1 of 51

PHOTO ESSAY

Our Towns, Our Stories

2 of 51

INTRO | PHOTO ESSAY

CONTENTS

Note that you might be led through this slide presentation by your teacher or you might work through it individually. In either case, work bravely and honestly.

3 of 51

  • We invite you to learn about the American Creed Initiative and take inspiration from a photo essay created by a young leader from the initiative.
  • This essay is offered as a “mentor text” showing a real-world approach to composing. We invite you to learn from it and then consider what you would like to compose.
  • We suggest a few writing and photo activities using this essay. The goal is to help you find a focus and point of view for your own story.
  • You will then be supported to take and curate your own photos, and organize those photos with your writing to create a “viewfinder” photo essay.
  • Lastly, we invite you to publish your photo essay via the American Creed Youth Media Challenge.

WHAT TO EXPECT

INTRO | PHOTO ESSAY

4 of 51

What is a Photo Essay?

Photo essays are a form of storytelling that use images and words.

Photo essays…

  • Present a story
  • Convey a theme or feeling
  • Follow a sequence
  • Rely as much or more on images as words to deliver a story

INTRO | PHOTO ESSAY

5 of 51

INTRO | PHOTO ESSAY

The American Creed “viewfinder” photo essays share a point of view about a community and issue(s) that the author finds important and wants to share with other Americans. They use a voice that is public and directed beyond the immediate community. They make a personal connection between the portrait of a community and the writer’s own ideals and values. Viewfinders raise awareness of an issue in a community, and when appropriate, advocate for action. They mix personal experience with evidence to show why this issue matters to the author and the community.

6 of 51

INTRO | PHOTO ESSAY

PBS launched the American Creed initiative in 2018 with �a documentary that features a mosaic of stories, set in communities around the country, showing people striving to realize their own visions of America’s promise, embracing the idea that what unifies America is a set of foundational national ideals. The new PBS American Creed documentary series, releasing in 2026 to mark America’s 250th anniversary, explores this idea from young adult perspectives.

WHAT IS THE AMERICAN CREED INITIATIVE?

7 of 51

The title “American Creed” comes from a phrase written by Nobel Prize-winning economist Gunnar Myrdal during the U.S. Great Depression in the 1930s. Myrdal defined that creed as the sense that individuals, regardless of their circumstances, deserve fairness, freedom, and the opportunity to realize their potential. He believed that creed, expressed by America’s founding documents, defined the American character. He called the gap between that creed and the reality of American life "an American dilemma."

INTRO | PHOTO ESSAY

AMERICAN

CREED

8 of 51

Martin Luther King Jr. was among Myrdal's most attentive readers. Dr. King called the ideals expressed in America’s founding documents “a promissory note.”

INTRO | PHOTO ESSAY

9 of 51

As you get started on this project, take a moment to look at American Creed-related words and phrases on the next slide. These terms express ideas that often surface in conversations about what America stands for.

What connections do you make to these words or phrases? How do these ideas relate to what you want for your community? Note the terms that you feel connect to your beliefs and/or experiences.

Hold onto this to come back to later.

WHAT IDEAS DO YOU CONNECT TO?

INTRO | PHOTO ESSAY

10 of 51

Creed

Community

Care

Freedom

Fairness

Opportunity

Independence

Justice

Responsibility

Life, Liberty, and the Pursuit of Happiness

AMERICAN

CREED TERMS

INTRO | PHOTO ESSAY

11 of 51

We are going to explore a viewfinder photo essay created by a young adult participant in the American Creed initiative. This composition weaves together photos and text to tell a story. It also shares a point of view about a community issue important to the author and informed by their beliefs about American ideals. We will look at this example in depth in order to inspire you to create a viewfinder of your own.

MENTOR TEXT | PHOTO ESSAY

EXPLORING A MENTOR TEXT

12 of 51

Throughout the next few slides, you will be asked to look at the mentor text and then do a series of low-stakes or “thinking” writing/composing activities so that you can explore a range of ideas. The goal is that these ideas will ultimately help you find a focus and provide material for your viewfinder photo essay. There is no right or wrong in this kind of process; just express yourself quickly and see what emerges.

WRITING TO THINK

MENTOR TEXT | PHOTO ESSAY

13 of 51

Kenai Peninsula, Alaska

Ready?

