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Enter artwork information in the text box, below

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ESTEBAN

MUÑOZ

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HOLA!

Photographer/UX Designer and Web Developer

I’m from Panama

And I like to play the bass

and piano too :D

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ESTEBAN MUÑOZ

Contact/email(or other FB etc. ,social media handles/links to you or your work, your web site.

Help viewers find whatever else you have created and posted elsewhere.)

Art 1600 | Design Foundations I

EDIT CONTENT ON THIS PAGE TO REPRESENT YOU

Home Page

Semester�Portfolio Art 1600

Spring 2022

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Photography

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Steven_photos24

Esteban Munoz

My Creative Work Samples

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My Creative Work Samples

Personal Designs

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My Creative Work Samples

Designing and Building Websites

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About me

My name is Esteban Muñoz. I am from Panama city, Panama. If you have never been to my country, I could describe it to you as a tropical paradise (hot but enjoyable).

I am majoring in CS with a minor in Graphic Design. I love music, photography, traveling and designing/programming websites with the help of powerful tools such as Figma, Webflow, as well as, CSS ,HTML and JAVASCRIPT.

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-My home-

Panama Canal

Golden Altar

Biomuseo

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Personal Mark

Project 1: Personal Mark

Give your project/creation some sort of descriptive name. �For class projects, just give the assignment/project title.

Key Goals & Concept

Summarize the main goals or constraints that you, or your professor, or your client assigned.

Your Intro Notes will go into further detail -- just include the brief, key issues here.

Date

General Start/End dates or any key milestones

Intro Notes

This section is mainly about concept development.

You may type into the Slides text boxes, OR you may photograph your notes in your sketchbook, and paste/insert them. Nothing has to be typed.

Include your concept statements, programming, artist statement, backstory, etc. (Each type of art/design uses somewhat different language at this stage.)�This section may have more writing than images, but concepts sketches and thumbnails may help.

�Basically, explain the ideas behind your solution, and what your solution is trying to actually solve.

Sketches & Drafts

Include one or several pages of “process.”

Include sketches.

Include source images that influenced you, photos/images you used as reference.

Describe/link any sources of ideas or perspectives that inspired or drove your work.

Include draft versions of your developing design.

Add pages as needed.

Final Version

Include good quality, large images of your finished design.

If details views are helpful, add them.

If alt views are needed for, say, 3d designs or interactive designs, add them.

If video is needed to show motion or interaction, include it. (how to)

Additional Stages

You might divide your project into more stages. This is more needed with long or complex projects than with short class exercise.

If you don’t need to present more stages, just delete this blue text.

Add links to the slide that deals with that stage.

EDIT CONTENT ON THIS PAGE TO REPRESENT YOU

GoTo Home Page

Project 1 Home

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Personal Mark

My personal mark shows the shape of an electric guitar meaning my strong passion for music and string instruments. My initials E and M are incorporated on the design forming part of the bridge and body of the electric guitar. The clouds and the gradient color blue reflect peace and serenity.

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1.

2.

3.

4.

5.

Sketches

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Original

Revised

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Page Layout

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Influences

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Influences Home

Japanese animator, director, producer, screenwriter, author, and manga artist. A co-founder of Studio Ghibli, he has attained international acclaim as a masterful storyteller.

His work has inspired me to extend my creativity to the highest. I have been captivated by how wonderful art he creates and directs.

Hayao Miyazaki

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Influences

Influences Home

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Page Layout

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Influences

Influences Home

Howl's Moving Castle

Miyazaki captures the attention in this movie by creating an irregular moving shape that looks like a enormous dirty laundry basket with chicken legs. Your first impression might not the best by just looking at it for the first time. However, as the movie progresses, you start to notice a lot of elements such as houses, balconies, an entire city that moves.

I believe that the point of this art is making the audience see some beauty in something does not look like any common figure you will see in any other movie.

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Influences 2

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Influences Home

Timothy Walter Burton is an American filmmaker and animator. He is known for his gothic fantasy and horror films such as Beetlejuice, Edward Scissorhands, The Nightmare Before Christmas, Ed Wood.

I love his movies because they can bring a creepy but sweet story along the way. It is incredible to see how much passion he puts in his work.

TIM BURTON

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Influences 2

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Influences Home

Colors black, white, some violet and blue are everything it takes to create this beatiful movie and art.

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Timothy Hogan

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Influences 3

More than just a great photographer, Tim approaches every project with a problem-solving eye of an inventor.

I admired the detail of his pictures and all the essence of a job well done in his different projects.

Influences Home

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Page Layout

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Influences 3

More than just a great photographer, Tim approaches every project with a problem-solving eye of an inventor.

I admired the detail of his pictures and all the essence of a job well done in his different projects.

Influences Home

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Page Layout

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Enter artwork information in the text boxes, or add your own...or not.

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Nameplate

Nameplate

Key Goals & Concept

Summarize the main goals or constraints that you, or your professor, or your client assigned.

Your Intro Notes will go into further detail -- just include the brief, key issues here.

Intro Notes

This section is mainly concept development.

Include your concept statements, programming, artist statement, backstory, etc. (Each type of art/design uses somewhat different language at this stage.)

�Basically, explain the ideas behind your solution, and what your solution is trying to actually solve.

Sketches & Drafts

Include one or several pages of “process” -- the sketches, the source images that influenced you, photos/images you used as reference, and draft versions of your developing design.

Add pages as needed.

Final Version

Additional Stages

You might divide your project into more stages. This is more needed with long or complex projects than with short class exercise.

If you don’t need to present more stages, just delete this blue text.

Add links to the slide that deals with that stage.

EDIT CONTENT ON THIS PAGE TO REPRESENT YOU

GoTo Home Page

Project 1 Home

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NAMEPLATE

-Arkansas, Judsonia Old Railroad Bridge-

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Sketches

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Sketches

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Sketches

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Concept Statment

My design emphasizes entertainment and puzzles. I want the viewer to be curious about my design and try to move a mini ball through a challenging maze. My way to get people’s attention is through an irrational form of letters that make a path to the end of the maze. A fun experience is something hard to forget and a puzzling game waits for you to give it a try.

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Nameplate

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Let’s have some fun!

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Page Layout

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Order-Disorder

Order-Disorder Series

Give your project/creation some sort of descriptive name. �For class projects, just give the assignment/project title.

Key Goals & Concept

Summarize the main goals or constraints that you, or your professor, or your client assigned.

Your Intro Notes will go into further detail -- just include the brief, key issues here.

Date

General Start/End dates or any key milestones

Intro Notes

This section is mainly concept development.

Include your concept statements, programming, artist statement, backstory, etc. (Each type of art/design uses somewhat different language at this stage.)

�Basically, explain the ideas behind your solution, and what your solution is trying to actually solve.

Sketches & Drafts

Include one or several pages of “process” -- the sketches, the source images that influenced you, photos/images you used as reference, and draft versions of your developing design.

Add pages as needed.

Final Version

Additional Stages

You might divide your project into more stages. This is more needed with long or complex projects than with short class exercise.

If you don’t need to present more stages, just delete this blue text.

Add links to the slide that deals with that stage.

EDIT CONTENT ON THIS PAGE TO REPRESENT YOU

GoTo Home Page

Project 3 Home

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Concept Statment

In this series of design, I chose to use triangles to form the shape of a bird. My vision was on making a focal point (the pick or head of the bird) to capture the attention of the viewer. Bird colors are extremely beautiful and sometimes even rare. In this design I would like to express my love to the Blue Jay bird by making variation of blues.

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Sketches

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Sketches

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Draft 1

Draft 2

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Final Draft

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3D Personal Mark

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Concept Statment

My 3D personal mark will be based on my Personal Mark design. I am thinking on using cardboard or wood, make 3 layers where the 3D effect can be seen. Since the back part of my personal mark is blank, I will add a moon and a kid sitting on it.

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Sketches

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Back Perspective

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2 Images Side-By-Side

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Page Layout

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11x17 Horizontal Page

You might use the guidelines to place photos of your work.

Enter artwork information in the text box, below

Feel free to re-position the guidelines to suit your preferred layout.

Delete the blue image placeholders

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Project 3 Home

SPRING BREAK 2023

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2 Images Side-By-Side

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Page Layout

for laying out

11x17 Horizontal Page

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Enter artwork information in the text box, below

Feel free to re-position the guidelines to suit your preferred layout.

