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Treehouse Theatre: Process and Rationale�Catherine Maguire-Donvito�School Counsellor Holroyd High School and Director Treehouse Theatre�Updated 13/5/22

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CAST FROM THE STORM

6 October, 2015

9:30 pm ABC TV

https://www.youtube.com/watch?v=zRF-yDMVYdk

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Our beginning….

In early 2000s I was struggling to work with asylum seeker and refugee students who needed advocacy as well as counselling.

Ruth was using drama and performance of students own stories to teach English.

Refugee students seemed to feel empowered by being given a voice. This inspired the formation of Treehouse Theatre

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Treehouse Theatre

  • Treehouse Theatre Inc. is a not-for-profit association, incorporated in NSW.

  • It is run by a dedicated team of volunteers, doing everything from theatre production to accounts.

      • NB We have just engaged a consultant to assist

with digital marketing

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What does Treehouse Theatre actually do?

Twice a year we take about 20 young refugee students from Holroyd HS (Semester 1) and Miller Technology HS (Semester 2).

Teenage refugees tell stories in group counselling sessions.

We convert these stories into scripts and create movement pieces.

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What does Treehouse Theatre actually do?

The result is a 90 minute production of about 25 -30 individual vignettes, each of about 3 minutes duration.

Performances are presented in major theatres

We encourage every student to share their trauma and other stories to perform in the show.

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What does Treehouse Theatre actually do?

Each student during the rehearsal phase, modifies and corrects their story so that it entirely truthful.

Students read their script to their families and get feedback.

Some students choose not to tell their trauma story, but most do.

For psychological safety students generally, do not act their own parts in their trauma story

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The Process

  1. Selection
  2. Family consent
  3. Group story telling and counselling
  4. Scripting stories
  5. Rehearsal
  6. Performance
  7. Evaluation

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Narrative Therapy

The Tree of Life Project

(Ncube, 2006)

The Suitcase Project (Clacherty, 2006)

Framework for Treehouse Programs

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Performance Framework

Format for each show is:

      • Happy childhood stories
      • Trauma stories
      • Stories of resettlement in Australia
      • Celebration

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2012

Tree of Life 2013

Suitcase Stories, 2012

Survivors, 2021

Flyers over the years!

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1. Omid and Rahim’s Story: Resettlement story

https://drive.google.com/drive/folders/0B_HfdNm5R0lhdWlTYktXMEoybm8?resourcekey=0-bdEd2vs5nvsxpATxedUfHw

2. Shayla’s Story: Missing: Trauma Story

https://www.youtube.com/watch?v=MplBF_AYYfM&list=RDCMUCsT0YIqwnpJCM-mx7-gSA4Q&start_radio=1&rv=MplBF_AYYfM&t=3

3. Effects of Trauma: Trauma Story

Links to examples of our performances:

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Our goals:

For the cast:

  • Trauma recovery
  • Improve English language skills and cross-cultural understanding

For the audience:

  • Educate the public (especially school students) about refugees and thus improve acceptance

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How does it work?

The Psychological Rationale

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Trauma Recovery Goals

The program aims to meet these goals

  1. Safety
  2. Attachment
  3. Purpose
  4. Dignity

Judith Herman, 1993

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Young Refugees Suffering from Trauma

  • Tiredness
  • Poor concentration/memory
  • Headaches and other somatic symptoms
  • Disruptive behaviours
  • Fighting and violent behaviours
  • Social isolation
  • Poor attendance
  • Poor learning outcomes

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Exposure Therapy

Storytelling circle and rehearsals - helps to process the trauma (exposure therapy).

Schauer, Neuner & Elbert (2011)

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Fragmented memories are transformed into a coherent narrative

The traumatic event(s) become contextualised and can be recalled normally as a past event - rather than as a flashback or panic attack.

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Outsider Witness

Carey and Russell (2003)

We share stories in a story circle. Some stories are developed into performance pieces.

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Outsider Witness - Audience Response

Performing true life experiences, especially traumatic ones, is an empowering experience.

To hear the audience gasp, cry and laugh makes the students feel truly heard, valued and respected.

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Building an accepting society

  • If we want to build an accepting society, we have to change minds.
  • Research shows that “rational argument” does not work (Drew Westen, 2008; Jonathan Haidt 2013)
  • We need an emotional hook, and that is exactly what Treehouse performances provide.

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Is the program effective?

