1 of 56

BUDGETING & TRUE COST FOR ARTS ORGANIZATIONS

October 16, 2024

LAST UPDATED: 8/22/2022

    • For any presentation involving BDO Consulting Group, please add the following below the BDO disclaimer (then adjust text box so it sits appropriately on page)

Restructuring and turnaround services within the United States are offered through BDO Consulting Group, LLC, a separate legal entity and affiliated company of BDO USA, LLP, a Delaware limited liability partnership and national professional services firm. Certain restructuring and turnaround services may not be available to attest clients of BDO USA under the rules and regulations of public accounting. 

    • Insert the date and extend the width of the red box to fit on one line. The right edge should be tight to the end of the date.

BDO USA, LLP, a Delaware limited liability partnership, is the U.S. member of BDO International Limited, a UK company limited by guarantee, and forms part of the international BDO network of independent member firms.

1

2 of 56

Today’s Session

INTRODUCTION TO PLANNING & TRUE COST

    • Welcome & Review
    • Introduction to Financial Planning
    • Budgeting Expenses
    • Budgeting Revenue
    • Business Model & Mission Matrix
    • Wrap-Up

BUDGETING & TRUE COST FOR ARTS ORGANIZATIONS

2

3 of 56

Meeting Norms: Participate Authentically

BUDGETING & TRUE COST FOR ARTS ORGANIZATIONS

Respect each other - judge ideas, not people

Be patient with tech

Be present & engaged

Expect active participation

Avoid multi-tasking

Expect confidentiality

3

4 of 56

Introductions

BUDGETING & TRUE COST FOR ARTS ORGANIZATIONS

Name, Organization & Role

Are You a Planner?

In your personal life, are you the one making dinner plans weeks in advance, or do you feel more comfortable when you can make decisions in the moment?

4

5 of 56

Financially Resilient Organizations...

BUDGETING & TRUE COST FOR ARTS ORGANIZATIONS

Stay focused on the long-term

Continually assess

and respond to

current needs

Understand and are

able to tell their

financial story

5

6 of 56

BUDGETING & TRUE COST FOR ARTS ORGANIZATIONS

Financial Resilience

Resources

Practices

Values

Equity & Inclusion�Mission-Focused�Continuously Improving�Data-Driven

6

7 of 56

BUDGETING & TRUE COST FOR ARTS ORGANIZATIONS

Financial Resilience

Practices

7

8 of 56

Financial Planning

    • Inclusive and team-based
    • Continuous and iterative
    • Allows for recalibration and course correction
    • Focused on the future but responsive to the present

    • Building organizational resilience
    • Supporting diversity, equity & inclusion

BUDGETING & TRUE COST FOR ARTS ORGANIZATIONS

Process:

A process to define how an organization’s strategy will be funded.

Guiding principles include:

