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Dimension Directing �Using Archetypal Elements �and Lost Symbols

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GET YOUR JUJU ON!

*JuJu = magic or luck

Use archetypal elements and symbols to create a cohesive show that will appeal to the subconscious of your audience.

  • Set and costume design
  • Characterization
  • Blocking and staging
  • Sound and vocalizations

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Script: �Homefreeby Lisa Loomer

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Script: �Homefreeby Lisa Loomer

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Create an Archetypal Design Plan

Identify the conflicts:

Correlate to symbols

  • Wanted vs. Unwanted

  • Loved vs. Hate (Unloved)

  • Light vs. Darkness

  • Good vs. Evil (right vs. wrong)

  • Home vs. Homeless

  • Conservative vs. Liberal

  • Helpful vs. Helpless

  • City life vs. Country
  • ELEMENTS:
  • Fire
  • Water
  • Earth
  • Air

  • COLORS
  • OTHER SYMBOLIC IMAGERY

  • CONSTRUCTIVE AND DESTRUCTIVE ELEMENTS

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CONFLICT SYMBOLS� Script: Homefree

  • Wanted vs. Unwanted
  • Love vs. Hate

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CONFLICT SYMBOLS� Script: Homefree

  • Light vs. Dark
  • Good vs. Bad

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CONFLICT SYMBOLS� Script: Homefree

  • Home vs. Homeless
  • Conservative vs. Liberal

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CONFLICT SYMBOLS� Script: Homefree

  • Conservative vs. Liberal

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CONFLICT SYMBOLS� Script: Homefree

  • Helpful vs. Helpless
  • City life vs. Country

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SHAPES of GOOD, LOVE, NURTURING: Intertwined, connected, circular

SHAPES of BAD, HATE: Sharp, Broken, Jagged, Straight

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Hawthorne Park, Oregon:

Medford, Oregon

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Hawthorne Park, Oregon:

Medford, Oregon

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Hawthorne Park, Oregon:

Medford, Oregon

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Hawthorne Park, Oregon:

Medford, Oregon

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Hawthorne Park, Oregon:

Medford, Oregon

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Hawthorne Park, Oregon:

Medford, Oregon

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Tinseltown, USD

Medford, Oregon

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Tinseltown, USD

Medford, Oregon

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Hawthorne Park

Medford, Oregon

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Hawthorne, Park

Medford, Oregon

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Ashland, Oregon:

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Ashland, Oregon:

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Craftsman Houses

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BREEZY, JJ, & FRANKLIN OBJECTS:

Broken,

SHANNON & AARON OBJECTS:

Broken,

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JEN, VERIN, HOWARD, OBJECTS:

Broken,

JUGGALO, MEGAN, OBJECTS:

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WOMAN, COP OBJECTS:

Broken,

DETECTIVE, OBJECTS:

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PARK BENCHES, TREES, STUMPS

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CHAIRS, TABLES

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COLOR SYMBOLISM

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COLOR

SYMBOLISM

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COLOR SYMBOLISM

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COLOR SYMBOLISM:

JJ: (talker, dreamer, funny, damaged, liar, macho, violent, alcoholic)

Breezy (Tough, vulnerable, hopeful, great spirit, prefers to laugh)

Franklin (smart, wry, gay, good friend)

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COLOR SYMBOLISM:

Shannon (earth mother figure, warm, optimistic, a traveler)

Aaron (educated, concerned, wise, maybe schizophrenic)

Jen (dedicated, obedient Christian, loving mom.)

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COLOR SYMBOLISM:

Verin (Veteran of the 60’s Alcoholic)

Howard (Good Christian man)

Juggalos (Gang kid, violent, nuts)

Megan (Meth addict, big plans)

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COLOR SYMBOLISM:

Lou (Poor, drunk, mean.)

Gloria (Jehovah’s Witness, frightened child.)

Stepdad (Persuasive.)

JJ’s Dad (Quiet, brutal.)

Cop (protector or law enforcer)

Detective (protector or law enforcer)

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EXAMPLES OF HOW TO INTEGRATE SOUND

THROUGH ARCHETYPAL ELEMENTS

Add organic sounds to symbolically complement the elements (use as background sound or transition):

EARTH – drumbeats, thuds, bangs, stomps

AIR – wind/wind chimes, sliding feet

FIRE – crackling, hissing

WATER – rain sticks, objects rolling in bowl

Add verbal tones and paces to speech:

EARTH – firm, steady, comforting, solid

AIR – whispering, breathy, flighty,

FIRE – hissing consonants, explosive words, warmth

WATER – rippling echoes, babbling, soothing, thirsty/parched

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EXAMPLES OF HOW TO INTEGRATE MOVEMENT

THROUGH ARCHETYPAL ELEMENTS

EARTH – deliberate, even steps, plodding, trekking

AIR – twirling skirts, spiral blocking

FIRE - thrusting, jutting

WATER – fluid, swirling

ALL HUMANS HAVE BOTH FEMININE AND MASCULINE ASPECTS.

FEMININE ASPECT – moves in circles and spirals; coming full circle, luring, evading, internal; silhouette in S-curves

MASCULINE ASPECT - moves in straight lines from point A to B; forward and advancing/external; silhouette in sharp angles/triangles

When a character moves from one aspect to the other, their movement and silhouette changes.

ADVANCES AND RETREATS/OBSTACLES

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Notes from the author, Lisa Loomer

“The play is about people who have their own sense of things like “time” and “place.” They argue a lot, they riff, they get high, there’s not a lot else to do, But, though the kids’ lives seem random, the story’s headed someplace dark. And the production needs to tell us that. In Michael Matthews’ production at the Road Theatre, this was accomplished in scene changes with were dynamic, driving, and loud. Whether a production uses music or moving set pieces, it helps to have an overlay that drives the story… which is a f*cked up urban fairy tale about cast-out kids.” ~ Lisa Loomer

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Production Photos from Michael Matthews’ production

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Notes from the author, Lisa Loomer

“Beat boxing (drum-like or percussive sounds made by mouth by street musicians) should be the transition between scenes. This can be picked up and magnified by the sound system backstage.

There’s a folk-like song composed by JJ which keeps getting longer, if not better.

The violent, white sub-genre of rap music called horrorcore is also part of this world. Horrorcore’s most known group is Insane Clown Posse (ICP) a white group whose music is gory, anarchic, and violent. Juggalos are their disciples, suburban wannabe gang kids who wear clown makeup or clown hair.”

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Thoughts about objects and symbolism

  • What objects symbolize vulnerability?
  • What objects symbolize strength?
  • What objects symbolize independence?
  • What objects symbolize needy?

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Set Ideas

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Set Ideas

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Set Ideas

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Set Ideas

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Set Ideas

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UIL OAP “Buried Child” directed and designed by Natasha Tolson

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UIL OAP “Buried Child” directed and designed by Natasha Tolson

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UIL OAP “Buried Child” directed and designed by Natasha Tolson

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UIL OAP “Buried Child” directed and designed by Natasha Tolson

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Thoughts about objects and symbolism

  • What objects symbolize vulnerability?
  • What objects symbolize strength?
  • What objects symbolize independence?
  • What objects symbolize needy?