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ESTEBAN
MUÑOZ
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HOLA!
Photographer/UX Designer and Web Developer
I’m from Panama
And I like to play the bass
and piano too :D
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ESTEBAN MUÑOZ
Contact/email �(or other FB etc. ,social media handles/links to you or your work, your web site.
Help viewers find whatever else you have created and posted elsewhere.)
Art 1600 | Design Foundations I
Project Links
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Home Page
Semester�Portfolio Art 1600
Spring 2022
Content-Form: Thematic Progression
Sydney Opera Hs Thorncrown Chapel
Hadid/Galaxy Soho Thiebaud/Cakes
Sagrada Familia Rietveld-Schroder Hs
Bruegel/Harvesters Fortune Teller
Photography
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Steven_photos24
Esteban Munoz
My Creative Work Samples
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My Creative Work Samples
Personal Designs
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My Creative Work Samples
Designing and Building Websites
About me
My name is Esteban Muñoz. I am from Panama city, Panama. If you have never been to my country, I could describe it to you as a tropical paradise (hot but enjoyable).
I am majoring in CS with a minor in Graphic Design. I love music, photography, traveling and designing/programming websites with the help of powerful tools such as Figma, Webflow, as well as, CSS ,HTML and JAVASCRIPT.
-My home-
Panama Canal
Golden Altar
Biomuseo
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Personal Mark
Project 1: Personal Mark
Give your project/creation some sort of descriptive name. �For class projects, just give the assignment/project title.
Key Goals & Concept
Summarize the main goals or constraints that you, or your professor, or your client assigned.
Your Intro Notes will go into further detail -- just include the brief, key issues here.
Date
General Start/End dates or any key milestones
This section is mainly about concept development.
You may type into the Slides text boxes, OR you may photograph your notes in your sketchbook, and paste/insert them. Nothing has to be typed.
Include your concept statements, programming, artist statement, backstory, etc. (Each type of art/design uses somewhat different language at this stage.)�This section may have more writing than images, but concepts sketches and thumbnails may help.
�Basically, explain the ideas behind your solution, and what your solution is trying to actually solve.
Include one or several pages of “process.”
Include sketches.
Include source images that influenced you, photos/images you used as reference.
Describe/link any sources of ideas or perspectives that inspired or drove your work.
Include draft versions of your developing design.
Add pages as needed.
Include good quality, large images of your finished design.
If details views are helpful, add them.
If alt views are needed for, say, 3d designs or interactive designs, add them.
If video is needed to show motion or interaction, include it. (how to)
Additional Stages
You might divide your project into more stages. This is more needed with long or complex projects than with short class exercise.
If you don’t need to present more stages, just delete this blue text.
Add links to the slide that deals with that stage.
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Project 1 Home
Personal Mark
My personal mark shows the shape of an electric guitar meaning my strong passion for music and string instruments. My initials E and M are incorporated on the design forming part of the bridge and body of the electric guitar. The clouds and the gradient color blue reflect peace and serenity.
1.
2.
3.
4.
5.
Sketches
Original
Revised
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Influences
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Influences Home
Japanese animator, director, producer, screenwriter, author, and manga artist. A co-founder of Studio Ghibli, he has attained international acclaim as a masterful storyteller.
His work has inspired me to extend my creativity to the highest. I have been captivated by how wonderful art he creates and directs.
Hayao Miyazaki
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Influences
Influences Home
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Influences
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Howl's Moving Castle
Miyazaki captures the attention in this movie by creating an irregular moving shape that looks like a enormous dirty laundry basket with chicken legs. Your first impression might not the best by just looking at it for the first time. However, as the movie progresses, you start to notice a lot of elements such as houses, balconies, an entire city that moves.
I believe that the point of this art is making the audience see some beauty in something does not look like any common figure you will see in any other movie.
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Influences 2
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Timothy Walter Burton is an American filmmaker and animator. He is known for his gothic fantasy and horror films such as Beetlejuice, Edward Scissorhands, The Nightmare Before Christmas, Ed Wood.
I love his movies because they can bring a creepy but sweet story along the way. It is incredible to see how much passion he puts in his work.
TIM BURTON
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Influences 2
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Colors black, white, some violet and blue are everything it takes to create this beatiful movie and art.
Timothy Hogan
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Influences 3
More than just a great photographer, Tim approaches every project with a problem-solving eye of an inventor.
I admired the detail of his pictures and all the essence of a job well done in his different projects.
Influences Home
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Influences 3
More than just a great photographer, Tim approaches every project with a problem-solving eye of an inventor.
I admired the detail of his pictures and all the essence of a job well done in his different projects.
Influences Home
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Nameplate
Nameplate
Key Goals & Concept
Summarize the main goals or constraints that you, or your professor, or your client assigned.
Your Intro Notes will go into further detail -- just include the brief, key issues here.
This section is mainly concept development.
Include your concept statements, programming, artist statement, backstory, etc. (Each type of art/design uses somewhat different language at this stage.)
�Basically, explain the ideas behind your solution, and what your solution is trying to actually solve.
Include one or several pages of “process” -- the sketches, the source images that influenced you, photos/images you used as reference, and draft versions of your developing design.
Add pages as needed.
Additional Stages
You might divide your project into more stages. This is more needed with long or complex projects than with short class exercise.
If you don’t need to present more stages, just delete this blue text.
Add links to the slide that deals with that stage.
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Project 1 Home
NAMEPLATE
-Arkansas, Judsonia Old Railroad Bridge-
Sketches
Sketches
Sketches
Concept Statment
My design emphasizes entertainment and puzzles. I want the viewer to be curious about my design and try to move a mini ball through a challenging maze. My way to get people’s attention is through an irrational form of letters that make a path to the end of the maze. A fun experience is something hard to forget and a puzzling game waits for you to give it a try.
Nameplate
Let’s have some fun!
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Order-Disorder
Order-Disorder Series
Give your project/creation some sort of descriptive name. �For class projects, just give the assignment/project title.
Key Goals & Concept
Summarize the main goals or constraints that you, or your professor, or your client assigned.
Your Intro Notes will go into further detail -- just include the brief, key issues here.
Date
General Start/End dates or any key milestones
This section is mainly concept development.
Include your concept statements, programming, artist statement, backstory, etc. (Each type of art/design uses somewhat different language at this stage.)
�Basically, explain the ideas behind your solution, and what your solution is trying to actually solve.
Include one or several pages of “process” -- the sketches, the source images that influenced you, photos/images you used as reference, and draft versions of your developing design.
Add pages as needed.
Additional Stages
You might divide your project into more stages. This is more needed with long or complex projects than with short class exercise.
If you don’t need to present more stages, just delete this blue text.
Add links to the slide that deals with that stage.
EDIT CONTENT ON THIS PAGE TO REPRESENT YOU
GoTo Home Page
Project 3 Home
Concept Statment
In this series of design, I chose to use triangles to form the shape of a bird. My vision was on making a focal point (the pick or head of the bird) to capture the attention of the viewer. Bird colors are extremely beautiful and sometimes even rare. In this design I would like to express my love to the Blue Jay bird by making variation of blues.
Sketches
Sketches
Draft 1
Draft 2
Final Draft
3D Personal Mark
Concept Statment
My 3D personal mark will be based on my Personal Mark design. I am thinking on using cardboard or wood, make 3 layers where the 3D effect can be seen. Since the back part of my personal mark is blank, I will add a moon and a kid sitting on it.
