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Gemelli’s Textbook

Join Gemelli:

discord.gg/KQjamQY

Made with 💗 by Gemelli TS teachers

Typesetting (TS)

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Preface

Thank you for clicking on this link. While this "textbook" was made for the trainees of our own group, we hope this guide can provide some insight into general typesetting expectations.

Before you read:Start with Anon Black's Typesetting Guides (Mangadex), then consider checking out RHS Comprehensive Typesetting Guide is also helpful for learning the rules of typesetting manga!

Some more guides I'd recommend checking out include Typesetting Tips, Blambot Lettering Tips, and Comicraft's Do’s and Dont's.

This textbook is part of the Gemelli Textbook Series.�Our other textbooks include:

  • Gemelli's CLRD Textbook

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I recommend reading through the whole thing your first time. This page is only here for when you wanna skip to something specific later on!

Table of Contents

  • Introduction

  • Unit 0 - Basics
    • Beginning
    • Character Panel
    • Paragraph Panel
    • Point Text vs Paragraph Text
    • Following the Font Guide
  • Unit 1 - Shaping
    • Lining
    • Tackling the Hourglass/Pyramid
    • Hyphenating
    • Good/Bad Shaping Examples
    • Other Tips
  • Unit 2 - Sizing
    • Goldilocks Sizing
    • Good/Bad Sizing Examples
  • Unit 3 - Centering
    • Optical Centering
    • Centering Methods
    • Other Tips
  • Intermission

  • Unit 4 - SFX
    • SFX Overview
    • SFX Font Choosing
    • SFX Effects
    • Baseline Shift
    • Warping
    • Blur / Motion Blur
    • Weird SFX Recreations in Photoshop
    • Using CSP for SFX
  • Unit 5 - Other
    • Layer Masking
    • The Crossbar “I”
    • Perspective Matching
    • How to Use Actions
    • Em Dash
    • Accents
  • FAQ

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Introduction

So you want to learn how to typeset? �Here are some basics to get you started:��What is a typesetter?��A typesetter is a role in scanlation, �their main job is to place the proofread text onto the cleaned version of the comic. ��Typesetting goes into much, much �more depth. Over these pages, you �will get to know many terms that will �definitely be used again in the future!

���What resources do I need?��The very first thing you need is a computer and a mouse. It is very hard to typeset and edit on any other devices. Second, you need to download photoshop. No need to buy or use your money, we have many links to free and cracked photoshop. ��That’s about it for now, also you might need a lot of space on your computer for fonts and downloads.

Womp

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Introduction (cont.)

Start off with some basics: For people new to scanlation or new to typesetting.��First the cleans. Most of the time, they’re in 2 layers. It is put this way so that you, the �Typesetter, know where to put text �and other things. Viewing the raws is vital for SFX and many other details. This works by clicking the eye icon next to the highest layer. ��*SFX is an abbreviation for sound effects. Usually words such as “Whoosh, Thump, Bang” and other onomatopoeias are SFX. These SFX can be colorful or have special effects that the original file (raw) has.

Womp

The duplicated layer

The background layer

*The eye tool, to hide or unhide a layer.

*SFX Examples:

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0. The Basics

(MUST READ)

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Unit 0 - Character Panel

When typesetting, the one thing readers see is your CHARACTERS (aka font, bold/not bold, spaces between lines and letters).

Thus, one of the most important panels used in typesetting is the character panel. Open it by going to Windows > Character.

It is the default settings to the appearance of your text. The picture on the side demonstrates the character panel and its’ settings.

Looks like this ->

Make sure to always have it open!

��

Womp/fluff

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Unit 0 - Character Panel

Now to learn some vocabulary!

Tracking�The space between characters.

Leading�The space between lines. Auto Leading means photoshop handles the leading based on a percentage.

Kerning�The overlapped space between characters.

