Modern Art & Ideas
Online Meet-up
Cindy
Claud Monet’s “The Artist's Garden in Argenteuil (A Corner of the Garden with Dahlias),” 1873, oil on canvas, 24 x 32 in @ National Art Gallery DC
Left: Mary Callery, Orpheus, 1951. Kykuit, National Trust for Historic Preservation. Right: Melissa Meyer, A Nod to Grace (detail), 2021. Melissa Meyer Studio, New York City. Photos by Andy Romer.
Inspired Encounters
Women Artists and the Legacies of Modern Art
On view October 1 — March 19
David Rockefeller
Creative Arts Center Gallery
Maren Hassinger. River Piece, 2021
📷 Cynthia
“…the entire installation seems to sway and bend, as though moved by wind.” - Maren Hassinger @ MoMA 2019
Maren Hassinger. Consolation (after Palmetto [1980]).1996. 🎧
“Art is not a luxury as many people think – it is a necessity. It documents history – it helps educate people and stores knowledge for generations to come.” – Dr. Samella Lewis (February 27, 1923 – May 27, 2022)
“Barrier,” 2004.Credit...Photo of artwork by Gerard Vuilleumier, Courtesy of Louis Stern Fine Arts
“Massai,” 2005.Credit...Photo of artwork by Gerard Vuilleumier, Courtesy of Louis Stern Fine Arts
Isa
Tate Britain Exhibition
Cornelia Parker
Art Exhibit: Sacred Pause, Sacred Fertilizer
September 28, 2022 - January 4, 2023
Nineteen female-identifying artists offer witness, through personal statements and artworks produced during this historic period, on what was awakened in their practice (and within) when they ceded to what presented in the pause.
OHNY Weekend
October 21-23
Resurgence
October 10–November 6
Lobby and Gallery
Pomerantz Center,
Fashion Institute of Technology,
227 West 27th Street
New York, NY
Tina York, Fluid Dynamics, 1995, mixed media, 32 x 40 inches. As a NASA Art Program artist, Tina York visited the Ames Research Center in California to study the principles of fluid dynamics. This piece shows the way gases move as a solid body passes through them.
“This is a building right across from the social security office and just a few blocks away from 9/11 Memorial. It going to be a residential building. When a feel like it I will visit the 9/11 Memorial.” - Renee
About the Cover: Julieta Gil, Nuestra Victoria III, digital print on paper, 50 × 75 cm. See the article in this issue by Oliver Gingrich and Paula Callus.
“We appreciate art, culture, design, technology and nature for experiential learning with a global lens in the landscape of New York City and beyond. We are moved in this space by the power of awareness found in reflection and conversation. Each session is interactive, participants are encouraged to share their muse. We respect our human capacity for creativity, innovation as well as the spark in ideas.”