The Arizona STEM Acceleration Project
Ancient Paint Part 3: Binders
Ancient Paint Part 3: Binders
A 8-12 grade STEM lesson
Adam Hardy
1.27.24
Notes for teachers
Do Part 1 or Part 2 of Ancient Paints first. Otherwise, purchase powdered pigment in preparation for this lesson.
If combining with Parts 1 or 2, your students will want to collaborate as a class to choose the best pigment materials. This will require that some groups share with others and that enough is prepared for testing.
Lime is caustic. Be sure to use PPE.
This lesson will guide students in the creation of a casein binder (milk paint). If desired, this lesson can be extended to test out other binder materials.
List of Materials
Standards
Standards
HS.U1: Scientists explain phenomena using evidence obtained from observations and or scientific investigations. Evidence may lead to developing models and or theories to make sense of phenomena. As new evidence is discovered, models and theories can be revised.
HS.U2: The knowledge produced by science is used in engineering and technologies to solve problems and/or create products.
8.P1U1.2 Obtain and evaluate information regarding how scientists identify substances based on unique physical and chemical properties.
Science and Engineering Practices
Cross Cutting Concepts
Objectives:
In this lesson we will learn about ancient rock paintings, and the technology that has allowed the marks to persist for tens of thousands of years.
We will explore
At the end of this lesson, you will have a paint you can use to make your own long-lasting marks
Agenda
Day 1 : Introduce topic, discuss paint materials, and begin research on binders. Begin gathering material
Day 2: Begin demonstration of casein extraction (must sit overnight). Discuss chemistry of casein and the role of acid in precipitation of the milk solids
Day 3: Finish preparing casein and test with pigments. Discuss role of alkali in formation of milk paints.
Day 4-6: Students begin alternate methods of casein extraction.
Day 6-8: Experiment with other binding materials students bring in (egg white, egg yolk, cactus pads, dandelion mash, wheat paste, tree sap, honey, wax, etc.)
Intro/Driving Question/Opening
Have you ever drawn pictures with sidewalk chalk? How long does it last? What happens to the chalk after a rainstorm?
DISCUSS:
How do you think you could make your sidewalk chalk drawing permanent?
Today we will look at paintings that have endured for thousands of years.
Cueva de las Manos, Perito Moreno, Argentina, Mesoamerica.
7,300 BCE and 700 CE
Hand prints in Pettakere Cave at Leang-Leang Prehistoric Site, Maros
30,000-40,000 BCE
By Cahyo - Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=31360759
Chauvet Cave, France 30,000 BCE
Charcoal
What is Paint?
Paint is made up of three components:
PIGMENT: Color. Usually added to paint in dry powdered form. Can be mineral (ocher), synthetic (phthalo), plant-based (indigo), or animal based (cochineal)
BINDER: The “glue” that holds the pigment particles together and sticks it to the surface being painted.
MEDIUM: Liquid that helps the paint be fluid and spreadable.
For example, a blue watercolor paint might be made of phthalo blue (a synthetic PIGMENT), gum arabic (a tree sap-based BINDER), and water, which is the MEDIUM that gives watercolors its name.
Hands-on Activity Instructions: Initial Research
Demonstration Instructions: Prepare Casein Control Group
https://www.earthpigments.com/milk-paint-with-lime/
Notes:
Chemistry of Casein production
Discuss: Have you ever seen spoiled milk? What does it look like? What do you think is going on?
Vocabulary:
Milk is made up partly of large particles of casein (a protein) called micelles. These micelles have electric charges that keep them from sticking together and falling out of solution. When milk goes bad, bacteria eat the sugars in the milk and produce ACID, called lactic acid. This acid interrupts the electric charges that keep the micelles floating, and they clump together and fall out of suspension.
The large particles of casein in milk are called MICELLES, and are actually made up of many small particles of casein proteins, each with slightly different properties. The hydrophobic casein proteins stay in the middle of the particle, and the hydrophilic casein proteins are on the outside. These hydrophilic particles have an electric charge that helps them stick to water, which is what creates a colloidal suspension.
On the left you can see how the large casein micelles repel each other because they have the same charge, like how two negative terminals of a magnet repel.
On the right, you can see how the positive ions in an acid destroy the repulsion between micelles, causing them to collapse into each other.
The role of the Lime (alkaline material)
Review:
What is the binder in milk paint?
What is the medium of milk paint?
How are casein proteins held in a colloidal suspension in the milk?
What does acid do to the colloidal suspension of milk?
We now have individual casein proteins without their micellar structure, which have a net neutral charge. In other words, there is no electrical charge that helps these proteins bond to water. In this state, casein is INSOLUBLE.
The role of the Lime (alkaline material)
In the presence of a strong alkali (base), certain molecular groups on the casein protein become ionized, which allows them to form hydrogen bonds. These bonds allow the casein to become SOLUBLE in water, which turns it into a smooth gel-like glue.
Fun Fact: You may have found in your research that ancient pigments were sometimes mixed with urine, feces, spit, blood, or other bodily fluids. The decomposition of urine and feces produces ammonia, which is a strong base. Do you think this may have been used as an ingredient similar to how we are using lime?
Hands-on Activity Instructions: Test Alternate Acids and Bases
Hands-on Activity Instructions: Test other binders
Assessment
Student should have a working paint at the end of this lesson.
They should be able to explain the role of pH in the production of milk paint
They should be able to show additional binding materials and whether or not they are viable alternatives.
Differentiation
Remediation
Extension/Enrichment