Anti-aliasing:�How the edges are dealt with.��

��

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Unit 0 - Fi

What is Fi? Should you leave this button on? Fi is the acronym for ligatures, and its main uses are for double letters and crossbars. (see sl. 75. fluff)��The crossbar will be on when Fi is selected. It is also a great tool for automatically getting the correct crossbars.��Double letters have a slight change in difference when Fi is ON! Ligatures is the combining of letters.��You should leave it on whether the group would like crossbars or not. Although it’s correct to leave them on, they can also mess with the variation of double letters.

However!! Fi does not work for�all fonts; in this case, find the shift + \ on your keyboard. It looks like a crossbar “|”.

Fi off

Fi on

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Unit 0 - Character Panel

Things to note (in Gemelli):

  • Use (Auto) Leading.
  • Use Optical Kerning.
  • Use Smooth Anti-aliasing (for the most part)*
    • Sharp Anti-aliasing looks better for for realllly small font sizes)
  • Use the basic values 0 or 100% for everything else.

There’s an action in the drive that resets the text to:

  • Optical kerning, turn off all caps, turn off fi, anti alias to smooth, tracking to 0, and text width to 100%�

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By default, your character panel should look like this!

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Unit 0 - Point Text vs Paragraph Text

Typesetting: def. using the text tool <shortcut: t> to put translated text on a cleaned page.

Beginners are recommended to use point text.Why? Point text requires the typesetter to manually shape the text. (See section on Shaping.)

PARAGRAPH TEXT

POINT TEXT

Paragraph Text: Click + Drag.

Point Text: Click + start typing�(or paste your text w/ ctrl + v).

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*note how spaces are deleted at the end of each line

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Unit 0 - Paragraph Panel

Your paragraph panel looks like this ->

You don’t have to always have it open. You only need it when you switch your align (red) or your Auto Leading.

If your Font Guide says `Auto Leading: 100%`,�then you’ll need to adjust it in Justification.

Go to justification here�And this panel should pop up:

By default (in Gemelli), if we don’t�mention a specific percentage for auto-�leading, then it’s 120%.

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Unit 0 - Paragraph Panel

So what does auto-leading do anyways?�Well, first of all, auto leading is when leading is (auto)matically determined by photoshop. It makes the leading consistent no matter your font size!!!

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While 120% Auto Leading is good for most fonts, sometimes it doesn't work and that's why we (at Gemelli) choose to mess around with it ^^

Reminder that your typesetting�looks bad for certain fonts if�you don't adjust this value.

Do not manually adjust your leading for every single bubble... do this instead~

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Unit 0 - Following the Font Guide

Font Guide - A list of fonts and what they�are used for. This is to maintain consistency between chapters and between typesetters.

Make sure to follow the font guide exactly.

This means, no CCTimSaleW00 where it says CCTimSale (W00 is not the same font). Here is the Scan School Font Dump which contains a lot of official CC and BB font files. Still can't find the og font file? Ask, and we'll drop you a copy.

*** Always try to get fonts from the original file. fonts with modified names always cause big headaches for your QC if they didn't download the same font file you did.

Example of a Gemelli Font Guide

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Unit 0 - Choosing Your Own Fonts

Creating your own font guide?

DO NOT USE the following:

  • anime ace 🤮
  • manga temple 😭😭
  • comic sans 😔😔😔
  • normal fonts (arial, myriad pro, etc)

Sometimes the 'genre' and 'art style' can decide which fonts look better.�Check the previous projects you worked on and steal their fonts. Or... ask more experienced typesetters for their font guides!

^ great font suggestions from QSS

auto-leading here needs to be fixed too

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BAD!!!!

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I. Shaping

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Unit 1 - Lining

Bad Shaping is one of the most recognizable mistakes if you do it wrong.

Shaping / Lining refers to the shape of your text in the bubble.

Usually, the most common shape is the circle or oval, or ellipses.

Some basic rules for lining are:

  1. The top and bottom line should not be larger than the middle
  2. The number of words between each line should be similar
  3. Hyphenate to improve shape, but don't hyphenate names.