Delete the blue image placeholders

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Project 3 Home

SPRING BREAK 2023

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2 Images Side-By-Side

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Page Layout

for laying out

11x17 Horizontal Page

You might use the guidelines to place photos of your work.

Enter artwork information in the text box, below

Feel free to re-position the guidelines to suit your preferred layout.

Delete the blue image placeholders

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Project 3 Home

SPRING BREAK 2023

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2 Images Side-By-Side

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Page Layout

for laying out

11x17 Horizontal Page

You might use the guidelines to place photos of your work.

Enter artwork information in the text box, below

Feel free to re-position the guidelines to suit your preferred layout.

Delete the blue image placeholders

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Project 3 Home

SPRING BREAK 2023

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Page Layout

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11x17 Horizontal Page

You might use the guidelines to place photos of your work.

Enter artwork information in the text boxes, or add your own...or not.

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Nature Study

Nature Study

Give your project/creation some sort of descriptive name. �For class projects, just give the assignment/project title.

Key Goals & Concept

Summarize the main goals or constraints that you, or your professor, or your client assigned.

Your Intro Notes will go into further detail -- just include the brief, key issues here.

Date

General Start/End dates or any key milestones

Intro Notes

This section is mainly concept development.

Include your concept statements, programming, artist statement, backstory, etc. (Each type of art/design uses somewhat different language at this stage.)

�Basically, explain the ideas behind your solution, and what your solution is trying to actually solve.

Sketches & Drafts

Include one or several pages of “process” -- the sketches, the source images that influenced you, photos/images you used as reference, and draft versions of your developing design.

Add pages as needed.

Final Version

Additional Stages

You might divide your project into more stages. This is more needed with long or complex projects than with short class exercise.

If you don’t need to present more stages, just delete this blue text.

Add links to the slide that deals with that stage.

EDIT CONTENT ON THIS PAGE TO REPRESENT YOU

GoTo Home Page

Project 5 Home

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GoTo Home Page

Nature Study Intro/Notes

Project 5 Home

I loved to see the unity between every page on this nature study. We usually think about eating an apple but this nature study shows the relationship and patterns that are similar to the interior of an apple. The colors and pictures are well balanced on the magazine.

The thematic of this nature study blew my mind. The project shows that it was well planned and it also engage the viewer into a detective series to find out more about the suspect and everything it has to do with the case(nature).

This nature study remind me of the Sponge Bob cartoon, one of my favorites when I was a child. The colors and design of the frames are what I like the most in this project. They show unity between all the pages. It is interesting to see the variety of pineapples that is shown.

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Study Notes

I have always like flowers and I am very interested in this particular type called Hyacinth. Its shape and vibrant colors caught my eye.

Birds are the definitely animals worth to study. I took this picture and now I get to see how much beauty there is in a Cardinal’s wings, colors and structure.

My favorites animals are the penguins and even though I do not see them very often, I simply love their colors and way to walk. The are majestic creatures to me.

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Nature Study Cover

Crocus Vernus

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Print Version

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Nature Study Draft Cover

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Layouts

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Layouts

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Layouts

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StoryBoard

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Stabbed binding

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Digital Drafts

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Digital Drafts

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Digital Version

(pdf)

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https://drive.google.com/file/d/16blz9I-XyBZtc-wF1JjE_LajGPNSFQGF/view?usp=share_link

Link to the pdf in my drive

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Nature Study Cover-2

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Nature Study Draft Cover-2

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Print Version

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Page Layout

for laying out

11x17 Horizontal Page

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Enter artwork information in the text box, below

Feel free to re-position the guidelines to suit your preferred layout.

Delete the blue image placeholders

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GoTo Home Page

Nature Study Sketches/Drafts

Feel free to layout this page any way you like…

Or use another of the layouts at the end of this document.

You may delete the BLUE BOXES, since they are just suggested placeholders for organized images and text.

The Orange Dashed lines are guidelines that you can “snap” to.

Add more pages after this if needed.

Project 5 Home

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Page Layout

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Enter artwork information in the text box, below

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Nature Study Storyboards

Feel free to layout this page any way you like…

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The Orange Dashed lines are guidelines that you can “snap” to.

Add more pages after this if needed.

Project 5 Home

Note that the last few slides in your SP template have “blanks” for storyboard sketches.

You don’t have to use them, but they may save you time laying out and conceiving your page layouts and content progression.

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2 Images Side-By-Side

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Page Layout

for laying out

11x17 Horizontal Page

You might use the guidelines to place photos of your work.

Enter artwork information in the text box, below

Feel free to re-position the guidelines to suit your preferred layout.

Delete the blue image placeholders

When your page is laid out, prep for printing by…

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Nature Study Final Version

Feel free to layout this page any way you like…

Or use another of the layouts at the end of this document.

You may delete the BLUE BOXES, since they are just suggested placeholders for organized images and text.

The Orange Dashed lines are guidelines that you can “snap” to.

Add more pages after this if needed.

Project 5 Home

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Page Layout

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11x17 Horizontal Page

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Enter artwork information in the text boxes, or add your own...or not.

Feel free to re-position the guidelines to suit your preferred layout.

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Content/Form: Thematic Progression

Content/Form

In this project, your choices and emphases of form (line, shape, color, texture, balance, rhythm, etc.) are to be expressive of content. �You will develop a message or theme based on the assigned progression. Then you will develop form and, sometimes, imagery, to express and communicate the ideas and attitudes of your theme.

Key Goals & Concept

Summarize the main goals or constraints that you, or your professor, or your client assigned.

Your Intro Notes will go into further detail -- just include the brief, key issues here.

Intro Notes

This section is mainly concept development.

Include your concept statements, programming, artist statement, backstory, etc. (Each type of art/design uses somewhat different language at this stage.)

�Basically, explain the ideas behind your solution, and what your solution is trying to actually solve.

Sketches & Drafts

Include one or several pages of “process” -- the sketches, the source images that influenced you, photos/images you used as reference, and draft versions of your developing design.

Add pages as needed.

Final Version

Additional Stages

You might divide your project into more stages. This is more needed with long or complex projects than with short class exercise.

If you don’t need to present more stages, just delete this blue text.

Add links to the slide that deals with that stage.

EDIT CONTENT ON THIS PAGE TO REPRESENT YOU

GoTo Home Page

Project 4 Home

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Page Layout

for laying out

11x17 Horizontal Page

You might use the guidelines to place photos of your work.

Enter artwork information in the text box, below

Feel free to re-position the guidelines to suit your preferred layout.

Delete the blue image placeholders

When your page is laid out, prep for printing by…

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GoTo Home Page

Feel free to layout this page any way you like…

Or use another of the layouts at the end of this document.

You may delete the BLUE BOXES, since they are just suggested placeholders for organized images and text.

The Orange Dashed lines are guidelines that you can “snap” to.

Add more pages after this if needed.

Content/Form Intro/Notes

Project 4 Home

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Page Layout

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Enter artwork information in the text box, below

Feel free to re-position the guidelines to suit your preferred layout.

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Content/Form Sketches/Drafts

Feel free to layout this page any way you like…

Or use another of the layouts at the end of this document.

You may delete the BLUE BOXES, since they are just suggested placeholders for organized images and text.

The Orange Dashed lines are guidelines that you can “snap” to.

Add more pages after this if needed.

Project 4 Home

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2 Images Side-By-Side

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Page Layout

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11x17 Horizontal Page

You might use the guidelines to place photos of your work.

Enter artwork information in the text box, below

Feel free to re-position the guidelines to suit your preferred layout.

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When your page is laid out, prep for printing by…

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Content/Form Final Version

Feel free to layout this page any way you like…

Or use another of the layouts at the end of this document.

You may delete the BLUE BOXES, since they are just suggested placeholders for organized images and text.

The Orange Dashed lines are guidelines that you can “snap” to.

Add more pages after this if needed.

Project 4 Home

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3 Tall Images

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Design �Analyses

On the following pages you’ll find artworks and questions.

Throughout the semester you will be assigned to study and analyze the compositions of these works.

�You’ll explain, sketch and diagram what you discern on these pages.

A1600 Design Analyses Intro

Notes on how to work with the assigned Design Analyses.

Includes a link list of all of the available analyses. �Note that most or all of the assigned designs will be here -- already in your portfolio.

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Page Layout

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Design Analyses

Design, composition and layout are about selecting, altering and putting together the parts of an image or composition so that there is sense of unity or wholeness, a sense of variety and contrast, a hierarchy of focal areas and an expressive voice or content.