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Akeel - Iraq

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“Theatre performance that ‘Treehouse’ provides, gave others and myself the chance to interact and break the ice between us refugee students and Australian general public. On the stage I am able to be who I am, and let the audience know who I am, what I feel, and what I stand for, then wait if they would accept me, and they surely did. This was my second birth, one here in Australia. I was born again as a new person that appreciated his difficult past yet was optimistic about the future.”

Akeel Abbas, 27 February 2013

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Treehouse Evaluation:

Collaboration with STARTTS

The Treehouse program was evaluated in collaboration with the Service for Treatment and Rehabilitation of Torture and Trauma Survivors (STARTTS)

Data included:

  1. PTSD and emotional wellbeing questionnaires completed by students before and after the program *
  2. Objective measures of attention and impulsivity administered before and after the program *

Tests used were:

  • The Depression, Anxiety and Stress Scale – Shortened version (DASS-21; Lovibond & Lovibond, 1995)
  • The Child PTSD Symptom Scale (CPSS; Foa et al., 2001)
  • The Test of Variables of Attention (TOVA; Greenberg, Holder, Kindschi & Dupuy, 2007)

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Treehouse Evaluation:

Collaboration with STARTTS, Con’t

  • This data was analysed and presented in a paper by Peter O’Malley entitled “Evaluating a Drama Intervention Targeting Symptoms of PTSD, Emotional Distress and Attentional Difficulties in Adolescent Refugees in Australia.” (Publication Pending as at April, 2022). Paper can be emailed on request.

  • Results suggested significant improvement in Trauma, Depression, Attention and Anxiety after completing the Treehouse program.

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From student audience members:

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“You guys did so, so, so, so, so well. Believe in yourselves and let the past go. Australia is now your home and I am so glad you guys made me change the way I think and speak to people like yourselves. Well done.” (Aussie student from Liverpool Girls High School)

“It makes me feel like I am not the only one who suffered… It was a wonderful show that even made me laugh and cry at the same time….God bless you all.” Refugee student, Evans Intensive English Centre (IEC)

“I have so much more respect for them and a wider variety of understanding.” (Aussie Student from Liverpool Girls High School).

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Comments from adult audiences

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The message of horror told with pathos and humour.”

“It opened my eyes to the experience of refugees.“

“That’s no matter if you are Muslim or Christian but the only matter is humanity.”

“Proud to have these young people in our country.”

“I work with refugees and have been disheartened about it all – this has restored my faith about why I do this.”

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Achievements:

  • Over 350 refugee students have gone throsugh our programs

  • We have created 20 shows

  • 36,000 people, mostly high school students, have seen our show

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Acknowledgements

Treehouse Committee and volunteers

Miller Technology High School

Holroyd High School

STARTTS

Liverpool City Council

The Sisters of St Joseph, North Sydney

Casula Powerhouse Performing Arts Centre

The Seymour Centre

The Funding Network

Treehouse Cofounder & Director

Ruth Hartcher- O’Brien

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www.treehousetheatre.org.au

Shows in 2022:

Casula Powerhouse Theatre, June 22 & 23

The Seymour Centre, Nov

Cast From the Storm – link from our website

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References

Clacherty, G. (2006). The world in a suitcase: psychosocial support using artwork with refugee children in South Africa, Participatory Learning and Action, Vol 54, April.

Carey, M. & Russell, S. (2003) Outsider witness practices: some answers to commonly asked questions. The International Journal of Narrative Therapy and Community Work. Vol 2003, Issue 3.

Herman, J. 1993, Trauma and Recovery: The Aftermath of Violence--From Domestic Abuse to Political Terror, (Revised Ed.) Basic Books.

Haidt, J. (2013) The Righteous Mind: Why Good People are Divided by Politics and Religions. Vintage Books.

Ncube, N. (2006) The Tree of Life Project. The International Journal of Narrative Therapy and Community Work. Vol 2006, Issue 1.

Westen, D. (2008) The Political Brain: The Role of Emotion in Deciding the Fate of the Nation. Public Affairs.

Schauer, M., Neuner, F., Elbert T. (2011). Narrative Exposure Therapy: A short Term Treatment For Traumatic Stress Disorders. (2nd edition). Cambridge, MA: Hogrefe Publishing

Van der Kolk, B, (2014), The Body Keeps the Score: Mind, Brain and Body in the Transformation of Trauma, 1st edition), Penguin Random House UK.