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Copy-rights?

Copyright & Fair use

for the generation

Kristin Hokanson

Faculty Affiliate, Digital Learning Coach Media Education Lab

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“We’re changing what it would mean to be a creator just at the time that technology is enabling anybody to be a creator. So, just when it matters most, the law steps in and destroys the opportunity...”       

 — Prof. Lawrence Lessig

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PEER-TO-PEER FILE SHARING

Why is copyright law valued by do creative people?

A Conversation

How is copyright viewed in today’s world?

How is it taught?

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  • Using
  • Sharing
  • Copying
  • Modifying
  • Repurposing
  • Quoting From
  • Distributing

EASY for the Google Generation

Technology

makes

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  • Restrict
  • Limit
  • Charge high fees
  • Discourage use
  • Use scare tactics

Owners forcefully assert

their rights to

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See no Evil

Close the Door

Hyper-Comply

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Thought I couldn't get in trouble for following the “RULES”

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“RULES” in my head

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Educational Use Guidelines were my Guide

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PROBLEM IS they are CONFUSING

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with

accurate knowledge�

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To promote creativity, innovation and the spread of knowledge

Article 1 Section 8

U.S. Constitution

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Copyright material in schools can be legitimately used in three ways

  • Buy License
  • Secure Permission
  • Claim Fair Use

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Example: License: Discovery Education streaming

Permits and encourages:

Downloads

Editable clips

Assignments on the web

Permissible in school iPods

Share between members

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http://pics4learning.com http://freeplaymusic.com

Secure PermissionExample commercial sites -�certain permissions granted

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Secure Permission ???

Examples of difficulties

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EVERYTHING

IS COPYRIGHTED

…BUT THERE ARE EXEMPTIONS

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--Section 107

Copyright Act of 1976

For purposes such as

criticism, comment,

news reporting, teaching (including multiple copies for classroom use),

scholarship or research

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“It not only allows but encourages socially beneficial uses of copyrighted works such as teaching, learning, and scholarship. Without fair use, those beneficial uses— quoting from copyrighted works, providing multiple copies to students in class, creating new knowledge based on previously published knowledge—would be infringements. Fair use is the means for assuring a robust and vigorous exchange of copyrighted information.”

--Carrie Russell, American Library Association

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Judges are more likely to rule that a particular use of copyrighted materials

Is a fair use when the social benefits of the unauthorized use outweigh the private costs to the copyright holder

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Fair use is not an infringement of copyright. Section 107, The Fair Use Doctrine of the Copyright Act of 1976 sets out four factors to be considered in determining whether or not a particular use is fair:

  • The purpose and character of the use, including whether such use is of commercial nature or is for nonprofit educational purposes
  • The nature of the copyrighted work
  • The amount and substantiality of the portion used in relation to the copyrighted work as a whole
  • The effect of the use upon the potential market for, or value of, the copyrighted work

This includes reproduction in copies for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, and research.

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easoning

esources

esponsibility

  • Claim Fair Use

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easoning

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Supported by a grant from the John D. and Catherine T MacArthur Foundation

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Organizations Supporting the Code of Best Practices

Action Coalition for Media Education (ACME)

National Association for Media Literacy Education (NAMLE)

National Council of Teachers Of English (NCTE)

Visual Studies Division

International Communication Association (ICA)

Association of College and Research Libraries (ACRL)

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Educators can:

  1. make copies of newspaper articles, TV shows, and other copyrighted works and use them and keep them for educational use
  2. create curriculum materials and scholarship with copyrighted materials embedded
  3. share, sell and distribute curriculum materials with copyrighted materials embedded

Learners can:

  1. use copyrighted works in creating new material
  2. distribute their works digitally if they meet the transformativeness standard

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What is the nature of each use?

Factual? Creative? Consumable?

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Did the unlicensed use “transform” the material taken from the copyrighted work by using it for a different purpose?

or did it just repeat the work for the same intent as the original?

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What effect might your use have on the market value of the original work?

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Did you use only the amount you needed for your purpose?

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Bill Graham Archives vs. Dorling Kindersley, Ltd. (2006)

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An Example of Transformative Use

The purpose of the original: To generate publicity for a concert.

The purpose of the new work: To document and illustrate the concert events in historical context.

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Violating Copyright Can Be Expensive

The Copyright holder may receive statutory damages for all infringements involved in the action… not less than $750 or more than $30,000 as the court considers just. [...]

When infringement was committed willfully, the court in its discretion may increase the award of statutory damages to a sum of not more than $150,000."

LOVE

HATE

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A team of elementary educators shows the Disney movie The Little Mermaid to three classes of Grade 3 students on the day before winter break in the school auditorium.

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National Council of Teachers of English (NCTE) has adopted the “Code of Best Practices in Fair Use for Media Literacy Education” as its official policy on fair use

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Fair Use

Reasoning

involves

Critical

Thinking

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esponsibility

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USING COPYRIGHTED MATERIAL

CHOICES FOR THE CREATIVE INDIVIDUAL

PAY A LICENSE FEE Ask Permission

CLAIM FAIR USE

Just Use it

DON’T USE IT

SELECT PUBLIC DOMAIN, ROYALTY-FREE or

CREATIVE COMMONS LICENSED CONTENT

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easoning

esources

esponsibility

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esources

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Media Education Lab

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Unlocking Copyright Confusion Wiki

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CMSI: Center for Media & Social Impact

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EFF: Teaching Copyright

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  1. RIPPING. Criminalizes the use of technology, devices, or services intended to circumvent digital rights management (DRM) software that controls access to copyrighted works.
  2. ONLINE TAKEDOWNS. Protects Internet Service Providers against copyright liability if they promptly block access to allegedly infringing material (or remove such material from their systems) if notified by copyright holder; offers a counter-notification provision if use is exempted under fair use

Digital Millennium Copyright Act of 1998

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The Results of our Advocacy

In 2012, we were successful in receiving an exemption for K-12 teachers to circumvent encryption for media literacy. Users may unlock DVDs protected by the Content Scrambling System when circumvention is for the purpose of criticism or comment using short sections, for educational, documentary or non-profit use.

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