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WSMA FESTIVAL MANAGERS

PLANNING, TIPS AND TRICKS

For A Successful Festival

Updated November 2026

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WSMA FESTIVAL MANAGER WORKSHOP

Agenda & Topics

    • Welcome and Introductions
    • Resources
    • 2025-2026 Festival Facts
    • WSMA Administrative Work
    • Subsidy & Financial Structure
    • Festival Manager Timeline
    • What if’s
    • Festival Financial
    • Software Demo
    • Tips and Tricks

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2025-2026 Festival Season

APPROXIMATELY 1100 WSMA MEMBER SCHOOLS

OVER 80,000 STUDENTS PARTICIPATED AT NEARLY 250 DISTRICT MUSIC FESTIVALS

OVER 42,000 DISTRICT S&E EVENTS

NEARLY 10,000

STATE S&E EVENTS AT 10 STATE SITES

APPROX. 625 CONCERT EVENTS

CONTRACTED 400 ACTIVE ADJUDICATORS

WROTE 1800 ADJUDICATOR CONTRACTS

RECEIVED OVER 900 PERMISSION REQUESTS

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Why do we do this?

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Resources

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WSMA website

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Engage

  • Everything Else!

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WSMA Internal Work

& Timeline

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WSMA INTERNAL FESTIVAL TIMELINE

WSMA Board of Directors Meeting occur in June and December

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WSMA Board music approve all changes to rules and event headers

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You can be a part of the selection and review panels!

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WSMA Committee Application

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WSMA INTERNAL FESTIVAL TIMELINE

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November - May

  • Support festival managers and participating school music teachers

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  • Hold adjudicator workshops�
  • Process permissions

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  • Collect completed coursework and background checks from adjudicators�

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ADJUDICATOR TRAINING REQUIREMENTS & PAPERWORK

WSMA Background Check and Online Training Requirements

    • All judges must complete a full background check through InCheck (insured, licensed, third party company)
    • All judges are run through daily CCAP alerts
    • All judges must complete youth risk management course (online available through NFHS)

If required by your business office, judges can provide a copy of their completed background check and completed coursework certificates.

These requirements may be tied to your business office’s requirements for payment.

WSMA has liability insurance - may reduce amount of paperwork needed.

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FINANCIAL INFORMATION - How does this work?

Host schools are responsible for payment of judges, piano tuning, meals and other expenses - WSMA sends a subsidy check to the host school to help offset the costs

    • 80% of all registrations for Concert
    • 60% of all registrations for S&E
    • Sent when all participating schools have paid�

KEEP IN MIND….

Registration deadline 4 weeks prior to the festival

    • Schools receive invoice 48 business hours after submission
    • Should allow enough time to submit invoice for payment
    • Allows WSMA time to secure judges
    • Allows Festival Manager time to create schedule

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Invoice

Invoices are sent to the submitting teacher and/or business office within 48 hours of submission.

Calculate

Subsidy amounts are calculated based on total registration fees. 80% for concert festivals, 60% for solo & ensemble festivals.

Track

Payments from participating schools are processed, marked as ‘received’ on subsidy checklist.

Send

Once all payments have been received, the subsidy calculation goes through final review. Check is sent to host school.

WSMA INTERNAL FESTIVAL TIMELINE

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November - May

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FINANCIAL INFORMATION - Forward thinking

  • Items to discuss with participating schools or conference�
    • Finances!
      • What happens if festival runs negative? Who covers expenses?
      • What happens if festival makes a profit? Who gets a share of profits?�
    • Are there additional requirements or costs for participating schools at the festival?
      • Stipend for writing schedule? Required to provide volunteers?

�WSMA asks that a copy of the financial statement be sent to all participating schools, but has no control over how overages or losses are managed or distributed.

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Tell us why you participate?