Meet

SAM

SCHIMMEL

MENTOR TEXT | PHOTO ESSAY

In this video, you are going to meet Sam Schimmel of the American Creed PBS initiative. Start by watching a video introduction to learn about him. As you watch, note things in the video that are interesting and important to you.

14 of 51

  • Read the essay to yourself (you might even try reading it out loud if that is helpful).
  • As you read, note things that are interesting and important to you.

Next, read Sam Schimmel’s viewfinder photo essay:

“Salmon Tales”

MENTOR TEXT | PHOTO ESSAY

15 of 51

Focus on the photographs, specifically.

  • What do you notice about the photos themselves?
  • What do you notice about the order they are presented in?
  • What story do the photos tell and in what ways do they show what’s important to Schimmel?

Then, use his viewfinder as a mentor text to guide a set of activities.

SAM’S VIEWFINDER - HIS PHOTOS

MENTOR TEXT | PHOTO ESSAY

16 of 51

You probably have a treasure trove of photos in your pocket (on your phone).

Give yourself 5 minutes to peruse your photos. Like you did with Sam’s photos, notice what jumps out to you about your photographs.

What do they say about who or what you care about?

NOW YOU TRY IT.

MENTOR TEXT | PHOTO ESSAY

17 of 51

Read Sam’s viewfinder again, this time paying attention to the text and photos as a whole.

  • Notice that Sam writes about the place where he lives and the people he lives with.
  • How, in images and words, does he convey his connection to his home and to his community?
  • What is his point of view? How does his point of view help you understand something about what he values?

SAM’S VIEWFINDER - HIS CONNECTIONS

MENTOR TEXT | PHOTO ESSAY

18 of 51

Use these sentence starters to help you write about a person, place or thing important to you.

Try answering some free-writing to prompts like these:

  • In my family/community…
  • Ever since I was young…
  • A major concern of my generation…
  • Because this is home…
  • There’s a saying around here…

MENTOR TEXT | PHOTO ESSAY

NOW YOU TRY IT.

19 of 51

  • Read Schimmel’s viewfinder again.
  • What are the community assets (things that are good or helpful) he describes? What are the community challenges?
  • How does Schimmel define his community and his ideals? How does he advocate for his community’s future?

SAM’S VIEWFINDER -

HIS COMMUNITY

MENTOR TEXT | PHOTO ESSAY

20 of 51

Community mapping focuses on the list of community assets and challenges you came up with, and makes your list more visible and concrete for you in the form of a map!

Like Sam, start to make a list of assets from your own community, and its challenges. One way to help do this is through a process of Community Mapping …

NOW YOU TRY IT.

MENTOR TEXT | PHOTO ESSAY

21 of 51

  1. Draw a simple picture of your neighborhood, town, or community (could be from above) and focus on those things that are important to you.
  2. You might find some ideas from your photos or your writing about home, so take a look back at your notes to see.
  3. Color or label places that you care about and that you admire. This could include homes, businesses, parks, libraries, schools, historical sites, environmental sites, parks, places of gathering, etc.

START YOUR MAP

Student work via The National Writing Project’s C3WP Project

MENTOR TEXT | PHOTO ESSAY

22 of 51

From your map, choose one place you admire or care about and write about it in detail.

How would you describe it to someone outside of your community?

How does it impact the community?

QUICK WRITE

MENTOR TEXT | PHOTO ESSAY

23 of 51

RETURN TO YOUR MAP

Now, choose one challenge. How does your map help you see that challenge? What does your map tell you about how to address that challenge? What’s missing from your map?

Try another quick write about this challenge…

MENTOR TEXT | PHOTO ESSAY

24 of 51

How is this challenge negatively affecting your community?

How might the assets you named before help to overcome the challenge? What other assets are needed?

How could addressing the challenge benefit the community? In what ways could you be part of a solution?

QUICK �WRITE

MENTOR TEXT | PHOTO ESSAY

25 of 51

FIND YOUR WHAT

PHOTO ESSAY

FIND YOUR STORY:

FIND YOUR “WHAT”

26 of 51

When you look at these things you just did — reviewing the photos on your phone, your quick write about your connections, your community mapping process — does a topic start to emerge?

Is there a person, place, or thing in your community that you would like to compose a photo essay about?

FIND YOUR WHAT | PHOTO ESSAY

DO YOU HAVE A FOCUS?

27 of 51

If not, circle back to your map and share it with a peer to get some more input.

