UDL in Action: Barriers and Solutions�Famous Artist Example�We analyzed examples of typical lesson plans and instructional methods using the Universal Design for Learning guidelines and proposed solutions for removing barriers to accessibility.
Team Members
Angela De La Cruz, Saint Paul College
Diana Serrano, Georgia Southern University
Dan Thornhill, Consultant
Interpretive Listening�Angela De La Cruz, Saint Paul College
Instructional Methods | Potential Barriers | UDL Solution |
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Presentational Speaking�Diana Serrano, Georgia Southern University
Instructional Methods | Potential Barriers | UDL Solution |
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Interpersonal Speaking�Dan Thornhill, Consultant
Instructional Methods [ACTFL Novice-high/Int-low] | Potential Barriers [Requires students to…] | UDL Solution [TL = target language] |
1. Do Now - Students complete a 5-minute vocabulary quiz in which they have to read definitions in the TL related to the topic (the artist Diego Rivera, let’s say) and provide the appropriate word. 2. Students read a brief bio in the TL of the famous artist and answer 4 comprehension questions in the TL similar to the targeted questions for the lesson (biographical information). Their ability to answer serves to provide evidence that they can answer simple questions about biographical information. The questions themselves serve as models for the questions the students will have to craft in subsequent steps. 3. Students brainstorm simple questions in the TL to ask based on some key words like birthplace, education, wife, residence/house, etc. 4. Information gap / Interview - Students use note cards in English to ask and answer simple questions and exchange biographical information in the TL. One student will be the “artist”, the other the “interviewer”. 5. Follow-up / Wrap-up - Instructor asks targeted questions in English about biographical vocabulary and question formation (“So, if we want to make a question with cómo, cuál, dónde, or cuándo, what word comes first?”). Instructor continues asking the following: Could you ask and answer simple questions about this artist’s life? Could you use these same questions to ask anyone about their lives? What changes would you have to make to them? | General: … infer the goal of the lesson. 1. … all perform at the same level from outset. 2. … understand and learn the content regardless of their background knowledge; extract the relevant information from text; identify key ideas. 3. … all perform at the same level from outset. 4. … all perform at the same level from outset; engage with only one partner, which can cause engagement to wane. 5. … engage in a whole-class discussion, which only targets the middle 50% of students. | General: Instructor should post the overall goals of the unit/chapter and lesson. Between 1 and 2, instructor should go over these goals and walk students through how to reach them (targeting their executive function development). 1. Instructor should have cards with word banks on hand for students who struggle. 2. The bio could come in multiple formats (an infographic, a video). The text could be included, but it would not be mandatory to read it. Comprehension questions could be delivered verbally as well. Instructor should follow up with questions (using recycled vocabulary) about the students’ views and experiences with art. 3. Instructor should have cards with key words and sentence starters on hand for students who struggle. 4. Note cards could vary in difficulty. Some cards could include more elaborated examples, some could be all in the TL, or some students could choose to forgo them altogether. Also, students should change partners and perform the info gap more than once in order to get them moving (even if only into a breakout room) and boost engagement. 5. Instructor should issue exit tickets, the format of which can vary by ability (some could use a rating scale, some short answer, some with choices). |