A design analysis involves looking at compositions that others have created to see better how to put together a unified image or structure.

We want to observe compositional tactics so that we can borrow and build on them in our own designs.

These Analyses in Google Slides provide compositions - artworks - to analyse. �You’ then respond to some questions about the compositions and work to convey what you see going on.

You’ll (usually) copy an assigned blank analysis into your own Semester Portfolio -- which is where you will keep and present your analyses.

Setup Instructions

EDIT CONTENT ON THIS PAGE TO REPRESENT YOU

The first challenge is to look “behind the work” to see what’s holding it together.

Ask yourself questions that prompt you to notice what you would not otherwise notice -- have a collection of critique and analysis questions.

Unity:

-- What traits or feature occur and recur (repetition)?�-- What traits dominate or are very prevalent?�-- What organizes the placements? (symmetry, grid, radial pattern, a flowing connection or bounding shape?)

Variety:

-- Where are prominent contrasts? What kind of contrasts are there? (tone, color, shape, direction…)

-- Are there any anomalies that break prevailing patterns or dominances?�-- Is there a sense of energy or movement? What creates that?

Emphasis/Focal Areas:

-- Where does your eye go, and why?

-- Where are major contrasts�-- How has calm and relief been established?

-- What directional devices point the way?

Content:

The second challenge is to communicate what you see.

You’ll be able to write/type your comments in the slide -- usually there is a text block on the left side.

You are also welcome to add you own text blocks or to paste images of your handwritten notes.

Wherever possible, communicate graphically -- show us what you see.

Highlight or overlay features that you are pointing out -- don’t assume we know which details you’re talking about. Wherever possible - show us.

There will be some pre-drawn “spare parts” at the bottom of the slides. You can copy, move, resize and recolor these as needed.

Feel free to duplicate a slide if you need more space to explain something -- its generally better have a clear focused message on each slide, rather than trying to fit it all in on one cluttered slide.

You can use the various line and arrows tools in GSlides to point out details, or connect you comments to particular graphics.

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Line types:

Straight, curvilinear, organic, spiral, jagged, smooth, flowing, angular�…. continuous, dotted, dashed, broken, implied…

….static, dynamic, “fast” and “slow”

Line traits:

Direction (horizontal, vertical, diagonal), length, thickness, color, clarity (sharp/crisp, obscure/blurred, heavy, bold, delicate, subtle), consistency (constant thickness/weight, textured, varied thickness),

Shape types:

(geometric) Square, triangular, rectilinear/rectangular, circles, semi-circles…(organic/biomorphic) (gestalt—positive shapes vs. negative shapes)

Some shape traits:

Size, color, orientation/direction, alignment. Clarity/focus/obscurity (esp. of bounding edges), texture, pattern…

Texture types and traits:

Smooth, rough, soft, coarse, constant (essentially no texture), irregular, subtle, harsh, natural (woodgrain, stone-like, cloud-like, fur, etc.) man-made (polished, buffed, machined, patterned…)�…implied, actual, illusory…

Color Traits

Hue (red, yellow, blue etc.), Value (light, dark, medium, tints, tones, shades), Chroma (bright/brilliant, dull, subdued), temperature (warm, cool), Neutral (black, white, gray), , constant, textured, gradated…

Space-related traits:

Placement/ position, interval, distribution, concentration) (depth, mass, volume)

…Flat (2D), shallow, deep, ambiguous/contradictory….

Space-related tactics (3D):

overlap, linear perspective, vanishing points, converging edges, diminuition of size, foreshortening, position (height) in field, aerial/atmospheric perspective (esp. varied value contrast), modeling, shadows, cast shadows, highlights…

Terms and Topics

Feel free to use these lists as references or reminders. �These lists are not all-inclusive, but they may offer prompts for traits, features and relationships to look for while you are analyzing designs. You will not be familiar with all of the topics listed—look for those that are familiar.

Visual Elements:

Point, Line, Shape, Color (Value), Texture, Pattern, Space, �Motion/Movement, Time, (arguable elements: Type, Image, Interactivity)

Principles and Concepts of Design:

Unity, Harmony, Contrast, Balance, Emphasis, Relief, Focal area(s), Rhythm, Repetition, Proportion, Scale, Similarity, Variety, order, disorder, continuity, alignment, directional movement & directional cues, isolation, norm & anomaly, figure, ground, visual field, visual weight, graphic impact, graphic hierarchy…

Visual Design

Feel free to review these terms and ideas and formal traits as you are looking at compositions.

When you are not seeing much, skim through these lists for things you might look for or questions you might ask yourself.

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Design Analysis:

Milton Glaser

Aretha (Franklin) Poster

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How has Unity been established?�What forms, traits, arrangements, dominances, etc. have been used to establish graphic unity?

�--- …Focal point has been placed on the red shape

__ ...Colors are balanced

__ …Forms connect with one another

__ ..Chroma and value of the colors stay at the same range

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�--- …Forms are different from each other but connect

__ ...colors are different

How has Variety been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to add variety?

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�--- …The emphasis is placed on the red shape

__ .Warm color of the skin

How and where has Emphasis been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to draw attention?

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Jacob Lawrence,

(1917 - 2000) American

The Builders

1980;

gouache on paper;

34 x 25 1/2 in.;

Collection of Safeco Corporation, Seattle

(from a series of paintings and prints Lawrence created honoring labor and laborers.)

Chart the prominent colors:�Identify the dominant and subordinate hues, values and chromas. Vary circle sizes clearly to represent the quantity or presence of each color trait.

You may draw graphics directly on the charts above, or you might print the charts, freehand draw your color analysis, then photograph and insert your charts here.

Hue Scheme:

Dominants: �Hue: Value: Chroma:

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Design Analysis 1:

Gustav Klimt

Portrait of Adele Bloch-Bauer

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How has Unity been established?�What forms, traits, arrangements, dominances, etc. have been used to establish graphic unity?

�--- Chroma of the color yellow stay slightly the same

__ . Some shapes like rectanules, triangles and circles are repeated

Gustav Klimt

Portrait of Adele Bloch-Bauer

1907; Oil, silver, and gold on canvas;

138 cm × 138 cm (54 in × 54 in) ;

Neue Galerie, New York

The Painting: WikiP |

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�--- ..shapes such as rectangle, triangle and dots have different sizes

__ ...Value of the color yellow changes to a more dark on the background

How has Variety been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to add variety?

Gustav Klimt

Portrait of Adele Bloch-Bauer

1907; Oil, silver, and gold on canvas;

138 cm × 138 cm (54 in × 54 in) ;

Neue Galerie, New York

The Painting: WikiP |

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�--- …Emphais is placed in the eyes of the woman as well as in some of the eyes of the dress

__ ...Emphasis on the blue rectangules

How and where has Emphasis been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to draw attention?

Gustav Klimt

Portrait of Adele Bloch-Bauer

1907; Oil, silver, and gold on canvas;

138 cm × 138 cm (54 in × 54 in) ;

Neue Galerie, New York

The Painting: WikiP |

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Jacob Lawrence,

(1917 - 2000) American

The Builders

1980;

gouache on paper;

34 x 25 1/2 in.;

Collection of Safeco Corporation, Seattle

(from a series of paintings and prints Lawrence created honoring labor and laborers.)

Chart the prominent colors:�Identify the dominant and subordinate hues, values and chromas. Vary circle sizes clearly to represent the quantity or presence of each color trait.

You may draw graphics directly on the charts above, or you might print the charts, freehand draw your color analysis, then photograph and insert your charts here.

Hue Scheme:

Dominants: �Hue: Value: Chroma:

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Design Analysis :

Manes

Eiso

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How has Unity been established?�What forms, traits, arrangements, dominances, etc. have been used to establish graphic unity?

Paul Manes,

Eiso

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How has Variety been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to add variety?

Paul Manes,

Eiso

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How and where has Emphasis been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to draw attention?

Paul Manes,

Eiso

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Jacob Lawrence,

(1917 - 2000) American

The Builders

1980;

gouache on paper;

34 x 25 1/2 in.;

Collection of Safeco Corporation, Seattle

(from a series of paintings and prints Lawrence created honoring labor and laborers.)

Chart the prominent colors:�Identify the dominant and subordinate hues, values and chromas. Vary circle sizes clearly to represent the quantity or presence of each color trait.

You may draw graphics directly on the charts above, or you might print the charts, freehand draw your color analysis, then photograph and insert your charts here.