Good Shaping Example

Bad Shaping Example

Womp/fluff

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Unit 1 - Lining

Good shaping (lining) is usually round�(yes, even in a box).

Generally you want to match the lining of the text to the shape of the bubble/ narration box.

Take a look at this bubble ->

You can see in this one, the middle�line is way too long, when typesetting�you should experiment with your text�to make it look good.

Ehhh?

Womp/fluff

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Unit 1 - Hourglass / Pyramid

When we criticize the shaping�of a bubble, we often point out hourglasses and pyramids.

Example of an hourglass in shaping:

Example of fixing an hourglass by using a smaller font size. [See right.]

Fixed Shaping issue :)

Hourglass?! (ew)

Lili/fluff

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Unit 1 - Hourglass / Pyramid

When we criticize the shaping�of a bubble, we often point out hourglasses and pyramids.��Example of a pyramid in shaping:

Bad Pyramid shaping (ew)

Fixed Shaping issue :)

Lili/fluff

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Unit 1 - Hyphenating

In order to avoid hourglass text you can:

  • Make the text smaller
  • Use hyphens*
  • And just play around with the lining
  • we hyphenate by syllables*

*When using hyphens, check where you hyphenate a word with a hyphenation website like Hyphenation24.

*Also, MAX 1 hyphen per bubble (in Manhwas and Manhuas). Mangas… more hyphens are fine.

Has Hourglass (ew)

Fixed Shaping issue :)

Lili

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Unit 1 - Good/Bad Examples

Bad stuff (don’t do this)

Bad shaping (could be round)

Sis no

Good shaping but Wrongly Hyphenated...

Womp/fluff

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Unit 1 - Good/Bad Examples

Good stuff MHMMMM

Good shaping :)

Nicely Shaped :)

Matching the bubble shape :)

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Unit 1 - Punctuation

if I see one more twitter translators putting punctuation on its own line, I'm going to flip

(jkjk,, it's not that bad,, just... doesn't read well)

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BAD!!!!

Good ^^

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Unit 1 - Other Tips

Other tips:

  • When the shape only has 2 lines, generally keep the first line shorter.
  • When TSing Manga, you can sacrifice a line or two to a smol hourglass to preserve readability.
  • Change line horizontal width and tracking a little ^^
  • You can reword bubbles to make your TS fit better, though be sure to check with your translator for any possible meaning changes!

How to improve shaping quickly:

  • More practice. * Slaps my non-existent thighs *
  • See #typeset-practice channel in the Scan School discord :shy:

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Unit 1 - Visual Summary

If you can get a round shape, go for the round shape. It looks best!

Which one do you think looks better?�1, 2, or 3?

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II. Sizing

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Unit 2 - Goldilocks Sizing

Take into account the white space of the bubble. Zoom out ("step back") when assessing sizing.

If the bubble looks empty, make your text a bit bigger.

Example of text too small�You want to make the text size bigger especially if it’s a shout, because shouts are LOUD.

If your text is practically touching the sides of the bubble, make it smaller.

Example of text too big

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Unit 2 - Good/Bad Examples

Here’s some examples to drill what bad sizing is:

Too Big

Too Small

A Bit Small

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Unit 2 - Good/Bad Examples

Here’s some examples to drill what good sizing is:

Just Right

Just Right

Just Right

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Unit 2 - Connected Bubbles

Sometimes you have to take into consideration the size of surrounding text when sizing.

i.e. with connected bubbles, try to keep the text size around the same pt UNLESS there's a big difference present in the raws. Otherwise, the change feels super jarring and disrupts the flow of reading.

It's always good practice to zoom out and scroll through your typeset like an average reader would to notice any jarring size changes.

Around the Same

Feeling Separated...

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III. Centering

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Unit 3 - Optical Centering

A large part of centering comes from understanding the padding: the space between the text and the edges of the bubble.

