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Storytelling strategies - video investigations

Minna Knus-Galán

Yle, Finnish Broadcasting Company

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Yle, investigative team

  • 25 half an hour TV-documentaries / year
  • Articles
  • Short videos
  • Podcast series
  • Verifying team

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  • We film aprox 7-10 days
  • Edit 6 days
  • Too little time – how do we manage?

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Planning is key

👀

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  1. Planning with the visual team – our method
  2. How to tell a compelling story when the topic is complex and abstract?
  3. How to tell a story that happened in the past (without making bad theatre?)
  4. Strong footage we can’t film ourselves

👀

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1) Planning with the visual team – our method

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4. IMPLEMENT

Four steps of visual planning

2. FILMING

1. VISUAL MEMO

3. VISUAL SCRIPT

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The memo – our bible

  • Visuals more than text
  • We plan as much as we can: the poster of the doc, the style of filming, web articles, short videos
  • Benchmarking: films, books, documentaries…
  • Find the feeling you are seeking

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Casting

Characters:

  • Their role
  • In what location do we meet them?
  • What visuals can the person bring to the story?
  • Do their interests tell something about them?

What does the location tell about the person?

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Plan the location with Google Earth and Street view

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Cameraman’s reference

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Our finding!

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Result

I’m driving

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2. How do you tell a complex and abstract story?

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  • 11,9 million confidential records
  • 14 offshore providers
  • 27 000 companies
  • Obtained and coordinated by ICIJ

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  • 11,9 million confidential records
  • 14 offshore providers
  • 27 000 companies
  • Obtained and coordinated by ICIJ

HOW DO YOU TELL THIS STORY?

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  • Focus on one strong story
  • (even if the data contains hundreds)
  • Our story: the assets of Russian oligarchs’ and Putin’s inner circle in Finland and Monaco
  • Finland has a border of 1340 km and a bloody history with Russia

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Our competitors are giants like Netflix, HBO, Disney, social media—

let fiction inspire you!

A visual story is a promise of quality journalism.

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Collaboration with the visual team

  • Collaborate FROM THE BEGINNING
  • The storytelling and the content go hand in hand – not separate things
  • Find a common language: nordic noir, roadmovie, humour…

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Location

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Door knocking – accountability

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Humour!

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Reporter driven storytelling

-> open up the journalistic process

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Show, don’t tell

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3) How do you tell a story that happened in the past (without making bad theatre?)

How do you film an anonymous interview?

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  • We try to avoid reconstructions
  • Create the right feeling instead of making theater
  • Extreme close-ups with small focus area

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Anonymous interviews

  • Avoid shadows and blurs
  • Instead: Be present
  • Go close
  • In movement

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Show, don’t tell

👀

4) Authentic footage we can’t film ourselves

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  • CCTV
  • FOIA video- and audio
  • court records
  • police investigations

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  • people filming
  • social media
  • Finnish soldiers fighting as volunteers in Ukraine

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Pitfalls: when all your plans fail

👀

* Characters change their minds: no interview

* Won’t let you film anything personal

  • You always need a PLAN B!
  • (Regards from our cameraman!)

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