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No Place Like Home: The Nuclear Family through Horror

Hayden Deffarges and Devan Paul

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We read some books!

Sleeping with the Lights On, Darryl Jones

The Monster Show, David J. Skal

Shock Value, Jason Zinoman

The Dread of Difference, ed. Barry Keith Grant

The Way we Never Were, Stephanie Coontz

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We watched some movies!

The Babadook (2014) dir. Jenifer Kent

It Follows (2014) dir. David Robert Mitchell

Rosemary’s Baby (1968) dir. Roman Polanski

The Shining (1980) dir. Stanley Kubrick


Hereditary (2018) dir. Ari Aster

The Texas Chainsaw Massacre (1974) dir. Tobe Hooper

The VVitch (2015) dir. Robert Eggers

The Stepford Wives (1975) dir. Bryan Forbes

The Exorcist (1973) dir. William Friedkin

Train to Busan (2016) dir. Yeon Sang-ho

The Host (2006) dir. Bong Joon-ho

Psycho (1960) dir. Alfred Hitchcock

Onibaba (1964) dir. Kaneto Shindo

Lake Mungo (2008) dir. Joel Anderson

Let the Right One In (2008) dir. Tomas Alfredson

Deep Red (1975) dir. Dario Argento

Pyewacket (2017) dir. Adam MacDonald

The Haunting (1963) dir. Robert Wise

The Hills Have Eyes (1977) dir. Wes Craven

The Omen (1976) dir. Richard Bronner


Jennifer’s Body (2009) dir. Karyn Kusama

The Love Witch (2016) dir. Anna Biller

Ring (1998) dir. Hideo Nakata

Dressed to Kill (1980) dir. Brian De Palma


House of Usher (1960) dir. Roger Corman

Pulse (2001) dir. Kiyoshi Kurosawa

A Girl Walks Home Alone at Night (2014) dir. Ana Lily Amirpour

Blood and Black Lace (1964) dir. Mario Bava

Thirst (2009) dir. Park Chan-wook

Ginger Snaps (2000) dir. John Fawcett

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We talked about stuff!

The monstrous feminine: Many modern horror movies feature teenage girls, female puberty, and women’s sexuality as evil or terrorizing forces. Left to right, top to bottom: Hereditary, Ginger Snaps, Carrie, Jennifer’s Body, The VVitch, The Love Witch.

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We talked about more stuff!

The reveal: Where horror films once starred monsters, many now build up to the villain’s onscreen reveal. Left to right, top to bottom: Ring, The Texas Chain Saw Massacre, The Babadook, Lake Mungo, It Follows.

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We talked about even more stuff!

Mothers and monsters: Family horror movies tend to center on mothers or the psychology of mother-child relationships. Left to right, top to bottom: Hereditary, The Babadook, Psycho, Rosemary’s Baby.

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The Cinematic Male Gaze & Violence as Pornography: Giallo and Slasher

Title lit. “Six Women for the Assassin”

Prolonged psychological torture of “final girl”

Graphic sexual assault

Voyeuristic obsession with female sexuality

“The death of a beautiful woman is the most unquestioningly poetic topic in the world.” - Edgar Allan Poe

“I like women, especially beautiful ones. If they have a good face and figure, I would much prefer to watch them being murdered than an ugly girl or a man.” - Dario Argento

“[Sardou] said ‘Torture the women!’ The trouble today is that we don’t torture the women enough.” - Alfred Hitchcock

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The Narrative Male Gaze & Representations of Ideal Womanhood

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Devan

Hayden

Jesse

Our favorites!

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The Great Debates

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Great Debates, continued

The Omen (1976),

a movie we all agree is terrible

It Follows (2014), a movie we all agree is excellent

The Love Witch (2016),

A movie whose merits we debate