Rosencrantz and Guildenstern
Costume Design By Erinn Grendahl
ROSENCRANTZ AND GUILDENSTERN ARE DEAD:Concept Statement
In beginning my research for Rosencrantz and Guildenstern are Dead, I was interested both in the history surrounding the play's release in 1964 and, due to the fact that this project served as my final elective for my Shakespeare studies minor, I wanted to home in on and specifically highlighting the history surrounding the play’s source material, William Shakespeare's Hamlet, written in 1601. My aim was to celebrate the context of both play’s conceptions while setting the production in the time span of 1600-1650. When approaching this play, I had a few key goals in mind. First, to utilize costumes to aid in accurately establishing the time period, to utilize costumes to differentiate the differences in class as well as social groupings (i.e. R&G vs. Hamlet, The Tragedians vs. The Royal Court, etc.), to highlight the characters as they exist in Hamlet in order to serve the context of both texts, and finally to serve the overall flow and meta theatricality of the play, aiding in contextualization of particularly meta moments.
Research
Royal Court
Players
Rosencrantz
Guildenstern
Hamlet
Christian IV Pieter Isaacsz 1612
Ophelia
Claudius
James VI of England
Gertrude
Anne of Denmark (1606-1608)
Polonius
Portrait by Karel van Mander III, 1640
The Players
Overview of Commedia dell'Arte
The Player
Sleeper- Murdered King
Player King/ Poisoner
Player Queen
Lucianus- Nephew to the King