If yes, yay! Now that you have your “what,” consider the question “So What?”

Why does this matter to you and to others?

Think about the things/people/places you love:

  • What is their value?
  • What would the world be like without them?

Consider talking to a peer about these questions too.

DO YOU HAVE YOUR “WHAT?”

FIND YOUR WHAT | PHOTO ESSAY

28 of 51

Next, think about the challenge(s) you identified and consider “Now What?” This might be a point of view, or even an action you can take in response to these challenges:

  • Who should know/care/do something about those problems?
  • What do you/could you do to help solve problems?

WHO AND YOU

FIND YOUR WHAT | PHOTO ESSAY

29 of 51

Return to the American Creed words and phrases you considered earlier.

  • What connections do you see between your “What” and these ideas?
  • How do these ideas relate to what you want for your community?
  • How might these connections impact the story you tell?

MAKING CONNECTIONS

FIND YOUR WHAT | PHOTO ESSAY

Creed

Community

Care

Freedom

Fairness

Opportunity

Independence

Justice

Responsibility

Life, Liberty, and the Pursuit of Happiness

30 of 51

We envision a future where society values care. To get there, �society has to see care.”

Working Assumptions

FIND YOUR WHAT | PHOTO ESSAY

31 of 51

MAKE YOUR PHOTOS

FIND YOUR STORY:

TAKE YOUR OWN PHOTOS

32 of 51

Take many photographs that capture what you would like to share from your community. You’ll want to have at least 10 to work with.

Stay close to home with people you know and trust. Even if you know them, ask people for their permission to take and share their photograph before you do.

CAPTURE WHAT IS CLOSE

MAKE YOUR PHOTOS | PHOTO ESSAY

33 of 51

Tap into more photo tips from the experts at Working Assumptions.

BE DELIBERATE

Many professional photographers say they visualize a shot before taking it. This allows them to work with a specific outcome in mind. Doing this helps you slow down and make a conscious choice about the photograph you are about to take. It can also be helpful to narrate the scene in your head.

PHOTO TIP

MAKE YOUR PHOTOS | PHOTO ESSAY

34 of 51

Photographer Henri Cartier-Bresson coined the term “The Decisive Moment” to describe the instant when everything in a situation—movement, gesture, expression, composition—comes together to reveal the essence of the scene.

One of the choices you make is about what to keep in the photo and, just as importantly, what to leave out. Do you want to include the subject’s hands? That dog in the background? A slice of sky? Etc.

AND, BE DECISIVE

FRAMING

MAKE YOUR PHOTOS | PHOTO ESSAY

35 of 51

COMPOSITION

You can make your photographs dynamic and engaging by playing with all of the shapes and lines in an image or considering how elements at the edges or corners of your frame might connect, reinforce, or complement one another.

You can use light to create mood, meaning and emphasis in your images.

Bird’s-eye view, worm’s-eye view, and kid’s-eye view are all ways to mix up your photography approaches.

LIGHTING

POINT OF VIEW

MAKE YOUR PHOTOS | PHOTO ESSAY

36 of 51

CREATE A PHOTO ESSAY

FIND YOUR STORY: CREATE A VIEWFINDER PHOTO ESSAY

37 of 51

Like Sam Schimmel’s viewfinder, your photo essay should…

  • Share a point of view about a community issue.
  • Use a voice that is public and directed beyond the immediate community
  • Make a personal connection to ideals and values.
  • Raise awareness of an issue and, when appropriate, advocate for action.
  • Mix personal experience with evidence to show why this issue matters to the author and the larger community.

SETTING GOALS

CREATE A PHOTO ESSAY | PHOTO ESSAY

38 of 51

START WITH YOUR PHOTOS

Starting to play with and organize your photos can help you see what you captured and in what ways they support (or challenge) the story you want to share.

To see more story possibilities, try these steps a couple times with at least 5 of your photos:

  1. Brainstorm captions
  2. Play with the relationships between the photos
  3. Organize your photos with captions

CREATE A PHOTO ESSAY | PHOTO ESSAY

39 of 51

BRAINSTORM CAPTIONS

Brainstorm words and ideas for the captions of your pictures. Don’t be concerned with spelling, grammar, or punctuation at this point—just get your ideas and feelings down.