Sketches
Back Perspective
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Project 3 Home
SPRING BREAK 2023
2 Images Side-By-Side
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SPRING BREAK 2023
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SPRING BREAK 2023
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SPRING BREAK 2023
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Nature Study
Nature Study
Give your project/creation some sort of descriptive name. �For class projects, just give the assignment/project title.
Key Goals & Concept
Summarize the main goals or constraints that you, or your professor, or your client assigned.
Your Intro Notes will go into further detail -- just include the brief, key issues here.
Date
General Start/End dates or any key milestones
This section is mainly concept development.
Include your concept statements, programming, artist statement, backstory, etc. (Each type of art/design uses somewhat different language at this stage.)
�Basically, explain the ideas behind your solution, and what your solution is trying to actually solve.
Include one or several pages of “process” -- the sketches, the source images that influenced you, photos/images you used as reference, and draft versions of your developing design.
Add pages as needed.
Additional Stages
You might divide your project into more stages. This is more needed with long or complex projects than with short class exercise.
If you don’t need to present more stages, just delete this blue text.
Add links to the slide that deals with that stage.
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Project 5 Home
GoTo Home Page
Nature Study Intro/Notes
Project 5 Home
I loved to see the unity between every page on this nature study. We usually think about eating an apple but this nature study shows the relationship and patterns that are similar to the interior of an apple. The colors and pictures are well balanced on the magazine.
The thematic of this nature study blew my mind. The project shows that it was well planned and it also engage the viewer into a detective series to find out more about the suspect and everything it has to do with the case(nature).
This nature study remind me of the Sponge Bob cartoon, one of my favorites when I was a child. The colors and design of the frames are what I like the most in this project. They show unity between all the pages. It is interesting to see the variety of pineapples that is shown.
Study Notes
I have always like flowers and I am very interested in this particular type called Hyacinth. Its shape and vibrant colors caught my eye.
Birds are the definitely animals worth to study. I took this picture and now I get to see how much beauty there is in a Cardinal’s wings, colors and structure.
My favorites animals are the penguins and even though I do not see them very often, I simply love their colors and way to walk. The are majestic creatures to me.
Nature Study Cover
Crocus Vernus
Print Version
Nature Study Draft Cover
Layouts
Layouts
Layouts
StoryBoard
Stabbed binding
Digital Drafts
Digital Drafts
Digital Version
(pdf)
https://drive.google.com/file/d/16blz9I-XyBZtc-wF1JjE_LajGPNSFQGF/view?usp=share_link
Link to the pdf in my drive
Nature Study Cover-2
Nature Study Draft Cover-2
Print Version
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Nature Study Sketches/Drafts
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Project 5 Home
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Nature Study Storyboards
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Project 5 Home
Note that the last few slides in your SP template have “blanks” for storyboard sketches.
You don’t have to use them, but they may save you time laying out and conceiving your page layouts and content progression.
2 Images Side-By-Side
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Nature Study Final Version
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The Orange Dashed lines are guidelines that you can “snap” to.
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Project 5 Home
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Content/Form: Thematic Progression
Content/Form
In this project, your choices and emphases of form (line, shape, color, texture, balance, rhythm, etc.) are to be expressive of content. �You will develop a message or theme based on the assigned progression. Then you will develop form and, sometimes, imagery, to express and communicate the ideas and attitudes of your theme.
Key Goals & Concept
Summarize the main goals or constraints that you, or your professor, or your client assigned.
Your Intro Notes will go into further detail -- just include the brief, key issues here.
This section is mainly concept development.
Include your concept statements, programming, artist statement, backstory, etc. (Each type of art/design uses somewhat different language at this stage.)
�Basically, explain the ideas behind your solution, and what your solution is trying to actually solve.
Include one or several pages of “process” -- the sketches, the source images that influenced you, photos/images you used as reference, and draft versions of your developing design.
Add pages as needed.
Additional Stages
You might divide your project into more stages. This is more needed with long or complex projects than with short class exercise.
If you don’t need to present more stages, just delete this blue text.
Add links to the slide that deals with that stage.
EDIT CONTENT ON THIS PAGE TO REPRESENT YOU
GoTo Home Page
Project 4 Home
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GoTo Home Page
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The Orange Dashed lines are guidelines that you can “snap” to.
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Content/Form Intro/Notes
Project 4 Home
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Content/Form Sketches/Drafts
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Project 4 Home
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Content/Form Final Version
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Project 4 Home
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Design �Analyses
On the following pages you’ll find artworks and questions.
Throughout the semester you will be assigned to study and analyze the compositions of these works.
�You’ll explain, sketch and diagram what you discern on these pages.
Notes on how to work with the assigned Design Analyses.
Includes a link list of all of the available analyses. �Note that most or all of the assigned designs will be here -- already in your portfolio.
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Design Analyses
Design, composition and layout are about selecting, altering and putting together the parts of an image or composition so that there is sense of unity or wholeness, a sense of variety and contrast, a hierarchy of focal areas and an expressive voice or content.
A design analysis involves looking at compositions that others have created to see better how to put together a unified image or structure.
We want to observe compositional tactics so that we can borrow and build on them in our own designs.
These Analyses in Google Slides provide compositions - artworks - to analyse. �You’ then respond to some questions about the compositions and work to convey what you see going on.
You’ll (usually) copy an assigned blank analysis into your own Semester Portfolio -- which is where you will keep and present your analyses.
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The first challenge is to look “behind the work” to see what’s holding it together.
Ask yourself questions that prompt you to notice what you would not otherwise notice -- have a collection of critique and analysis questions.
Unity:
-- What traits or feature occur and recur (repetition)?�-- What traits dominate or are very prevalent?�-- What organizes the placements? (symmetry, grid, radial pattern, a flowing connection or bounding shape?)
Variety:
-- Where are prominent contrasts? What kind of contrasts are there? (tone, color, shape, direction…)
-- Are there any anomalies that break prevailing patterns or dominances?�-- Is there a sense of energy or movement? What creates that?
Emphasis/Focal Areas:
-- Where does your eye go, and why?
-- Where are major contrasts�-- How has calm and relief been established?
-- What directional devices point the way?
Content:
The second challenge is to communicate what you see.
You’ll be able to write/type your comments in the slide -- usually there is a text block on the left side.
You are also welcome to add you own text blocks or to paste images of your handwritten notes.
Wherever possible, communicate graphically -- show us what you see.
Highlight or overlay features that you are pointing out -- don’t assume we know which details you’re talking about. Wherever possible - show us.
There will be some pre-drawn “spare parts” at the bottom of the slides. You can copy, move, resize and recolor these as needed.
Feel free to duplicate a slide if you need more space to explain something -- its generally better have a clear focused message on each slide, rather than trying to fit it all in on one cluttered slide.
You can use the various line and arrows tools in GSlides to point out details, or connect you comments to particular graphics.
