Becoming a copyright �deity specialist
Six Q & As
with Irene Barranco Garcia (Imperial College London) and Christina Daouti (University College London)
AI-generated image, Microsoft Copilot, 24 April 2025
Q1. Who are we, and how did we get here?
Irene
Christina
RyanMinkoff, CC0, via Wikimedia Commons
Image by [Sam Teigen]
( https://flic.kr/p/4WiJs6 ~ [CC BY-NC-SA 2.0] https://creativecommons.org/licenses/by-nc-sa/2.0/ )
Q2. Being a copyright specialist: �what do we do day to day?
IsabellaMont, CC BY-SA 4.0, via Wikimedia Commons
Q2 (continued). What do we do day to day? We are:
Image by macrovector on Freepik
Policy, compliance, licences and permissions.
Jealously protecting authors’ rights
Help others navigate copyright’s choppy waters
Communicate the rights messages to different audiences.
Develop copyright wisdom (literacy).
Make it playful (minus the wine)
Make it critical and open to debate (fighting battles if necessary)
Sow the seeds of copyright literacy communities and watch them grow.
Forge relationships within and beyond our institutions.
Support the arts and cultural heritage.
Hunt for new knowledge (professional development).
Use copyright to support the beauty of open science.
Q2 (continued). What do we do day to day?
Image by macrovector on Freepik
Q3. Is a copyright librarian different from being a subject librarian?
�KKPCW, CC BY-SA 4.0, via Wikimedia Commons.
Q4. What areas are we responsible for?
Irene top 3
Christina top 3
Q4. What (other) areas are we responsible for?
Q5. What skills come handy when you are a copyright specialist?
It is both skills and behaviours.
Q6. And finally, what’s the biggest perk of the role?
Irene
Christine
Experiencing people understanding something that they didn’t before, and put it to practice.
Bonus question. How important is it to work with others?
Key partners
They all work with copyright and will have valuable perspectives.