Hue Scheme:

Dominants: �Hue: Value: Chroma:

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Design Analysis:

Jorn Utzon

Sydney Opera House

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Sydney Opera House | Jorn Utzon

Video Tours

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How has Unity been established?�What forms, traits, arrangements, dominances, etc. have been used to establish graphic unity?

�--- …Trianglue shape is repeated

__ ..Value of the color white

__ …Lines are equally distanced from one another

_

Jorn Utzon

Sydney Opera House

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�--- Size of the tringules are different from one another

__ ...

How has Variety been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to add variety?

Jorn Utzon

Sydney Opera House

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�--- …The emphasis is establish in the structure of the roof

__ ...The color white of the roof contrast well with the blue color of the sky and brown of the bottom

__ …The emphasis on the inside is established in the red platforms that are hanging from the roof and the lines that connect to the center of the ceiling

__ ...

How and where has Emphasis been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to draw attention?

Jorn Utzon

Sydney Opera House

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Hue Scheme:

Dominants: �Hue: Value: Chroma:

Chart the prominent colors:�Identify the dominant and subordinate hues, values and chromas. Vary circle sizes clearly to represent the quantity or presence of each color trait.

You may draw graphics directly on the charts above, or you might print the charts, freehand draw your color analysis, then photograph and insert your charts here.

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Design Analysis 2:

Georgia O’Keefe

Black Iris

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How has Unity been established?�What forms, traits, arrangements, dominances, etc. have been used to establish graphic unity?

�--- …Thr curve lines are frequently used

Georgia O'Keefe, �Black Iris III

1926, oil on canvas, �The Metropolitan Museum of Art, NY

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�--- …Value of the color gray changes

__ ...Shapes are irregular

__ …Asymmetric

How has Variety been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to add variety?

Georgia O'Keefe, �Black Iris III

1926, oil on canvas, �The Metropolitan Museum of Art, NY

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�--- … Emphasis has been established on the red spot in the middle. The dark color red brings attention thanks to the gray contrast

How and where has Emphasis been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to draw attention?

Georgia O'Keefe, �Black Iris III

1926, oil on canvas, �The Metropolitan Museum of Art, NY

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Jacob Lawrence,

(1917 - 2000) American

The Builders

1980;

gouache on paper;

34 x 25 1/2 in.;

Collection of Safeco Corporation, Seattle

(from a series of paintings and prints Lawrence created honoring labor and laborers.)

Chart the prominent colors:�Identify the dominant and subordinate hues, values and chromas. Vary circle sizes clearly to represent the quantity or presence of each color trait.

You may draw graphics directly on the charts above, or you might print the charts, freehand draw your color analysis, then photograph and insert your charts here.

Hue Scheme:

Dominants: �Hue: Value: Chroma:

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Design Analysis:

Faye Jones

Thorncrown Chapel �Eureka Springs, Arkansas

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Thorncrown Chapel | Faye Jones

Video Tours

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How has Unity been established?�What forms, traits, arrangements, dominances, etc. have been used to establish graphic unity?

�--- The chairs inside the building are the same color and all of them are facing to the altar.

__ ...Windows are the same size.

Faye Jones

Thorncrown Chapel

Eureka Springs, Arkansas

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�--- …Lines are arranged both vertically and horizontally in the entire building.

How has Variety been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to add variety?

Faye Jones

Thorncrown Chapel

Eureka Springs, Arkansas

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�--- …The emphasis is established on the big windows in front of the building because of the amount of light that the building receives which makes it shine during day and night.

How and where has Emphasis been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to draw attention?

Faye Jones

Thorncrown Chapel

Eureka Springs, Arkansas

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Hue Scheme:

Dominants: �Hue: Value: Chroma:

Chart the prominent colors:�Identify the dominant and subordinate hues, values and chromas. Vary circle sizes clearly to represent the quantity or presence of each color trait.

You may draw graphics directly on the charts above, or you might print the charts, freehand draw your color analysis, then photograph and insert your charts here.

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Design Analysis 3:

Vincent van Gogh

Starry Night

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How has Unity been established?�What forms, traits, arrangements, dominances, etc. have been used to establish graphic unity?

�--- …Circles in the sky form a serie of arrangements going from smaller to larger.

__ ...Some of the curves representing the clouds are particular traits

__ …Line are going in different directions but they all form unity

__ ...The elements of the painting such as the sky and the town, mountains are common in the human world.

Vincent van Gogh The Starry Night. Saint-Rémy.

June 1889. Oil on canvas.

Location: The Museum of Modern Art (MOMA), New York

The Painting: Wikipedia | MOMA | VGGallery |

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�--- …We can see variety in the form of the clouds with the circles or stars.

__ ...The black building give a lot of variety to the design.

__ …different form of houses and churches

__ .the form of the sky is different in relation to the normal town

How has Variety been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to add variety?

Vincent van Gogh The Starry Night. Saint-Rémy.

June 1889. Oil on canvas.

Location: The Museum of Modern Art (MOMA), New York

The Painting: Wikipedia | MOMA | VGGallery |

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�--- …One of the thing that has a lot of emphasis is the black building on the left

__ ...The black builind has an irregular shape, not like the other houses or churches in the painting, it is rather like a growing plant.

__ …The second element that has emphasis is the yellow moon on the right side.

__ ...The sky and stars captive the attention of the spectator due to the curve line and cool colors of blue and yellow.

How and where has Emphasis been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to draw attention?

Vincent van Gogh The Starry Night. Saint-Rémy.

June 1889. Oil on canvas.

Location: The Museum of Modern Art (MOMA), New York

The Painting: Wikipedia | MOMA | VGGallery |

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Jacob Lawrence,

(1917 - 2000) American

The Builders

1980;

gouache on paper;

34 x 25 1/2 in.;

Collection of Safeco Corporation, Seattle

(from a series of paintings and prints Lawrence created honoring labor and laborers.)

Chart the prominent colors:�Identify the dominant and subordinate hues, values and chromas. Vary circle sizes clearly to represent the quantity or presence of each color trait.

You may draw graphics directly on the charts above, or you might print the charts, freehand draw your color analysis, then photograph and insert your charts here.

Hue Scheme:

Dominants: �Hue: Value: Chroma:

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Design Analysis:

Zaha Hadid

Galaxy Soho, Bejing

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Galaxy Soho in Beijing | Zaha Hadid

Video Tours

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How has Unity been established?�What forms, traits, arrangements, dominances, etc. have been used to establish graphic unity?

�--- The circular lines give unity to the building

__ …

Zaha Hadid

Galaxy Soho, Bejing

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How has Variety been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to add variety?

�--- The colors white, gray and light blue are the main colors.

Zaha Hadid

Galaxy Soho, Bejing

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How and where has Emphasis been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to draw attention?

�--- …The emphazins in the interior of the building has been established in the ligh blue ceiling because of the complex arrangement of lines.

Zaha Hadid

Galaxy Soho, Bejing

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Hue Scheme:

Dominants: �Hue: Value: Chroma:

Chart the prominent colors:�Identify the dominant and subordinate hues, values and chromas. Vary circle sizes clearly to represent the quantity or presence of each color trait.

You may draw graphics directly on the charts above, or you might print the charts, freehand draw your color analysis, then photograph and insert your charts here.

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Design Analysis:

Wayne Thiebaud

Cakes

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How has Unity been established?�What forms, traits, arrangements, dominances, etc. have been used to establish graphic unity?

�--- …The circular shape of the cakes bring unity to the painting

__ .. The shadows and platforms are also circular

Wayne Thiebaud

Cakes

1963; Oil on canvas; 60 x 72 in;

National Gallery of Art, Washington

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How has Variety been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to add variety?

�--- Some of the cake’s design have different lines and shapes like a heart, spirals and lines.

Wayne Thiebaud

Cakes

1963; Oil on canvas; 60 x 72 in;

National Gallery of Art, Washington

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How and where has Emphasis been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to draw attention?

�--- The emphasis is established on the cake with the spiral icing because of it makes more noticeable than the rest of the cakes. The colors white and brown also bring more attention.

Wayne Thiebaud

Cakes

1963; Oil on canvas; 60 x 72 in;

National Gallery of Art, Washington

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Jacob Lawrence,

(1917 - 2000) American

The Builders

1980;

gouache on paper;

34 x 25 1/2 in.;

Collection of Safeco Corporation, Seattle

(from a series of paintings and prints Lawrence created honoring labor and laborers.)

