleasant imagery = hopeful mood

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How is Mood created?

Six Elements That Build Mood:

4. Pacing (How Fast the Story Moves)

  • Short, choppy sentences = tension, urgency
  • Long, flowing sentences = calm, relaxation
  • Varied pacing = keeps readers engaged

5. Character Emotions & Reactions

  • When characters are afraid, readers become anxious
  • When characters are joyful, readers feel uplifted
  • Emotional contagion—we feel what characters feel

6. Events & Plot Development

  • Conflict and danger = suspenseful mood
  • Resolution and happiness = satisfying mood
  • Tragedy and loss = melancholic mood

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Mood vocab list

Positive/Uplifting Moods:

  • Cheerful, joyful, hopeful, optimistic, lighthearted, whimsical, peaceful, serene, romantic, inspiring, triumphant, nostalgic, bittersweet

Negative/Dark Moods:

  • Ominous, foreboding, eerie, creepy, sinister, menacing, dark, gloomy, melancholic, depressing, tragic, horrifying, terrifying, desperate

Neutral/Complex Moods:

  • Suspenseful, tense, anxious, uneasy, contemplative, reflective, pensive, mysterious, ambiguous, unsettling, ironic, sardonic

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Mood vocab list

Specific Moods:

  • Ominous = Something bad is about to happen
  • Eerie = Strangely frightening
  • Whimsical = Playfully fanciful
  • Melancholic = Sad and reflective
  • Foreboding = A sense of impending doom
  • Nostalgic = Longing for the past
  • Surreal = Strange and dreamlike

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Mood in different genres

Horror/Thriller

  • Mood: Tense, frightening, ominous, suspenseful
  • Example: "The house stood dark and silent. Every creak of the floorboards made my heart jump. I could feel something watching me from the shadows."
  • Elements: Dark setting, eerie sounds, sense of danger, fast pacing

Romance

  • Mood: Romantic, tender, hopeful, passionate
  • Example: "Moonlight spilled across the patio as he reached for her hand. The warmth of his touch sent butterflies through her stomach."
  • Elements: Beautiful setting, soft language, intimacy, emotional connection

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Mood in different genres

Comedy/Light Fiction

  • Mood: Lighthearted, humorous, playful, whimsical
  • Example: "The cat knocked over the vase for the hundredth time, and I couldn't help but laugh at its completely unapologetic expression."
  • Elements: Silly events, witty dialogue, exaggeration, playful tone

Mystery/Detective

  • Mood: Suspenseful, mysterious, tense, intriguing
  • Example: "The clue didn't make sense. Nothing added up. As I stared at the photograph, a terrible realization began to dawn."
  • Elements: Unanswered questions, clues, secrets, slow reveal

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Mood in different genres

Fantasy/Adventure

  • Mood: Epic, exciting, wondrous, adventurous, inspiring
  • Example: "The dragon emerged from the clouds, its wings blocking out the sun. My hand trembled on my sword hilt, but I refused to back down."
  • Elements: Magical elements, grand scale, heroic action, sense of wonder

Realistic Fiction

  • Mood: Authentic, relatable, poignant, reflective
  • Example: "I watched my best friend walk away, knowing we'd never be the same again. The world felt smaller somehow."
  • Elements: Real emotions, everyday settings, honest dialogue, genuine character struggles

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How setting creates mood

How Different Settings Create Different Moods:

A Library

  • Quiet, peaceful, contemplative, scholarly
  • Imagery: Dusty books, soft light, whispered voices, silence
  • Mood: "The library was hushed and still, the only sound the gentle rustle of turning pages. Sunlight filtered through tall windows, casting long shadows between the shelves."

An Abandoned House

  • Eerie, creepy, mysterious, foreboding
  • Imagery: Cobwebs, broken windows, creaking floors, darkness
  • Mood: "The abandoned house loomed before us, its windows like hollow eyes. Dust motes floated through shafts of pale light, and something cracked beneath my foot."

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How setting creates mood

A Crowded Party

  • Energetic, chaotic, exciting, overwhelming
  • Imagery: Music, laughter, bodies pressed together, bright lights
  • Mood: "Music pulsed through the crowded room, bodies swaying and bumping against each other. Laughter erupted from all directions, and the air smelled of sweat and perfume."

A Empty Beach at Sunset

  • Peaceful, romantic, melancholic, reflective
  • Imagery: Golden light, waves, solitude, beauty
  • Mood: "The beach was empty except for me. The sun hung low on the horizon, painting the sky in shades of orange and pink. The waves rolled gently, and I felt small beneath the vastness."

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How Word choice

creates mood

The Same Scene, Different Moods Based on Word Choice:

Scene: A Character Walks Into an Old Building

Neutral (No Mood): "She walked into the old building. It had a lot of dust and old furniture."

EERIE/CREEPY Mood "She crept into the decaying structure, her footsteps echoing off the grimy walls. Dust particles danced in the sickly light filtering through cracked windows. The furniture lay scattered like bones, and the stench of mold and decay assaulted her nostrils."

Word Choices:

  • Verbs: crept, echoing, assaulted
  • Adjectives: decaying, grimy, sickly, cracked, scattered
  • Nouns: stench, decay, mold
  • Effect: Creates ominous, frightening mood

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How pacing

creates mood

How Sentence Structure Affects Mood:

Fast Pacing = Tension, Excitement, Urgency

Short sentences. Choppy rhythm. Quick action.

"I ran. My heart pounded. Behind me, footsteps thundered. Closer. Closer. I couldn't breathe. I couldn't think. Just run."

  • Effect: Reader feels rushed, anxious, in danger
  • Mood: Suspenseful, tense, frightening

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How pacing

creates mood

How Sentence Structure Affects Mood:

Slow Pacing = Calm, Reflection, Contemplation

Long sentences. Flowing rhythm. Detailed description.

"The afternoon stretched before me, endless and peaceful, as I sat beneath the ancient oak tree, watching the clouds drift lazily across the sky, feeling the gentle breeze on my skin, thinking about nothing in particular, content simply to exist in this moment."

  • Effect: Reader feels relaxed, thoughtful, peaceful
  • Mood: Serene, contemplative, nostalgic

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How imagery

creates mood

Sensory Details Set the Emotional Tone:

Unpleasant Imagery = Dark/Negative Mood

"The abandoned hospital reeked of stale urine and industrial cleaner. Fluorescent lights flickered overhead, casting sickly shadows across peeling walls. Broken glass crunched beneath my feet, and something wet—I didn't want to know what—stuck to my shoe."