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FESTIVAL HOST RESPONSIBILITIES

& TIMELINE

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FESTIVAL HOST RESPONSIBILITIES

  • Secure performance spaces and all physical equipment
  • Recruit volunteers to serve as door monitors, runners, etc…
  • Communicate judge needs with WSMA
  • Communicate with participating schools and judges
  • Create schedule
  • Print rubrics and make judge packets
  • Arrange for catering / meals
  • Cover all expenses related hosting the event (judge payment, piano tuning, custodial fees, etc)
  • Record ratings and send to WSMA and participating schools

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EQUIPMENT FOR SOLO & ENSEMBLE FESTIVALS

What exactly is required for equipment vs. what’s expected?�

Piano Events / Site

    • BEST Acoustic piano and bench
    • Extra chair�

Vocal Sites

    • Acoustic or digital piano and bench*
    • 4-6 music stands (except sites dedicated only to show choir and/or contemporary a cappella)�

EVERY ROOM - TABLE OR DESK AND CHAIR FOR ADJUDICATOR

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EQUIPMENT FOR SOLO & ENSEMBLE FESTIVALS

Solo & Ensemble Equipment Continued…�

Brass, Woodwind and String Sites

    • Acoustic or digital piano and bench (except sites dedicated only to large wind ensembles)*
    • One music stand and chair for each member of the largest group assigned to the site�

Percussion Sites

    • Bass drum on a stand
    • One set of four (4) timpani, if required for entries
    • Outlet with extension cord for vibraphone entries
    • One music stand for each member of the largest group assigned to the site
    • Piano? Check event registrations.�

EVERY ROOM - TABLE OR DESK AND CHAIR FOR ADJUDICATOR

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S&E TIMELINE - FALL

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Included in Festival Manager Handbook

September

  • Reserve rooms for festival use.
  • Verify WSMA festival information is correct on WSMA website.

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November

  • Verify participating schools.
  • Complete Festival Manager Checklist and Acknowledgement google form. (Emailed to you from WSMA)
    • Verify date, time, location and participating schools
    • Verify subsidy payee information
    • Request COI if needed
    • Other acknowledgements and verifications
  • Attend Festival Manager Workshop.

�

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S&E TIMELINE - FALL

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Included in Festival Manager Handbook

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�December

  • Arrange for pianos and piano tuner.

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  • Look for emails regarding Family Memberships (home-schooled students)

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    • Family Memberships registered through their own account

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    • Assigned to a festival by WSMA
    • Add them to your festival contact list and software

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S&E TIMELINE:�6-8 WEEKS OUT

  • Recruit volunteers.
  • Alert school staff and business office.
  • Determine what business office needs to provide payment to adjudicators.
  • Download and install Festival Manager Software.
  • Notify participating schools of deadlines.

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S&E TIMELINE: �3-4 WEEKS OUT

  • Receive preliminary adjudicator contracts from WSMA.
  • Import events into Festival Manager Software after registration deadline.
  • Figure adjudicator needs via Festival Manager Software.
  • Verify adjudicators needed with WSMA.
  • Request adjudicator checks from school business office and/or request W9s from adjudicators.
  • Make Draft Schedules and share with other participants/schools.

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S&E TIMELINE:�2 WEEKS OUT

  • Receive press release from WSMA
    • Part 1 - Customized information about your festival meant to be shared with local news outlets
    • Part 2 - Template for social media post
  • Receive finalized judge contract summaries from WSMA

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S&E TIMELINE: �7-10 DAYS OUT

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  • Send email to adjudicators as soon as draft schedule is complete.
  • Send schools: final schedule, room assignments, instructions, school map.
  • Alert school staff whose rooms will be used.
  • Send job descriptions to volunteers.
  • Prepare envelopes for runners and schools.
  • Prepare signs for the school.

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S&E TIMELINE: �2-3 DAYS OUT

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  • Print rubric forms (Festival Manager Software).
  • Prepare adjudicator envelopes.
  • As soon as Festival Manager Software is final, load onto festival headquarters computer and information desk computers.

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TIPS & TRICKS FOR A SUCCESFUL FESTIVAL

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TIMELINE

We have our Festival on the 3rd Saturday in February.

    • TRANSPOSE my info to YOUR timeline.

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So, for me:

  • This year, our Festival is on Saturday, Feb 15
  • Registration is due Friday, January 17 at midnight. (4 weeks before + 1 day)
    • Some years I do Saturday – it really doesn’t matter…..

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  • I go over dates as early as our Fall Conference Meeting (in September)
  • I send some quick reminders in December (about 12 weeks out)
  • FULL REMINDERS RIGHT AFTER NEW YEAR (7 weeks out)

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HOW AM I GOING TO RUN THE SOFTWARE?

