“Integrative Creative Works of Selected Philippine/ Southeast Asian Music and Arts”
Quarter 4 Week 4 Day 3
PRAYER
Lord Jesus, I ask for Your help as I begin this new school year. Allow me to experience Your presence in the many blessings You put before me. Open my eyes to the new challenges and exciting opportunities that this new school year brings. Open my heart and mind to new friends and new teachers. Give me a generous spirit to be enthusiastic with my studies and courage to accept new opportunities. Help me to be attentive to my teachers and let me experience Your presence in my new friends. Jesus, inspire me to do my best this year! Amen.
ATTENDANCE
Komedya of the Philippines
Overview: Komedya, also known as Komediya or Moro-moro, is a traditional form of theater in the Philippines that combines music, dance, and drama. It is a vibrant and highly theatrical performance that often portrays the battle between Christians and Muslims, specifically reflecting historical or legendary conflicts during the Spanish colonial era.
Short Review
Key Features of Komedya:
1. Music and Dance:
Komedya performances are accompanied by traditional music, often played with native instruments. The actors and actresses also perform elaborate dances, adding rhythm and excitement to the storytelling.
2. Elaborate Costumes and Makeup:
The performers wear colorful and ornate costumes that often represent knights, royalty, and mythical figures. The makeup and costumes are crucial to giving the play a grand and exaggerated look, which enhances the drama.
3. Storytelling:
The plays are usually based on epic stories or battles between good and evil, or historical events, often centered around the struggle between Muslims and Christians. The characters include kings, queens, knights, and warriors.
4. Language and Dialogue:
The language used in Komedya is typically a mixture of Tagalog or Ilocano with a stylized form of speech. The dialogues are often poetic and rhythmic, emphasizing the dramatic emotions of the characters.
5. Battle Scenes:
One of the most recognizable features of Komedya is the staged battle between Christian and Muslim forces, which is often depicted in an exaggerated, over-the-top manner. These battles are represented through sword fights, choreography, and theatrical gestures.
• The Komedya tradition dates back to the Spanish colonial period in the Philippines (16th to 19th century). The plays were used as a form of entertainment and also to spread Christianity. They would often depict the triumph of Christianity over Muslim forces or other pagan beliefs.
Historical Background:
• Initially, Komedya was performed in Spanish, but later it evolved to include Filipino languages, especially Tagalog, as a way to connect more with the local audience.
• Komedya is more than just a form of entertainment; it plays an important role in the preservation of Filipino culture and heritage. Through Komedya, Filipinos are able to showcase traditional Filipino values, beliefs, and history.
Cultural Significance:
• The art form also highlights the creativity and talent of Filipino performers, from actors to musicians and dancers, making it an important part of the country's cultural identity.
Write True if the statement is correct, or False if the statement is incorrect.
1. Komedya is performed exclusively in Spanish.
2. The costumes in Komedya are simple and plain.
3. Komedya plays often include dance and music.
4. The themes of Komedya revolve around historical conflicts and legends.
5. Komedya is no longer performed in modern-day Philippines.
false
false
true
true
false
Fill in the blanks
1. Komedya is also called ______________ in the Philippines.
2. The battle between ____________ and ____________ is often depicted in Komedya performances.
3. In Komedya, the performers wear _______________ costumes and makeup.
4. Komedya performances include both _______________ and _______________ to enhance the drama.
5. Komedya was introduced during the ________________ colonial period.
MORO-MORO
CHRISTIAN
MUSLIM
ELABORATE
MUSIC
DANCE
SPANISH
a. Traditional epic: Biag ni Lam Ang of Philippines
Points for Discussion:
Southeast Asia boasts a rich tapestry of traditional epics, passed down through generations orally or in written form. Here are some common characteristics: Themes & Stories: Many epics explain the origins of the universe, creation of mankind, and establishment of social order. Epics often feature legendary heroes with superhuman abilities who embody cultural values and overcome challenges.
Epics convey moral messages and reinforce social norms, teaching lessons about courage, loyalty, justice, and the importance of upholding tradition. Gods, spirits, and mythical creatures often play significant roles, reflecting the animistic beliefs prevalent in many Southeast Asian cultures.