Line types:
Straight, curvilinear, organic, spiral, jagged, smooth, flowing, angular�…. continuous, dotted, dashed, broken, implied…
….static, dynamic, “fast” and “slow”
Line traits:
Direction (horizontal, vertical, diagonal), length, thickness, color, clarity (sharp/crisp, obscure/blurred, heavy, bold, delicate, subtle), consistency (constant thickness/weight, textured, varied thickness),
Shape types:
(geometric) Square, triangular, rectilinear/rectangular, circles, semi-circles…(organic/biomorphic) (gestalt—positive shapes vs. negative shapes)
Some shape traits:
Size, color, orientation/direction, alignment. Clarity/focus/obscurity (esp. of bounding edges), texture, pattern…
Texture types and traits:
Smooth, rough, soft, coarse, constant (essentially no texture), irregular, subtle, harsh, natural (woodgrain, stone-like, cloud-like, fur, etc.) man-made (polished, buffed, machined, patterned…)�…implied, actual, illusory…
Color Traits
Hue (red, yellow, blue etc.), Value (light, dark, medium, tints, tones, shades), Chroma (bright/brilliant, dull, subdued), temperature (warm, cool), Neutral (black, white, gray), , constant, textured, gradated…
Space-related traits:
Placement/ position, interval, distribution, concentration) (depth, mass, volume)
…Flat (2D), shallow, deep, ambiguous/contradictory….
Space-related tactics (3D):
overlap, linear perspective, vanishing points, converging edges, diminuition of size, foreshortening, position (height) in field, aerial/atmospheric perspective (esp. varied value contrast), modeling, shadows, cast shadows, highlights…
Terms and Topics
Feel free to use these lists as references or reminders. �These lists are not all-inclusive, but they may offer prompts for traits, features and relationships to look for while you are analyzing designs. You will not be familiar with all of the topics listed—look for those that are familiar.
Visual Elements:
Point, Line, Shape, Color (Value), Texture, Pattern, Space, �Motion/Movement, Time, (arguable elements: Type, Image, Interactivity)
Principles and Concepts of Design:
Unity, Harmony, Contrast, Balance, Emphasis, Relief, Focal area(s), Rhythm, Repetition, Proportion, Scale, Similarity, Variety, order, disorder, continuity, alignment, directional movement & directional cues, isolation, norm & anomaly, figure, ground, visual field, visual weight, graphic impact, graphic hierarchy…
Visual Design
Feel free to review these terms and ideas and formal traits as you are looking at compositions.
When you are not seeing much, skim through these lists for things you might look for or questions you might ask yourself.
Design Analysis:
Milton Glaser
Aretha (Franklin) Poster
How has Unity been established?�What forms, traits, arrangements, dominances, etc. have been used to establish graphic unity?
�--- …Focal point has been placed on the red shape
__ ...Colors are balanced
__ …Forms connect with one another
__ ..Chroma and value of the colors stay at the same range
�--- …Forms are different from each other but connect
__ ...colors are different
How has Variety been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to add variety?
�--- …The emphasis is placed on the red shape
__ .Warm color of the skin
How and where has Emphasis been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to draw attention?
Jacob Lawrence,
(1917 - 2000) American
The Builders
1980;
gouache on paper;
34 x 25 1/2 in.;
Collection of Safeco Corporation, Seattle
(from a series of paintings and prints Lawrence created honoring labor and laborers.)
Chart the prominent colors:�Identify the dominant and subordinate hues, values and chromas. Vary circle sizes clearly to represent the quantity or presence of each color trait.
You may draw graphics directly on the charts above, or you might print the charts, freehand draw your color analysis, then photograph and insert your charts here.
Hue Scheme:
Dominants: �Hue: Value: Chroma:
Design Analysis 1:
Gustav Klimt
Portrait of Adele Bloch-Bauer
How has Unity been established?�What forms, traits, arrangements, dominances, etc. have been used to establish graphic unity?
�--- Chroma of the color yellow stay slightly the same
__ . Some shapes like rectanules, triangles and circles are repeated
Gustav Klimt
Portrait of Adele Bloch-Bauer
1907; Oil, silver, and gold on canvas;
138 cm × 138 cm (54 in × 54 in) ;
Neue Galerie, New York
The Painting: WikiP |
�--- …..shapes such as rectangle, triangle and dots have different sizes
__ ...Value of the color yellow changes to a more dark on the background
How has Variety been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to add variety?
Gustav Klimt
Portrait of Adele Bloch-Bauer
1907; Oil, silver, and gold on canvas;
138 cm × 138 cm (54 in × 54 in) ;
Neue Galerie, New York
The Painting: WikiP |
�--- …Emphais is placed in the eyes of the woman as well as in some of the eyes of the dress
__ ...Emphasis on the blue rectangules
How and where has Emphasis been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to draw attention?
Gustav Klimt
Portrait of Adele Bloch-Bauer
1907; Oil, silver, and gold on canvas;
138 cm × 138 cm (54 in × 54 in) ;
Neue Galerie, New York
The Painting: WikiP |
Jacob Lawrence,
(1917 - 2000) American
The Builders
1980;
gouache on paper;
34 x 25 1/2 in.;
Collection of Safeco Corporation, Seattle
(from a series of paintings and prints Lawrence created honoring labor and laborers.)
Chart the prominent colors:�Identify the dominant and subordinate hues, values and chromas. Vary circle sizes clearly to represent the quantity or presence of each color trait.
You may draw graphics directly on the charts above, or you might print the charts, freehand draw your color analysis, then photograph and insert your charts here.
Hue Scheme:
Dominants: �Hue: Value: Chroma:
Design Analysis :
Manes
Eiso
How has Unity been established?�What forms, traits, arrangements, dominances, etc. have been used to establish graphic unity?
Paul Manes,
Eiso
How has Variety been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to add variety?
Paul Manes,
Eiso
How and where has Emphasis been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to draw attention?
Paul Manes,
Eiso
Jacob Lawrence,
(1917 - 2000) American
The Builders
1980;
gouache on paper;
34 x 25 1/2 in.;
Collection of Safeco Corporation, Seattle
(from a series of paintings and prints Lawrence created honoring labor and laborers.)
Chart the prominent colors:�Identify the dominant and subordinate hues, values and chromas. Vary circle sizes clearly to represent the quantity or presence of each color trait.
You may draw graphics directly on the charts above, or you might print the charts, freehand draw your color analysis, then photograph and insert your charts here.
Hue Scheme:
Dominants: �Hue: Value: Chroma:
Design Analysis:
Jorn Utzon
Sydney Opera House
Sydney Opera House | Jorn Utzon
Video Tours
How has Unity been established?�What forms, traits, arrangements, dominances, etc. have been used to establish graphic unity?
�--- …Trianglue shape is repeated
__ ..Value of the color white
__ …Lines are equally distanced from one another
_
Jorn Utzon
Sydney Opera House
�--- Size of the tringules are different from one another
__ ...
How has Variety been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to add variety?
Jorn Utzon
Sydney Opera House
�--- …The emphasis is establish in the structure of the roof
__ ...The color white of the roof contrast well with the blue color of the sky and brown of the bottom
__ …The emphasis on the inside is established in the red platforms that are hanging from the roof and the lines that connect to the center of the ceiling
__ ...
How and where has Emphasis been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to draw attention?
Jorn Utzon
Sydney Opera House
Hue Scheme:
Dominants: �Hue: Value: Chroma:
Chart the prominent colors:�Identify the dominant and subordinate hues, values and chromas. Vary circle sizes clearly to represent the quantity or presence of each color trait.
