����������������VISUAL-LEGAL PRODUCTIONS OF IMPRISONED SUBJECTS: OTHERING AND COUNTER-VISUAL RESISTANCE IN PERUVIAN PRISONS�
Lucia Bracco
Pontificia Universidad Católica del Perú
Presentation for the workshop “Visualities of Othering: Law, Image, and the Aesthetics of Exclusion”, organized by Helsink University, Finland, developed 11- 12 may, 2026
Introduction
Visual Criminology (MacClanahan, 2021)
Visual construction of punishment
Visual construction of the carceral state
Legal Pluralism
INPE’s social network
INPE’s social network
Female prisoner’s artistic products
What images do we seek to analyse? what is included-excluded in the frames? Who produces it and circulates it? What affects emerge?
Some data about the Peruvian political context
Political crisis and historical exclusion
Democratic state never fully consolidated
Constant presidential turnover
Normalisation of coercion and states of emergency
Informal and illegal economies and inequality gaps
Organized crime in Peru
The discourse of “War Against Crime”
“The evil that afflicts us at this moment is public insecurity. The main enemy is outside, in the streets, in the criminal gangs, the criminal organisations. They are, today, our enemies. And as enemies, we must declare war on crime. To do so, we have our National Police, we have our Armed Forces, and we must have the commitment of the other institutions of the State, of the Judiciary, of the Public Prosecutor’s Office, and all the institutions of the State in order not only to declare war on crime but to win that war once and for all.” (José Jerí, October 2025)
The Peruvian National Penitentiary Institute
103 717 people deprived of their liberty
37% on remand
68 prisons nationwide - 13 female prisons, mainly “mixed” prisons.
Overcrowding rate exceeding 140%,
Daily budget of less than 2 euros per prisoner for food and under 0.40 euros for health
As the nation-state, INPE’s presidents constantly change. In July 2025 entered Ivan Paredes Yataco, who installed a punitive turn in the administration of the prisons.
Prisons as sites of co-governance and porous institutions: active participation of prisoners in the mantainance of order, security and labor inside prisons, and continuous flows of goods, care, information, and labor that circulate across their walls.
The Anexo Chorrillos Prison
Research Question
How do state-produced visual representations surrounding the “war against organized crime” shape understandings of imprisoned subjects and legitimate intensified forms of confinement, and how do artistic practices developed by imprisoned women contest and reconfigure these visual-legal constructions of security and punishment?
Methodology
Type of Images | Characteristics |
Visual data published on social network of the National Penitentiary Institute (INPE). |
|
Visual data produced over two years of a research-action-creation process with women currently imprisoned in a maximum-security prison in Lima, Peru. |
|
🚨 Early this morning, President José Jerí Oré and INPE Director Iván Paredes Yataco led a simultaneous operation from Ancón I prison. At the same time, interventions were carried out in Lurigancho, Trujillo and Challapalca to strike at organised crime operating from within prisons.
✅ More than 200 agents from INPE's Special Operations Group were in charge of the simultaneous operation. As a result of the intervention in the prison facilities, the following were found: mobile phones, phone equipment accessories, devices used by inmates to carry out extortion. Stabbing weapons and drugs were also found.
🔴 At the request of the President of the Republic, INPE will continue carrying out security operations in prisons across the country, to curb crimes such as extortion and contract killings that originate within prisons.
🎙️ "Both the Government and INPE are redoubling efforts in the fight against organised crime. We will continue to combat crime with firmness and transparency, delivering concrete results to the population, because the security of this country is non-negotiable," stated Iván Paredes Yataco.
IG Post 11 October 2025
Type of Visualities | Posts | N° | Percentage |
Punitive Operative Visualities | Operations in male prisons | 79 | 79% |
Operations in female prisons | 4 | ||
Implementation of security measures | 26 | ||
Border surveillance and visitor control | 29 | ||
Security announcements (managerial achievements, control of scapes, riots, extortions, etc.) | 40 | ||
Visualities on Resocialisation | Resocialisation initiatives (signing of agreements, producto sales) | 14 | 11% |
Activities in male prisons | 6 | ||
Activities in female prisons | 4 | ||
Institutional Visualities | Administrative announcements | 9 | 10% |
| Labour conditions announcements | 10 | |
| Events | 3 | |
Total | 224 | 100% | |
Visualities of Operations in Male Prisons
Visualities of Implementation of Security Measures
Visualities of Operations in Female Prisons
Visualities of Border Surveillance and Visitor Control
Visualities of Imprisonment
Visualities of Imprisonment
Visualities of Imprisonment
Visualities of Imprisonment
Visualities of femininities and desires
Visualities of femininities and desires
Visualities of femininities and desires
Visualities of femininities and desires
| Institutional Visualities | Female Prisoners’ Visualities |
Aesthetics | Dark and “neutral” colors, closed spaces - Frameworks that intensify control | Vibrant coloring, texture and visual composition demonstrate the complex experience of imprisonment |
Power relations Staff´-Prisoners | Authorities and large number of uniformed agents with equipment - Homogeneous mass of young men facing down, arms holding their head and looking to the ground | Surveilled but alert and agentic. Power is recognised, named, and contested |
Imprisoned subject - positionality | Objects of intervention: immobilsed, subjected and controlled | Active and multidimensional |
Affective register | Urgency, confrontation to danger to repress, control and create fear | Complex and contradictory: guilt to overcoming, from anxiety and overwhelming to peace, from loss to strength. |
Other figures/elements | "Prohibited" items are displayed with surprise, outrage and suspicion. Justification of the intervention and the evidence of "winning" the war against organised crime | Elements that concretely and symbolically exceed prison walls, conceived as distant but desired. |
Framing | The camera as an institutional accomplice: close framing that naturalises institutional authority and power | Collages as a covert counter-visuality of imprisonment: dynamic, layered, ambigouos, contradictory and open-ended |
Visual-legal production | The imprisoned subject is constructed as a threat. The images legitimate the state of emergency, justify the restriction of rights and the intensification of confinement. | The imprisoned subject is a multidimensional self. The collages demonstrate the pains of imprisonment while making visible the affects and agencies that the punitive legal regimes renders invisible. |
Final reflections
Macro-legal visualities
Imaginary of “total institution”
Controlled, homogeneous mass
Fear, distrust
Accomplice of punitive legal order
Micro-legal visualities
Porous institution
Multidimensional and active
Contradictory and layered
Covert-counter visuality
Legitimisation of securization measures
Recognition of selfhood