Chart the prominent colors:�Identify the dominant and subordinate hues, values and chromas. Vary circle sizes clearly to represent the quantity or presence of each color trait.

You may draw graphics directly on the charts above, or you might print the charts, freehand draw your color analysis, then photograph and insert your charts here.

Hue Scheme:

Dominants: �Hue: Value: Chroma:

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Design Analysis:

Antonio Gaudi

Sagrada Familia, Barcelona

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Sagrada Familia | Gaudi

Video Tours

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How has Unity been established?�What forms, traits, arrangements, dominances, etc. have been used to establish graphic unity?

�---

__ ...

__ …

__ ...

�--- …The towers are pointing up to the sky

Antonio Gaudi

Sagreda Familia, Barcelona

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�---

__ ...

__ …

__ ...

How has Variety been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to add variety?

�--- …The top of the towers are like balls and the bottom of the towers have a more cylindrical shape

__ ...The colors on the top change to a more plaid cream

...

Antonio Gaudi

Sagreda Familia, Barcelona

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�---

__ ...

__ …

__ ...

How and where has Emphasis been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to draw attention?

�--- The emphasis has been established on the top of the towers. The balls on top are not as equal as the other shapes in the building,

Antonio Gaudi

Sagreda Familia, Barcelona

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Hue Scheme:

Dominants: �Hue: Value: Chroma:

Chart the prominent colors:�Identify the dominant and subordinate hues, values and chromas. Vary circle sizes clearly to represent the quantity or presence of each color trait.

You may draw graphics directly on the charts above, or you might print the charts, freehand draw your color analysis, then photograph and insert your charts here.

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Design Analysis 4:

David Hockney

Road to York

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How has Unity been established?�What forms, traits, arrangements, dominances, etc. have been used to establish graphic unity?

�--- …The shape of the roof on the houses are triangular and some of the windows have the same shapes as well.

David Hockney home | ArtNet |

The Road to York through Sledmere, 1997 - oil on canvas 48x60 in.

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�--- …The trees and street give variety to the painting.

How has Variety been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to add variety?

David Hockney home | ArtNet |

The Road to York through Sledmere, 1997 - oil on canvas 48x60 in.

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�--- …The emphasis has been established on the house with the mint green roof because of the other colors around it.

How and where has Emphasis been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to draw attention?

David Hockney home | ArtNet |

The Road to York through Sledmere, 1997 - oil on canvas 48x60 in.

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Jacob Lawrence,

(1917 - 2000) American

The Builders

1980;

gouache on paper;

34 x 25 1/2 in.;

Collection of Safeco Corporation, Seattle

(from a series of paintings and prints Lawrence created honoring labor and laborers.)

Chart the prominent colors:�Identify the dominant and subordinate hues, values and chromas. Vary circle sizes clearly to represent the quantity or presence of each color trait.

You may draw graphics directly on the charts above, or you might print the charts, freehand draw your color analysis, then photograph and insert your charts here.

Hue Scheme:

Dominants: �Hue: Value: Chroma:

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Design Analysis:

Gerrit Rietveld

Rietveld Schroder House

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Virtual Tours of the Rietveld-Schroder House

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How has Unity been established?�What forms, traits, arrangements, dominances, etc. have been used to establish graphic unity?

�---

__ ...

__ …

__ ...

�--- …lots of squares and rectangles form the shape of the house

Gerrit Rietveld

The Rietveld-Schroder House

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�---

__ ...

__ …

__ ...

How has Variety been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to add variety?

�--- …Different colors are distributed around the house like red, yellow, blue and white.

__ ...Shapes are not all the same.

Gerrit Rietveld

The Rietveld-Schroder House

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�---

__ ...

__ …

__ ...

How and where has Emphasis been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to draw attention?

__ ...The emphasis is established on the big squares that form the house.

Gerrit Rietveld

The Rietveld-Schroder House

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Hue Scheme:

Dominants: �Hue: Value: Chroma:

Chart the prominent colors:�Identify the dominant and subordinate hues, values and chromas. Vary circle sizes clearly to represent the quantity or presence of each color trait.

You may draw graphics directly on the charts above, or you might print the charts, freehand draw your color analysis, then photograph and insert your charts here.

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Design Analysis 5:

Nielsen

(windy illustration)

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How has Unity been established?�What forms, traits, arrangements, dominances, etc. have been used to establish graphic unity?

�--- …The spiral lines give unity to the piece.

Shaw Nielsen, Illustrator

Client: The Miami Herald

"For an article about how scientists are using full-sized 'smart homes' to test the effect of hurricane force winds on houses."

in Communication Arts Aug/06, p240

Shaw Nielsen: HomePage | Article | Facebook |

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�--- …Diferent colors have been implemented to give variety

How has Variety been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to add variety?

Shaw Nielsen, Illustrator

Client: The Miami Herald

"For an article about how scientists are using full-sized 'smart homes' to test the effect of hurricane force winds on houses."

in Communication Arts Aug/06, p240

Shaw Nielsen: HomePage | Article | Facebook |

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�--- …Emphasis has been stablished on the red spiral clouds since studies have shown that red is very attractive.

How and where has Emphasis been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to draw attention?

Shaw Nielsen, Illustrator

Client: The Miami Herald

"For an article about how scientists are using full-sized 'smart homes' to test the effect of hurricane force winds on houses."

in Communication Arts Aug/06, p240

Shaw Nielsen: HomePage | Article | Facebook |

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Design Analysis 7:

---

(Target ad)

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How has Unity been established?�What forms, traits, arrangements, dominances, etc. have been used to establish graphic unity?

�--- …There is a circular shape on all the objects.

__ ...Colors green and blue are repeated

Target Ad

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�--- …Some objects are smaller than others.

How has Variety been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to add variety?

Target Ad

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�--- …Emphasis as been established on the green big cup and the big blue plate.

How and where has Emphasis been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to draw attention?

Target Ad

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Hue Scheme:

Dominants: �Hue: Value: Chroma:

Jacob Lawrence,

(1917 - 2000) American

The Builders

1980;

gouache on paper;

34 x 25 1/2 in.;

Collection of Safeco Corporation, Seattle

(from a series of paintings and prints Lawrence created honoring labor and laborers.)

Chart the prominent colors:�Identify the dominant and subordinate hues, values and chromas. Vary circle sizes clearly to represent the quantity or presence of each color trait.

You may draw graphics directly on the charts above, or you might print the charts, freehand draw your color analysis, then photograph and insert your charts here.

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Design Analysis 8:

James McNeil Whistler

Arrangement in Gray and Black: The Artist’s Mother�(a.k.a. Whistler’s Mother)

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�---

__ ...

How has Unity been established?�What forms, traits, arrangements, dominances, etc. have been used to establish graphic unity?

The distribution of the black and gray contrast allow the woman to pop out of the paiting

Shapes are mostly rectangular

James McNeill Whistler

Arrangement in Grey and Black: The Artist's Mother (a.k.a. "Whistler's Mother")

1871, Oil on canvas

57 in x 64 in

Location: Musée d'Orsay, Paris

The Painting | Commentary Musee d'Orsay |

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�--- The dress o the woman forms a different shape from the rest of the painting

How has Variety been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to add variety?

James McNeill Whistler

Arrangement in Grey and Black: The Artist's Mother (a.k.a. "Whistler's Mother")

1871, Oil on canvas

57 in x 64 in

Location: Musée d'Orsay, Paris

The Painting | Commentary Musee d'Orsay |

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�--- …The emphasis has been established on head of the woman with black long dress because of the good contrast with the background

How and where has Emphasis been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to draw attention?

James McNeill Whistler

Arrangement in Grey and Black: The Artist's Mother (a.k.a. "Whistler's Mother")

1871, Oil on canvas

57 in x 64 in

Location: Musée d'Orsay, Paris

The Painting | Commentary Musee d'Orsay |

169 of 261

Jacob Lawrence,

(1917 - 2000) American

The Builders

1980;

gouache on paper;

34 x 25 1/2 in.;

Collection of Safeco Corporation, Seattle

(from a series of paintings and prints Lawrence created honoring labor and laborers.)

Chart the prominent colors:�Identify the dominant and subordinate hues, values and chromas. Vary circle sizes clearly to represent the quantity or presence of each color trait.

You may draw graphics directly on the charts above, or you might print the charts, freehand draw your color analysis, then photograph and insert your charts here.