  • Senses: Smell (reeking), Sight (flickering, peeling), Touch (crunching, wet)
  • Mood: Disgusting, frightening, unsettling

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Character emotions

creates mood

Readers Absorb the Emotions of Characters

When a character is scared, anxious, or panicked, readers feel it too.

Example: Creating Anxiety

"My palms grew slick with sweat as I stood outside the principal's office. My stomach churned, and I could barely catch my breath. Every second felt like an eternity as I waited for the door to open, terrified of what might happen next."

  • Character's emotion: Anxious, afraid
  • Reader's mood: Tense, uncomfortable, worried

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Events & plot

creates mood

What Happens in the Story Shapes the Mood:

Conflict & Danger = Suspenseful/Tense Mood

"As soon as she opened the door, she knew something was wrong. The living room was ransacked—furniture overturned, drawers pulled open, papers scattered everywhere. A cold chill ran down her spine. Someone had been here. Someone could still be here."

  • Mood: Suspenseful, frightening, tense

Resolution & Triumph = Satisfying/Inspiring Mood

"Against all odds, he'd done it. He crossed the finish line, arms raised in victory. The crowd erupted in cheers, and he fell to his knees, tears streaming down his face. Years of training, sacrifice, and doubt had led to this perfect moment."

  • Mood: Triumphant, inspiring, joyful

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Mood in literature

"The Hunger Games" by Suzanne Collins

Mood: Tense, dystopian, desperate, grim

"When I wake up, the other side of the bed is cold. My sister is not there and I remember that she is most likely dead, poisoned and drowned and burned in her bed, and I know this without being told as if I could always know this thing."

  • Elements creating mood: Death, cold, loss, bleakness
  • Effect: Creates atmosphere of danger and despair

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Word choice/diction:

Diction (pronounced DIK-shun) refers to word choice and phrasing in any written or spoken text. Many authors can be said to have their own “diction,” because they tend to use certain words more than others or phrase things in a unique way. In fact, every author (including you) has developed a unique diction!

Diction can also mean “pronunciation,” but we’ll ignore that definition for now since this article is mainly about writing, not speaking.

There are as many types of diction as there are writers, and there will never be a complete list of all of them. Moreover, all these different styles vary along multiple variables, such as formal/informal, simple/complex, and modern/archaic. The most basic distinction, however, is between formal diction and informal diction.

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Word choice/diction:

A. Formal Diction

When you are writing an essay, dissertation, business letter, or other formal communication, it’s important to use formal diction. That is, you should avoid contractions (isn’t, don’t) and colloquialisms (slang). It’s also important to make sure that your grammar and word usage are “textbook” correct, since mistakes in this category can make your work look sloppy or careless.

B. Informal Diction

In many contexts, it’s fine to use informal diction. This includes personal emails to people you know well, and certain creative projects. (Most modern novels are written with a fairly informal diction, as opposed to older novels, which tended to be more precise and formal.) Informal diction is sometimes referred to as “vernacular,” which means “everyday speech.”

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Word choice/diction:

Diction is the main thing that sets the tone of a piece. If your diction is formal, then the piece as a whole will come across as formal; if it’s quirky, then your writing will seem quirky, and so on. Diction doesn’t have any specific rhetorical purpose – it just creates the overall “sense” of your work.

In novels and short stories, diction can also help you craft a portrait of your characters. The way someone talks tells us a lot about them, and good authors use this to their advantage in character-creation. For example, a highly educated character would be more likely to use arcane words and complex sentence structure, while a more down-to-earth character would avoid such diction. Similarly, a younger character would be more likely to use slang than an older one.

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connotation/denotation:

A connotation is a feeling or idea that a word has, in addition to its literal or main meaning (the denotation). Often, a series of words can have the same basic definitions, but completely different connotations—these are the emotions or meanings implied by a word, phrase, or thing.

For example, “This clothing is affordable!” versus “This clothing is cheap!” Here, “affordable” sounds much better than “cheap,” because the word cheap also implies low quality.

Denotation (pronounced dee-noh-tey-shuh n) is a word’ or thing’s literal or main definition. The term comes from the late Latin Latin denotationem meaning “indication,” and is contrasted with connotation. A word’s denotation is completely absent of emotion, so it is defined as distinguished from its connotation (its associated meaning). In other words, denotation is a word’s “dictionary definition” rather than its associated emotion or definition.

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repetition:

Quite simply, repetition is the repeating of a word or phrase. It is a common rhetorical device used to add emphasis and stress in writing and speech. Repetition is widely used in both poetry and prose; throughout all genres and forms of literature and oral tradition. Aside from helping stress or highlight important thoughts and points, repetition can be a key tool for authors and speakers in developing style, tone, and rhythm.

Read the short passage below:

The big stairs led up to a big house with a big front door. Breathe, breathe, breathe, I told myself. I only have to stay for one second, be afraid for one second, not scream for one second. I can do it. I can win the bet. I can prove I’m brave.

Repetition is an important literary device because it allows a writer or speaker to place emphasis on things they choose as significant. It tells the reader or audience that the words being used are central enough to be repeated, and lets them know when to pay special attention to the language. Furthermore, repetition has historically been an important technique for oral tradition, as it helped storytellers remember details and lines that may have otherwise been difficult to repeat.

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Rhyme scheme:

Rhymes are words whose endings match, as in “fly” and “spy.” This is one of the most common techniques in traditional poetry and music, and most people can easily identify rhymes.

Rhyming is very popular, and always has been, but no one is entirely sure why. One possibility, of course, is that we simply like the sound of them! Rhymes are very pleasing to the ear, and their prominence in human literature may be based on that simple fact alone.

But rhymes also have another advantage, which is that they make information easier to remember. Put yourself in the position of a storyteller in the ancient world, centuries before the invention of writing. Your job is to tell the stories passed down in your culture from generation to generation, but you can’t read them out of a book. So how can you remember all those stories? In nearly all societies, the answer has been: you make a rhyme. Thanks to the mnemonic power of rhyme, societies without writing have managed to preserve their oral traditions for generation upon generation.

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Rhyme scheme:

Although rhymes were extremely important in traditional poetry, their importance has waned in recent decades due to the rise of free verse. Free verse does not necessarily rhyme, and is supposed to be far more open to the author’s creativity than the rhyming verse-forms of traditional poetry. In fact, rhyming is so far out of fashion in the poetry world that many poetry teachers have come to see it as nothing more than a distraction – they even go as far as to ban students from using rhymes in their poetry, at least until they have learned other skills.

