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MAKE BEATS. LEARN CODE. PROMOTE EQUITY.
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CODE TO COMPETE
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How are music, computer science, �activism and entrepreneurship �pathways to promote racial equity?
Song Structure—Every Song (and Person) Plays a Part
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AGENDA
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OBJECTIVE
MODULE 5 - SONG STRUCTURE
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1. UNDERSTANDING THE PAST
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Read “Fun Facts in Canadian Hip-Hop History” in your Student Writing Activities Workbook
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BUILD YOUR VOCABULARY TO PROMOTE EQUITY
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Term | Definition |
| �The dismantling of colonial power structures. � |
DECOLONIZATION
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BUILD YOUR VOCABULARY TO PROMOTE EQUITY
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Term | Definition |
| �The restoration of Indigenous ways of knowing, thinking, feeling and being and often involves the resurgence of Indigenous languages and ceremonies. � |
INDIGENIZATION
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2. SONG MESSAGES AND STRUCTURES
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ACTIVITY 2: THE FOUR R'S FRAMEWORK
Indigenous educators Verna J. Kirkness and Ray Barnhardt spent their lives advocating for Indigenous education. They believed that education should include the Four R's
Respect
Relevance
Reciprocity
Responsibility
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Respect | Respect is not reserved for those with special societal status, income level, intellect, power or attractiveness: respect is deserved by all of creation, human, or otherwise. |
Relevance | Including Indigenous perspectives regarding history and culture ensures Indigenous knowledges continue to be passed down through generations. |
Reciprocity | Reciprocity is based on the teaching of interconnectedness. Whenever we take something from the earth, we also make sure to give something back - often in the form of a prayer or offering. When we work with others, we need to ensure the relationship is beneficial to both, so that everyone feels valued and appreciated. |
Responsibility | The things that we say and do can have a huge impact on others. We need to ensure we are using our voice in a responsible way. Responsibility is more than just an idea - it is an action. |
THE FOUR R’S FRAMEWORK
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Listen to the song “Freedom” by Dakota Bear
In your Student Writing Activity Workbook:
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Respect | How does the song demonstrate respect? |
Relevance | Are Indigenous perspectives included? How so? |
Reciprocity | What relationships are valued? How does the artist convey a sense of giving back? |
Responsibility | How does the artist use their voice in a responsible way? |
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GROUP DISCUSSION QUESTIONS
1. What do you think Dakota meant with the phrase “I promised our people our hardships will not go out in vain/ You’ll hear in my voice and the melody. carry the pain”?
2. What do you think Dakota meant with the phrase “I just want to be me I just want to feel free.” in terms of how Indigenous people may feel?
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SIMPLE SONG STRUCTURE
VERSE | CHORUS | VERSE | CHORUS |
A | B | A | B |
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BUILD YOUR VOCABULARY TO MAKE BEATS
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Term | Definition |
| �The section of a song with lyrics and melody repeated throughout the song in between the verses. This is your “earworm” — the most memorable part of your song. � |
CHORUS
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BUILD YOUR VOCABULARY TO MAKE BEATS
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Term | Definition |
| �The “storytelling” parts of the song. It completes the body of the song and provides variety between repeated choruses. There are usually multiple verses in a song that support the main message of the chorus.� |
VERSE
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MORE COMPLEX SONG STRUCTURES
VERSE | CHORUS | VERSE | CHORUS | BRIDGE | CHORUS |
A | B | A | B | C | B |
TIP: Competition entries with more complex song structures will be more successful.
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BUILD YOUR VOCABULARY TO MAKE BEATS
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Term | Definition |
| �Song sections that often contain only music and no words, that contain the feeling of the song. These are used to open or close the song. Both intros and outros may use tempo and volume as methods to both build and fade mood in the song. |
INTRO�OUTRO
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BUILD YOUR VOCABULARY TO MAKE BEATS
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Term | Definition |
| �This generally short section of the song has a different feeling, melody, and lyric from any other section. It often is used toward the middle or end of the song to build up to the chorus. |
BRIDGE
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BUILD YOUR VOCABULARY TO MAKE BEATS
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Term | Definition |
| �Short passages of music that combine musical sections. The goal of the transition is to grab the listener’s attention and let them know a change is about to occur. |
TRANSITIONS
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ANALYZE THE STRUCTURE OF “Freedom”
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Listen to the song together as a class and identify each part of the song: Intro, Verse, Chorus, Bridge, and Outro.
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In your Student Writing Activity Workbook follow along with the lyrics and identify the different parts of the song.
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3. CONSOLIDATION / REFLECTION
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Activity 6: Build Your Vocabulary
In your Student Writing Activity Workbook, match these terms with their definitions:
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THANK YOU!
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