  • Talk to your I.T. Department.
  • You will need a computer that can run the FileMaker software
    • It will not run on a Chromebook – must be a Mac or PC
  • You will need to be able to download the FileMaker software
    • You will get a license from WSMA, but you might need IT’s help to download/install/run/be able to print….
  • Festival Day :
    • Will your location change?
    • Can you print?

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COMMUNICATION

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COMMUNICATION

    • Use however your conference/schools normally communicate.
    • We use GOOGLE SHARED DRIVE

Communication is key

    • Due dates
      • THAT GETS YOU YOUR MONEY!!
    • What do you do if a school misses a deadline?

Reminders to your conference

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NOTE TO CONFERENCE

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NOTE TO TEACHERS

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COMMUNICATION – IN-BUILDING

  • Talk to your building/district now!
    • Rooms
    • Custodians / Buildings & Grounds – do a walk through of the building addressing both your and THEIR concerns.
    • Secretaries
    • I.T. / Tech guys
    • AD – tournament schedules??

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COMMUNICATION – IN-BUILDING

    • BUSINESS OFFICE
      • How are checks cut for judges?
      • What information do they need?

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      • I used to run mine through my Activity Account – checks get done quicker – but now through the Business Office
        • Extra ”hoops”
      • Do you need IRS forms from judges??
        • When are you going to collect those?
      • Do judges need to become “employees??
        • Passports/birth certificates/background checks/mandatory reporting videos, ………
        • Does your HR department need to see judges in person before the festival to get this info?

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EMERGENCIES??

How to contact Custodians?

  • Clogged Toilets
  • Overflowing trash

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All-School P.A. Announcements?

- How to? and from where?

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Chain-of-Command

  • Fire Alarms
  • Student injuries

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NOTE TO JUDGES

Include:

- Date & Time

- Directions (Clear – including where to park and enter)

- Payment info

- Meals/Food options

- MY contact info

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COMMUNICATION

  • JUDGES
    • Via e-mail – MAKE SURE THEY RESPOND BACK
      • Follow-up with phone calls
    • Form letter?
    • Send Maps – to school (with directions if tricky) and Floor Plans
    • Send Their Schedules
    • Ask for Cell Phone / Give your Cell phone – in case of emergency
    • Let them know about planned lunch meal (dietary issues)
    • Do they have any physical/health issues that might affect something?

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COMMUNICATION - DIRECTORS

  • TO OTHER SCHOOLS PARTICIPATING
    • Schedules (duh), but also…
    • Send Floor Plans
    • Send Equipment List (pictures??)
    • Send Piano/room info – what type (Acoustic/Digital) is in each room
    • Send concessions menu and prices
    • Directions to school/Where to Park?

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PARKING MAPS��

  • Where is Bus Parking?
  • Where is Car Parking?
  • Where is Main Entrance?

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Helps keep buses from parking sideways and taking all your parking spots.

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COMMUNICATION - DIRECTORS

  • Equipment List

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LOGISTICS

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THINGS TO THINK ABOUT NOW…

  • Floor-plan / layout
    • Map of school/directions/room sites
    • Grand Piano?  32” timpani? Will it fit?!
    • Warm-up room distance to sites
    • Keep instrumental and vocal apart
    • Sound-proofing between rooms?

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  • Organize your help
    • Music Boosters?
    • Volunteers
    • Concessions
    • ONLINE SIGN-UP
      • GoogleDocs
      • Other online options – things like Volunteer Spot, Sign-up Genius, etc.

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FLOOR-PLAN

  • Example and ideas:
    • Keep instrumental and vocal apart for sound reasons
    • What are you putting in your big spaces? Figure that out before you start scheduling. EX: Site 6 has to have larger vocal ensembles for us – madrigals, etc.
    • Do you need to keep a room buffer between each performance site for sound?
    • LABEL EVERYTHING!
    • This is what we hand out at the Info Table. We will write time searches on this instead of using full programs.