Although rhymes are no longer a major part of poetry, they were essential to the poetic traditions of prior centuries, and so a full understanding of poetry cannot be achieved without an understanding of rhyme.

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assonance:

Assonance (pronounced as–uh-nuh ns) is the repetition of the same or similar vowel sounds within words, phrases, or sentences. The word is derived from the Latin phrase assonare, meaning to answer with the same sound. The following is a simple example of assonance:

She seems to beam rays of sunshine with her eyes of green.

In this example, the speaker uses assonance to describe a pretty woman. Assonance occurs in the repeating vowel sounds of seems, beam, and green.

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assonance:

Assonance can be used in all types of literature, but is commonly found in poetry. Assonance provides poetic writing with rhythm and musicality. It also mirrors or changes the mood of a poem in order to match the subject matter. Beyond literature, assonance is also found in pop culture, especially in music. As you will hear, it is possible to use assonance in everyday speech. However, most people don’t use it intentionally, unless trying to woo someone romantically!

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assonance:

William Wordsworth uses assonance to reflect the calm and thoughtful mood of his poem “Daffodils”:

I wandered lonely as a cloud�That floats on high o‘er vales and hills,�When all at once I saw a crowd,�A host, of golden daffodils;�Beside the lake, beneath the trees,�Fluttering and dancing in the breeze…

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structure:

1. CHRONOLOGICAL (Sequence)

  • Events arranged in time order
  • "First... then... next... finally..."
  • Found in: Narratives, historical texts, process descriptions, biographies

2. CAUSE & EFFECT

  • Shows how one event leads to another
  • "Because... as a result... led to..."
  • Found in: History, science, explanations, arguments

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structure:

3. COMPARISON & CONTRAST

  • Shows similarities and differences
  • "Similarly... however... both... unlike..."
  • Found in: Essays, analyses, product comparisons

4. PROBLEM & SOLUTION

  • Identifies an issue and offers resolution(s)
  • "The problem is... one solution... another approach..."
  • Found in: Persuasive texts, news articles, how-to guides

5. DESCRIPTION (Main Idea & Supporting Details)

  • Central idea explained through specific details
  • "For example... specifically... in particular..."
  • Found in: Informative texts, textbooks, feature articles

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Chronological structure:

Definition: Events or steps presented in the order they occur in time.

Signal Words:

  • First, second, third, next, then, after, before, during, while, finally, eventually, meanwhile, subsequently

How It Works:

  1. Introduces first event
  2. Progresses through middle events
  3. Concludes with final event

Example (Historical Text): "The American Revolution began in 1775 when colonists clashed with British soldiers in Massachusetts. Next, the Continental Congress declared independence in 1776. Then, Washington led the army through difficult years of fighting. Finally, the war ended in 1783 with American victory."

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Chronological structure:

Why Authors Use It:

  • Natural way to tell stories
  • Easy for readers to follow
  • Shows cause-and-effect relationships
  • Essential for instructions and processes

What Students Should Do:

  • Identify the sequence of events
  • Explain how each step leads to the next
  • Understand why the order matters

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Cause & effect structure:

Definition: One event (cause) makes something else happen (effect). Can be simple (one cause → one effect) or complex (multiple causes → multiple effects).

Signal Words:

  • Because, caused, since, as a result, led to, resulted in, due to, effect, caused by, reason, so that, if... then, consequently

How It Works:

Simple Cause & Effect:

  • Cause: It rained all night
  • Effect: The soccer game was canceled

Multiple Causes & One Effect:

  • Causes: Lack of rain + high temperatures + strong winds
  • Effect: Forest fire spreads rapidly

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Cause & effect structure:

One Cause & Multiple Effects:

  • Cause: The printing press was invented
  • Effects: Books became cheaper, more people learned to read, ideas spread faster, scientific revolution began

Example (Science Text): "Because greenhouse gases trap heat in the atmosphere, global temperatures are rising. As a result, polar ice is melting. This leads to rising sea levels, which causes flooding in coastal areas."

Why Authors Use It:

  • Shows relationships between ideas
  • Explains why things happen
  • Helps readers understand consequences
  • Essential in science, history, and persuasive writing

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Compare and contrast structure:

Definition: Shows how two or more things are alike (comparison) and/or different (contrast).

Signal Words:

Comparison: similarly, alike, like, both, same, as well as, in the same way

Contrast: however, but, unlike, different, in contrast, on the other hand, whereas, yet, still, although

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Compare and contrast structure:

How It Works:

Point-by-Point Comparison:

  • Compare Feature 1 of both items
  • Compare Feature 2 of both items
  • Compare Feature 3 of both items

Block Comparison:

  • Describe all features of Item 1
  • Describe all features of Item 2

Venn Diagram Approach:

  • Differences on outside

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Problem and solution structure:

Definition: Identifies a problem and proposes one or more solutions.

Signal Words:

  • Problem, solution, resolve, address, challenge, issue, difficulty, solved, answer, approach, if... then, one way, another option

How It Works:

Single Problem, Single Solution:

  1. Problem is introduced
  2. Solution is explained
  3. Results are shown

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Problem and solution structure:

Single Problem, Multiple Solutions:

  1. Problem is introduced
  2. Solution 1 is explained
  3. Solution 2 is explained
  4. Solutions are evaluated

Multiple Problems, Multiple Solutions:

  1. Problem 1 and solutions
  2. Problem 2 and solutions

Example (Persuasive/Informative Text): "Many students struggle with time management. One solution is to use a planner to track assignments. Another approach is to break large projects into smaller tasks. A third option is to eliminate distractions while studying. Each method has benefits, and most students find that combining these strategies works best."

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Problem and solution structure:

Why Authors Use It:

  • Practical and actionable
  • Persuades readers to adopt solutions
  • Shows critical thinking
  • Helps readers solve their own problems

What Students Should Do:

  • Identify the problem clearly
  • Evaluate proposed solutions
  • Determine if solutions are reasonable and supported
  • Consider consequences of each solution

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Main idea and details structure:

Definition: A central idea is explained and supported through specific details, examples, facts, and descriptions.