Finance + Equity

8

9 of 56

FINANCIAL PLANNING�A Budget Is…

An OUTCOME of the financial planning process

An ACTION PLAN stated in Dollar Terms

An EXPRESSION of an Organization’s Values

BUDGETING & TRUE COST FOR ARTS ORGANIZATIONS

Finance + Equity

9

10 of 56

Types of Budgets

BUDGETING & TRUE COST FOR ARTS ORGANIZATIONS

Operating Budget

Cash Budget

Capital Budget

Program Budget

Grant Budget

Strategic Budget

10

11 of 56

Budget Development: A Five Step Process�

BUDGETING & TRUE COST FOR ARTS ORGANIZATIONS

1. Assemble a Budgeting Team

2. Create a Budget Calendar

11

12 of 56

Budget Development: A Five Step Process�

BUDGETING & TRUE COST FOR ARTS ORGANIZATIONS

1. Assemble a Budgeting Team

2. Create a Budget Calendar

3. Prepare for Budget Process

Set Financial Goals

Forecast Current Year Results

Gather Data and Build Budget Template

Conduct Team Kickoff Meeting

12

13 of 56

Budget Development: A Five Step Process�

BUDGETING & TRUE COST FOR ARTS ORGANIZATIONS

1. Assemble a Budgeting Team

2. Create a Budget Calendar

3. Prepare for Budget Process

4. Build the Budget

Budget Expenses

Forecast Cash Flow

Budget Revenue

Secure Board Approval

Plan Alternate Scenarios

13

14 of 56

Budget Development: A Five Step Process�

BUDGETING & TRUE COST FOR ARTS ORGANIZATIONS

1. Assemble a Budgeting Team

2. Create a Budget Calendar

3. Prepare for Budget Process

4. Build the Budget

5. Monitor the Budget

14

15 of 56

Breakout Activity

    • With your group review the case study in your participant manual and respond to the prompts provided
    • We will ask for participants to give a recap

BUDGETING & TRUE COST FOR ARTS ORGANIZATIONS

15

16 of 56

BUDGETING & TRUE COST FOR ARTS ORGANIZATIONS

16

17 of 56

Break

BUDGETING & TRUE COST FOR ARTS ORGANIZATIONS

17

17

18 of 56

BUDGETING & TRUE COST FOR ARTS ORGANIZATIONS

18

19 of 56

Budgeting Concepts: Expense Categories

BUDGETING & TRUE COST FOR ARTS ORGANIZATIONS

NATURAL EXPENSES

Expenses classified by the nature of the expense such as salaries, rent, utilities, supplies, etc.

Expenses classified by the type of activity for which the expense was incurred: programmatic, management and general, or fundraising.

FUNCTIONAL EXPENSES

19

20 of 56

Sample Operating Budget

BUDGETING & TRUE COST FOR ARTS ORGANIZATIONS

NATURAL

EXPENSES

FUNCTIONAL EXPENSES

20

21 of 56

Budgeting Concepts: Expense Categories

BUDGETING & TRUE COST FOR ARTS ORGANIZATIONS

SPECIFIC EXPENSES

Expenses that can be specifically assigned to one or more program(s) or function(s), based on time or money spent directly on each program or function.

  • Salaries for program personnel
  • Salaries for fiscal staff
  • Fundraising expenses

Expenses that are shared among some or all programs and functions. These expenses must be allocated among functional areas on the basis of an appropriate methodology.

  • Rent and utilities in a common space
  • Office supplies
  • Depreciation

SHARED EXPENSES

21

22 of 56

Sample Operating Budget

BUDGETING & TRUE COST FOR ARTS ORGANIZATIONS

SPECIFIC EXPENSES

SHARED EXPENSES

22

23 of 56

Expense Categories

BUDGETING & TRUE COST FOR ARTS ORGANIZATIONS

Specific Management & General and Fundraising Expenses

2

3

Specific Program Expenses

1

Shared Expenses

23

24 of 56

Budget Expenses

BUDGETING & TRUE COST FOR ARTS ORGANIZATIONS

Type 1: SPECIFIC PROGRAM

EXPENSES

Type 2: SHARED EXPENSES

Type 3: SPECIFIC M&G/FUNDRAISING EXPENSES

24

25 of 56

Cost Allocation Methods��

BUDGETING & TRUE COST FOR ARTS ORGANIZATIONS

By Staff (FTE)

By Space Usage

By Participants

Management & General

Fundraising

Program A

Program B

25

26 of 56

Translating Expense Categories

BUDGETING & TRUE COST FOR ARTS ORGANIZATIONS

Specific Management & General and Fundraising Expenses

How funders see our costs:

How we see our costs:

Direct Expenses

Indirect Expenses

2

3

Specific Program Expenses

1

Shared Expenses

26

27 of 56

Budget Expenses

BUDGETING & TRUE COST FOR ARTS ORGANIZATIONS

Type 1: SPECIFIC PROGRAM

EXPENSES

Type 2: SHARED EXPENSES

OVERHEAD EXPENSES

Costs funded by

program grant(s)