These text boxes are absolute centered (all the padding is symmetrical and can be done by a program

fluff/song

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Unit 3 - Optical Centering

Optical Center means location in the bubble that seems “Center” to our eyes. Unlike the absolute center, there’s no way to just rely on the computer.

Some useful tricks are:

  • holding ctrl while hovering over the text (point text method)
  • drag the box to both sides of the bubble (horizontally) and eye ball vertically (textbox method)

Disregard the values that pop up.�Trust your eyes ^^

Lili/fluff

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Unit 3 - Centering Techniques

Center using the move tool <shortcut: v>!

NOTE: This method only works for point text.

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Unit 3 - Centering Techniques

Photoshop Action:

Since Gemelli Academy shut down, click here to access our actions.

Make sure to read�the '# Instructions' document first!!!

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Unit 3 - Centering Techniques

Just eye it:

Point Text: Hold CTRL w/ the move tool, and just eye the spaces around the text. Nudge around (arrow keys) until it looks right!

Paragraph Text: Drag side handles to the side of the bubble, and nudge up and down (up and down arrows) until it looks right!

Point Text

Paragraph Text

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IV. SFX�(Sound Effects)

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Unit 4 - SFX Overview

Referenced from Page 4*

SFX are sounds effects, usually put in different fonts, effects, and many more.

Why are these effects important? When typesetting you must follow the raw file. If the raw file has that effect, your SFX must have it too. (Fonts, Blur, Stroke, Different colors, etc.)

In these next few panels, you will learn the effects and how to make them. As well as some other key important details.

��

Note: no hyphen when you’re breaking up a SFX�(see above)

Womp/fluff/song

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Unit 4 - SFX Font Choosing

When choosing fonts to use for your SFX, look at the raw and take inspiration from how the raw does it.

NOTE: Do not solely base your SFX choices off the raw though, because the raw language is different than English, and so the raw language has fonts English can’t have and English has creative fonts that the raw language can’t have.

Here’s an example of picking�a font based off of the raw -->

SFX in RAW

SFX Typesetted

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Unit 4 - SFX Font Choosing

For most sfx, you want to choose a font that matches the feel / sound of the sfx itself. This means, if the sfx you TS is “Kick”, your font choice can make that “Kick” into:

  1. A cute lil baby kick (aww)

  • A Kick in the shin (ouchie)

  • AND AN EFFING KICK (oof)

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Unit 4 - SFX Font Choosing

Just follow your natural instinct when choosing fonts,, there’s no right or wrong answer

However,

  • using speech fonts as SFX is a big nono (Ex. Digital Strip)
  • Over using the same font over and over/ overused fonts (Ex. Trash Hand)

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Unit 4 - SFX Font Choosing

Generally:

  • Sad / Nervous SFX = messy fonts
  • Angry/ mad = horror themed fonts
  • Happy/cute/dazzling = cute calligraphy fonts

But there are many other types of fonts that can have the same effect, you just gotta explore

Tip: Find and test new fonts! Don’t just find one font for each mood and use it over and over, it’ll be boring

Lili

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Unit 4 - SFX Font Choosing

SFX Font Choosing Example 1

Looking at this SFX, I can easily match the raw with my sfx.

But hold on, that doesn’t really reflect the sound of “Slightly” does it?

The sound of “slightly” is soft-ish as you’re doing it pretty lightly. Because of this, a pencil/handwritten font would work best.

Too messy, hard to read.�Too thick, not “light”.�Perfect!

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Unit 4 - SFX Font Choosing

SFX Font Choosing Example 2

Don’t overuse fonts.

All SFX on this panel contains�same font: big Nono

Try some other fonts that get the feeling behind these words!

  • Sob -> Sad, handwritten
  • Thud -> Angry, messy

Lili/fluff

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Unit 4 - SFX Effects

Adding Stroke�There are 2 ways to add effects:

  1. Double click the text layer in your layers panel and the `Layer Style` pop up should appear. You can select “stroke” there.
  2. Make sure you’re on the right text layer, and click the fx and select Stroke.

