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Using IIIF to teach Digital Humanities

Practice-oriented approach to digital literacy skills 

Davy Verbeke, Lise Foket, Vincent Ducatteeuw, Eef Rombaut, Frederic Lamsens, Christophe Verbruggen

IIIF Conference 2022, Harvard University, Cambridge (USA)

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Ghent Centre for Digital Humanities

  • Our focus areas
    1. Digital heritage and virtual exhibitions
    2. Geospatial analysis
    3. Digital text analysis
    4. Collaborative databases
  • Support DH teaching practices at the Faculty of Arts and Philosophy, Ghent University, Belgium

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How to teach DH?

What is Digital Humanities?

  • Computational practices for humanities research

  • Do not just talk about DH �(Kemman, 2017)

  • Hands-on approach: engaging with tools and methods �= learning by doing

"I want to suggest that undergraduate students do not care about digital 

humanities.“

"…we lead students brand-new to DH immediately into straw-man arguments about its broadest characterizations, whether good or bad, rather than substantive investigations of specific projects, thinkers, methods, books, or articles."

� (Ryan Cordell, 2016)

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What should we teach when teaching DH?

15 transdisciplinary digital competences

Using digital methods and/or tools to…

1. Discover

4. Collect

7. Enrich

9. Analyze

12. Share

13. Collaborate

3. Capture

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Benefits of IIIF for DH

  • IIIF as a service
    • Standardized access to digital objects
    • Cite and share digital objects
    • Display and storytelling
    • Annotation

  • Stitches together technology for DH’ers” (Emanuel, 2018)

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Premise: �How can IIIF support DH teaching?

Two scenarios

1. Virtual exhibitions with IIIF and Omeka S

2. Enriching IIIF collections with Madoc

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1st scenario: Virtual exhibitions with IIIF and Omeka S �Teacher education case

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Omeka S as the enabling platform

  • Omeka S is an open-source platform used to:   
    • create, curate and share digital collections 
    • create virtual exhibitions

  • IIIF Server module enables IIIF support in Omeka S

  • Plugins for Universal Viewer, Mirador, … developed by Daniel Berthereau

  • Already used for teaching practices

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Workflow

Add digital items (often images)

Add metadata, tags, mapping

Use Storiiies / Exhibit.so

Share the collection

Create web pages

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Showcase

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2nd scenario: Enriching digital collections with Madoc�Feminist Poetry CaseIn collaboration with Associate Professor Marianne Van Remoortel

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Madoc

  • Developed by Digirati and Funded by Universities of Ghent and Brussels, National Library of Wales
  • Open-source
  • Import and (re-)organize IIIF manifests and/or collections
  • Participative enrichment of digital objects with metadata & annotations (e.g. transcriptions, translations, keywords, commentaries, …)
    • Customized ‘capture model’ configurable in the backend
  • Madoc 2.0

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Poetry in 19th-century Feminist Periodicals

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Import IIIF manifests (periodicals)

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Create a project in Madoc

Capture model to:

  • Identify the poem in the periodical

  • Annotate the title and author

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Identify the poems

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Next steps

  • Browse through annotated poems and choose 3 to 5 poems for in-depth analysis
  • But… how to use Madoc to analyze poems?
    • Hard to find one consistent ‘data model’ for each analysis
  • Solution:

→ Each student created their own project with custom capture model

→ ‘HTML content-blocks’ for general reflections and to create a virtual exhibition

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End result

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Reflections: �Can we teach Digital Humanities using IIIF?

Reflections on the 1st scenario

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The experiences: the Good

  • “I found it positive that the assignment combined research competencies and digital competencies […] It gave teachers and students the opportunity to get creative. There was a great sense of practice with this assignment”

  • “I think all students would benefit from an assignment like this. Just because it is more than just writing a paper in Word, as we have had to do so many times before.”

  • "It was a clear reminder of the importance of digital skills needed as a teacher, which was sometimes confrontational for my fellow students.”

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… and some of the pitfalls

  • "I experience technology as overwhelming and I found it quite a lot of information at one time.“

  • "I'm not good at digital and I don’t like doing it, so I started it reluctantly and, consequently, I did not remember that much about it."

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Digital competences achieved?

Survey 32 participants: indicate by a slider which competences were achieved (0 = not achieved ; 50 = sufficiently ; 100 = largely)

3. Capture

4. Collect

7. Enrich

13. Collaborate

10. Visualize

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Digital competences achieved?

Survey 32 participants: indicate by a slider which competences were achieved (0 = not achieved ; 50 = sufficiently ; 100 = largely)

3. Modeling

6. Data Cleanup

1. Discover

2. Source criticism

12. Share

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Digital competences achieved?

Survey 32 participants: indicate by a slider which competences were achieved (0 = not achieved ; 50 = sufficiently ; 100 = largely)

8. Automate

9. Analyze

11. Store

15. Society & Ethics

14. DH Reflection

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    • Digiphobia
    • Appendicitis
    • Unclear evaluation criteria
    • No feedback
    • No (in-person) training sessions
    • Copyright
    • Digital literacy
    • Blended learning
    • Digital storytelling
    • Connection to job market
    • Integral/partial use
    • Replacing/additional use
    • Peer learning
    • Modules of Omeka still in development
    • Design
    • Multifunctional
    • Open-source
    • Multi-site
    • User-friendly
    • Metadata
    • Modular
    • Embedded content
    • Linked Open Data

S

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Contact

Davy.Verbeke@UGent.be

Scientific collaborator GhentCDH

Lise.Foket@UGent.be

Scientific collaborator GhentCDH

Eef.Rombaut@UGent.be

Educational researcher cultural sciences

Frederic.Lamsens@UGent.be

Software developer GhentCDH