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VOLUNTEERS �& DONATIONS

These are examples from when we did things via GoogleDocs. We now use other free online volunteer services:

SIGN-UP GENIUS

Also:

Volunteer Spot

iVolunteer.com

Many others…

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VOLUNTEERS & DONATIONS

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STILL THINKING AHEAD

After you have made your schedule…

  • Run through the day as “each person”
    • Student/performer
    • Parent
    • Director
    • Judge
    • Accompanist

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  • What is your plan for set-up night? Morning of?

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PIANOS

  • Plan your rental NOW
    • Who from – your own? Music store? other schools?
    • Delivery – when? Storage?
    • Tuning
    • Storage

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  • Digitals – pros and cons
  • PUT SIGNS ON EACH DIGITAL ABOUT HOW TO TRANSPOSE/Un-transpose

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  • Tell directors what rooms will have transposing / acoustic
    • That could affect who can be in which room

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TRANSPOSITING PIANOS

Post instructions on each digital piano about how to transpose - - - and UNTRANSPOSE

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SCHEDULING!

ASK FOR A DAY OFF for scheduling

Most of us are Festival Managers AND Directors on festival day.

    • Better scheduling makes your day easier.

Festival Manager’s Personal Schedule

    • Try to keep YOUR own first 30-60 minutes free.
      • Something will always come up – it’s hard to fix that if you’re in the middle of conducting your jazz band.

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SCHEDULING!

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  • Accompanist-Based Scheduling vs. what you’re “supposed” to do…
    • Blocking
    • Room locations

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  • INSTRUMENTATION: What –IS- that “miscellaneous ensemble???
  • Ask ahead of time if a school is bringing a “large” ensemble
  • Ask a week or two before registration deadline: What do your Accompanist #s look like? (anyone doing 40+ entries??)
  • NAMES
    • List directors as “Accompanists” for conducted groups
    • Make sure that Accompanists names are listed the same – especially if 2 districts are sharing the same person.

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FESTIVAL TIME!

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FESTIVAL SET-UP

  • Let your teachers know a week or two, then a day or two before.
    • Take pictures of rooms
    • Tape-off rooms

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  • Try to do it afternoon before

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  • Homerooms
    • Is it your gym? Have hoops raised up as far as possible!
    • No playing signs

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  • DOOR LOCKS – can you unlock/key open your classroom doors?
    • Other “Safety” issues in your building??

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FESTIVAL SET-UP

  • SIGNAGE:
    • The more, the better!
    • We hang our site number signs from the ceiling by the door – easier for people to find.
    • Quiet Signs
    • Arrow Signs

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    • In Room signs:
      • Turn off Noise Makers
      • NO RECORDING OF COMMENTS SIGN (from WSMA)

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FESTIVAL SET-UP – JUDGES

  • TABLES
    • Make sure judges have a large enough surface to
      • Write
      • Read a score
      • Have two envelopes (un/completed cards)
      • Coffee/drink/etc
  • CHAIRS
    • Find the most comfortable chair you can – you don’t want to sit in a folding chair for 8 hours….
  • Extra Pencils

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FESTIVAL DAY - HEADQUARTERS

Headquarters:

    • Someplace hard to find?
    • CHECK TO MAKE SURE COMPUTER PRINTS

Workers in HQ – make sure you TRUST them on that type of computer – if you’re running program on a Mac, volunteer should be “Mac Friendly,” etc.

    • Tell them not to try to figure things out by themselves – they will mess things up! – HAVE THEM CALL YOU!!!!

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MORE SET-UP

COMPUTERS

Need at Info Desk and HQ

Transfer program on Flash Drive

Keep an “original” somewhere else!

INFO DESK

Scrap paper

Floor Plans / MAPS

RESULTS

Post away from HQ

Post by Site

Post by School

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MORE SET-UP

We give our students pictures of what each room should look like when it is turned into a performance space.

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FESTIVAL DAY

  • Volunteers
    • Have a separate table for volunteers to check-in
      • Have job descriptions available for each person/job
      • Name tags – with assigned job?

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  • Have descriptions for their jobs available.

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FESTIVAL DAY…

  • Door Locks (again)

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  • Keep a WSMA Handbook handy – You answer rules questions

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  • What’s your plan? How can you be reached
    • Do you stay in one place all day or are you with your students?
    • How do people get a hold of you/Festival Manager?
      • Give HQ your cell phone # to text/call.
      • What is the plan if you’re conducting an ensemble and an “emergency” happens?