You may draw graphics directly on the charts above, or you might print the charts, freehand draw your color analysis, then photograph and insert your charts here.
Design Analysis 2:
Georgia O’Keefe
Black Iris
How has Unity been established?�What forms, traits, arrangements, dominances, etc. have been used to establish graphic unity?
�--- …Thr curve lines are frequently used
Georgia O'Keefe, �Black Iris III
1926, oil on canvas, �The Metropolitan Museum of Art, NY
�--- …Value of the color gray changes
__ ...Shapes are irregular
__ …Asymmetric
How has Variety been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to add variety?
Georgia O'Keefe, �Black Iris III
1926, oil on canvas, �The Metropolitan Museum of Art, NY
�--- … Emphasis has been established on the red spot in the middle. The dark color red brings attention thanks to the gray contrast
How and where has Emphasis been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to draw attention?
Georgia O'Keefe, �Black Iris III
1926, oil on canvas, �The Metropolitan Museum of Art, NY
Jacob Lawrence,
(1917 - 2000) American
The Builders
1980;
gouache on paper;
34 x 25 1/2 in.;
Collection of Safeco Corporation, Seattle
(from a series of paintings and prints Lawrence created honoring labor and laborers.)
Chart the prominent colors:�Identify the dominant and subordinate hues, values and chromas. Vary circle sizes clearly to represent the quantity or presence of each color trait.
You may draw graphics directly on the charts above, or you might print the charts, freehand draw your color analysis, then photograph and insert your charts here.
Hue Scheme:
Dominants: �Hue: Value: Chroma:
Design Analysis:
Faye Jones
Thorncrown Chapel �Eureka Springs, Arkansas
Thorncrown Chapel | Faye Jones
Video Tours
How has Unity been established?�What forms, traits, arrangements, dominances, etc. have been used to establish graphic unity?
�--- The chairs inside the building are the same color and all of them are facing to the altar.
__ ...Windows are the same size.
Faye Jones
Thorncrown Chapel
Eureka Springs, Arkansas
�--- …Lines are arranged both vertically and horizontally in the entire building.
How has Variety been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to add variety?
Faye Jones
Thorncrown Chapel
Eureka Springs, Arkansas
�--- …The emphasis is established on the big windows in front of the building because of the amount of light that the building receives which makes it shine during day and night.
How and where has Emphasis been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to draw attention?
Faye Jones
Thorncrown Chapel
Eureka Springs, Arkansas
Hue Scheme:
Dominants: �Hue: Value: Chroma:
Chart the prominent colors:�Identify the dominant and subordinate hues, values and chromas. Vary circle sizes clearly to represent the quantity or presence of each color trait.
You may draw graphics directly on the charts above, or you might print the charts, freehand draw your color analysis, then photograph and insert your charts here.
Design Analysis 3:
Vincent van Gogh
Starry Night
How has Unity been established?�What forms, traits, arrangements, dominances, etc. have been used to establish graphic unity?
�--- …Circles in the sky form a serie of arrangements going from smaller to larger.
__ ...Some of the curves representing the clouds are particular traits
__ …Line are going in different directions but they all form unity
__ ...The elements of the painting such as the sky and the town, mountains are common in the human world.
�--- …We can see variety in the form of the clouds with the circles or stars.
__ ...The black building give a lot of variety to the design.
__ …different form of houses and churches
__ .the form of the sky is different in relation to the normal town
How has Variety been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to add variety?
�--- …One of the thing that has a lot of emphasis is the black building on the left
__ ...The black builind has an irregular shape, not like the other houses or churches in the painting, it is rather like a growing plant.
__ …The second element that has emphasis is the yellow moon on the right side.
__ ...The sky and stars captive the attention of the spectator due to the curve line and cool colors of blue and yellow.
How and where has Emphasis been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to draw attention?
Jacob Lawrence,
(1917 - 2000) American
The Builders
1980;
gouache on paper;
34 x 25 1/2 in.;
Collection of Safeco Corporation, Seattle
(from a series of paintings and prints Lawrence created honoring labor and laborers.)
Chart the prominent colors:�Identify the dominant and subordinate hues, values and chromas. Vary circle sizes clearly to represent the quantity or presence of each color trait.
You may draw graphics directly on the charts above, or you might print the charts, freehand draw your color analysis, then photograph and insert your charts here.
Hue Scheme:
Dominants: �Hue: Value: Chroma:
Design Analysis:
Zaha Hadid
Galaxy Soho, Bejing
Galaxy Soho in Beijing | Zaha Hadid
Video Tours
How has Unity been established?�What forms, traits, arrangements, dominances, etc. have been used to establish graphic unity?
�--- The circular lines give unity to the building
__ …
Zaha Hadid
Galaxy Soho, Bejing
How has Variety been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to add variety?
�--- …The colors white, gray and light blue are the main colors.
Zaha Hadid
Galaxy Soho, Bejing
How and where has Emphasis been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to draw attention?
�--- …The emphazins in the interior of the building has been established in the ligh blue ceiling because of the complex arrangement of lines.
Zaha Hadid
Galaxy Soho, Bejing
Hue Scheme:
Dominants: �Hue: Value: Chroma:
Chart the prominent colors:�Identify the dominant and subordinate hues, values and chromas. Vary circle sizes clearly to represent the quantity or presence of each color trait.
You may draw graphics directly on the charts above, or you might print the charts, freehand draw your color analysis, then photograph and insert your charts here.
Design Analysis:
Wayne Thiebaud
Cakes
How has Unity been established?�What forms, traits, arrangements, dominances, etc. have been used to establish graphic unity?
�--- …The circular shape of the cakes bring unity to the painting
__ .. The shadows and platforms are also circular
Wayne Thiebaud
Cakes
1963; Oil on canvas; 60 x 72 in;
National Gallery of Art, Washington
How has Variety been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to add variety?
�--- …Some of the cake’s design have different lines and shapes like a heart, spirals and lines.
Wayne Thiebaud
Cakes
1963; Oil on canvas; 60 x 72 in;
National Gallery of Art, Washington
How and where has Emphasis been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to draw attention?
�--- …The emphasis is established on the cake with the spiral icing because of it makes more noticeable than the rest of the cakes. The colors white and brown also bring more attention.
Wayne Thiebaud
Cakes
1963; Oil on canvas; 60 x 72 in;
National Gallery of Art, Washington
Jacob Lawrence,
(1917 - 2000) American
The Builders
1980;
gouache on paper;
34 x 25 1/2 in.;
Collection of Safeco Corporation, Seattle
(from a series of paintings and prints Lawrence created honoring labor and laborers.)
Chart the prominent colors:�Identify the dominant and subordinate hues, values and chromas. Vary circle sizes clearly to represent the quantity or presence of each color trait.
You may draw graphics directly on the charts above, or you might print the charts, freehand draw your color analysis, then photograph and insert your charts here.
Hue Scheme:
Dominants: �Hue: Value: Chroma:
Design Analysis:
Antonio Gaudi
Sagrada Familia, Barcelona
Sagrada Familia | Gaudi
Video Tours
How has Unity been established?�What forms, traits, arrangements, dominances, etc. have been used to establish graphic unity?
�--- …
__ ...
__ …
__ ...
�--- …The towers are pointing up to the sky
Antonio Gaudi
Sagreda Familia, Barcelona
�--- …
__ ...
__ …
__ ...
How has Variety been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to add variety?