Costs funded by indirect rate from program grant(s) or unrestricted revenue

27

28 of 56

Overhead vs Indirect Cost

BUDGETING & TRUE COST FOR ARTS ORGANIZATIONS

Management & General + Fundraising

Total Program Expense

INDIRECT COST RATE

Management & General + Fundraising

Total Organizational Expense

OVERHEAD RATE

28

29 of 56

LUNCH

BUDGETING & TRUE COST FOR ARTS ORGANIZATIONS

29

29

30 of 56

Revenue Sources

BUDGETING & TRUE COST FOR ARTS ORGANIZATIONS

Individual Contributions

Foundations

Corporations

Government

Earned Revenue

30

31 of 56

Revenue Discussion

    • Review your assigned revenue source and discuss the pros and cons of this type of revenue
    • Reflect on both the opportunities and challenges organizations may face in accessing this source

BUDGETING & TRUE COST FOR ARTS ORGANIZATIONS

With your group:

31

32 of 56

Revenue Planning

BUDGETING & TRUE COST FOR ARTS ORGANIZATIONS

32

33 of 56

Funding True Cost

BUDGETING & TRUE COST FOR ARTS ORGANIZATIONS

Surplus/Deficit

By Program

33

34 of 56

Evaluating Funding Opportunities

BUDGETING & TRUE COST FOR ARTS ORGANIZATIONS

Tool: Funding Opportunity Assessment

www.strongnonprofits.org

34

35 of 56

Video: “Everyone Deserves a Fair Slice”�

BUDGETING & TRUE COST FOR ARTS ORGANIZATIONS

�Video by Human Services Council of NY

35

36 of 56

Group Discussion

    • What were your overall impressions?
    • What did you notice about the different customers visiting the pizza shop?
    • How does that mirror your experience with funders?

BUDGETING & TRUE COST FOR ARTS ORGANIZATIONS

Reflect on pizza shop video:

36

37 of 56

True Cost: The National Conversation

BUDGETING & TRUE COST FOR ARTS ORGANIZATIONS

Pay-What-It-Takes Philanthropy

Real Talk About Real Costs

Finance + Equity

37

38 of 56

Breakout Activity: Advocating for Overhead

    • With your group discuss your assigned scenario – how would you react if you were in this situation?
    • Consider practicing how you would respond

BUDGETING & TRUE COST FOR ARTS ORGANIZATIONS

38

39 of 56

Advocating for Overhead Activity

BUDGETING & TRUE COST FOR ARTS ORGANIZATIONS

Your friend posts this on Facebook:

“Check out this list of great organizations to support. They don’t spend any of your donations on overhead. The money all goes directly to people in need.”

You are meeting with a donor who says: “I see that your organization only receives 3 stars on Charity Navigator because your overhead expenses are too high. I want my money to go directly to people in need.”

The program director of your largest program asks: “Why are we expanding our admin department and hiring more finance staff? That just means less money for the kids we serve.”

You are meeting with a funder who will only fund 10% overhead expenses. The program officer says: “We are concerned about the financial sustainability and resilience of your organization.”

SCENARIO 1

SCENARIO 2

SCENARIO 3

SCENARIO 4

39

40 of 56

PLANNING�Business Model�

BUDGETING & TRUE COST FOR ARTS ORGANIZATIONS

BUSINESS

MODEL

Personnel

Goods & Services

Occupancy

Contributions

Government

Earned Revenue

REVENUE

EXPENSE

The rationale of how an organization creates, delivers, and funds its impact.

40

41 of 56

Business Model Drivers: Revenue

What organizational characteristics are associated with different revenue types?

BUDGETING & TRUE COST FOR ARTS ORGANIZATIONS

  • Delivery of programs and raising of funds are independent and distinct activities
  • Requires robust fundraising function
  • Delivery of programs and generation of funds are closely tied
  • May require (contributed) subsidies

  • Revenue tied to delivery of services, but with a third-party payer

Contributed Revenue

Earned Revenue

Government Grants

41

42 of 56

Business Model Drivers: Expenses

What are the key “drivers” of costs in your organization’s model?