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INFORMATION FOR DOOR MONITORS:

  • Post information like this outside each performance site
  • Answer common questions for Door Monitors.

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FESTIVAL DAY…

  • Judge’s Meeting
    • Usually takes place at 7:30
    • If you are busy, have a Master Judge lead the meeting

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  • I ask ”is anyone judging their first festival of the year?”
    • If “yes,” then I read the script
    • If “no,” then I tell them
      • Don’t save cards (unless DNAs - save until the end)
      • Where the nearest bathrooms are
      • Where Lunch is
      • Where to get paycheck/check-out at the end

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FESTIVAL DAY SCHEDULING

  • After 9:00 a.m., the schedule is a suggestion
    • Small time issues will not be a problem (ex: a 2-min. overlap)

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  • It is okay to take entries out of order
    • Just make sure that you are aware of angry parents…

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  • Keep judges on time!
    • Tell room monitors to keep judges aware of times
    • You talk to judges

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IS THE SITE ON TIME?

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SCORES

  • Where do you post?
    • All in one location?
    • By Room?
    • By School?

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    • Put Schools in different locations?

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    • Put near concession stand???

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SCORES

  • Print on paper or just online?

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  • I used a Google Site
  • AND post results on a GOOGLE SHEET

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  • DePere HTML Script – for TVs in school.

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OTHER THINGS…

  • Score Card Math issues
    • Address with judge right away, not after they have heard 15 more entries.

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  • No video taping of judges verbal comments. Have room monitors remind.

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  • Have a great FESTITUDE
  • Try to offer 5-Star service

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HOSPITALITY ROOM

  • Treat your judges well!
    • Bring them food and drink

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  • Hospitality Room
    • Food options
    • Breakfast / Lunch / Snacks
    • Catering Food? - VERY EXPENSIVE
    • F.A.C.E. Program help – can they “cater” for you?

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FESTIVAL DAY

  • Instrument Repair?
    • Sometimes your Music Store will send a repair tech to your festival
  • Extra Instruments?
    • Instead of a repair tech, ask your Music Store for a spare set of instruments (from their rental pool) to use if something breaks.

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  • Copy Machine?

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CONCESSIONS

  • Never too early to have food for sale!
  • Have a variety
    • Can you use things for multiple foods choices?
  • Fruit
  • Free stuff from your fundraiser people?
    • Cookie Dough
    • Pizza?
  • Again, send this out to the other schools so their kids know what will be available.

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FESTIVAL DAY

  • Homerooms
    • Where can you put groups?
      • Different Classroom for each school?
      • Everyone in gym?
        • Label sections of Bleacher for each school
        • Raise your basketball hoops/remove any toys!
    • What can you do to make the day a little more entertaining for kids stuck at your school all day?
      • We adjust our Public WiFi settings to allow for things like Netflix – keeps those kids “occupied” instead of wondering…..

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Label sections of your bleachers for each school

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WHAT IF….

What if there’s a snow storm on the day of our festival?

    • Follow the steps outlined in the Weather Emergency Procedures.
      • Decisions are made at the school level.
        • Delayed start
        • If the majority of schools are able to travel safely, it’s ok to continue with the festival.
        • Cancel and Reschedule
      • Notify all teachers and judges.
      • Notify WSMA.
      • WSMA will work with Festival Manager and/or individual schools to reschedule.
    • Don’t panic.

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WHAT IF….

What if a judge notifies me that they are sick and can’t attend?

    • Remind the judge that they should notify WSMA.
    • WSMA will secure a new judge. Depending on how many festivals there are scheduled for that day, we may ask for your suggestions.
    • If the newly-assigned judge will be late to the festival, teachers could rotate as a judge in the room, taking care that they don’t evaluate their own students.
    • Don’t panic.

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WHAT IF….

What if I can’t provide payment on the day of the festival?

    • Inform the judges how and when they will receive payment BEFORE the festival.
    • Many judges have teaching experience and will understand.
    • Don’t panic.

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WHAT IF….

What if an error is found on a rubric after the festival is over?

    • Contact WSMA. We will reach out to the judge for clarification.
      • Avoids negative interaction with adjudicator.
      • Allows WSMA to review correct procedures with the adjudicator.
    • Don’t panic.