�--- …The top of the towers are like balls and the bottom of the towers have a more cylindrical shape
__ ...The colors on the top change to a more plaid cream
...
Antonio Gaudi
Sagreda Familia, Barcelona
�--- …
__ ...
__ …
__ ...
How and where has Emphasis been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to draw attention?
�--- The emphasis has been established on the top of the towers. The balls on top are not as equal as the other shapes in the building,
Antonio Gaudi
Sagreda Familia, Barcelona
Hue Scheme:
Dominants: �Hue: Value: Chroma:
Chart the prominent colors:�Identify the dominant and subordinate hues, values and chromas. Vary circle sizes clearly to represent the quantity or presence of each color trait.
You may draw graphics directly on the charts above, or you might print the charts, freehand draw your color analysis, then photograph and insert your charts here.
Design Analysis 4:
David Hockney
Road to York
How has Unity been established?�What forms, traits, arrangements, dominances, etc. have been used to establish graphic unity?
�--- …The shape of the roof on the houses are triangular and some of the windows have the same shapes as well.
�--- …The trees and street give variety to the painting.
How has Variety been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to add variety?
�--- …The emphasis has been established on the house with the mint green roof because of the other colors around it.
How and where has Emphasis been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to draw attention?
Jacob Lawrence,
(1917 - 2000) American
The Builders
1980;
gouache on paper;
34 x 25 1/2 in.;
Collection of Safeco Corporation, Seattle
(from a series of paintings and prints Lawrence created honoring labor and laborers.)
Chart the prominent colors:�Identify the dominant and subordinate hues, values and chromas. Vary circle sizes clearly to represent the quantity or presence of each color trait.
You may draw graphics directly on the charts above, or you might print the charts, freehand draw your color analysis, then photograph and insert your charts here.
Hue Scheme:
Dominants: �Hue: Value: Chroma:
Design Analysis:
Gerrit Rietveld
Rietveld Schroder House
Virtual Tours of the Rietveld-Schroder House
How has Unity been established?�What forms, traits, arrangements, dominances, etc. have been used to establish graphic unity?
�--- …
__ ...
__ …
__ ...
�--- …lots of squares and rectangles form the shape of the house
Gerrit Rietveld
The Rietveld-Schroder House
�--- …
__ ...
__ …
__ ...
How has Variety been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to add variety?
�--- …Different colors are distributed around the house like red, yellow, blue and white.
__ ...Shapes are not all the same.
Gerrit Rietveld
The Rietveld-Schroder House
�--- …
__ ...
__ …
__ ...
How and where has Emphasis been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to draw attention?
__ ...The emphasis is established on the big squares that form the house.
Gerrit Rietveld
The Rietveld-Schroder House
Hue Scheme:
Dominants: �Hue: Value: Chroma:
Chart the prominent colors:�Identify the dominant and subordinate hues, values and chromas. Vary circle sizes clearly to represent the quantity or presence of each color trait.
You may draw graphics directly on the charts above, or you might print the charts, freehand draw your color analysis, then photograph and insert your charts here.
Design Analysis 5:
Nielsen
(windy illustration)
How has Unity been established?�What forms, traits, arrangements, dominances, etc. have been used to establish graphic unity?
�--- …The spiral lines give unity to the piece.
�--- …Diferent colors have been implemented to give variety
How has Variety been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to add variety?
�--- …Emphasis has been stablished on the red spiral clouds since studies have shown that red is very attractive.
How and where has Emphasis been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to draw attention?
Design Analysis 7:
---
(Target ad)
How has Unity been established?�What forms, traits, arrangements, dominances, etc. have been used to establish graphic unity?
�--- …There is a circular shape on all the objects.
__ ...Colors green and blue are repeated
Target Ad
�--- …Some objects are smaller than others.
How has Variety been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to add variety?
Target Ad
�--- …Emphasis as been established on the green big cup and the big blue plate.
How and where has Emphasis been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to draw attention?
Target Ad
Hue Scheme:
Dominants: �Hue: Value: Chroma:
Jacob Lawrence,
(1917 - 2000) American
The Builders
1980;
gouache on paper;
34 x 25 1/2 in.;
Collection of Safeco Corporation, Seattle
(from a series of paintings and prints Lawrence created honoring labor and laborers.)
Chart the prominent colors:�Identify the dominant and subordinate hues, values and chromas. Vary circle sizes clearly to represent the quantity or presence of each color trait.
You may draw graphics directly on the charts above, or you might print the charts, freehand draw your color analysis, then photograph and insert your charts here.
Design Analysis 8:
James McNeil Whistler
Arrangement in Gray and Black: The Artist’s Mother�(a.k.a. Whistler’s Mother)
�--- …
__ ...
How has Unity been established?�What forms, traits, arrangements, dominances, etc. have been used to establish graphic unity?
The distribution of the black and gray contrast allow the woman to pop out of the paiting
Shapes are mostly rectangular
James McNeill Whistler
Arrangement in Grey and Black: The Artist's Mother (a.k.a. "Whistler's Mother")
1871, Oil on canvas
57 in x 64 in
Location: Musée d'Orsay, Paris
�--- The dress o the woman forms a different shape from the rest of the painting
How has Variety been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to add variety?
James McNeill Whistler
Arrangement in Grey and Black: The Artist's Mother (a.k.a. "Whistler's Mother")
1871, Oil on canvas
57 in x 64 in
Location: Musée d'Orsay, Paris
�--- …The emphasis has been established on head of the woman with black long dress because of the good contrast with the background
How and where has Emphasis been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to draw attention?
James McNeill Whistler
Arrangement in Grey and Black: The Artist's Mother (a.k.a. "Whistler's Mother")
1871, Oil on canvas
57 in x 64 in
Location: Musée d'Orsay, Paris
Jacob Lawrence,
(1917 - 2000) American
The Builders
1980;
gouache on paper;
34 x 25 1/2 in.;
Collection of Safeco Corporation, Seattle
(from a series of paintings and prints Lawrence created honoring labor and laborers.)
Chart the prominent colors:�Identify the dominant and subordinate hues, values and chromas. Vary circle sizes clearly to represent the quantity or presence of each color trait.
You may draw graphics directly on the charts above, or you might print the charts, freehand draw your color analysis, then photograph and insert your charts here.
Hue Scheme:
Dominants: �Hue: Value: Chroma:
Design Analysis:
Frank Gehry
Walt Disney Concert Hall
Virtual Tours of the Disney Concert Hall
�--- …
__ ...
__ …
__ ...
How has Unity been established?�What forms, traits, arrangements, dominances, etc. have been used to establish graphic unity?
Frank Gehry
The Walt Disney Concert Hall
�--- …
__ ...
__ …
__ ...
How has Variety been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to add variety?
Frank Gehry
The Walt Disney Concert Hall
�--- …
__ ...
__ …
__ ...
How and where has Emphasis been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to draw attention?
Frank Gehry
The Walt Disney Concert Hall
Hue Scheme:
Dominants: �Hue: Value: Chroma:
Chart the prominent colors:�Identify the dominant and subordinate hues, values and chromas. Vary circle sizes clearly to represent the quantity or presence of each color trait.
You may draw graphics directly on the charts above, or you might print the charts, freehand draw your color analysis, then photograph and insert your charts here.