Signal Words:

  • For example, specifically, in particular, such as, for instance, details, characteristics, features, described as, includes

How It Works:

  1. Main Idea is introduced
  2. Supporting Details are provided
    • Examples
    • Facts
    • Descriptions

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Main idea and details structure:

Example (Informative Text): "The Great Barrier Reef is the world's largest coral reef system. It covers an area of approximately 133,000 square miles off the coast of Australia. The reef is home to over 1,500 species of fish, including clownfish, parrotfish, and sharks. Additionally, it supports sea turtles, dolphins, and countless other marine animals. The reef's vibrant colors come from the various types of coral that grow there, ranging from branching corals to brain corals."

Why Authors Use It:

  • Explains complex ideas
  • Supports main ideas with evidence
  • Helps readers understand and remember information
  • Most common structure in textbooks

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Main idea and details structure:

What Students Should Do:

  • Identify the main idea
  • Find supporting details
  • Evaluate whether details adequately support the main idea
  • Determine which details are most important

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Paragraph structure:

Typical Paragraph Structure:

1. Topic Sentence

  • Introduces main idea
  • Often first sentence
  • Example: "Renewable energy sources are crucial for sustainable development."

2. Supporting Sentences

  • Provide evidence, examples, or explanation
  • Develop the topic sentence
  • Examples: "Solar power reduces carbon emissions. Wind turbines can be built on marginal land. Hydroelectric dams provide reliable energy."

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Paragraph structure:

Typical Paragraph Structure:

3. Concluding Sentence

  • Restates or reinforces main idea
  • Connects back to topic sentence
  • Example: "These alternatives to fossil fuels will be essential as we address climate change."

Example Paragraph Breakdown:

"Social media has transformed how teenagers communicate. Platforms like Instagram, TikTok, and Snapchat allow young people to instantly share moments with friends around the world. These tools help maintain friendships and create communities around shared interests. However, constant connectivity also creates pressure and anxiety. Despite challenges, social media remains central to teen social life."

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Transitions for cohesion:

What Transitions Do:

  • Connect ideas within and between sentences
  • Show relationships between concepts
  • Create flow and coherence
  • Guide readers through text

Types of Transitions by Relationship:

Time/Sequence:

  • first, next, then, after, before, finally, meanwhile, subsequently, during, while, eventually

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Transitions for cohesion:

Cause & Effect:

  • because, as a result, led to, caused, due to, resulted in, consequently, therefore, since

Comparison:

  • similarly, likewise, in the same way, also, as well, both

Contrast:

  • however, but, yet, on the other hand, unlike, whereas, although, while, in contrast

Addition:

  • furthermore, moreover, in addition, also, besides, additionally, also

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Transitions for cohesion:

Emphasis:

  • in fact, indeed, notably, importantly, significantly, particularly

Examples:

Weak (No transitions): "The economy improved. Unemployment dropped. Consumer spending increased. Businesses hired more workers."

Strong (With transitions): "As the economy improved, unemployment dropped. Consequently, consumer spending increased. As a result, businesses hired more workers."

What Students Should Do:

  • Choose appropriate transitions for the relationship being shown
  • Vary transitions (avoid repetition)
  • Use transitions at sentence and paragraph boundaries
  • Ensure transitions accurately reflect the relationship

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Structure in genres:

Structure in narrative texts:

  • Chronological — Events unfold in time order
  • Flashback/Flash-forward — Non-linear arrangement
  • Frame story — Story within a story
  • How structure affects pacing, tension, and meaning

Example: The Outsiders uses chronological structure to show Ponyboy's journey over several days, creating immediacy and tension.

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Structure in genres:

Informational Text (RI.8 Standards)

Structure in nonfiction:

  • Cause & Effect — Explain why things happen
  • Problem & Solution — Address issues
  • Comparison & Contrast — Examine relationships
  • Description — Explain concepts
  • How structure helps readers understand and retain information

Example: A science article about climate change uses cause-and-effect structure to show how greenhouse gases lead to warming, which causes ice melt, which raises sea levels.

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Structure in genres:

History/Social Studies (RH.6-8 Standards)

Structure in historical texts:

  • Chronological — Historical events in time order
  • Cause & Effect — How events lead to consequences
  • Problem & Solution — How societies address challenges
  • Description — Key characteristics of time periods or events

Example: A history textbook about the Civil War uses chronological structure with cause-and-effect relationships to show how political tensions escalated into war.

Science/Technical (RST.6-8 Standards)

Structure in scientific texts:

  • Chronological — Steps in a process
  • Description — Scientific concepts explained
  • Cause & Effect — How variables interact
  • Problem & Solution — Scientific research addressing questions

Example: A lab manual uses chronological structure to explain the steps of an experiment.

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Analyzing structure

Step 1: Identify the Structure

  • Look for signal words
  • Notice how information is organized
  • Ask: "How is this text arranged?"

Step 2: Locate Key Information

  • Find main ideas
  • Identify supporting details
  • Notice relationships between ideas

Step 3: Evaluate Purpose

  • Ask: "Why did the author choose this structure?"
  • Consider how structure affects understanding
  • Determine if structure is effective

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Analyzing structure

Step 4: Analyze Impact

  • How does structure affect pacing?
  • How does it create emphasis?
  • How does it influence reader understanding?

Example Analysis:

Text: "The Amazon Rainforest is Earth's largest tropical rainforest, covering approximately 5.5 million square kilometers. It is home to about 10% of all species on Earth, including jaguars, anacondas, pink river dolphins, and millions of insects. The rainforest produces about 20% of the world's oxygen. However, deforestation threatens this vital ecosystem. Every minute, an area the size of 40 football fields is cleared."

Analysis:

  • Structure: Description (main idea + supporting details) with problem introduction
  • Key Information: Size, biodiversity, oxygen production, threats
  • Purpose: Establish importance of rainforest, then introduce problem
  • Impact: Descriptive structure builds understanding; problem statement creates urgency

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genre:

A genre is a category of literature identified by form, content, and style. Genres allow literary critics and students to classify compositions within the larger canon of literature. Genre is derived from the French phrase genre meaning “kind” or “type.”

Literature could be divided into countless genres and subgenres, but there are three main genres which preside over most subgenres. Here are the main genres in literature:

a. Poetry

As poetry has evolved, it has taken on numerous forms, but in general poetry is the genre of literature which has some form of meter or rhyme with focus based on syllable counts, musicality, and division of lines (lineation). Unlike prose which runs from one end of the page to the other, poetry is typically written in lines and blocks of lines known as stanzas.