Afterwards, in that menu, edit:

  • Stroke Size
  • Opacity
  • Colour, etc

To match the raw!

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Unit 4 - SFX Effects

Adding Gradient

Add a gradient effect by adding a gradient overlay.

In the menu, you can change:

  • Opacity
  • Gradient (next slide)
  • Style
  • Angle
  • Scale

Just play around with these numbers until it’s satisfactory.

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Unit 4 - SFX Effects

Adding Gradient

How to edit Gradient:

  • Click on the gradient and the gradient editor should show up
  • Click on the “stops”�and you can sample colours right from the raw using (it automatically switches to the eyedropper tool)

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Unit 4 - SFX Effects

Adding Effects: Drop Shadow, Inner/Outer Glow, Pattern

Double click the text layer in your layers panel and the `Layer Style` pop up should appear. You can pick and edit your effects there. Play around with them~

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Unit 4 - SFX Effects

Clipping Fancy Effects

Let’s walk through an example of how to use clipping to add fancy effects to your TS.

Check out Kyle's brush sets for unique effects & textures to re-create patterns with~

Downloads can be found here: https://quicksandscans.wordpress.com/resources/

Raw!

Typeset�The Letters!

The pattern�Created on a�New layer!

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Unit 4 - SFX Effects

Clipping Fancy Effects

Here’s the layers:

  • The pattern on top
  • The rest of the letters w/ stroke below in a folder

Now create a clipping mask by:

  • Right clicking and `Create Clipping Mask`
  • Hold alt and click below the pattern layer

Looks like:

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Unit 4 - SFX Effects

Clipping Fancy Effects

What Clipping does is basically cuts off everything that’s not on the layer you clipped to.

Here’s a few examples of cool clipped effects :)

If it’s clipped, it’ll have the arrow like this:

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Unit 4 - Adding Patterns

Adding patterns/screentones

When you have a pattern or screentone on your text, you need to Create a Pattern first. Then, you have two options:

  1. Create a new layer above and use the Pattern Stamp Tool to brush over the area. Clip it to the text.
  2. Go to Blending Options and fill using the pattern you created.

song

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Unit 4 - Adding Patterns

luke/song

How to make your own pattern (mostly for screentones but useful for other things :p)�1.) Use you rectangular marquee tool

2.) Select the pattern you want to copy

3.) Go to Edit > Define Pattern then click OK.

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Unit 4 - Adding Patterns

luke/song

Pattern Stamp Tool

  1. Use the Pattern Stamp Tool and select a pattern (the screentone you made. Refer to the previous slide) from the dropdown in the top bar.
  2. Now the Pattern Stamp Tool acts like the brush tool kind of, so you can just brush the pattern over. Make sure to cover the entirety of the text.
  3. Clip it to the text (refer to Clipping Fancy Effects). Make sure to link it to the text, so if you move the text, it still remains on top of the text.

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Unit 4 - Adding Patterns

Adding patterns/screentones

Double click the text layer in your layers panel and the `Layer Style` pop up should appear.

Click on Pattern Overlay and select the pattern you’ve created in the dropdown box. You can adjust the angle, scale, etc. Click OK when you’re done!

song

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Unit 4 - Baseline Shift

Using Baseline Shift is a really good way to make sfx match the raw better WITHOUT USING VERTICAL TEXT.

(This is also a better way to make your sfx spicy without having to place every character separately.)

How to:

  • Highlight the letter or word or whatever that you want to baseline shift
  • Adjust the baseline shift (you�can hold and drag to quickly adjust the baseline shift :)

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Unit 4 - Warping

How to add:

  • Be on the text tool <t> and click the
  • Right click the text and select `warp text`

Just play around with this! Don’t rely too much on it though!