BUDGETING & TRUE COST FOR ARTS ORGANIZATIONS

  • Total personnel costs are typically around 70% of a nonprofit’s expense structure
  • Occupancy costs tend to be relatively fixed over the medium or even long terms
  • Professional fees, supplies, materials, travel, food, etc.
  • Generally smaller dollar amounts but greater flexibility

Personnel

Occupancy

Purchased Goods & Services

42

43 of 56

Business Model Statement

    • THEATER: We are a theater company focused on bring new works and new adaptations of traditional works. While ticket sales cover some of our costs, we also rely on individual donors and grants from funders to fill the gap.
    • ARTS ADVOCACY ORGANIZATION: We provide research, advocacy and training to ensure arts remain vibrant in our community, supported by a few committed individual and foundation donors who helped create and share our vision.
    • ARTS EDUCATION ORGANIZATION: We serve our community through in-school programs funded by a city contract, and open-enrollment classes supported by an annual fundraising event and business sponsorships.

BUDGETING & TRUE COST FOR ARTS ORGANIZATIONS

Examples adapted from Jeanne Bell, Jan Masaoka and Steve Zimmerman, Nonprofit Sustainability (Josey Bass, 2010)

43

44 of 56

Sustainable Business Model

BUDGETING & TRUE COST FOR ARTS ORGANIZATIONS

MISSION

44

45 of 56

Mission Matrix

BUDGETING & TRUE COST FOR ARTS ORGANIZATIONS

Adapted from “Double Bottom Line Matrix,” Bell and Schaffer, Financial Leadership for Nonprofit Executives, 2005

MISSION IMPACT

FINANCIAL CONTRIBUTION

45

46 of 56

Mission Matrix: Map Analysis

BUDGETING & TRUE COST FOR ARTS ORGANIZATIONS

Impact = 5 (High)

Impact = 1 (Low)

Surplus

Deficit

FINANCIAL CONTRIBUTION

MISSION IMPACT

Adapted from “Double Bottom Line Matrix,” Bell and Schaffer, Financial Leadership for Nonprofit Executives, 2005

46

47 of 56

Resources & Wrap Up

BUDGETING & TRUE COST FOR ARTS ORGANIZATIONS

47

47

48 of 56

Financial Management Resources

This library of free tools and resources was created in collaboration with the Wallace Foundation to help organizations become “fiscally fit”.

BUDGETING & TRUE COST FOR ARTS ORGANIZATIONS

48

49 of 56

Budget Template

BUDGETING & TRUE COST FOR ARTS ORGANIZATIONS

49

50 of 56

Evaluating Funding Opportunities

BUDGETING & TRUE COST FOR ARTS ORGANIZATIONS

Tool: Funding Opportunity Assessment

www.strongnonprofits.org

50

51 of 56

Cash Flow Projections

BUDGETING & TRUE COST FOR ARTS ORGANIZATIONS

Cash Flow Projection Template + Online Tutorial

www.strongnonprofits.org

51

52 of 56

Resources: Articles to Read

BUDGETING & TRUE COST FOR ARTS ORGANIZATIONS

52

53 of 56

Resources: True Cost

BUDGETING & TRUE COST FOR ARTS ORGANIZATIONS

53

54 of 56

Resources: True Cost

BUDGETING & TRUE COST FOR ARTS ORGANIZATIONS

A Step Toward Supporting the True Cost of Nonprofits’ Work

hewlett.org/a-step-toward-supporting-the-true-cost-of-nonprofits-work

54

55 of 56

Evaluation:

BUDGETING & TRUE COST FOR ARTS ORGANIZATIONS

Join the SCAA:

THANK YOU!

55

55

56 of 56

About BDO USA

At BDO, our purpose is helping people thrive, every day. Together, we are focused on delivering exceptional and sustainable outcomes — for our people, our clients and our communities. Across the U.S., and in over 160 countries through our global organization, BDO professionals provide assurance, tax and advisory services for �a diverse range of clients.

BDO is the brand name for the BDO network and for each of the BDO Member Firms. �BDO USA, LLP, a Delaware limited liability partnership, is the U.S. member of BDO International Limited, a UK company limited by guarantee, and forms part of the international BDO network of independent member firms.

www.bdo.com

Material discussed is meant to provide general information and should not be acted on without professional advice tailored to your needs.

© 2022 BDO USA, LLP. All rights reserved. www.bdo.com

56