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Photography, Art, and AI

CS180: Intro to Computer Vision and Comp. Photo

Alexei Efros, UC Berkeley, Fall 2024

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The hype

The Hype

Slide by Aaron Hertzmann

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We’ve been here before…

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Slide by Aaron Hertzmann

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“From today, painting is dead”�— Paul Delaroche, 1839

Slide by Aaron Hertzmann

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“This is the end of Art. �I am glad I have had my day.”�J.M.W. Turner, 1839

Slide by Aaron Hertzmann

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Portraiture in 1838

Slide by Aaron Hertzmann

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1851: Jabez Hogg Making a Portrait in Robert Beard’s Studio

Slide by Aaron Hertzmann

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“One knows that photography has harmed painting considerably, and has killed portraiture especially, once the livelihood of the artist.”�- Henry Le Secq, painter-photographer, 1863

Hosemann, 1843

Slide by Aaron Hertzmann

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“The imitator is a poor kind of creature. If the man who paints only the surface he sees before him were an artist, the king of artists would be the photographer. It is for the artist to do something beyond this…”

– J.M. Whistler, 1878 (paraphrased)

Slide by Aaron Hertzmann

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“Accurate drawing is not the essential thing to aim at, because the reflection of reality in a mirror, would not be a picture at all, no more than a photograph.”��– Vincent Van Gogh, 1888 (paraphrased)

Slide by Aaron Hertzmann

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Photography: Summary

At first, it looked like photography automated art

Many artists feared and disparaged it

Actual outcomes:

    • New art form (photography)
    • Invigorated old art forms (painting)
    • Jobs affected: portraiturists replaced with photo studios
    • Image creation made available to hobbyists

These trends often repeat with each new art technology

Slide by Aaron Hertzmann

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“In those early days, animators were frightened of the computer. They felt it was going to take their jobs away. We spent a lot of time telling people, `No, it’s just a tool—it doesn’t do the creativity!’”�

— Alvy Ray Smith, on the very early days at NYIT and Lucasfilm Graphics Group

Slide by Aaron Hertzmann

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Read Aaron Hertzmann to learn more…

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How to take a Good Photo?�&�How to not be scared in �a Modern Art Museum?

CS180: Intro to Computer Vision and Comp. Photo

Alexei Efros, UC Berkeley, Fall 2023

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What Makes a Great Picture?

© Robert Doisneau, 1955

With many slides from Yan Ke and Fredo Durand,

as annotated by Tamara Berg

CS180: Intro to Computer Vision and Comp. Photo

Alexei Efros, UC Berkeley, Fall 2024

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Framing

“Photography is all about framing. We see a subject -- and we put a frame around it. Essentially, that is photography when all is said and done.”

-- from photo.blorge.com

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Frame serves several purposes:

1. It gives the image depth

2. If used correctly, framing can draw the eye of the viewer of an interest to a particular part of the scene.

3. Framing can bring a sense of organization or containment to an image.

4. Framing can add context to a shot.

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Examples of nice framing

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Rules of Thirds

http://www.photo96.com/blog/?p=371

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Other examples

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Don’t center, especially for motion

By Fredo Durand

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Don’t center, especially for motion

By Fredo Durand

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... or do center

By Fredo Durand

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By Fredo Durand

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More examples

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Prof - Obvious what one should be looking at ie easy to separate subject from the background. Snap – unstructured, busy, filled with clutter.

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B&W for Simplicity

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B&W for Simplicity

Photo by A. A. Efros

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…but not always

Photo by A. A. Efros

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…but not always

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Crop for Simplicity

By Fredo Durand

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If your pictures aren't good enough, �you're not close enough" — Robert Capa

By Fredo Durand

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Simplicity for Portraits – just move

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Get low

Try to be at eye level

Bad

Better

By Fredo Durand

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By Fredo Durand

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Bad angles

By Fredo Durand

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Eye level

By Fredo Durand

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Or really get high

As usual, follow a rule �or really break it.

By Fredo Durand

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Complementary colors (of opposite hue on color wheel)

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Go in the shade

Light is more diffuse

Bad

Better

By Fredo Durand

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Overcast days are the best

Just don’t put the sky in the frame

The weather conditions

The pictures

Other overcast-day pictures

By Fredo Durand

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Bottom line

Don't get married on a sunny day!

By Fredo Durand

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Cloudy day

By Fredo Durand

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Best time of day: sunset & sunrise

+/- 1 hour

“Golden hours”

Night photography: always near sunset/sunrise

    • because of nice diffuse light

Mid day: �often not great

During sunset or�sunrise

After sunset

less than 1 hour�after sunrise/ �before sunset

By Fredo Durand

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“Golden Hour”

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During sunset/sunrise

After sunset

less than 1 hour�after sunrise

By Fredo Durand

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After sunset: blue hour

By Fredo Durand

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Blue Hour (Russian River)

Photo by A. A. Efros

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I am a sucky photographer…

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…but I am a pretty good photo critic!

# of my Paris photos on Flickr: 32

Total # of my Paris photos: ~1250

~2%

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The Postmodern Photographer

The Old Days: a pre-process

    • Load film
    • Find subject
    • Position camera
    • Set all the settings “just right”
    • Take a deep breath…
    • ...Press button!

The New Digital Days: a post-process

    • Get a 64 GB memory cartridge
    • Take pictures like there is no tomorrow!!!
    • Back home, spend hours of agony trying to find 1-2 good ones

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Simplicity to Complexity

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Enjoying your next trip to (SF)-MOMA

CS180: Intro to Computer Vision and Comp. Photo

Alexei Efros, UC Berkeley, Fall 2024

Pablo Picasso

The Guitar Player (1911)

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Simplistic Art PCA

Some “Principal Components” of Art:

  • Cute ideas / illusions / clever tricks

  • Direct Visceral Pleasure

  • Familiarity / Nostalgia

  • Art-Historical “Context”

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Cute Ideas / Illusions / Clever Tricks

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Salvador Dali

“Gala Contemplating the Mediterranean Sea,

which at 30 meters becomes the portrait

of Abraham Lincoln”, 1976

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M.C. Escher

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Rene Maritte

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Direct Visceral Pleasure

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Jan van Eyck, The Arnolfini Marriage (c.1434)

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Olafur Eliasson, The Weather Project 

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Mark Rothko

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Mark Rothko

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Familiarity / Nostalgia

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© Michael Galinsky, 1989

(from “Malls Across America”)

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Edward Hopper

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Alberto Giacometti 

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Art-Historical “Context”

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Cultural Context

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Cultural Context

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Cultural Context

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Cultural Context

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Édouard Manet, “Olympia” (1865)

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Titian, “Reclining Venus“ (1532)

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Édouard Manet, “Olympia” (1865)

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Shepherd Fairey

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Shepherd Fairey

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Banksy

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Damien Hirst, Spot Paintings (1968--)

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Zlotnikov, “Signals” (1965)

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Damien Hirst, Spot Paintings (1968--)

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Damien Hirst

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Direction of change

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Malevich, “Black Square” (1915)

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Malevich

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“Black Square” as exhibited (1915)

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THANK YOU!

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But wait… “one more thing!”

Everyone gets 0.5 cookie,

if we get to 70%...