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Art, Belief, and Identity in the

Early Islamic World

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Warm Up

Why do people use symbols?

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The Setting

In the 7th century, Islam spread rapidly. Many Christian communities suddenly lived inside a new Muslim empire.

This created:

  • new cultural contact
  • new debates
  • new artistic styles

When cultures meet, art changes.

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Key Vocabulary

Icon = religious image

Figural = depiction of a human or animal

Aniconic = no human/animal figures

Iconoclasm = destruction of images

Idol = a physical object worshipped as a god

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These words describe a debate that lasted centuries.

Jesus Christ Pantocrator (Detail from the deesis mosaic in Hagia Sophia, Istanbul)

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Christian Use of Images

For the majority of Christian history, most people couldn’t read, so Christians often used images to teach religious stories.

Images of Jesus and saints were also used in worship to help focus the worshiper on God.

But not all Christians agreed on how much power images should have. Some worried: Are people worshipping the image instead of God?

This debate already existed before Islam.

Byzantine Icon from St. Catherine's Monastery, Sinai, Egypt, 12th century

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Early Islamic Views on Images

Early Islamic art

  • Focus on God’s oneness
  • Avoided figural images in mosques
  • Used calligraphy and patterns

Many early Muslims worried that images could become idols.

So instead of people, Islamic art focused on:

  • writing
  • patterns
  • geometry

Calligraphy became sacred art because it wrote the Qur’an.

Mosaic detail, Dome of the Rock

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Not All Islamic Art was

Image-Free

  • Religious spaces: mostly aniconic
  • Secular spaces: sometimes figural

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Qusayr ‘Amra fresco (hunting scene), 8th century, Umayyad Empire

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The Dome of the Rock (691 CE)

This building in Jerusalem is one of the earliest Islamic monuments.

It uses:

  • Beautiful decoration
  • Qur’anic inscriptions
  • No human figures

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The Dome of the Rock (691 CE)

Its messages challenge Christian ideas about God. Portions of two chapters of the Qur’an (112 and 4) are written around the exterior of the building:

112: Say: He is Allah, the one and only; Allah, the eternal, absolute; He sires no offspring, nor is he anyone's offspring; And there is none like him.

This shows how art can be used to express belief and identity.

This is art as argument.

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Christians and Muslims Debated Images

Questions included:

  • Can images be holy?
  • Are images dangerous?
  • What is true worship?

Muslim writers criticized Christian figural icons.

Christian writers defended them.

Both sides used art to say: “This is who we are.”

Art became part of religious identity.

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Christian Responses

Christian reactions

  • Some defended figural icons
  • Some removed figural icons (iconoclasm)
  • Internal debate

This shows that cultures influence each other.

Even disagreement can shape art.

Mosaics in the small sekreton, Hagia Sophia, Constantinople (Istanbul) (photo: © Dumbarton Oaks)

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Big Idea

Art reflects belief and identity

  • Religion shapes art
  • Art shapes identity
  • Culture is interactive

Art is not neutral. It tells us:

  • what people believe
  • what they fear
  • how they want to be seen

Early Christian and Muslim art influenced each other.

They developed together, not separately.

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Exit Ticket

Write 3–5 sentences:

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How did religion influence art in the early Islamic world?

Or:

Why do you think people care so much about symbols?