1 of 49

Art History: van Eyck versus Durer

View Show speaker notes for translations

If the audio breaks while presenting, �back up one slide and return.

2 of 49

Emily Rathke

graphite and acrylic on paper

Spring 2020

Citadel Creates

@mrdrapak

3 of 49

Moncler: Pierpaolo Picciolo and Liya Kebede

quilted down jacket skirts, 2019

4 of 49

Girl Reciting Qu'ran, 1880

The Musician Girl, 1880

Chest

Osman Hamdi (Turkey)

5 of 49

Christi Belcourt (Canada) @christibelcourt

Resilience of the Flower Beadwork People, 1999.

Four Cedar Waxwings, 2020.

New Beginnings, 2014.

6 of 49

Christi Belcourt (Canada) @christibelcourt

Resilience of the Flower Beadwork People

1999

acrylic on canvas

122 x 91 cm

7 of 49

Christi Belcourt (Canada) @christibelcourt and Isaac Murdoch,

New Beginnings, 2014. Acrylic on canvas, 122 x 183 cm.

8 of 49

9 of 49

The two week plan

Wednesday

  • We show you the plan

Thursday

🐇Holidays: Good Friday and Easter Monday 🐇

Tuesday

  • We start the Depth Drawing

Wednesday

Thursday

  • We study art history: Jan van Eyck and Albrecht Durer

Friday

  • We complete an assignment based on our observation of the Arnolfini Portrait

10 of 49

Depth drawing evaluation

Shading, proportion and detail: Proportion, contour, deep blacks, smoothness, and blending

Shading, uwiano na maelezo: Uwiano, contour, nyeusi nyeusi, urembo, na kuchanganya

阴影,比例和细节: 比例,轮廓,深黑色,平滑度和混合度

Pagtatabing, proporsyon at detalye: Ang proporsyon, tabas, malalim na itim, makinis, at pinaghalong

Ombreggiatura, proporzione e dettaglio: Proporzione, contorno, nero profondo, lisciazza e miscelazione

음영, 비례 및 세부 사항: 비율, 윤곽선, 딥 블랙, 부드러움 및 블렌딩

Xaraashka, saamiga iyo faahfaahinta: Kala-qaadashada, dusha kala-baxa, madowagga madoowga, jilicsanaanta, iyo isku-daridda

التظليل والنسبة والتفصيل: نسبة، كفاف، السود العميق، نعومة، ومزج

Sense of depth: Changing focus, contrast, size, and perspective

Ufahamu wa kina: Kubadili lengo, kulinganisha, ukubwa, na mtazamo

深度感:改变焦点,对比度,大小和视角

Sense of depth: Pagpapalit ng focus, contrast, size, at perspective

Senso di profondità: Cambiare fuoco, contrasto, dimensione e prospettiva

깊이 감 : 초점, 대비, 크기 및 원근감 변경

Dareenka qoto dheer: Bedelka diirada, isbarbar dhigga, cabirka, iyo aragtida

الشعور بالعمق: تغيير التركيز والتباين والحجم والمنظور

Composition: Complete, full, balanced, and non-central

Muundo: Kamili, kamili, uwiano, na yasiyo ya kati

成分:完整,完整,平衡和非中央

Komposisyon: Kumpleto, buo, timbang, at di-sentral

Composizione: completa, piena, equilibrata e non centrale

작문 : 완전하고, 완전하며, 균형 있고, 중심이 아님

Halabuurka: dhameystiran, buuxa, isku dheellitiran, iyo aan dhexaad

التركيب: كامل، كامل، متوازن، وغير مركزي

11 of 49

An Incomplete Manifesto for Growth - Bruce Mau

(www.brucemaudesign.com)

11. Harvest ideas. Edit applications.

Ideas need a dynamic, fluid, generous environment to sustain life. Applications, on the other hand, benefit from critical rigor. Produce a high ratio of ideas to applications.

