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AV Studio Signoff

Join #support_avstudio on Slack!

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Equipment Overview

  • Lumix GH5 mirrorless camera
  • Canon Vixia camcorder
  • Logitech wide-angle webcam (2x)
  • 2x Panel LEDS
  • 5x Fill lights
  • Ring light

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Where can I use this equipment?

In the AV Studio

In the shops

Elsewhere at NL

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Shop/other

  • Be careful moving equipment
  • Try to use plastic lights
  • “Would a GoPro work better for this?”
  • Exercise caution with cables

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Studio Advantage

  • Controlled lighting setup
  • Less background noise

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General Policies

  • Use of the room or any equipment within requires a reservation!
  • Report issues as they occur

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Subject overview

Cameras

A bit about Streaming

Lights

Gimbal

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Light! (and shadow)

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Shadows and Light Size

1” diameter light

1” light w/ 5” diffuser

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The inverse square law

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The inverse square law

Light intensity can be calculated with the equation:

The further you get from a light source, the brightness drops not in a linear manner, but exponentially.

A light source 1’ from the subject, but 4’ from the background will have light intensity as follows:

Subject: 1/(1^2) = 1 Background: 1/(4^2) = 1/16 = .0625

A sixteenth as much light from subject to background

Move that same light back 3’, so it is 4’ from the subject, and 7’ from the background, and you get a much smaller difference in intensity between the subject and background…

Subject: 1/(1^4) = 1/16 = .0625 Background: 1/(7^2) = 1/49 = ~.02

A ~third as much light from subject to background

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What does this mean?

If you correct for the amount of light hitting the subject so it remains properly exposed…

The background will be significantly brighter when the light is further away vs. when that light is super close to the subject.

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Inverse Square Law in action

Light close to subject

Dark background (sharp falloff)

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Distance reduces falloff

Single light placed further away

Object and background are more evenly lit

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Putting it together

If you use a large light source (using umbrellas, a softbox, or even shining through some translucent fabric) that is far from the subject and background

you will have soft shadows and limit light falloff from subject to background.

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Softbox at left, 2 background lights

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Softbox (keylight)

Background

Background

This isn’t really doing anything

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Blackbody temperature

Kelvin Blackbody scale

Mismatched LED lights on a house

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Strobe 5600K LED panel 3200K LED panel Tungsten

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5600K LED panel 3200K LED panel

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Ring light controls

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Adjusting the Limelite panels

Two 1’x1’ bi-color LED panel lights, by Limelite.

Power switch on the right side.

Click top button (with fader icon) to get to “PST”

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Limelite Panel Demo

Press ✔ to toggle between color, intensity

Use +/- to adjust col/int

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Col[or] and Int[ensity]

Color is adjustable from 3200K (“warm white” - approximating the color temperature of a tungsten light) to 5600K (“daylight” - approximating the color temperature of the sun on a bright day).

The display omits the last 0.

Intensity is adjustable from 0 (lowest brightness) to 255 (maximum brightness).

The brightest light will be at 255 at around 4400K, as both sets of LEDs will be on.

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Cameras

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Shutter speed

How long is the camera’s shutter open?

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Shutter speed

How long is the camera’s�shutter open?

  • Expressed as 1/<time> in seconds
  • Slower shutter speeds (under 1/30s) will have a higher tendency to blur motion (either because the subject is moving, or because your hand is shaking)
  • Faster shutter speeds will ‘stop’ motion

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Shutter speed

How long is the camera’s�shutter open?

  • Longer shutter speeds let in more light
  • Shorter shutter speeds let in less light

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1/30 second

1/15 second

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1/640 second

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1/8000 second

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Aperture

How much light is the lens letting in during the exposure?

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Aperture

How much light is the lens letting in during the exposure?

  • Controls 2 things
    • The amount of light getting through to the film/sensor
    • Depth-of-field

Lenses with low f-numbers�(f2.8, f2, f1.8, etc) are ‘fast lenses’ and let in a lot of light, thus, you can use a faster shutter speed at a given brightness level.

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f2 vs f22

“Wide open”

Lets in lots of light.

“Closed down”

Lets in little light.

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Aperture

Controlling depth of field.

  • Wider apertures (where the lens is letting in a lot of light) have shallow depth of field; the focal plane will be very narrow and not much is in focus at any one time.
  • Narrow apertures (when the lens opening is smaller) have wider depth of fields; more of the image around the focal plane will have acceptable focus.

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Depth of Field

Shallow (low F-stops)

Deep (high F-stops)

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ISO

The sensitivity of your camera

  • You used to have to buy film with a specific ASA rating (100, 400, 1600, etc), but now we have ISO.
  • The higher the number, the more sensitive to light the camera is.
  • As cameras evolve, max ISO ratings are getting higher, and have improved levels of noise in the image at mid-range ISOs.
    • You’ll probably start seeing noise in your image around 1600, 3200 or 6400, depending on your camera.

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White Balance

Warm

Cold

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White Balance

Magenta

Green

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Photos in action

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Troubleshooting 101

What went wrong here?

  • Shutter speed: 1/80
  • Aperture: f 4.5
  • ISO: 1000

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Troubleshooting 101

What went wrong here?

  • Shutter speed: 1/160
  • Aperture: f5.6
  • ISO: 1600

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The Camera (GH5)

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Lumix GH5 Interface

Touchscreen flips/swivels

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Lumix GH5 Interface

Many function-specific buttons

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Streaming

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Streaming with nice cameras

Our HDMI Capture Device

Lumix Webcam Software (beta)

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Gimbal

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Lightweight, 3-axis gimbal for small to medium mirrorless and DSLR cameras.

The Ronin SC is a handheld stabilizer for cameras.

It uses accelerometers and brushless motors to counteract the movement of your body, arms, and hands to stabilize a camera and smooth its motion.

Manual (PDF)

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Don’t lose parts!

There are MANY small parts and cables for the Ronin.

Please be sure to put everything back in the case when you are done using it, and take an inventory using the diagram at right.

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Main components

Three main parts to the gimbal

Camera and base plate/dovetail

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Assembly

Attach battery/grip to gimbal

Screw on tripod foot

Attach dovetail and �lens support

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Balancing

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Starting points

Setup the camera:

  • Memory card
  • Battery
  • Lenscap off
  • Zoom to your approximate�focal length

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Be kind, rewindcharge, and put away when done

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Did I forget the parts list?

Ronin SC resources:

Website

Manual

Basic operation (video)

Balancing (video)

TBD:

Resources for using the focus wheel/focus motor.

Camera control on the GH5

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Questions?