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END-OF-DAY

  • Make sure paychecks are in HQ
  • Have judges just bring their final cards to HQ for check-out procedure

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  • CLEAN-UP
    • Post pictures of room inside room
    • Have clean-up crew start working as soon as room is done
      • Don’t wait for 4:00 if room is done at 3:30

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END-OF-DAY

Take photos of rooms to help return them to how you found them.

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END-OF-DAY

Take photos of rooms to help return them to how you found them.

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AFTER THE FESTIVAL FINISHES

(FROM FESTIVAL MANAGER HANDBOOK)

  • Immediately following festival
    • Allow schools to pick up completed rubrics at the end of the day? OR scan and email rubrics? Either is acceptable.
    • Email results to WSMA and participating schools

  • Within 7 days following festival
    • Pay additional invoices, bills
    • Finalize additional income

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AFTER THE FESTIVAL FINISHES

  • Complete Adjudicator Evaluations
    • Link in ENGAGE > Resources
    • Also emailed from WSMA to all participating school teachers�
  • Complete Festival Financial
    • Built into Festival Manager Software

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FESTIVAL FINANCIAL STATEMENT

Most schools break even or make money

Options to reduce costs

Fundraising opportunities�

Do not send a financial statement without a subsidy amount

Contact WSMA for the amount if you haven’t received the check and want to complete the financial

Why are these important?

Use the collected data to determine if the subsidy percentage is still sufficient

Provide guidance for cost-saving measures

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NOW…. ���HOW TO SCHEDULE….

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DETERMINING S&E JUDGE NEEDS

Goal - Students receive useful feedback from a knowledgeable and qualified adjudicator

Software tells you the number and types of judges and rooms needed

    • Needs human AND music knowledge
    • Combinations that work well = Brass/Perc, WW/Perc, General Instrumental, Vocal/Piano
    • Avoid = Vocal/Instrumental, Instrumental/Piano, String/Anything
    • Can assign an adjudicator events from their secondary area, but not more than a ⅓ - ½ of a day

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DETERMINING S&E JUDGE NEEDS

Number of judges needed based on festival length and number of minutes assigned to each event

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EXAMPLE ADJUDICATOR SUMMARY PAGE 1

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EXAMPLE ADJUDICATOR SUMMARY PAGE 2

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DETERMINING S&E JUDGE NEEDS

DECIDE WHAT TO DO WITH THESE?

FIRST, DO THE LOGICAL MATH. THEN COMPARE TO PRELIMINARY JUDGE ASSIGNMENTS.

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DETERMINING S&E JUDGE NEEDS:

BREAKS AND LUNCHES

Breaks are nice but not required.

60 Minute Lunch

8 Hour Festival

For a full day festival:

Scheduled past 4pm? Judge needs overtime.

Lunch shorter than 1 hour? Judge needs overtime.

Overtime = $10 per half hour

8 Hour Festival

4.5 - 7 Hours

30-45 Minute Lunch

> 4 Hours

No Lunch

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DETERMINING S&E JUDGE NEEDS

  • CONFIRM JUDGE NEEDS WITH WSMA BEFORE TOO FAR INTO SCHEDULING!

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SCHEDULING

  • Schedule your VOCAL rooms first, then Instrumental.
  • Time requests
    • Tell directors to ONLY use for EMERGENCY
      • Not that they only have 8 entries and they want to be home by noon…

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  • TWO SOLOS IN SAME ROOM – try to avoid - for kid’s sake
    • Classical and Broadway in same room

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  • Equipment
    • Does your 1 drum set need to be in jazz room, percussion room, and a brass ensemble room?
    • Where do you need choir risers?

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FILE MAKER BASICS

Scheduling software to assist writing a schedule for all events per room

Prints schedules in various sorted formats

Prints completed adjudication forms

Provides easy student look-up for information desk

Provides screen for rating input, saving and printing

Provides End of Festival instructions and reports

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FILE MAKER BASICS

  • Everything saves automatically (like Google docs)
    • Familiar keyboard commands
      • Control / Command + Z = UNDO
      • Control / Command + F = FIND
    • Bar at top – useful for noticing # of records
    • + or – sign in lower left corner to help adjust font size

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SCHEDULING - BLOCKING

Do this on the computer or just a pad of paper. Helps you “see” what’s happening in each room.