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genre:

b. Prose

Prose encompasses any literary text which is not arranged in a poetic form. Put simply, prose is whatever is not poetry. Prose includes novels, short stories, journals, letters, fiction and nonfiction, among others. This article is an example of prose.

c. Drama

Drama is a text which has been written with the intention of being performed for an audience. Dramas range from plays to improvisations on stage. Popular dramas include Shakespeare’s Romeo and Juliet, Lorraine Hansberry’s A Raisin in the Sun, and Tennessee Williams’ A Streetcar Named Desire.

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irony:

Irony is when there are two contradicting meanings of the same situation, event, image, sentence, phrase, or story. In many cases, this refers to the difference between expectations and reality.

For example, if you go sight-seeing anywhere in the world today, you will see crowds of people who are so busy taking cell-phone pictures of themselves in front of the sight that they don’t actually look at what they came to see with their own eyes. This is ironic, specifically, situational irony. This one situation has two opposing meanings that contradict expectations: (1) going to see a sight and prove that you were there (2) not enjoying the thing you went to see.

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irony:

Irony is often used for critical or humorous effect in literature, music, art, and film (or a lesson). In conversation, people often use verbal irony to express humor, affection, or emotion, by saying the opposite of what they mean to somebody who is expected to recognize the irony. “I hate you” can mean “I love you”—but only if the person you’re saying it to already knows that! This definition is, of course, related to the first one (as we expect people’s words to reflect their meaning) and in most cases, it can be considered a form of sarcasm.

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irony:

The most common purpose of irony is to create humor and/or point out the absurdity of life. As in the all of the examples above, life has a way of contradicting our expectations, often in painful ways. Irony generally makes us laugh, even when the circumstances are tragic, such as in Aleister Crowley’s failure to beat his addiction. We laugh not because the situations were tragic, but because they violate our expectations. The contrast between people’s expectations and the reality of the situations is not only funny, but also meaningful because it calls our attention to how wrong human beings can be. Irony is best when it points us towards deeper meanings of a situation.

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Dramatic irony:

Irony is when you get the opposite of what you expect, especially if the result is humorous or striking in some way. Dramatic irony, however, is slightly different: it’s when the audience knows something the characters don’t — so the characters might get an unexpected outcome, but for the audience it’s not unexpected at all.

We all know the ending of Titanic — that ship is going down. But everyone on board thinks that it’s “unsinkable”!

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Dramatic irony:

Dramatic irony is often used for laughs — our extra information makes the characters appear ridiculous because we know what they’re doing won’t work. Perhaps more often, though, it’s a way of building tension. When we have information the characters don’t have, we want to shout a warning through the screen. Audience members end up on the edge of their seats, anticipating that something terrible is going to happen that the characters can’t see coming.

Disney’s Mulan is pretty much entirely based on dramatic irony. We know that Mulan is a woman who has disguised herself as a man and joined the army. But the other characters around her have no idea, and there are almost constant jokes based on this deception: for example, the songs “Be a Man” and “A Girl Worth Fighting For.”

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verbal irony:

Verbal irony is found in plays, speeches, and literature when someone says something that is sharply different from the reality of the situation. Verbal irony, unlike dramatic and situational irony, is used intentionally by the speaker. It can be hard sometimes to tell if a statement is verbal irony or not.

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verbal irony:

Many people believe verbal irony to be synonymous with sarcasm, but sarcasm is only one of the common types of verbal irony. It appears in four basic forms:

  • Sarcasm (saying “Oh, fantastic!” when the situation is actually very bad)
  • Socratic irony (pretending to be ignorant to show that someone else is ignorant: "I'm confused, I thought your curfew was at 11. Isn't it past 12 now?")
  • Understatement (saying "We don't get along" after having a huge fight with someone)
  • overstatement (saying "I'll die if I can't go to the concert!")

Like the other major types of irony, verbal irony plays with the listener's expectations.

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verbal irony:

  • In Beauty and the Beast, Belle tells Gaston, "I just don't deserve you!" when, in reality, Gaston doesn't deserve Belle.
  • In Shrek, Donkey asks Shrek if he can stay with him. Shrek replies, "Of course," when he really means, "No, not really."
  • In Jane Austen’s Pride & Prejudice, Darcy says his future beloved wife is, "tolerable but not handsome enough to tempt me." (Little did he know, right?)

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verbal irony:

  • In J. K. Rowling’s Harry Potter and the Order of the Phoenix, Harry says, "Yeah, Quirrell was a great teacher. There was just that minor drawback of him having Lord Voldemort sticking out of the back of his head!”
  • A sister walks into her brother's messy apartment and says, "I see you're still the king of clean!"

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Situational irony:

Situational irony takes place when the opposite of what is expected actually happens.

Other everyday examples of situational irony include:

  1. A fire station burns down.�This is unexpected because one would assume the fire chief would keep his own building safe.
  2. The police station gets robbed.�Again, the expectation is that professional crime fighters would be able to help themselves; in this case, by securing their own station.
  3. A post on Facebook complains about how useless Facebook is.�This is ironic because one would expect someone who dislikes Facebook to stay away from it instead of using it to make their point.

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Historical context:

Historical context refers to the moods, attitudes, and conditions that existed in a certain time. Context is the "setting" for an event that occurs, and it will have an impact on the relevance of the event.

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Sensory details:

Sensory Details: Bringing Writing to Life

Sensory details are specific descriptions that appeal to the five senses: sight, sound, smell, taste, and touch. They help readers experience the story rather than just read about it.

The Five Senses:

  • Sight — What you see (colors, shapes, light, movement)
  • Sound — What you hear (noises, music, voices, silence)
  • Smell — What you smell (scents, odors, fragrances)
  • Taste — What you taste (flavors, sweetness, bitterness)
  • Touch — What you feel (texture, temperature, pain, pressure)

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Sensory details:

Why Sensory Details Matter:

  • Make writing vivid and memorable
  • Help readers "enter" the world of your story
  • Show instead of tell (the golden rule of writing!)
  • Create emotional connection
  • Bring characters and settings to life

Example:

  • Weak: "The room smelled bad."
  • Strong: "The room reeked of stale coffee and cigarette smoke, making my eyes water."

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What is Textual evidence?

The Foundation of Literary Analysis

Textual evidence is specific information from the text that supports your ideas, claims, or interpretations. It's the difference between saying "I think the character is brave" and saying "I know the character is brave because..."

Why Does It Matter?

  • Proves your analysis is based on the text, not just opinion
  • Shows you've read carefully and understand the material
  • Makes your writing more convincing and credible
  • Required for all academic writing in Grade 8+

The Golden Rule: Every claim you make about a text needs proof from that text.

