Conceit- A conceit is a kind of metaphor that compares two very unlike things in a surprising and clever way. Often, conceits are extended metaphors that dominate an entire passage or poem. For example, in John Donne’s “The Flea” he uses this pesky little bug as a metaphor for wanting to have sex. Not your usual comparison for lust or sexual desire.
Iamb- a metrical foot consisting of one soft (or unstressed) syllable followed by one harsh (or stressed) syllable. attain/portray/describe
Iambic Pentameter- a line of verse with five metrical feet, each consisting of one short (or unstressed) syllable followed by one long (or stressed) syllable, for example
Two households, both alike in dignity. (10 syllables with unstressed/stressed or soft/hard)
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Invocation (n)-a prayer; an asking for help from someone in authority.
Apostrophe- when the speaker is addressing someone or something that isn’t there.
“Is this a dagger which I see before me,
The handle toward my hand?
Come, let me clutch thee!
I have thee not, and yet I see thee still.”
Arcane (adj)- understood by few, mysterious
Explicit Metaphor- a direct and explicit comparison between two things. You are an ass! Geoffrey is a real snake!
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Exact/True/Perfect Rhyme- When the stressed vowel sound in both words must be identical, as well as any subsequent sounds. For example, "sky" and "high"; "skylight" and “highlight" skylight and sleep tight would not be exact rhyme.
Internal Rhyme- rhyme that occurs within a line of poetry
“There are strange things done in the midnight sun by the men who moil for gold.”
Slant /Half/Near/Lazy Rhyme-a type of rhyme formed by words with similar but not identical sounds.