Hue Scheme:

Dominants: �Hue: Value: Chroma:

170 of 261

171 of 261

Design Analysis:

Frank Gehry

Walt Disney Concert Hall

172 of 261

Virtual Tours of the Disney Concert Hall

173 of 261

�---

__ ...

__ …

__ ...

How has Unity been established?�What forms, traits, arrangements, dominances, etc. have been used to establish graphic unity?

Frank Gehry

The Walt Disney Concert Hall

174 of 261

�---

__ ...

__ …

__ ...

How has Variety been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to add variety?

Frank Gehry

The Walt Disney Concert Hall

175 of 261

�---

__ ...

__ …

__ ...

How and where has Emphasis been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to draw attention?

Frank Gehry

The Walt Disney Concert Hall

176 of 261

Hue Scheme:

Dominants: �Hue: Value: Chroma:

Chart the prominent colors:�Identify the dominant and subordinate hues, values and chromas. Vary circle sizes clearly to represent the quantity or presence of each color trait.

You may draw graphics directly on the charts above, or you might print the charts, freehand draw your color analysis, then photograph and insert your charts here.

177 of 261

178 of 261

Design Analysis 9:

Chardin

179 of 261

�--- …The value o the colors are the

Same on all the instruments

How has Unity been established?�What forms, traits, arrangements, dominances, etc. have been used to establish graphic unity?

Artist: Jean-Baptist-Simeon Chardin

Painting: The Attributes of Music

Location: Musée Du Louvre, Paris, France

Dimensions: 57.09 inch wide x 35.83 inch high

Jean-Baptist-Simeon Chardin: The Complete Works |

"This overdoor painting - together with the Attributes of Art (Louvre) and Attributes of Sciences (untraced) - was commissioned for the royal château of Choisy. This emblematic canvas has a sense of composition that would impress the cubists." from WGA

180 of 261

�--- …The instruments have different

Shapes. Some colors are daker than

Others like the guitar and the

trumpet

How has Variety been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to add variety?

Artist: Jean-Baptist-Simeon Chardin

Painting: The Attributes of Music

Location: Musée Du Louvre, Paris, France

Dimensions: 57.09 inch wide x 35.83 inch high

Jean-Baptist-Simeon Chardin: The Complete Works |

"This overdoor painting - together with the Attributes of Art (Louvre) and Attributes of Sciences (untraced) - was commissioned for the royal château of Choisy. This emblematic canvas has a sense of composition that would impress the cubists." from WGA

181 of 261

�--- …The emphasis is established

On the guitar and the red blanket

because o the good

Contrast with the dark background

How and where has Emphasis been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to draw attention?

Artist: Jean-Baptist-Simeon Chardin

Painting: The Attributes of Music

Location: Musée Du Louvre, Paris, France

Dimensions: 57.09 inch wide x 35.83 inch high

Jean-Baptist-Simeon Chardin: The Complete Works |

"This overdoor painting - together with the Attributes of Art (Louvre) and Attributes of Sciences (untraced) - was commissioned for the royal château of Choisy. This emblematic canvas has a sense of composition that would impress the cubists." from WGA

182 of 261

183 of 261

Design Analysis 16:

Catalina Estrada

Zune Aquarius Illustration

184 of 261

Illustrator: Catalina Estrada

Project/Client: Illustrations for Microsoft Zune Zodiac MP3 players (designs etched on the back of player cases)

in Communication Arts Aug/06, p197 Catalina Estrada site | Estrada's Zune Portfolio | Microsoft/Zune Exhibit | More | More2

Catalina Estrada: Home/Portfolio | Google Images | Recent Projects |

�--- …It has a lot of contrast but the face stand out

__ ...it is symmetric.

__ some shapes are larger than others which creates a focal point in the face.

__ ..It as different values of green, blue, purple and gray

How has Variety been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to add variety?

185 of 261

Illustrator: Catalina Estrada

Project/Client: Illustrations for Microsoft Zune Zodiac MP3 players (designs etched on the back of player cases)

in Communication Arts Aug/06, p197 Catalina Estrada site | Estrada's Zune Portfolio | Microsoft/Zune Exhibit | More | More2

Catalina Estrada: Home/Portfolio | Google Images | Recent Projects |

�--- …the value is dark

__ ...the area that drives the attention the a light blue

__ …Line are going down

__ ...chroma of the colors in the face are more higher than the chroma of the color in the background.

How and where has Emphasis been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to draw attention?

186 of 261

Jacob Lawrence,

(1917 - 2000) American

The Builders

1980;

gouache on paper;

34 x 25 1/2 in.;

Collection of Safeco Corporation, Seattle

(from a series of paintings and prints Lawrence created honoring labor and laborers.)

Chart the prominent colors:�Identify the dominant and subordinate hues, values and chromas. Vary circle sizes clearly to represent the quantity or presence of each color trait.

You may draw graphics directly on the charts above, or you might print the charts, freehand draw your color analysis, then photograph and insert your charts here.

Hue Scheme:

Dominants: �Hue: Value: Chroma:

187 of 261

188 of 261

Design Analysis:

Helen Frankenthaler

Orange Mood

189 of 261

�--- …The chroma o the color orange and irregular shapes

How has Unity been established?�What forms, traits, arrangements, dominances, etc. have been used to establish graphic unity?

Helen Frankenthaler

Orange Mood

190 of 261

�--- …The value of the colors change from top to bottom on the middle igure.

__ ...The top part gets smaller and the bottom gets bigger

How has Variety been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to add variety?

Helen Frankenthaler

Orange Mood

191 of 261

�--- …Emphasis has been established on the orange shape in the middle.

How and where has Emphasis been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to draw attention?

Helen Frankenthaler

Orange Mood

192 of 261

Jacob Lawrence,

(1917 - 2000) American

The Builders

1980;

gouache on paper;

34 x 25 1/2 in.;

Collection of Safeco Corporation, Seattle

(from a series of paintings and prints Lawrence created honoring labor and laborers.)

Chart the prominent colors:�Identify the dominant and subordinate hues, values and chromas. Vary circle sizes clearly to represent the quantity or presence of each color trait.

You may draw graphics directly on the charts above, or you might print the charts, freehand draw your color analysis, then photograph and insert your charts here.

Hue Scheme:

Dominants: �Hue: Value: Chroma:

193 of 261

194 of 261

Design Analysis 10:

Keith Haring

195 of 261

�---

__ ...

__ …

__ ...

How has Unity been established?�What forms, traits, arrangements, dominances, etc. have been used to establish graphic unity?

Keith Haring

Acrobats II

196 of 261

�---

__ ...

__ …

__ ...

How has Variety been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to add variety?

Keith Haring

Acrobats II

197 of 261

�---

__ ...

__ …

__ ...

How and where has Emphasis been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to draw attention?

Keith Haring

Acrobats II

198 of 261

Chart the prominent colors:�Identify the dominant and subordinate hues, values and chromas. Vary circle sizes clearly to represent the quantity or presence of each color trait.

You may draw graphics directly on the charts above, or you might print the charts, freehand draw your color analysis, then photograph and insert your charts here.

Jacob Lawrence,

(1917 - 2000) American

The Builders

1980;

gouache on paper;

34 x 25 1/2 in.;

Collection of Safeco Corporation, Seattle

(from a series of paintings and prints Lawrence created honoring labor and laborers.)

Chart the prominent colors:�Identify the dominant and subordinate hues, values and chromas. Vary circle sizes clearly to represent the quantity or presence of each color trait.

You may draw graphics directly on the charts above, or you might print the charts, freehand draw your color analysis, then photograph and insert your charts here.

Hue Scheme:

Dominants: �Hue: Value: Chroma:

199 of 261

200 of 261

Design Analysis 11:

Jacob Lawrence

201 of 261

�---

__ ...

__ …

__ ...

How has Unity been established?�What forms, traits, arrangements, dominances, etc. have been used to establish graphic unity?

Jacob Lawrence,

(1917 - 2000) American

The Builders

1980;

gouache on paper;

34 x 25 1/2 in.;

Collection of Safeco Corporation, Seattle

(from a series of paintings and prints Lawrence created honoring labor and laborers.)

202 of 261

�---

__ ...

__ …

__ ...

How has Variety been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to add variety?

Jacob Lawrence,

(1917 - 2000) American

The Builders

1980;

gouache on paper;

34 x 25 1/2 in.;

Collection of Safeco Corporation, Seattle

(from a series of paintings and prints Lawrence created honoring labor and laborers.)

