1 of 14

Embodied Mathematics: The geometry of Longsword Locks

Susan Gerofsky

UBC

​

2 of 14

Math & the body

  • Provocative statements:��(1) “All our mathematical concepts come from our embodied experiences of the world.”��(2) “Even the most abstract mathematical ideas come from the world and go back to it.”

3 of 14

Math via dance 1: �Sarah Chase dances combinatorics

4 of 14

Trying it out

  • Using language and story to connect with number and movement
  • Experimenting with different combinations of numbers:��2 against 3�2 against 4�4 against 6 …
  • Noticing and noting down the patterns

5 of 14

Embodied math via dance: �The geometry of longsword locks

6 of 14

7 of 14

8 of 14

“Physical algorithms” for longsword locks

  • How to make these shapes as an individual (for example, with coffee stir sticks)?
  • How to make these shapes as a group with longswords using choreography?
  • What different things can we learn about these geometric patterns from these experiences?

9 of 14

George Hart’s film on the geometry of Longsword locks

10 of 14

(3) Experimenting with BIG geometry

  • What different things do we learn from working with:��• drawings�• small ready-made objects�• small objects we make �• large objects�• large movements ?

11 of 14

12 of 14

13 of 14

14 of 14