12 of 49

Work-in-progress

13 of 49

Confidence Mwamba

14 of 49

Ella MacDonald

15 of 49

16 of 49

Renaissance Art

4. How do you show the rebirth of humanity?

17 of 49

Unknown

The Terracotta Army

200-300 BC

Unknown

The Death Mask of King Tutankhamen

1320 BC

18 of 49

Myron

Discobolus

circa 450 BC

Unknown

Head of a Roman Patrician

50-75 BC

19 of 49

Unknown

Christ Pantocrator

c. 1180-1194

Sedefkâr Mehmed Ağa

Sultan Ahmed Mosque

1616

20 of 49

21 of 49

Albrecht Dürer

Self-portrait

1500

Oil on wood panel

66.3 × 49cm

Alte Pinakothek, Munich

22 of 49

Albrecht Dürer

Self-portrait

1500

Oil on wood panel

66.3 × 49cm

Alte Pinakothek, Munich

23 of 49

Notice the detail and texture in this self-portrait!

24 of 49

He is wearing fashionable, expensive clothing to show us how successful he is.

25 of 49

His hand is in the shape of a religious blessing. Usually only Jesus posed like this!

26 of 49

He staring straight at us, like in paintings of Jesus.

27 of 49

Albrecht Dürer, Self-portrait, 1500

Hans Memling, Christ Giving His Blessing, 1478

28 of 49

Albrect Durer’s monogram signature: AD, in the year 1500.

29 of 49

Albertus Durerus Noricus ipſum me propriis ſic effingebam coloribus ætatis anno XXVIII.

Albert Dürer of Nuremberg, I so depicted myself with colors, at the age of 28.

30 of 49

Albrecht Dürer

Self-portrait

1500

Oil on wood panel

66.3 × 49cm

Alte Pinakothek, Munich

31 of 49

Tomorrow:

The easiest assignment you will probably do this semester!

(You will be able to do it online pretty quickly...)

32 of 49

33 of 49

Jan van Eyck

The Arnolfini Portrait

1434

Oil on oak panel

82.2 × 60cm

National Gallery, London

34 of 49

Jan van Eyck

The Arnolfini Portrait

1434

Oil on oak panel

82.2 × 60cm

National Gallery, London

35 of 49

He is wearing expensive clothes.

His skin is very pale: he does not go outside much.

What kind of personality do you think he has?

36 of 49

She looks very young and humble.

She is wearing expensive clothes, too.

She is resting her hand on her belly, BUT she is NOT pregnant! At the time, it was sylish to add layers of padding to the front of a dress.

37 of 49

Look at the detail in this expensive candelabra! Was it traced? And why is there only one candle lit?

38 of 49

Look at his signature.

It says in Latin, “Johannes de Eyck fuit hic, 1434.”

Jan van Eyck was here, 1434

39 of 49

In the background is set of prayer beads, and a curved mirror.

40 of 49

Around the edge of the mirror are tiny pictures of the last days of Jesus. The mirror shows the back of the couple, with two others watching.

41 of 49

This is the world’s fluffiest dog! Dogs are a symbol of loyalty.

42 of 49

Both of them have taken their shoes off.

43 of 49

They are holding hands, and he is also raising his right hand.

44 of 49

Behind her is a big comfortable bed.

There is no symbolism here. None at all!

45 of 49

Behind him is a window.

Outside is a tree with oranges on it. There are fruit on the sideboard and on the window ledge.

Trees bearing fruit - hmmm.

46 of 49

Jan van Eyck

The Arnolfini Portrait

1434

Oil on oak panel

82.2 × 60cm

National Gallery, London

47 of 49

48 of 49

Albrecht Dürer

Self-portrait

1500

Jan van Eyck

The Arnolfini Portrait

1434

49 of 49

Tomorrow:

The easiest assignment you will probably do this semester!

(You will be able to do it online pretty quickly...)