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Types of Textual evidence

Four Main Types of Evidence:

1. Direct Quotes: The exact words from the text in quotation marks

  • Example: "The house stood dark and silent on the hill."
  • Best for: Powerful phrases, dialogue, exact descriptions

2. Paraphrasing: Restating the author's idea in your own words

  • Example: The author describes how the abandoned mansion appeared eerie and quiet.
  • Best for: Summarizing longer passages, clarifying complex ideas

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Types of Textual evidence

Four Main Types of Evidence:

3. Summary: Condensing key points or events from a larger section

  • Example: Throughout the first chapter, the author establishes that the protagonist feels isolated from her family.
  • Best for: Showing overall patterns or trends

4. Inference with Evidence

  • Your interpretation supported by specific details
  • Example: The character's refusal to make eye contact suggests she feels guilty about her decision.
  • Best for: Character analysis, author's purpose, theme interpretation

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How to quote effectively

The Art of Quoting:

Rule 1: Quote Purposefully

  • Don't quote just to fill space
  • Every quote should support a specific point
  • Avoid long block quotes (usually more than 3-4 lines)

Rule 2: Integrate Quotes Smoothly

  • Wrong: "She walked slowly down the street. This shows she was sad."
  • Correct: The author conveys the character's sadness through her deliberate pace: "She walked slowly down the street."

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How to quote effectively

The Art of Quoting:

Rule 3: Explain the Quote

  • Never leave a quote "hanging" without explanation
  • Your reader should understand WHY this quote matters
  • Example: "He slammed the door" shows his anger. The force of his action demonstrates that he's reached his breaking point.

Rule 4: Use Ellipsis (...) to Shorten

  • Remove unnecessary words while keeping meaning
  • Original: "The old wooden house with blue shutters sat on the corner."
  • Shortened: "The old wooden house...sat on the corner."

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How to quote effectively

The Art of Quoting:

Rule 5: Use Brackets [ ] for Clarity

  • Add or change words for clarity without changing the original
  • Original: "She couldn't believe it."
  • With brackets: "[The character] couldn't believe it."

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Paraphrasing vs quoting

When to Paraphrase:

Use Paraphrasing When:

  • The idea matters more than the exact wording
  • The original passage is too long or complex
  • You want to simplify difficult language
  • You're summarizing events or plot points

Example:

  • Original: "The protagonist grappled with the existential dread that accompanies the realization of mortality."
  • Paraphrased: The main character struggles with fear after realizing he won't live forever.

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Paraphrasing vs quoting

When to Quote:

Use Direct Quotes When:

  • The exact wording is powerful or memorable
  • You're analyzing word choice or tone
  • It's dialogue that reveals character
  • The author's specific language is important to your point

Example:

  • Original: "It was the best of times, it was the worst of times."
  • Quote: Dickens opens A Tale of Two Cities with a paradox: "It was the best of times, it was the worst of times," immediately establishing the novel's themes of contradiction.

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The evidence sandwich

T.E.E. = Topic Sentence + Evidence + Explanation

Step 1: Topic Sentence (T)

  • Your main idea or claim
  • Example: "Macbeth's ambition destroys him."

Step 2: Evidence (E)

  • Quote or paraphrase from the text
  • Example: "Out, damned spot!" Macbeth cries, haunted by his crimes.

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The evidence sandwich

T.E.E. = Topic Sentence + Evidence + Explanation

Step 3: Explanation (E)

  • Why this evidence supports your claim
  • Example: His desperate attempt to wash away imaginary blood shows how guilt has consumed his mind, proving that his unchecked ambition has led to his psychological downfall.

Full Example:

Macbeth's ambition destroys him. When he cries "Out, damned spot!", Macbeth reveals how guilt has consumed his mind. His desperate attempt to wash away imaginary blood shows that his unchecked ambition has led to psychological destruction, not the power he sought.

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Common Evidence mistakes

Mistake 1: Using Evidence Without Explanation

  • Wrong: "The character was angry. 'I hate this!' she yelled."
  • Why it's wrong: You haven't explained what this tells us
  • Right: "The character's outburst, 'I hate this!' shows her frustration has reached a breaking point."

Mistake 2: Over-Quoting

  • Wrong: Using 5+ quotes in one paragraph
  • Why it's wrong: Your voice disappears; too many voices competing
  • Right: Use 1-2 strong quotes per paragraph, paraphrase the rest

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Common Evidence mistakes

Mistake 3: Quoting Without Context

  • Wrong: "He left." This shows he was upset.
  • Why it's wrong: The reader doesn't know who "he" is or what "left" means
  • Right: When Marcus storms out of the meeting, his action signals his disagreement with the decision.

Mistake 4: Evidence That Doesn't Match Your Claim

  • Wrong: Claim: "The setting is peaceful." Evidence: "Dark clouds gathered overhead."
  • Why it's wrong: The evidence contradicts your claim
  • Right: Make sure your evidence actually supports what you're saying

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Citation basics

Why Cite?

  • Gives credit to the original author
  • Allows readers to find the source
  • Prevents plagiarism
  • Shows you did the research

Three Main Citation Styles (Grade 8):

MLA (Most Common in High School)

  • Format: Author's Last Name Page Number
  • Example: (Smith 45)
  • Works Cited entry: Smith, John. Title of Book. Publisher, Year.

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Citation basics

Three Main Citation Styles (Grade 8):

APA (Social Sciences)

  • Format: Author Last Name, Year, Page
  • Example: (Smith, 2020, p. 45)
  • Reference entry: Smith, J. (2020). Title of book. Publisher.

Chicago (History/Humanities)

  • Format: Superscript number with footnote
  • Example: Smith, John. Title of Book. 2020.

For Grade 8, focus on MLA format — it's the most straightforward and widely taught. Attention to details-punctuation, spacing, formatting, etc. matters!

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Works Cited basics

MLA Works Cited Format:

For a Book: Author Last Name, First Name. Title of Book. Publisher, Year.

Example: Rowling, J.K. Harry Potter and the Sorcerer's Stone. Scholastic Press, 1998.

For a Website: Author Last Name, First Name. "Title of Article." Website Name, Publisher, Date, URL.

Example: Smith, John. "Tips for Writing." Writing Help, Writing Center, 2023, www.writinghelp.com/tips.

For a Magazine/Journal Article: Author Last Name, First Name. "Title of Article." Magazine Title, Volume, Issue, Year, Pages.

Example: Jones, Sarah. "Climate Change Solutions." Science Today, vol. 15, no. 3, 2023, pp. 45-52.

