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Drawing: History and Contemporary Practices

Dylan Andrews, Flicker, charcoal on paper, 2011

Leonardo da Vinci, study, red and black chalk, 1500’s

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Drawing: 1500-1800

Studies and Other Preparatory Works for Painting and Sculpture

Albrecht Dürer, 1514

Rembrandt, 1650’s

David, 1780’s

Michelangelo, 1500’s

By the end of the 1800’s, artists began to question the traditional and felt more freedom to experiment with subject matter, forms, mediums, and techniques

Serat, 1884

Kollwitz, 1903

Van Gogh, 1903

Manet, 1840’s

Cezanne, 1887

Drawing: 1800-1920s

Breaking the traditional

Modigliani, 1920’s

James Drake. Milagros for Water

Mixed media on paper

Ellen Gallagher, An Experiment of Unusual Opportunity. Graphite on handmade paper

Barbara Walker, Parade from Shock and Awe Series,

graphite on embossed paper

Marcia Kure, Power: The Players II. Gouache, kolanut pigment, pencil watercolour watercolour paper

Ruby Onyichechi Amanze, astroturf rooftop picnics (Lagos), ghana must go somewhere, anywhere...

Ink, fluorescent acrylic, graphite, coloured pencil, photo transfers, metallic pigment and glitter on paper

Joel Daniel Phillips, Tennessee & Dale, charcoal and graphite on paper

Contemporary Drawing:

Further Experimentation and Intention.

Subject: From Personal to Social and Global.

Mediums: Experimenting, Mixing, Discovering