Design Analysis 9:
Chardin
�--- …The value o the colors are the
Same on all the instruments
How has Unity been established?�What forms, traits, arrangements, dominances, etc. have been used to establish graphic unity?
Artist: Jean-Baptist-Simeon Chardin
Painting: The Attributes of Music
Location: Musée Du Louvre, Paris, France
Dimensions: 57.09 inch wide x 35.83 inch high
Jean-Baptist-Simeon Chardin: The Complete Works |
"This overdoor painting - together with the Attributes of Art (Louvre) and Attributes of Sciences (untraced) - was commissioned for the royal château of Choisy. This emblematic canvas has a sense of composition that would impress the cubists." from WGA
�--- …The instruments have different
Shapes. Some colors are daker than
Others like the guitar and the
trumpet
How has Variety been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to add variety?
Artist: Jean-Baptist-Simeon Chardin
Painting: The Attributes of Music
Location: Musée Du Louvre, Paris, France
Dimensions: 57.09 inch wide x 35.83 inch high
Jean-Baptist-Simeon Chardin: The Complete Works |
"This overdoor painting - together with the Attributes of Art (Louvre) and Attributes of Sciences (untraced) - was commissioned for the royal château of Choisy. This emblematic canvas has a sense of composition that would impress the cubists." from WGA
�--- …The emphasis is established
On the guitar and the red blanket
because o the good
Contrast with the dark background
How and where has Emphasis been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to draw attention?
Artist: Jean-Baptist-Simeon Chardin
Painting: The Attributes of Music
Location: Musée Du Louvre, Paris, France
Dimensions: 57.09 inch wide x 35.83 inch high
Jean-Baptist-Simeon Chardin: The Complete Works |
"This overdoor painting - together with the Attributes of Art (Louvre) and Attributes of Sciences (untraced) - was commissioned for the royal château of Choisy. This emblematic canvas has a sense of composition that would impress the cubists." from WGA
Design Analysis 16:
Catalina Estrada
Zune Aquarius Illustration
Illustrator: Catalina Estrada
Project/Client: Illustrations for Microsoft Zune Zodiac MP3 players (designs etched on the back of player cases)
in Communication Arts Aug/06, p197 Catalina Estrada site | Estrada's Zune Portfolio | Microsoft/Zune Exhibit | More | More2
Catalina Estrada: Home/Portfolio | Google Images | Recent Projects |
�--- …It has a lot of contrast but the face stand out
__ ...it is symmetric.
__ some shapes are larger than others which creates a focal point in the face.
__ ..It as different values of green, blue, purple and gray
How has Variety been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to add variety?
Illustrator: Catalina Estrada
Project/Client: Illustrations for Microsoft Zune Zodiac MP3 players (designs etched on the back of player cases)
in Communication Arts Aug/06, p197 Catalina Estrada site | Estrada's Zune Portfolio | Microsoft/Zune Exhibit | More | More2
Catalina Estrada: Home/Portfolio | Google Images | Recent Projects |
�--- …the value is dark
__ ...the area that drives the attention the a light blue
__ …Line are going down
__ ...chroma of the colors in the face are more higher than the chroma of the color in the background.
How and where has Emphasis been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to draw attention?
Jacob Lawrence,
(1917 - 2000) American
The Builders
1980;
gouache on paper;
34 x 25 1/2 in.;
Collection of Safeco Corporation, Seattle
(from a series of paintings and prints Lawrence created honoring labor and laborers.)
Chart the prominent colors:�Identify the dominant and subordinate hues, values and chromas. Vary circle sizes clearly to represent the quantity or presence of each color trait.
You may draw graphics directly on the charts above, or you might print the charts, freehand draw your color analysis, then photograph and insert your charts here.
Hue Scheme:
Dominants: �Hue: Value: Chroma:
Design Analysis:
Helen Frankenthaler
Orange Mood
�--- …The chroma o the color orange and irregular shapes
How has Unity been established?�What forms, traits, arrangements, dominances, etc. have been used to establish graphic unity?
Helen Frankenthaler
Orange Mood
�--- …The value of the colors change from top to bottom on the middle igure.
__ ...The top part gets smaller and the bottom gets bigger
How has Variety been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to add variety?
Helen Frankenthaler
Orange Mood
�--- …Emphasis has been established on the orange shape in the middle.
How and where has Emphasis been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to draw attention?
Helen Frankenthaler
Orange Mood
Jacob Lawrence,
(1917 - 2000) American
The Builders
1980;
gouache on paper;
34 x 25 1/2 in.;
Collection of Safeco Corporation, Seattle
(from a series of paintings and prints Lawrence created honoring labor and laborers.)
Chart the prominent colors:�Identify the dominant and subordinate hues, values and chromas. Vary circle sizes clearly to represent the quantity or presence of each color trait.
You may draw graphics directly on the charts above, or you might print the charts, freehand draw your color analysis, then photograph and insert your charts here.
Hue Scheme:
Dominants: �Hue: Value: Chroma:
Design Analysis 10:
Keith Haring
�--- …
__ ...
__ …
__ ...
How has Unity been established?�What forms, traits, arrangements, dominances, etc. have been used to establish graphic unity?
Keith Haring
Acrobats II
�--- …
__ ...
__ …
__ ...
How has Variety been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to add variety?
Keith Haring
Acrobats II
�--- …
__ ...
__ …
__ ...
How and where has Emphasis been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to draw attention?
Keith Haring
Acrobats II
Chart the prominent colors:�Identify the dominant and subordinate hues, values and chromas. Vary circle sizes clearly to represent the quantity or presence of each color trait.
You may draw graphics directly on the charts above, or you might print the charts, freehand draw your color analysis, then photograph and insert your charts here.
Jacob Lawrence,
(1917 - 2000) American
The Builders
1980;
gouache on paper;
34 x 25 1/2 in.;
Collection of Safeco Corporation, Seattle
(from a series of paintings and prints Lawrence created honoring labor and laborers.)
Chart the prominent colors:�Identify the dominant and subordinate hues, values and chromas. Vary circle sizes clearly to represent the quantity or presence of each color trait.
You may draw graphics directly on the charts above, or you might print the charts, freehand draw your color analysis, then photograph and insert your charts here.
Hue Scheme:
Dominants: �Hue: Value: Chroma:
Design Analysis 11:
Jacob Lawrence
�--- …
__ ...
__ …
__ ...
How has Unity been established?�What forms, traits, arrangements, dominances, etc. have been used to establish graphic unity?
Jacob Lawrence,
(1917 - 2000) American
The Builders
1980;
gouache on paper;
34 x 25 1/2 in.;
Collection of Safeco Corporation, Seattle
(from a series of paintings and prints Lawrence created honoring labor and laborers.)
�--- …
__ ...
__ …
__ ...
How has Variety been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to add variety?
Jacob Lawrence,
(1917 - 2000) American
The Builders
1980;
gouache on paper;
34 x 25 1/2 in.;
Collection of Safeco Corporation, Seattle
(from a series of paintings and prints Lawrence created honoring labor and laborers.)
�--- …
__ ...
__ …
__ ...
How and where has Emphasis been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to draw attention?