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Works Cited basics

Important Rules:

  • Alphabetize by author's last name
  • Use hanging indent (first line flush left, others indented)
  • Double-space entire page
  • Center "Works Cited" at the top
  • Times New Roman, 12 point font

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Evaluating Sources

What Makes a Source Credible?

Credibility = Trustworthiness

A credible source is reliable, accurate, and written by someone qualified to write about the topic. Not all sources are created equal—some are much more trustworthy than others.

Why Evaluate Sources?

  • Not all information on the internet is accurate
  • Biased sources can mislead you
  • Some sources are outdated
  • Your grade depends on using strong sources
  • You need to think critically about what you read

Remember: Just because something is published doesn't mean it's true.

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Evaluating Sources

The C.R.A.A.P. Test: Use C.R.A.A.P. to evaluate ANY source.

C = Currency (How recent is it?)

  • When was it published?
  • Has information changed since then?
  • Is the website regularly updated?
  • Good: Recent publication, regularly updated
  • Bad: Published 10+ years ago, no update date visible

R = Relevance (Does it fit your topic?)

  • Does this source directly address your research question?
  • Is it at the right level (not too simple, not too advanced)?
  • Does it provide useful information?
  • Good: Directly addresses your topic
  • Bad: Tangentially related or off-topic

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Evaluating Sources

The C.R.A.A.P. Test: Use C.R.A.A.P. to evaluate ANY source.

A = Authority (Who wrote it?)

  • What are the author's credentials?
  • Does the author have expertise in this field?
  • Is the author affiliated with a reputable organization?
  • Good: Author has relevant degree, works for credible org
  • Bad: No author listed, author unknown in field

A = Accuracy (Is it factual?)

  • Are facts supported by citations?
  • Can you verify the information elsewhere?
  • Does it distinguish between facts and opinions?
  • Good: Facts are cited, verifiable, well-researched
  • Bad: No sources, unverifiable claims, lots of opinions

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Evaluating Sources

The C.R.A.A.P. TestUse C.R.A.A.P. to evaluate ANY source.

P = Purpose (Why was it written?)

  • What is the author's goal? (Inform? Persuade? Sell? Entertain?)
  • Is there a hidden agenda or bias?
  • Who benefits from this information?
  • Good: Clear purpose, no hidden agenda
  • Bad: Trying to sell something, obvious bias

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Types of sources (credible)

Highest Credibility:

📚 Scholarly/Academic Journals

  • Written by experts, peer-reviewed
  • Rigorous research standards
  • Example: Journal of American History
  • Use for: Serious research, academic papers

📖 Books from Academic Publishers

  • Published by university presses
  • Author has credentials
  • Example: Oxford University Press, Harvard University Press
  • Use for: In-depth information, authoritative perspectives

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Types of sources (credible)

Highest Credibility:

🏛️ Government & Educational Websites (.gov, .edu)

  • Official sources, fact-checked
  • No ads, nonprofit
  • Example: NASA.gov, NIH.gov, Stanford.edu
  • Use for: Statistics, official information, research

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Types of sources (credible)

Medium Credibility:

📰 Established News Organizations

  • Professional journalists, fact-checkers
  • Editorial standards
  • Example: NPR, Associated Press, BBC
  • Use for: Current events, recent developments

🎓 Nonprofit Organization Websites (.org)

  • Mission-driven, usually credible
  • But: check the organization's reputation
  • Example: American Red Cross, Greenpeace
  • Use for: Advocacy information, statistics from reputable orgs

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Types of sources (credible)

Medium Credibility:

📝 Books from Major Publishers

  • Published by established companies
  • But: still need to check author credentials
  • Example: Penguin, Simon & Schuster
  • Use for: General information, popular non-fiction

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Types of sources (credible)

Lower Credibility (Use with Caution):

💬 Blogs & Personal Websites

  • Anyone can publish anything
  • No fact-checking process
  • Example: Random blogs, personal YouTube channels
  • Use for: Personal perspectives only, not research

📱 Social Media Posts

  • Unverified information spreads quickly
  • Misinformation common
  • Example: Twitter, TikTok, Instagram
  • Use for: NOT recommended for academic work

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Types of sources (credible)

Lower Credibility (Use with Caution):

🛒 Websites Trying to Sell Something

  • Biased toward their product
  • May hide negative information
  • Example: Amazon reviews, company websites
  • Use for: Product information only, not research

Wikipedia

  • Crowdsourced, can have errors
  • But: Good for starting research, checking citations
  • Use for: Getting overview, finding other sources (use their citations!)
  • Don't: Cite Wikipedia directly

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Identifying Bias

Bias = Preference or prejudice for or against something

Every source has some perspective, but credible sources try to minimize bias. Watch for:

🚩🚩Red Flags for Bias:

  • Emotional language — "Obviously," "clearly," "idiots believe..."
  • Only one side presented — No opposing viewpoints mentioned
  • Stereotypes — Generalizations about groups
  • Loaded words — "Freedom fighters" vs. "rebels" (same group, different spin)
  • Omitted information — Important facts left out
  • Ad hominem attacks — Attacking the person instead of the argument
  • Cherry-picked data — Only using statistics that support one view

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Identifying Bias

Bias = Preference or prejudice for or against something

Example of Bias:

Biased: "Renewable energy is obviously the only solution to climate change, and anyone who disagrees is ignoring science."

Balanced: "Renewable energy can reduce carbon emissions, though some experts debate its cost-effectiveness compared to nuclear power."

Questions to Ask:

  • Who benefits from this information?
  • What perspective is missing?
  • Are opposing views mentioned fairly?
  • Is the author trying to convince me or inform me?

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Primary vs secondary sources

Primary Source = Original, firsthand account

  • Written/created during the time period
  • Direct evidence
  • Examples: Diary entries, letters, interviews, original research, speeches, photographs, historical documents
  • ✓ Use for: Authentic perspective, direct evidence
  • Example: A diary entry from a Civil War soldier

Secondary Source = Analysis or interpretation of primary sources

  • Written after the events
  • Interprets or analyzes primary sources
  • Examples: History textbooks, biographies, documentaries, newspaper articles about events
  • ✓ Use for: Context, expert analysis, overview
  • Example: A history book analyzing Civil War diaries

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Primary vs secondary sources

Both are valuable!

  • Primary sources: Direct evidence
  • Secondary sources: Expert interpretation and context

For Grade 8 Research: Use a mix of both. Primary sources show authenticity; secondary sources provide analysis.