Narrative & Style: Many epics were originally passed down orally, with singers, chanters, or storytellers performing them from memory. This led to variations and regional adaptations over time. Epics often use elevated language, metaphors, and similes, adding beauty and depth to the storytelling. Epics are typically divided into episodes, each focusing on a specific event or challenge faced by the hero.
This allows for flexibility in performance length and audience engagement.
Singing or chanting are often incorporated, with specific melodies or rhythms associated with different characters or scenes. Examples include the gamelan in Indonesia and the kundiman in the Philippines
Time Period #4
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b. Puppetry: Wayang Kulit of Indonesia Reference: https://www.thejakartapost.com/multimedia/2019/07/15/wayang-kulit a-story-of-shadows.html
Time Period #4
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Time Period #4
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Points for Discussion:
Shadow puppetry, a captivating art form where intricate figures create mesmerizing stories on a screen, is deeply ingrained in the cultural fabric of Southeast Asia, including the Philippines. Here are some key characteristics:
Storytelling: Many plays draw inspiration from ancient myths, legends, and epics, often intertwined with religious beliefs and cultural values. Traditional stories, fables, and folklore also find expression, often infused with humor and social commentary. Many plays incorporate themes of good versus evil, justice, and societal issues, offering moral lessons and sparking conversations.
Visual & Performance Elements: Shadow puppets are crafted from various materials like leather, parchment, or even leaves, with intricate designs and often vibrant colors. The manipulation of these figures against the light screen creates a captivating visual experience. Traditional instruments like gongs, drums, and flutes accompany the performance, creating a unique soundscape. Live singing adds another layer of depth and emotion to the storytelling.
The puppeteer, known as the dalang, plays a crucial role in narrating the story, voicing characters, and manipulating the puppets. Their skill and artistry bring the characters to life. The interplay of light and shadow on the screen adds another dimension to the performance, creating illusions and emphasizing key moments in the narrative.
Cultural Significance: Shadow puppetry performances often serve as community gatherings, bringing people together to celebrate, share stories, and reaffirm cultural identities. Some traditions incorporate ritualistic elements, connecting shadow puppetry to religious beliefs and practices.
Offerings, prayers, and blessings might be part of the performance. Shadow puppetry traditions continue to evolve, incorporating contemporary themes and adapting to new technologies while preserving their cultural essence.
c. Festival: Thingyan Water Festival of Myanmar
Reference: https://www.mylocalpassion.com/posts/thingyan-water-festival-of myanmar#:~:text=yanmar's%20Thingyan%20Water%20Festival%20is,year%20with %20joy%20and%20excitement.
Points for Discussion:
Southeast Asia is known for its vibrant and diverse water festivals, each celebrating different traditions and beliefs. Here are some common characteristics:
Themes & Significance: Many water festivals mark the start of a new year or significant religious occasions, symbolizing cleansing, purification, and renewal. Some water festivals celebrate bountiful harvests and fertility, praying for good crops and prosperity.
Water festivals are often joyous occasions, with people playfully drenching each other and engaging in various activities. They serve as important community gatherings, strengthening social bonds and cultural identity.
Water Activities & Traditions: The most common feature is the playful throwing and splashing of water, using buckets, hoses, or even water guns. This can be a friendly exchange or more intense, depending on the festival. Religious processions with statues of deities or offerings to spirits are often part of the celebrations. Various traditional games and activities might be associated with the festival, such as boat races, fish catching, or tug-of-war. This adds to the festive atmosphere and encourages community participation
Regional Variations: The duration and intensity of water activities vary across regions. Some festivals, like Thingyan, last for several days with continuous water play, while others are shorter and more symbolic. Each festival reflects the unique cultural elements of its region.
For example, Thingyan incorporates Buddhist rituals and merit-making, while Songkran has a focus on respect for elders and washing away bad luck. Some festivals have specific traditions like using scented water, offering blessings, or releasing boats carrying wishes. This adds to the cultural richness and diversity of Southeast Asian water festivals.
What you have learned
Answer the following questions in 1-2 sentences.
1. What makes shadow puppetry unique as a performing art in Southeast Asia?
2. Why is Sinulog Festival culturally significant in the Philippines?
3. How do traditional epics like Biag Ni Lam-Ang and Ramakien reflect the values of their respective countries?
4. What are two key elements present in Komedya and Hát Bội?
5. How does active listening contribute to appreciating traditional music and arts?
THANK YOU