Jacob Lawrence,
(1917 - 2000) American
The Builders
1980;
gouache on paper;
34 x 25 1/2 in.;
Collection of Safeco Corporation, Seattle
(from a series of paintings and prints Lawrence created honoring labor and laborers.)
Chart the prominent colors:�Identify the dominant and subordinate hues, values and chromas. Vary circle sizes clearly to represent the quantity or presence of each color trait.
You may draw graphics directly on the charts above, or you might print the charts, freehand draw your color analysis, then photograph and insert your charts here.
Jacob Lawrence,
(1917 - 2000) American
The Builders
1980;
gouache on paper;
34 x 25 1/2 in.;
Collection of Safeco Corporation, Seattle
(from a series of paintings and prints Lawrence created honoring labor and laborers.)
Chart the prominent colors:�Identify the dominant and subordinate hues, values and chromas. Vary circle sizes clearly to represent the quantity or presence of each color trait.
You may draw graphics directly on the charts above, or you might print the charts, freehand draw your color analysis, then photograph and insert your charts here.
Hue Scheme:
Dominants: �Hue: Value: Chroma:
Design Analysis:
Frank Lloyd Wright
The Robie House
Virtual Tours of the Robie House
FLWrights geometric design process
�--- …
__ ...
__ …
__ ...
How has Unity been established?�What forms, traits, arrangements, dominances, etc. have been used to establish graphic unity?
Frank Lloyd Wright
The Robie House
�--- …
__ ...
__ …
__ ...
How has Variety been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to add variety?
Frank Lloyd Wright
The Robie House
�--- …
__ ...
__ …
__ ...
How and where has Emphasis been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to draw attention?
Frank Lloyd Wright
The Robie House
Chart the prominent colors:�Identify the dominant and subordinate hues, values and chromas. Vary circle sizes clearly to represent the quantity or presence of each color trait.
You may draw graphics directly on the charts above, or you might print the charts, freehand draw your color analysis, then photograph and insert your charts here.
Hue Scheme:
Dominants: �Hue: Value: Chroma:
Jacob Lawrence,
(1917 - 2000) American
The Builders
1980;
gouache on paper;
34 x 25 1/2 in.;
Collection of Safeco Corporation, Seattle
(from a series of paintings and prints Lawrence created honoring labor and laborers.)
Chart the prominent colors:�Identify the dominant and subordinate hues, values and chromas. Vary circle sizes clearly to represent the quantity or presence of each color trait.
You may draw graphics directly on the charts above, or you might print the charts, freehand draw your color analysis, then photograph and insert your charts here.
Design Analysis 12:
Deneuve
Perfume Ad
�--- …
__ ...
__ …
__ ...
How has Unity been established?�What forms, traits, arrangements, dominances, etc. have been used to establish graphic unity?
�--- …
__ ...
__ …
__ ...
How has Variety been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to add variety?
�--- …
__ ...
__ …
__ ...
Emphasis & Relief: What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to draw attention?
Hue Scheme:
Jacob Lawrence,
(1917 - 2000) American
The Builders
1980;
gouache on paper;
34 x 25 1/2 in.;
Collection of Safeco Corporation, Seattle
(from a series of paintings and prints Lawrence created honoring labor and laborers.)
Chart the prominent colors:�Identify the dominant and subordinate hues, values and chromas. Vary circle sizes clearly to represent the quantity or presence of each color trait.
You may draw graphics directly on the charts above, or you might print the charts, freehand draw your color analysis, then photograph and insert your charts here.
Hue Scheme:
Dominants: �Hue: Value: Chroma:
Design Analysis:
George Tooker
The Subway
�--- …
__ ...
__ …
__ ...
How has Unity been established?�What forms, traits, arrangements, dominances, etc. have been used to establish graphic unity?
George Tooker (b. 1920)
The Subway
George Tooker: Biography | Collection | WikiP | ArtNet | ArtCyclopedia | Tooker, Subway. (img)
�--- …
__ ...
__ …
__ ...
How has Variety been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to add variety?
George Tooker (b. 1920)
The Subway
George Tooker: Biography | Collection | WikiP | ArtNet | ArtCyclopedia | Tooker, Subway. (img)
�--- …
__ ...
__ …
__ ...
Emphasis & Relief: What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to draw attention?
George Tooker (b. 1920)
The Subway
George Tooker: Biography | Collection | WikiP | ArtNet | ArtCyclopedia | Tooker, Subway. (img)
Hue Scheme:
Dominants: �Hue: Value: Chroma:
Jacob Lawrence,
(1917 - 2000) American
The Builders
1980;
gouache on paper;
34 x 25 1/2 in.;
Collection of Safeco Corporation, Seattle
(from a series of paintings and prints Lawrence created honoring labor and laborers.)
Chart the prominent colors:�Identify the dominant and subordinate hues, values and chromas. Vary circle sizes clearly to represent the quantity or presence of each color trait.
You may draw graphics directly on the charts above, or you might print the charts, freehand draw your color analysis, then photograph and insert your charts here.
�--- …
__ ...
__ …
__ ...
How has Unity been established?�What forms, traits, arrangements, dominances, etc. have been used to establish graphic unity?
Pieter Bruegel the Elder, The Harvesters
1565. Oil on panel. The Metropolitan Museum of Art, New York
The Painting: GoogleArtProject |
The Artist:
�--- …
__ ...
__ …
__ ...
How has Variety been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to add variety?
Pieter Bruegel the Elder, The Harvesters
1565. Oil on panel. The Metropolitan Museum of Art, New York
The Painting: GoogleArtProject |
The Artist:
�--- …
__ ...
__ …
__ ...
Emphasis & Relief: What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to draw attention?
Pieter Bruegel the Elder, The Harvesters
1565. Oil on panel. The Metropolitan Museum of Art, New York
The Painting: GoogleArtProject |
The Artist:
�--- …
__ ...
__ …
__ ...
Hue Scheme:
Dominants: �Hue: Value: Chroma:
Jacob Lawrence,
(1917 - 2000) American
The Builders
1980;
gouache on paper;
34 x 25 1/2 in.;
Collection of Safeco Corporation, Seattle
(from a series of paintings and prints Lawrence created honoring labor and laborers.)
Chart the prominent colors:�Identify the dominant and subordinate hues, values and chromas. Vary circle sizes clearly to represent the quantity or presence of each color trait.
You may draw graphics directly on the charts above, or you might print the charts, freehand draw your color analysis, then photograph and insert your charts here.
Design Analysis:
Georges de la Tour
The Fortune Teller
�--- …
__ ...
__ …
__ ...
How has Unity been established?�What forms, traits, arrangements, dominances, etc. have been used to establish graphic unity?
�--- …
__ ...
__ …
__ ...
How has Variety been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to add variety?
�--- …
__ ...
__ …
__ ...
Emphasis & Relief: What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to draw attention?
�--- …
__ ...
__ …
__ ...
Emphasis & Relief: What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to draw attention?
Jacob Lawrence,
(1917 - 2000) American
The Builders
1980;
gouache on paper;
34 x 25 1/2 in.;
Collection of Safeco Corporation, Seattle
(from a series of paintings and prints Lawrence created honoring labor and laborers.)
Chart the prominent colors:�Identify the dominant and subordinate hues, values and chromas. Vary circle sizes clearly to represent the quantity or presence of each color trait.