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FAct vs Opinion

Fact = Something that can be proven true or false

  • Can be verified through evidence
  • Example: "The Earth orbits the Sun." (Can be proven)
  • Example: "Paris is the capital of France." (Can be verified)

Opinion = A belief or judgment that cannot be proven

  • Based on personal values, feelings, or perspectives
  • Example: "Paris is the most beautiful city." (Subjective)
  • Example: "Chocolate is the best flavor." (Personal preference)

Be Careful: Sometimes statements SOUND like facts but are opinions.

  • "Video games are a waste of time." (Opinion, not fact)
  • "Studies show some children spend 5+ hours daily on video games." (Fact with evidence)

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FAct vs Opinion

In Credible Sources:

  • Facts are clearly distinguished from opinions
  • Opinions are labeled ("In my opinion..." or "Some argue...")
  • Facts are backed up with evidence

Your Job: Identify which is which and use facts to support your claims.

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Evaluating online sources

Special Considerations for Websites:

Check the URL:

  • .edu = Educational institution (usually credible)
  • .gov = Government (usually credible)
  • .org = Organization (check the organization's reputation)
  • .com = Commercial (could be anyone)

Look for:

  • ✓ Author name and credentials
  • ✓ Publication date
  • ✓ Citations/references
  • ✓ Professional design (grammar, spelling correct)
  • ✓ Contact information

Red Flags: 🚩🚩No author listed and 🚩🚩No date

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  • Analyze: To break down into parts and examine them to determine meaning.
  • Infer: A logical conclusion drawn based on evidence and reasoning.
  • Cite: To quote or refer to evidence directly from the text.
  • Central Idea: The main point or main message of an informational text.
  • Theme: The underlying message or lesson in a literary text.
  • Argument: A position or viewpoint that the author takes, supported by evidence.
  • Compare/Contrast: To identify similarities and differences between two or more things.
  • Evaluate: To make a judgment about the quality, value, or significance of something.
  • Synthesize: To combine multiple parts or ideas into a coherent whole.
  • Context Clues: Hints within a sentence or paragraph that help define unknown words.
  • Justify: To explain why something was done, to argue in favor of an action/stance.

OST Vocab

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  • Multiple-Choice (Single or Multiple Correct): Choosing one or more correct answers.
  • Evidence-Based Selected Response (EBSR): Often a two-part question where the first part asks for an answer, and the second asks for evidence to support it.
  • Drag and Drop / Table Match: Organizing or matching information.
  • Hot Text: Highlighting text within a passage to answer a question.
  • Extended Constructed Response: Writing an essay based on passages, focusing on writing and evidence.

OST Question Types

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  • Read the Questions First: Preview questions to know what information to look for in the text.
  • Identify the Genre: Determine if it is fiction, non-fiction, or poetry before reading.
  • Underline/Highlight: Mark key information or evidence in the text as you read.
  • Eliminate Wrong Answers: Cross out obviously incorrect options to increase chances.
  • Use "Close Reading": Actively look for details, structure, and author's purpose.

OST Test strategies

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1. Dissect the Prompt (Pre-Writing)

  • Highlight and Number: Before reading the passages, read the prompt and highlight key verbs (analyze, compare, explain) and the topic.
  • Identify the Task: Determine if you are writing an argumentative (taking a side) or informative/explanatory (explaining a topic) essay.
  • Check Sources: Count how many sources you are required to use.
  • Restate the Prompt: Turn the prompt into your thesis statement. Example: Instead of just listing causes, write, "Three major causes of [topic] were X, Y, and Z".

2. Strategic Reading and Annotating

  • Read the Questions First: Scan the writing prompt before reading the passages so you know what evidence to look for.
  • Annotate for Evidence: While reading, look for quotes and facts that support your thesis. Use an "evidence tracker" or jot down potential quotes with page numbers on scratch paper.
  • Analyze Both Sides: For argumentative essays, identify the counterclaim (the other side) and prepare to explain why it is wrong.

OST Test writing strategies

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3. Structure Your Essay (1-3-1 Outline)

  • Introduction (1 Paragraph): Includes a hook, context (background info), and a clear, precise thesis statement.
  • Body Paragraphs (3 Paragraphs): Use the "1-3-1" method: 1 topic sentence, 3 supporting evidence points (using quotes/paraphrasing from text), and 1 sentence explaining why it supports your thesis.
  • Counter-argument (For Argumentative Only): Include one paragraph acknowledging the opposing view, then explain why your argument is stronger.
  • Conclusion (1 Paragraph): Summarize your main points and restate your thesis in a new way. Do not introduce new information.

Over explaining will not hurt your grade!

OST Test writing strategies

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4. Use your time wisely.

  • You have two hours to complete each section of the ELA OST.
  • Try to give 45-60 minutes to your essay. You can always go over all your questions and proofread your essay before submitting.
  • Try to keep your essay formal (avoid I, me, us, we, etc…and contractions like can’t, won’t, isn’t…and slang like cuz, 4, etc.

Key Strategy to Remember: If you don't know the full answer, write what you do know. Partial credit is better than zero for a blank page, idk/idc, or random typing that isn’t related to the prompt.

OST Test writing strategies

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Hello

There!

I'm Rain, and I'll be sharing with you my beautiful ideas. Follow me at @reallygreatsite to learn more.

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WHAT WE DO?

WHO WE ARE?

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Our COmpany

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Add a Timeline Page

MAIN POINT

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MAIN POINT

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semper purus eget arcu imperdiet pharetra.

MAIN POINT

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MAIN POINT

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Our Products

Elaborate on what you want to discuss.

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SERVICE ONE

SERVICE TWO

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Our Services

SERVICE THREE

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Write a caption for the photos.

Write a caption for the photos.

Write a caption for the photos.

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Our Project

YEAR: 2022

ROLE: WRITE YOUR ROLE

Presentations are communication tools that can be used as demonstrations, lectures, speeches, reports, and more. It is mostly presented before an audience. It serves a variety of purposes, making presentations powerful tools for convincing and teaching.

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Add a Pricing Page

YEARLY

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about us

Elaborate on what you want to discuss.

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Team Members Page

NAME

Title or Position

NAME

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NAME

Title or Position

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Our Founder

NAME SURNAME

Presentations are communication tools that can be used as demonstrations, lectures, speeches, reports, and more. It is mostly presented before an audience. It serves a variety of purposes, making presentations powerful tools for convincing and teaching.

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Write an original statement or inspiring quote

— Include a credit, citation, or supporting message