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Bhimbetka rock shelters

The Bhimbetka rock shelters are an archaeological site in central India that spans the Paleolithic and Mesolithic periods, as well as the historic period. It exhibits the earliest traces of human life in India and evidence of the Stone Age starting at the site in Acheulian times. It is located in the Raisen District in the Indian state of Madhya Pradesh, about 45 kilometres (28 mi) south-east of Bhopal. It is a UNESCO World Heritage Site that consists of seven hills and over 750 rock shelters distributed over 10 km (6.2 mi). At least some of the shelters were inhabited more than 100,000 years ago.
The rock shelters and caves provide evidence of human settlement and the cultural evolution from hunter-gatherers to agriculture, and expressions of prehistoric spirituality.
Some of the Bhimbetka rock shelters feature prehistoric cave paintings and the earliest are dated to 10,000 BCE, corresponding to the Indian Mesolithic. These cave paintings show themes such as animals, early evidence of dance and hunting from the Stone Age as well as of warriors on horseback from a later time (perhaps the Bronze Age). The Bhimbetka site has the oldest-known rock art in India, as well as is one of the largest prehistoric complexes.

Bhimbetka rock painting

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History

W. Kincaid, a British India era official, first mentioned Bhimbetka in a scholarly paper in 1888. He relied on the information he gathered from local adivasis (tribals) about Bhojpur lake in the area and referred to Bhimbetka as a Buddhist site. The first archaeologist to visit a few caves at the site and discover its prehistoric significance was V. S. Wakankar, who saw these rock formations and thought these were similar to those he had seen in Spain and France. He visited the area with a team of archaeologists and reported several prehistoric rock shelters in 1957.

It was only in the 1970s that the scale and true significance of the Bhimbetka rock shelters was discovered and reported. Since then, more than 750 rock shelters have been identified. The Bhimbetka group contains 243 of these, while the Lakha Juar group nearby has 178 shelters. According to Archaeological Survey of India, the evidence suggests that there has been a continuous human settlement here from the Stone Age through the late Acheulian to the late Mesolithic until the 2nd century BCE in these caves. This information is based on the findings from the excavation of the site, the unearthed artifacts and goods, pigments present in deposits, as well as the rock paintings.

Bhimbetka location

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Auditorium cave

Of the numerous shelters, the Auditorium cave is one of the significant features of this site. Surrounded by quartzite towers which are visible from several kilometres' distance, the Auditorium rock is the largest shelter at Bhimbetka. Robert G. Bednarik describes the prehistoric Auditorium cave as one with a "cathedral-like" atmosphere, with "its Gothic arches and soaring spaces". Its plan resembles a "right-angled cross" with four of its branches aligned to the four cardinal directions. The main entrance points to the east. At the end of this eastern passage, at the cave's entrance, is a boulder with a near-vertical panel that is distinctive, one visible from distance and all directions. In archaeology literature, this boulder has been dubbed as "Chief's Rock" or "King's Rock", though there is no evidence of any rituals or its role as such. The boulder with the Auditorium cave is the central feature of the Bhimbetka, midst its 754 numbered shelters spread over few kilometres on either side, and nearly 500 locations where rock paintings can be found, states Bednarik.

One of about 750 rock shelter caves at Bhimbetka.

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Rock art and paintings

The rock shelters and caves of Bhimbetka have a large number of paintings. Some of the oldest paintings are dated to 10,000 BCE,[9][10][11][12][13][14] but some of the geometric figures date to as recently as the medieval period. The drawings and paintings can be classified under seven different periods. V. S. Wakankar classified the drawings and paintings into seven different periods and dated the earliest paintings to have belonged to the upper Palaeolithic to be as early as 40,000 years ago.[32][33] The colours used are vegetable colours which have endured through time because the drawings were generally made deep inside a niche or on inner walls.

Period I – (Upper Paleolithic): These are linear representations in green of humans dancing and hunting.

Period II – (Mesolithic): Comparatively small in size the stylised figures in this group show linear decorations on the body. In addition to animals there are human figures and hunting scenes, giving a clear picture of the weapons they used: barbed spears, pointed sticks, bows and arrows.[15][16][35] Some scenes are interpreted as depicting tribal war between three tribes symbolised by their animal totems.[1][36] The depiction of communal dances, birds, musical instruments, mothers and children, pregnant women, men carrying dead animals, drinking and burials appear in rhythmic movement.

Mesolithic dancers

A man being attacked by a horned bovine

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People riding horses holding weapons

Man riding elephant

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An eroded painting in the caves showing a man dancing and holding a trident-like staff

Bhimbetka quartzite towers

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Indus Valley Civilisation

The Indus Valley Civilisation (IVC), also known as the Indus Civilisation, was a Bronze Age civilisation in the northwestern regions of South Asia, lasting from 3300 BCE to 1300 BCE, and in its mature form 2600 BCE to 1900 BCE. Together with ancient Egypt and Mesopotamia, it was one of three early civilisations of the Near East and South Asia, and of the three, the most widespread, its sites spanning an area from much of Pakistan, to northeast Afghanistan, and northwestern India. The civilisation flourished both in the alluvial plain of the Indus River, which flows through the length of Pakistan, and along a system of perennial monsoon-fed rivers that once coursed in the vicinity of the Ghaggar-Hakra, a seasonal river in northwest India and eastern Pakistan.
The term Harappan is sometimes applied to the Indus civilisation after its type site Harappa, the first to be excavated early in the 20th century in what was then the Punjab province of British India and is now Punjab , Pakistan.The discovery of Harappa and soon afterwards Mohenjo-daro was the culmination of work that had begun after the founding of the Archaeological Survey of India in the British Raj in 1861. There were earlier and later cultures called Early Harappan and Late Harappan in the same area. The early Harappan cultures were populated from Neolithic cultures, the earliest and best-known of which is Mehrgarh, in Balochistan, Pakistan. Harappan civilisation is sometimes called Mature Harappan to distinguish it from the earlier cultures.