You may draw graphics directly on the charts above, or you might print the charts, freehand draw your color analysis, then photograph and insert your charts here.
Hue Scheme:
Dominants: �Hue: Value: Chroma:
Page Layout
for laying out
11x17 Horizontal Page
You might use the guidelines to place photos of your work.
Enter artwork information in the text box, below
Feel free to re-position the guidelines to suit your preferred layout.
Delete the blue image placeholders
When your page is laid out, prep for printing by…
File: Download As… : PDF
2 rows, 3 Images
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Edit: Duplicate
GoTo Home Page
Add some images of your best work here. You can use the same ones as at the beginning, or better yet, show us the best of your recent work.
If you know how to create live links in your Slides, turn each image into a clickable link to the project process for that design.
Also, feel free to make this page much more interesting than this grid of 6 images.
Closing Highlights
THE END
All slides after this are spare “skipped” slides with layouts that might be useful...or not.
If you use the skipped slides, first select them and use the command Slide: Skip Slide to revive them.
You’re welcome to delete everything after this. �You can “skip” or “hide” any slides by �a) selecting the slides in the thumbnail listing on the left (shift-click to select multiple slides)
Then
b) Slide: Skip Slide command.
After that, you can edit or use the “skipped” extra slides, but they won’t show up when viewers visit your slide deck online.
Feel free to add an interesting sign-off -- �a closing slide with personality!
Notes
Notes
Notes
Color Scheme Charting Resources
You will be adding color charting to many of your project presentations and analyses.
This page/slide is a collection of “spare parts” that might help you set up charts. Feel free to copy and paste these graphics as needed.
There are several ways to do this “in” GSlides.
Transparent Background
Opaque Background
1 Image
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Edit: Duplicate
Notes
Page Layout
for laying out
11x17 Horizontal Page
You might use the guidelines to place photos of your work.
Enter artwork information in the text box, below
Feel free to re-position the guidelines to suit your preferred layout.
Delete the blue image placeholders
When your page is laid out, prep for printing by…
File: Download As… : PDF
Notes
Notes
2 Images Side-By-Side
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Edit: Duplicate
Page Layout
for laying out
11x17 Horizontal Page
You might use the guidelines to place photos of your work.
Enter artwork information in the text box, below
Feel free to re-position the guidelines to suit your preferred layout.
Delete the blue image placeholders
When your page is laid out, prep for printing by…
File: Download As… : PDF
Notes
Notes
Notes
2 wide Images Above/Below
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Page Layout
for laying out
11x17 Horizontal Page
You might use the guidelines to place photos of your work.
Enter artwork information in the text box, below
Feel free to re-position the guidelines to suit your preferred layout.
Delete the blue image placeholders
When your page is laid out, prep for printing by…
File: Download As… : PDF
Notes
Notes
Notes
Page Layout
for laying out
11x17 Horizontal Page
You might use the guidelines to place photos of your work.
Enter artwork information in the text box, below
Feel free to re-position the guidelines to suit your preferred layout.
Delete the blue image placeholders
When your page is laid out, prep for printing by…
File: Download As… : PDF
2 rows, 3 Images
DUPLICATE this page by…
Edit: Duplicate
Notes
Notes
Notes
3 Tall Images
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Edit: Duplicate
Page Layout
for laying out
11x17 Horizontal Page
You might use the guidelines to place photos of your work.
Enter artwork information in the text box, below
Feel free to re-position the guidelines to suit your preferred layout.
Delete the blue image placeholders
When your page is laid out, prep for printing by…
File: Download As… : PDF
Notes
Notes
Notes
Custom Combo
DUPLICATE this page by…
Edit: Duplicate
Page Layout
for laying out
11x17 Horizontal Page
You might use the guidelines to place photos of your work.
Enter artwork information in the text box, below
Feel free to re-position the guidelines to suit your preferred layout.
Delete the blue image placeholders
When your page is laid out, prep for printing by…
File: Download As… : PDF
Notes
Notes
Notes
Custom Combo
DUPLICATE this page by…
Edit: Duplicate
Page Layout
for laying out
11x17 Horizontal Page
You might use the guidelines to place photos of your work.
Enter artwork information in the text box, below
Feel free to re-position the guidelines to suit your preferred layout.
Delete the blue image placeholders
When your page is laid out, prep for printing by…
File: Download As… : PDF
Notes
Notes
Notes
Custom Combo
DUPLICATE this page by…
Edit: Duplicate
Page Layout
for laying out
11x17 Horizontal Page
You might use the guidelines to place photos of your work.
Enter artwork information in the text box, below
Feel free to re-position the guidelines to suit your preferred layout.
Delete the blue image placeholders
When your page is laid out, prep for printing by…
File: Download As… : PDF
Notes
Notes
Notes
Custom Combo
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Page Layout
for laying out
11x17 Horizontal Page
You might use the guidelines to place photos of your work.
Enter artwork information in the text box, below
Feel free to re-position the guidelines to suit your preferred layout.
Delete the blue image placeholders
When your page is laid out, prep for printing by…
File: Download As… : PDF
Notes
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Notes
1 Image
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Page Layout
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11x17 Horizontal Page
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Enter artwork information in the text box, below
Feel free to re-position the guidelines to suit your preferred layout.
Delete the blue image placeholders
When your page is laid out, prep for printing by…
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2 Images Side-By-Side
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11x17 Horizontal Page
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Delete the blue image placeholders
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2 wide Images Above/Below
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11x17 Horizontal Page
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Enter artwork information in the text box, below
Feel free to re-position the guidelines to suit your preferred layout.
Delete the blue image placeholders
When your page is laid out, prep for printing by…
File: Download As… : PDF
Page Layout
for laying out
11x17 Horizontal Page
You might use the guidelines to place photos of your work.
Enter artwork information in the text box, below
Feel free to re-position the guidelines to suit your preferred layout.
Delete the blue image placeholders
When your page is laid out, prep for printing by…
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2 rows, 3 Images
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3 Tall Images
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11x17 Horizontal Page
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Enter artwork information in the text box, below
Feel free to re-position the guidelines to suit your preferred layout.
Delete the blue image placeholders
When your page is laid out, prep for printing by…
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Custom Combo
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Page Layout
for laying out
11x17 Horizontal Page
You might use the guidelines to place photos of your work.
Enter artwork information in the text box, below
Feel free to re-position the guidelines to suit your preferred layout.
Delete the blue image placeholders
When your page is laid out, prep for printing by…
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Custom Combo
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Page Layout
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11x17 Horizontal Page
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Enter artwork information in the text box, below
Feel free to re-position the guidelines to suit your preferred layout.
Delete the blue image placeholders
When your page is laid out, prep for printing by…
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Custom Combo
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Page Layout
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11x17 Horizontal Page
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Enter artwork information in the text box, below
Feel free to re-position the guidelines to suit your preferred layout.
Delete the blue image placeholders
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Page Layout
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11x17 Horizontal Page
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Enter artwork information in the text box, below
Feel free to re-position the guidelines to suit your preferred layout.
Delete the blue image placeholders
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Cover
-
Storyboard layout: 8.5”x11” vertical single pages
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Cover
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Storyboard layout: 8.5”x11” vertical Spreads
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Cover
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Storyboard layout: 8.5”x11” horizontal single pages
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Cover
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Storyboard layout: 8.5”x11” horizontal spreads