  • List things that were happening before, during, or after you took the picture. You can include things happening outside the frame.
  • Describe any surprising or fascinating information that the viewer doesn’t already know about the scene to provide context.
  • Describe things that the photograph cannot capture such as smells, tastes, sounds, temperature, or bits of conversation.
  • List any emotions or feelings that you associate with this image.
  • List any ideas about American beliefs that the photos may capture.

A FEW SUGGESTIONS…

CREATE A PHOTO ESSAY | PHOTO ESSAY

1

40 of 51

PLAY WITH RELATIONSHIPS

  • Move your photos around and play with how they relate to each other.
  • Look at them in pairs and triads.
  • What do you notice about the pair of images? What stories do they start to tell together? What arguments do they begin to make and/or what values do they convey?

CREATE A PHOTO ESSAY | PHOTO ESSAY

2

41 of 51

ORGANIZE YOUR PHOTOS

  • Organize the photos you think you would like to use. Describe each one and then write down the caption you might want to use.

Here’s a tip: Use a photo organizer to keep track of your photos and ideas.

CREATE A PHOTO ESSAY | PHOTO ESSAY

3

Description of photo

What part of the story does this photo tell?

Draft of caption for photo

42 of 51

PUT IT TOGETHER

Think about the story you want to share. You can use what you already did as an outline or structure.

  • What is your “what”?
  • What is your “so what?” Why does this matter to you and also to others?
  • What is your “now what?” What do you want others to understand, or what action you propose?

CREATE A PHOTO ESSAY | PHOTO ESSAY

Compose your photos, captions and supporting text to share this story.

43 of 51

My aunts and uncles taught me that the classroom was the woods around me and the sea.”

CREATE A PHOTO ESSAY | PHOTO ESSAY

Here’s a tip: return to Sam’s photo essay to use it as a guide for your own composition process.

44 of 51

PEER FEEDBACK

Start your peer feedback process with some agreements:

  • Be respectful
  • Be specific
  • Be helpful
  • Participate fully

Once agreed, share your photo essay with a partner. After they view and read it, ask them these questions:

  • Are you curious to know or to see more? Did the photo essay catch your attention? Why or why not? What would you like to learn more about?

PEER INPUT | PHOTO ESSAY

45 of 51

REVISION

Based on the feedback you got from a peer (or two!), work to revise your photo essay.

You might want to return to the “Find Your Story” writing you did and/or play with the way you have organized your photos and/or brainstorm more captions to support the photos.

Here’s a tip: save your original draft and make this a new draft. That way, you can always return to your original or use it for comparison.

PEER INPUT | PHOTO ESSAY

46 of 51

FINAL PROOFREAD

  • Since this will be public, you want to make sure it doesn't have any spelling or grammar mistakes.
  • Try this: read your writing aloud to yourself. This way, you can find things you missed before.
  • Or try this: read sentence by sentence, only backwards! This will help you focus on the line by line details.

PROOFREAD | PHOTO ESSAY

47 of 51

CREATIVE

PORTFOLIO

Now that you have your final version you can share it by publishing it to the Civic Journalism platform! Copy and paste your text and upload your images there.

While you’re there, check out what others shared from across the country.

https://writingourfuture.nwp.org/our-towns-our-stories

48 of 51

And … you may also share your photo essay to the KQED Youth Media Challenge platform! By publishing your work, it is eligible to be shared by KQED and PBS stations across the country, contributing to national dialogue about what motivates us to care for our community and America as a whole.

https://youthmedia.kqed.org/americancreed

PUBLISH | PHOTO ESSAY

49 of 51

PREPARE TO PUBLISH

Get ready to submit your photo essay to the American Creed Youth Media Challenge.

  • Ask your teacher for the American Creed Youth Media Challenge submission code
  • Finalize the title of your photo essay
  • Note that the file must be a PDF smaller than 10MB
  • Include up to 3 tags for your project
  • Write a producer’s statement…

PUBLISH | PHOTO ESSAY

50 of 51

WRITE A PRODUCER’S STATEMENT

This will be displayed with your photo essay.

Your reflection doesn’t have to be long, but it should answer these questions (and include anything else you want to share):

  • Why did you choose your topic?
  • What did you learn during this project?
  • What do you want people to know about the project?

PUBLISH | PHOTO ESSAY

51 of 51

You did it!

A PROJECT OF

NWP.ORG &

Woot woot!

IN PARTNERSHIP WITH

WORKINGASSUMPTIONS.ORG

CITIZENFILM.ORG