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This is looking at things based on Rooms.

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Different colors represent different Accompanists

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SCHEDULING – ACCOMPANIST-BASED

Do this on a computer on just on paper.

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This helps you keep track of when each accomp. Is busy/free.

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Helps a lot when trying to make schedules when one person plays for more than 15 events.

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OR, DO IT WITH PENCIL AND PAPER…

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SCHEDULING

Where are your large groups going to go?

Maybe during lunch hours – less rooms in session, so less conflicts?

Stagger Lunches

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END TIMES AND STAGGERED LUNCHES

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ENDING & LUNCH

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SCHEDULING…

  • SITE SCHEDULING SEQUENCE – SUGGESTIONS
  • This list is a suggestion for the order that you should schedule your sites. This will vary depending on the number of events and sites your festival has.�
    • Site with Show choir/vocal jazz (think about where Instrumental Jazz might go, too – if sharing an auditorium, schedule them now; if now, think about what time of day (maybe opposite show choirs) that you want to schedule them at.)
    • Site(s) with Madrigals/large vocal ensemble
    • All remaining Vocal sites
    • Sites with Jazz Ensembles
    • Site(s) with very large instrumental Ensembles.
    • All other brass/woodwind site(s)
    • Percussion site(s)
    • Site(s) with large string ensembles
    • All other string sites
    • Piano site(s)

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SCHEDULING…

  • ADJUST TIMES OF SINGLE ENTRIES

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  • THINK OF THE DAY AS IF YOU WERE A JUDGE
    • Happy Judges make Happy Ratings
    • ADD BREAKS
      • DNAs will be breaks, too
    • Don’t put in all class As --- or Class Cs!
    • CAN THEY JUDGE THAT?? – BROADWAY solos

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  • DRAFT SCHEDULE
    • Send out as PDF – send by time, then site & accompanist by time, then site.
    • Send out draft to directors to catch conflicts of double-booked students
    • Give them a few days to find errors (tell them when deadline is!)
      • Trade with their own entries within a site – tell you the swaps

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SCHEDULING

Conflict changes

    • Have directors tell you site & index to swap to fix their conflicts.
    • TAKE NOTE OF ENTRY TIME!

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LATE ENTRIES

  • So, someone forgets something – what do you do:
    • Send them to WSMA
    • Or don’t…

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  • Regardless, have them send me the event info
    • (**adding late entries into the website**)

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SCHEDULING – OTHER THINGS TO THINK ABOUT…

  • Extra BREAKS for moving to new site (Show Choir / Jazz in another room)

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  • How to deal with the same room being used for two different things?
    • The gym/auditorium is hosting show choir things with the judge from room 3 and Jazz Band things with the judge from room 12. What do you do?

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  • Judging “odd” things
    • Who should do it? Strings if you don’t have stings?
      • Look at class – anyone *should* be able to judge class C
      • Suggest they transfer to another festival.

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ADVANCED DNA EVENTS

  • Have directors tell you ahead of time about DNAs
    • Deadline for printing rubrics?

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  • These can become open slots to move schedule conflicts

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  • Also helps day go smoother with opening
    • No confusion over “where is that entry??”

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PRINTING

  • Print to your copy machine
  • Have students collate by room and index #
    • This helps find any missing entry forms

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  • Print extra blank forms for judges envelopes

– both rated and C.O.

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Use WSMA suggested colors, or…

  • Different color for every room
  • Different color for every school/district

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ADVOCACY

  • How can this help your program and your community?
  • Press releases – before and after

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HOSTING EVERY YEAR

  • No, I’m not crazy!!

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  • Gets Easier and Easier each year
  • Parents know what to do
  • -Your- kids benefit the most
    • I can schedule them when they need to go
    • It takes up less of their time
  • Process gets streamlines and efficient
    • Boosters run all volunteers, food, etc – I get to focus on my kids
  • You Make $$$

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OTHER TIPS AND TRICKS

  • This is what works at **MY** Festival

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  • What has worked well at yours?

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  • Ryan Petersen – petersEnr@deerfield.k12.wi.us