I mostly see warp in NSFW works because you want to spice up the moans somehow while using the same font

Delete if i won’t get sent to jail

This one

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fluff what the hell

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Unit 4 - Blur / Motion Blur

How to add blur / motion blur:

  • Filter > Blur > Motion Blur

Now a note: Since a blur is a type of “Filter”, Photoshop will ask you to `Rasterize`.

You can:

  1. Make a copy of the layer, then apply the effect+rasterize
  2. Convert layer to `smart object` then rasterize

Do NOT rasterize without making a copy first.

Gaussian Blur = Normal Blur

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Unit 4 - Weird SFX Recreation

If you typeset certain comic series, you may run into these SFX that use weird brush effects. How do we recreate this in English? The best answer to that is to use Clip Studio Paint since these SFX were created in that software. Don't have CSP? Don't fear, the first part of this section focuses on how to recreate these SFX in Photoshop!

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Unit 4 - Weird SFX Recreation

but of course, you don't have CSP, so listen up, i've got some tips for you:

  1. typeset your font w/o any of the special effects
  2. add 2 stroke effects
    1. 4 px Outer Stroke (white)
    2. 1 px Inner Stroke (black)
  3. after that, create a new clipping layer and cover it with crosshatches (I used kyle's crosshatch brush pack)

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Unit 4 - Weird SFX Recreation

but of course, you don't have CSP, so listen up, i've got some tips for you:

  • typeset your font w/o any of the special effects
  • add 2 stroke effects
    • 4 px Outer Stroke (white)
    • 1 px Inner Stroke (black)
  • after that, create a new clipping layer and cover it with crosshatches (I used kyle's crosshatch brush pack)
  • adjust the inner stroke to ~3px (or whatever looks good)

looks good enough for me :D

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Unit 4 - Weird SFX Recreation

how about this one?

  1. typeset the words
  2. add these effects:
    1. change the font color to black
    2. add a 2 pt Outer Stroke
    3. change the layer effect to 'Lighten'
    4. add a clipping layer

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Unit 4 - Weird SFX Recreation

how about this one?

  • typeset the words
  • add these effects:
    • change the font color to black
    • add a 2 pt Outer Stroke
    • change the layer effect to 'Lighten'
    • add a clipping layer
  • draw the white lines or get the effect from online-

looks good enough for me :)

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Unit 4 - Weird SFX Recreation

ok when u see something complicated like this, break it up into steps:

  1. gotta typeset the words
  2. gotta add the motion blur effect

let's tackle them one by one

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Unit 4 - Weird SFX Recreation

  • gotta typeset the words
    1. typeset the words (right)
    2. add the effects (below)

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Unit 4 - Weird SFX Recreation

  • gotta add the motion blur effect
    • duplicate layer
    • radial blur (right)
      1. i had to experiment with this several times before i found one i liked. be patient with your effects :D

looks good enough for me :)

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Unit 4 - Using CSP for SFX

if you're like me and got CSP just to do these fancy SFX, or not, let me tell you:

  1. first, check out this guide for an overview to CSP (with a photoshop background) to decide if you want it if you don't have it
  2. download this CSP asset pack (or any other asset pack) that's used by comic artists to do SFX

  • follow guide linked above to get the downloaded brush into CSP... then, go ham with the brush->

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Unit 4 - Using CSP for SFX

2-step Instructions on adding Gradient & Stroke in CSP-

Stroke:

  • 'Layer Property' > "Border Effect"
  • There you go.

Gradient:

  • Like you would in PS, use a clipping layer.
  • ...and there you go.
  • (Isn't this hot?)

Other effects? Do it in PS afterwards.

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Unit 4 - Using CSP for SFX

Best practices with workflow (for my group)

  1. Do the SFX first in CSP. If you typeset the bubbles first then migrate to CSP for sfx, the fonts get rasterized, layer styles disappear, overall D: not good-
  2. After drawing the SFX, it's best to save the CSP file as a '.clip' in case the QC asks for it to change / edit, etc
  3. Typeset in photoshop. The SFX done in CSP will be rasterized so keep your layers organized
  4. Submit a PSD at the end to your QC

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V. Other

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Unit 5 - Layer Masks

A layer mask controls the opacity of whatever it masks.

