Simon Barney (director) Briefcase Gallery – Hollywood Hotel, Every second Tuesday Night, c.2001-6, Sydney
Albert M Fine, Fluxus Score.
Fluxus scores as model for intergenerational access
Albert M Fine, Fluxus Score.
Fluxus scores as model for intergenerational access
“I tell about my meeting with Carolee Schneemann in New Paltz, N.Y., in September 2003 relating certain stories, about the beginning of her performance art. I come into the picture myself and act out the performance "interior scroll" (1975 and 1977). I pull the scroll out of my body and speak the dialogue with the Structuralist filmmaker written on it. When he dismisses Carolee as a dancer, I dance Punk until I am out of breath. This permits me to experience the attitude of a painter who is her own model. At the end I talk about my surprise at how much performance history is fixated on the photograph of "interior scrolls" while neglecting to transmit the content of the discussion between her and the Structuralist filmmaker.”
Carolee Schneeman�Interior Scroll, 1975
SAEMANN MEETS SCHNEEMANN,
Performance dank Carolee Schneemann,
generation gap_performances, 2004 - 2006
Re-enactment as artistic strategy
VALIE EXPORT, Tapp und Tastkino,
1968
Body Action, Social Action, Sexual Action, Real Film
Synthetic Performances, 2007
by Eva and Franco Mattes aka 0100101110101101.ORG
Jeremy Deller, 2001,
Re-enactment,
Battle of Orgreave (1984)
George Maciunas’ Expanded Arts Diagram
Malcolm Le Grice,
“real time/space”,
Art and Artists Magazine,
December 1972
Anthony McCall, Long Film for Ambient Light,
12 noon June 18 until 12 noon June 19, 1975,
The Idea Warehouse, NYC
Anthony McCall, Long Film for Ambient Light,
12 noon June 18 until 12 noon June 19, 1975,
The Idea Warehouse, NYC
Anthony McCall, Long Film for Ambient Light,
12 noon June 18 until 12 noon June 19, 1975,
The Idea Warehouse, NYC
Re-creation of Anthony McCall's Long Film for Ambient Light, Sydney 2007
“Attending to Anthony McCall’s Long Film for Ambient Light”
in
Perform Repeat Record: Live Art in History
(ed Amelia Jones and Adrian Heathfield) 2012
William Raban, 2'45”, 1973
Louise Curham and Lucas Ihlein, early (2004-2005) attempts
at re-enacting William Raban's 2'45”, 1973
Louise Curham and Lucas Ihlein, Six Minutes, 2007,
(after William Raban's 2'45”, 1973)
Guy Sherwin, Man With Mirror
1976-present
Guy Sherwin,
Man With Mirror 1976
Sherwin demonstrates for us the choreography of Man With Mirror
using his young son Kai's plastic high-chair table top... (Brisbane, August 2008)
Teaching and Learning Cinema
Shooting (Wo)man With Mirror,
Alfred Park, Sydney, 2009
TLC, rehearsal and performance of
(Wo)man with Mirror,
2009, Artspace Sydney
(Imprint exhibition, curator Anneke Jaspers)
Diagram showing TLC’s performance
positioning for (Wo)man with Mirror (2009-)
Audience distribution
TLC, (Wo)man with Mirror, installation, Artspace, 2009
TLC, (Wo)man with Mirror
timeline detail
Louise Curham practicing
“(Wo)man with Mirror”
with Val Curham
Petersham, 2009
Lucas Ihlein practicing
“(Wo)man with Mirror”
with Owen Ihlein
Petersham, 2009
Mr Allan Kaprow
(who reportedly died in April 2006 of natural causes)
The “original” manifestation of Push and Pull - 1963
The “original” manifestation of Push and Pull - 1963
The “original” manifestation of Push and Pull - 1963
“the usual” manifestation of push and pull
proposed manifestation of push and pull
Push and Pull, Redfern, 2009
Ian Milliss, Walk Along This Line, 1970
Ian Milliss in the archives at Art Gallery of NSW in 2011,
With the AGNSW Trustees Meetings Minutes Book from 1975
Yeomans Project “Field Trip to Taranaki Farm”, October 2011
Yeomans Project in exhibition, ACCA, Melbourne Festival, 2011
Ian Milliss presents at “Re-programming the Art Museum” symposium at AGNSW, 2011