203 of 261

�---

__ ...

__ …

__ ...

How and where has Emphasis been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to draw attention?

Jacob Lawrence,

(1917 - 2000) American

The Builders

1980;

gouache on paper;

34 x 25 1/2 in.;

Collection of Safeco Corporation, Seattle

(from a series of paintings and prints Lawrence created honoring labor and laborers.)

204 of 261

Chart the prominent colors:�Identify the dominant and subordinate hues, values and chromas. Vary circle sizes clearly to represent the quantity or presence of each color trait.

You may draw graphics directly on the charts above, or you might print the charts, freehand draw your color analysis, then photograph and insert your charts here.

Jacob Lawrence,

(1917 - 2000) American

The Builders

1980;

gouache on paper;

34 x 25 1/2 in.;

Collection of Safeco Corporation, Seattle

(from a series of paintings and prints Lawrence created honoring labor and laborers.)

Chart the prominent colors:�Identify the dominant and subordinate hues, values and chromas. Vary circle sizes clearly to represent the quantity or presence of each color trait.

You may draw graphics directly on the charts above, or you might print the charts, freehand draw your color analysis, then photograph and insert your charts here.

Hue Scheme:

Dominants: �Hue: Value: Chroma:

205 of 261

206 of 261

Design Analysis:

Frank Lloyd Wright

The Robie House

207 of 261

Virtual Tours of the Robie House

FLWrights geometric design process

208 of 261

�---

__ ...

__ …

__ ...

How has Unity been established?�What forms, traits, arrangements, dominances, etc. have been used to establish graphic unity?

Frank Lloyd Wright

The Robie House

209 of 261

�---

__ ...

__ …

__ ...

How has Variety been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to add variety?

Frank Lloyd Wright

The Robie House

210 of 261

�---

__ ...

__ …

__ ...

How and where has Emphasis been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to draw attention?

Frank Lloyd Wright

The Robie House

211 of 261

Chart the prominent colors:�Identify the dominant and subordinate hues, values and chromas. Vary circle sizes clearly to represent the quantity or presence of each color trait.

You may draw graphics directly on the charts above, or you might print the charts, freehand draw your color analysis, then photograph and insert your charts here.

Hue Scheme:

Dominants: �Hue: Value: Chroma:

Jacob Lawrence,

(1917 - 2000) American

The Builders

1980;

gouache on paper;

34 x 25 1/2 in.;

Collection of Safeco Corporation, Seattle

(from a series of paintings and prints Lawrence created honoring labor and laborers.)

Chart the prominent colors:�Identify the dominant and subordinate hues, values and chromas. Vary circle sizes clearly to represent the quantity or presence of each color trait.

You may draw graphics directly on the charts above, or you might print the charts, freehand draw your color analysis, then photograph and insert your charts here.

212 of 261

213 of 261

Design Analysis 12:

Deneuve

Perfume Ad

214 of 261

�---

__ ...

__ …

__ ...

How has Unity been established?�What forms, traits, arrangements, dominances, etc. have been used to establish graphic unity?

215 of 261

�---

__ ...

__ …

__ ...

How has Variety been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to add variety?

216 of 261

�---

__ ...

__ …

__ ...

Emphasis & Relief: What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to draw attention?

217 of 261

Hue Scheme:

Jacob Lawrence,

(1917 - 2000) American

The Builders

1980;

gouache on paper;

34 x 25 1/2 in.;

Collection of Safeco Corporation, Seattle

(from a series of paintings and prints Lawrence created honoring labor and laborers.)

Chart the prominent colors:�Identify the dominant and subordinate hues, values and chromas. Vary circle sizes clearly to represent the quantity or presence of each color trait.

You may draw graphics directly on the charts above, or you might print the charts, freehand draw your color analysis, then photograph and insert your charts here.

Hue Scheme:

Dominants: �Hue: Value: Chroma:

218 of 261

219 of 261

Design Analysis:

George Tooker

The Subway

220 of 261

�---

__ ...

__ …

__ ...

How has Unity been established?�What forms, traits, arrangements, dominances, etc. have been used to establish graphic unity?

George Tooker (b. 1920)

The Subway

George Tooker: Biography | Collection | WikiP | ArtNet | ArtCyclopedia | Tooker, Subway. (img)

221 of 261

�---

__ ...

__ …

__ ...

How has Variety been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to add variety?

George Tooker (b. 1920)

The Subway

George Tooker: Biography | Collection | WikiP | ArtNet | ArtCyclopedia | Tooker, Subway. (img)

222 of 261

�---

__ ...

__ …

__ ...

Emphasis & Relief: What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to draw attention?

George Tooker (b. 1920)

The Subway

George Tooker: Biography | Collection | WikiP | ArtNet | ArtCyclopedia | Tooker, Subway. (img)

223 of 261

Hue Scheme:

Dominants: �Hue: Value: Chroma:

Jacob Lawrence,

(1917 - 2000) American

The Builders

1980;

gouache on paper;

34 x 25 1/2 in.;

Collection of Safeco Corporation, Seattle

(from a series of paintings and prints Lawrence created honoring labor and laborers.)

Chart the prominent colors:�Identify the dominant and subordinate hues, values and chromas. Vary circle sizes clearly to represent the quantity or presence of each color trait.

You may draw graphics directly on the charts above, or you might print the charts, freehand draw your color analysis, then photograph and insert your charts here.

224 of 261

225 of 261

Design Analysis:

Bruegel the Elder

The Harvesters

Analysis/LadyKflo

226 of 261

�---

__ ...

__ …

__ ...

How has Unity been established?�What forms, traits, arrangements, dominances, etc. have been used to establish graphic unity?

Pieter Bruegel the Elder, The Harvesters

1565. Oil on panel. The Metropolitan Museum of Art, New York

The Painting: GoogleArtProject |

The Artist:

227 of 261

�---

__ ...

__ …

__ ...

How has Variety been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to add variety?

Pieter Bruegel the Elder, The Harvesters

1565. Oil on panel. The Metropolitan Museum of Art, New York

The Painting: GoogleArtProject |

The Artist:

228 of 261

�---

__ ...

__ …

__ ...

Emphasis & Relief: What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to draw attention?

Pieter Bruegel the Elder, The Harvesters

1565. Oil on panel. The Metropolitan Museum of Art, New York

The Painting: GoogleArtProject |

The Artist:

229 of 261

�---

__ ...

__ …

__ ...

Hue Scheme:

Dominants: �Hue: Value: Chroma:

Jacob Lawrence,

(1917 - 2000) American

The Builders

1980;

gouache on paper;

34 x 25 1/2 in.;

Collection of Safeco Corporation, Seattle

(from a series of paintings and prints Lawrence created honoring labor and laborers.)

Chart the prominent colors:�Identify the dominant and subordinate hues, values and chromas. Vary circle sizes clearly to represent the quantity or presence of each color trait.

You may draw graphics directly on the charts above, or you might print the charts, freehand draw your color analysis, then photograph and insert your charts here.

230 of 261

231 of 261

Design Analysis:

Georges de la Tour

The Fortune Teller

232 of 261

�---

__ ...

__ …

__ ...

How has Unity been established?�What forms, traits, arrangements, dominances, etc. have been used to establish graphic unity?

George de La Tour,

French Baroque painter, 1593-1652

The Fortune Teller, probably 1630s

Oil on canvas; 101.9x123.5cm

at the Metropolitan Museum of Art, New York

Met info |

His Work:

His Life:| WikiP |

233 of 261

�---

__ ...

__ …

__ ...

How has Variety been established?�What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to add variety?

George de La Tour,

French Baroque painter, 1593-1652

The Fortune Teller, probably 1630s

Oil on canvas; 101.9x123.5cm

at the Metropolitan Museum of Art, New York

Met info |

His Work:

His Life:| WikiP |

234 of 261

�---

__ ...

__ …

__ ...

Emphasis & Relief: What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to draw attention?

George de La Tour,

French Baroque painter, 1593-1652

The Fortune Teller, probably 1630s

Oil on canvas; 101.9x123.5cm

at the Metropolitan Museum of Art, New York

Met info |

His Work:

His Life:| WikiP |

235 of 261

�---

__ ...

__ …

__ ...

Emphasis & Relief: What forms, traits, anomalies, contrasts, surprise, energy, etc. have been introduced to draw attention?