On a layer mask, black = 0% opacity whereas white = 100% opacity and whatever comes between comes between.

Layer Mask Example

How to use:

  1. Put whatever you want to mask in a folder:�������Make sure it has ALL effects already added (stroke, gradient, etc)
  2. Add a layer mask to the group.

(cont next page.)

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Unit 5 - Layer Masks

How to use (cont.):

  1. Now go ahead and take a black brush or the gradient tool to edit the opacity without needing to rasterize!

Done with the gradient�tool and a layer mask ->

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Unit 5 - Layer Masks

How to use (animated explanation):

i stole this helpful gif from codecy (scan school) so thanks :)

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Unit 5 - Crossbar “I”

Only use the crossbar “I” for the personal pronoun I. For all other instances of “i”, use the lowercase “i” even if it’s at the start of the sentence.

Interesting Note: Some fonts map the crossbar “I” to the <|> (pipe) key.

An example of crossbar used correctly below:

Womp/fluff

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Unit 5 - Matching Perspective

To typeset text while matching the perspective, the edit > distort tool will be a lot of help.

Let's take a look at this panel as an example:

First, let's get the translation typed in.

Right-click the text to make it into a smart object (so we can perform distort on it).

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Unit 5 - Matching Perspective

Now, you can use edit > distort to edit the text to match the box. My shortcut is to use free transform (ctrl/cmd + t) and then right-click to get to distort.

Use layer masks (see pg 71-73 to make the part of the text disappear.

If you want to edit the contents of the text afterwards, double-click on the smart object (in the layer panel) ^^

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Unit 5 - Using Actions

Actions were frequently mentioned throughout this guide, but how do you use them?

After downloading the file, go to your file explorer > click on the file > open your action panel from the windows tab.

Make sure to have your text layer selected, it should be highlighted > select the action > click the play button on the bottom menu

womp

Actions increase the speed of typesetting as they are automatic custom settings.��Forget changing the font or autoleading every time you switch styles, download actions--or make them--to increase your productivity.

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Unit 5 - Em Dash

An em dash is the super long dash that your font may not have and if you copy paste into PS, it might not work

Put down your text. Use a normal dash

Select/highlight just the dash

On the character panel, change the horizontal scale to 200%

Now it looks like this! That's it! It's that simple

song

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Unit 5 - Accents

If your text has accents (particularly accent grave) but you don’t know how to TS:

On the top bar, click “Window” → “Glyphs”

Note: Some fonts don’t have a specific accent in their glyphs, so you may have to use a similar looking font instead

song

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Misc.

Ending Notes

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Misc. Advice

  • Q: Can I use Gimp to typeset?
    • A: No. Gimp rasterize all layers so as the QC, I can’t edit any of your TS after you do it. Additionally, Photoshop (prefered software) has a lot more mechanics that help with editing in text.�
  • Q: When using a lowercase font, should the “I”s at the start of the sentence still be lowercase if it’s not the personal pronoun “I”?
    • A: No. Use capitalized “I”.�
  • Q: If I have punctuation (i.e “...”, “?!”, or “!”), do I TS them on a seperate line?
    • A: Depends, most of the time, it’s better to not put the on a seperate line, but if there’s no space / the whole bubble a vertical sfx, then you can put them on a separate line.

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Misc. Advice

  • Q: Manga bubbles are so small! Should I hyphenate to shape better?
    • Manga shaping is less severe on shaping, though we go for good shapes, avoid hyphenating if at all possible.
  • Q: How can I improve my SFX in terms of placement and aesthetic?
    • Try puppet warping! Quite tedious and challenging but will improve through practice.
    • Transform tool; making a layer for each letter and rotating them/changing width and height.
    • Try out handwritten SFX using a tablet, wacom, or pen. Not required but a very good investment.
  • To be continued…

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