Indus Valley Civilisation

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Etymology

The Indus civilisation is named after the Indus river system in whose alluvial plains the early sites of the civilisation were identified and excavated.
Following a tradition in archaeology, the civilisation is sometimes referred to as the Harappan, after its type site, Harappa, the first site to be excavated in the 1920s; this is notably true of usage employed by the Archaeological Survey of India after India's independence in 1947.
The term "Ghaggar-Hakra" figures prominently in modern labels applied to the Indus civilisation on account of a good number of sites having been found along the Ghaggar-Hakra River in northwest India and eastern Pakistan. The terms "Indus-Sarasvati Civilisation" and "Sindhu-Saraswati Civilisation" have also been employed in the literature after a posited identification of the Ghaggar-Hakra with the river Saraswati described in the early chapters of Rigveda, a collection of hymns in archaic Sanskrit composed in the second-millennium BCE.

Miniature votive images or toy models from Harappa, c. 2500 BCE. Terracotta figurines indicate the yoking of zebu oxen for pulling a cart and the presence of the chicken, a domesticated jungle fowl.

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Extent

The Indus Valley Civilisation was roughly contemporary with the other riverine civilisations of the ancient world: Ancient Egypt along the Nile, Mesopotamia in the lands watered by the Euphrates and the Tigris, and China in the drainage basin of the Yellow River and the Yangtze. By the time of its mature phase, the civilisation had spread over an area larger than the others, which included a core of 1,500 kilometres (900 mi) up the alluvial plain of the Indus and its tributaries. In addition, there was a region with disparate flora, fauna, and habitats, up to ten times as large, which had been shaped culturally and economically by the Indus.

Around 6500 BCE, agriculture emerged in Balochistan, on the margins of the Indus alluvium.[n] In the following millennia, settled life made inroads into the Indus plains, setting the stage for the growth of rural and urban settlements.The more organized sedentary life, in turn, led to a net increase in the birth rate. The large urban centres of Mohenjo-daro and Harappa very likely grew to containing between 30,000 and 60,000 individuals, and during the civilisation's florescence, the population of the subcontinent grew to between 4–6 million people.[q] During this period the death rate increased, as the close living conditions of humans and domesticated animals led to an increase in contagious diseases.

Major sites and extent of the Indus Valley Civilisation

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Discovery and history of excavation

The first modern accounts of the ruins of the Indus civilisation are those of Charles Masson, a deserter from the East India Company's army.In 1829, Masson traveled through the princely state of Punjab, gathering useful intelligence for the Company in return for a promise of clemency.An aspect of this arrangement was the additional requirement to hand over to the Company any historical artifacts acquired during his travels. Masson, who had versed himself in the classics, especially in the military campaigns of Alexander the Great, chose for his wanderings some of the same towns that had featured in Alexander's campaigns, and whose archaeological sites had been noted by the campaign's chroniclers.Masson's major archaeological discovery in the Punjab was Harappa, a metropolis of the Indus civilisation in the valley of Indus's tributary, the Ravi river. Masson made copious notes and illustrations of Harappa's rich historical artifacts, many lying half-buried. In 1842, Masson included his observations of Harappa in the book Narrative of Various Journeys in Baluchistan, Afghanistan, and the Punjab.

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Early Harappan

The Early Harappan Ravi Phase, named after the nearby Ravi River, lasted from c. 3300 BCE until 2800 BCE. It started when farmers from the mountains gradually moved between their mountain homes and the lowland river valleys,[99] and is related to the Hakra Phase, identified in the Ghaggar-Hakra River Valley to the west, and predates the Kot Diji Phase (2800–2600 BCE, Harappan 2), named after a site in northern Sindh, Pakistan, near Mohenjo-daro. The earliest examples of the Indus script date to the 3rd millennium BCE.

The mature phase of earlier village cultures is represented by Rehman Dheri and Amri in Pakistan. Kot Diji represents the phase leading up to Mature Harappan, with the citadel representing centralised authority and an increasingly urban quality of life. Another town of this stage was found at Kalibangan in India on the Hakra River.

Terracotta boat in the shape of a bull, and female figurines. Kot Diji period (c. 2800–2600 BC).

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Arts and crafts

Many Indus Valley seals and items in pottery and terracotta have been found, along with a very few stone sculptures and some gold jewellery and bronze vessels. Some anatomically detailed figurines in terracotta, bronze, and steatite have been found at excavation sites, the former probably mostly toys. The Harappans also made various toys and games, among them cubical dice (with one to six holes on the faces), which were found in sites like Mohenjo-daro.

The terracotta figurines included cows, bears, monkeys, and dogs. The animal depicted on a majority of seals at sites of the mature period has not been clearly identified. Part bull, part zebra, with a majestic horn, it has been a source of speculation. As yet, there is insufficient evidence to substantiate claims that the image had religious or cultic significance, but the prevalence of the image raises the question of whether or not the animals in images of the IVC are religious symbols

Many crafts including, "shell working, ceramics, and agate and glazed steatite bead making" were practised and the pieces were used in the making of necklaces, bangles, and other ornaments from all phases of Harappan culture. Some of these crafts are still practised in the subcontinent today. Some make-up and toiletry items (a special kind of combs (kakai), the use of collyrium and a special three-in-one toiletry gadget) that were found in Harappan contexts still have similar counterparts in modern India.Terracotta female figurines were found (c. 2800–2600 BCE) which had red colour applied to the "manga" (line of partition of the hair).