Jacob Lawrence,

(1917 - 2000) American

The Builders

1980;

gouache on paper;

34 x 25 1/2 in.;

Collection of Safeco Corporation, Seattle

(from a series of paintings and prints Lawrence created honoring labor and laborers.)

Chart the prominent colors:�Identify the dominant and subordinate hues, values and chromas. Vary circle sizes clearly to represent the quantity or presence of each color trait.

You may draw graphics directly on the charts above, or you might print the charts, freehand draw your color analysis, then photograph and insert your charts here.

Hue Scheme:

Dominants: �Hue: Value: Chroma:

236 of 261

Page Layout

for laying out

11x17 Horizontal Page

You might use the guidelines to place photos of your work.

Enter artwork information in the text box, below

Feel free to re-position the guidelines to suit your preferred layout.

Delete the blue image placeholders

When your page is laid out, prep for printing by…

File: Download As… : PDF

2 rows, 3 Images

DUPLICATE this page by…

Edit: Duplicate

GoTo Home Page

Add some images of your best work here. You can use the same ones as at the beginning, or better yet, show us the best of your recent work.

If you know how to create live links in your Slides, turn each image into a clickable link to the project process for that design.

Also, feel free to make this page much more interesting than this grid of 6 images.

Closing Highlights

237 of 261

THE END

All slides after this are spare “skipped” slides with layouts that might be useful...or not.

If you use the skipped slides, first select them and use the command Slide: Skip Slide to revive them.

You’re welcome to delete everything after this. �You can “skip” or “hide” any slides by �a) selecting the slides in the thumbnail listing on the left (shift-click to select multiple slides)

Then

b) Slide: Skip Slide command.

After that, you can edit or use the “skipped” extra slides, but they won’t show up when viewers visit your slide deck online.

Feel free to add an interesting sign-off -- �a closing slide with personality!

238 of 261

Notes

Notes

Notes

Color Scheme Charting Resources

You will be adding color charting to many of your project presentations and analyses.

This page/slide is a collection of “spare parts” that might help you set up charts. Feel free to copy and paste these graphics as needed.

There are several ways to do this “in” GSlides.

Transparent Background

Opaque Background

239 of 261

1 Image

DUPLICATE this page by…

Edit: Duplicate

Notes

Page Layout

for laying out

11x17 Horizontal Page

You might use the guidelines to place photos of your work.

Enter artwork information in the text box, below

Feel free to re-position the guidelines to suit your preferred layout.

Delete the blue image placeholders

When your page is laid out, prep for printing by…

File: Download As… : PDF

Notes

Notes

240 of 261

2 Images Side-By-Side

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11x17 Horizontal Page

You might use the guidelines to place photos of your work.

Enter artwork information in the text box, below

Feel free to re-position the guidelines to suit your preferred layout.

Delete the blue image placeholders

When your page is laid out, prep for printing by…

File: Download As… : PDF

Notes

Notes

Notes

241 of 261

2 wide Images Above/Below

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for laying out

11x17 Horizontal Page

You might use the guidelines to place photos of your work.

Enter artwork information in the text box, below

Feel free to re-position the guidelines to suit your preferred layout.

Delete the blue image placeholders

When your page is laid out, prep for printing by…

File: Download As… : PDF

Notes

Notes

Notes

242 of 261

Page Layout

for laying out

11x17 Horizontal Page

You might use the guidelines to place photos of your work.

Enter artwork information in the text box, below

Feel free to re-position the guidelines to suit your preferred layout.

Delete the blue image placeholders

When your page is laid out, prep for printing by…

File: Download As… : PDF

2 rows, 3 Images

DUPLICATE this page by…

Edit: Duplicate

Notes

Notes

Notes

243 of 261

3 Tall Images

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for laying out

11x17 Horizontal Page

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Enter artwork information in the text box, below

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Delete the blue image placeholders

When your page is laid out, prep for printing by…

File: Download As… : PDF

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244 of 261

Custom Combo

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Page Layout

for laying out

11x17 Horizontal Page

You might use the guidelines to place photos of your work.

Enter artwork information in the text box, below

Feel free to re-position the guidelines to suit your preferred layout.

Delete the blue image placeholders

When your page is laid out, prep for printing by…

File: Download As… : PDF

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245 of 261

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Page Layout

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11x17 Horizontal Page

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Enter artwork information in the text box, below

Feel free to re-position the guidelines to suit your preferred layout.

Delete the blue image placeholders

When your page is laid out, prep for printing by…

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246 of 261

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Enter artwork information in the text box, below

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247 of 261

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Enter artwork information in the text box, below

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248 of 261

1 Image

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Delete the blue image placeholders

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249 of 261

2 Images Side-By-Side

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Enter artwork information in the text box, below

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Delete the blue image placeholders

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250 of 261

2 wide Images Above/Below

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Enter artwork information in the text box, below

Feel free to re-position the guidelines to suit your preferred layout.

Delete the blue image placeholders

When your page is laid out, prep for printing by…

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251 of 261

Page Layout

for laying out

11x17 Horizontal Page

You might use the guidelines to place photos of your work.

Enter artwork information in the text box, below

Feel free to re-position the guidelines to suit your preferred layout.

Delete the blue image placeholders

When your page is laid out, prep for printing by…

File: Download As… : PDF

2 rows, 3 Images

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252 of 261

3 Tall Images

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Page Layout

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11x17 Horizontal Page

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Enter artwork information in the text box, below

Feel free to re-position the guidelines to suit your preferred layout.

Delete the blue image placeholders

When your page is laid out, prep for printing by…

File: Download As… : PDF

253 of 261

Custom Combo

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Page Layout

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11x17 Horizontal Page

You might use the guidelines to place photos of your work.

Enter artwork information in the text box, below

Feel free to re-position the guidelines to suit your preferred layout.

Delete the blue image placeholders

When your page is laid out, prep for printing by…

File: Download As… : PDF

254 of 261

Custom Combo

DUPLICATE this page by…

Edit: Duplicate

Page Layout

for laying out

11x17 Horizontal Page

You might use the guidelines to place photos of your work.

Enter artwork information in the text box, below

Feel free to re-position the guidelines to suit your preferred layout.

Delete the blue image placeholders

When your page is laid out, prep for printing by…

File: Download As… : PDF

255 of 261

Custom Combo

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Edit: Duplicate

Page Layout

for laying out

11x17 Horizontal Page

You might use the guidelines to place photos of your work.

Enter artwork information in the text box, below

Feel free to re-position the guidelines to suit your preferred layout.

Delete the blue image placeholders

When your page is laid out, prep for printing by…

File: Download As… : PDF

256 of 261

Custom Combo

DUPLICATE this page by…

Edit: Duplicate

Page Layout

for laying out

11x17 Horizontal Page

You might use the guidelines to place photos of your work.

Enter artwork information in the text box, below

Feel free to re-position the guidelines to suit your preferred layout.

Delete the blue image placeholders

When your page is laid out, prep for printing by…

File: Download As… : PDF

257 of 261

Custom Combo

DUPLICATE this page by…

Edit: Duplicate

Feel free to re-position the guidelines to suit your preferred layout.

Delete the blue image placeholders

When your page is laid out, prep for printing by…

File: Download As… : PDF

Cover

-

Storyboard layout: 8.5”x11” vertical single pages

258 of 261

Custom Combo

DUPLICATE this page by…

Edit: Duplicate

Feel free to re-position the guidelines to suit your preferred layout.

Delete the blue image placeholders

When your page is laid out, prep for printing by…

File: Download As… : PDF

Cover

-

Storyboard layout: 8.5”x11” vertical single pages

259 of 261

Custom Combo

DUPLICATE this page by…

Edit: Duplicate

Feel free to re-position the guidelines to suit your preferred layout.

Delete the blue image placeholders

When your page is laid out, prep for printing by…

File: Download As… : PDF

Cover

-

Storyboard layout: 8.5”x11” vertical Spreads

260 of 261

Custom Combo

DUPLICATE this page by…

Edit: Duplicate

Feel free to re-position the guidelines to suit your preferred layout.

Delete the blue image placeholders

When your page is laid out, prep for printing by…

File: Download As… : PDF

Cover

-

Storyboard layout: 8.5”x11” horizontal single pages

261 of 261

Custom Combo

DUPLICATE this page by…

Edit: Duplicate

Feel free to re-position the guidelines to suit your preferred layout.

Delete the blue image placeholders

When your page is laid out, prep for printing by…

File: Download As… : PDF

Cover

-

Storyboard layout: 8.5”x11” horizontal spreads