1 of 86

Juxtapose

Project prompt #1 Spring 2021 1511

Due 2/24

2 of 86

Each student will choose an organic and an inorganic object to be layered, somehow connected, or intelligently juxtaposed then well drawn with interesting line variation and partially rendered in pencil.

This will be a formal exploration so make sure you consider formal relationships both before the objects are chosen and after. This means you means that if you choose seashell and an eyelash curler we will examine the formal connections made or revealed in the making Try not to get caught up in the innate connections that already exist. Don’t make object choices that already relate but look for new ways to consider what is happening visually between these two objects.

In these drawings the student should be aware of not only the positive space but the space in between and surrounding the objects. Negative space should be highly considered. The tension and use of negative space created not only between the two objects will be important but also that used in rectangle you are working in. Make sure you are carefully placing the objects with an awareness of the corners and edges and how they relate to the interior image.

3 of 86

  • 35% of your drawing should reach full refinement, including shading/ rendering. This includes thrown shadows.

  • 20% should be the beginning basic search including your searching lines, implied or guiding lines, and gestures. Show your thought process as you begin a drawing.

  • The rest of the drawing should be a finished contour drawing that is in full proportion and measurement with line weight and quality highly considered.

4 of 86

These drawings should have a “see-through” aspect to them. I would like you to imagine that you can see through the objects and draw the objects as if it is made of a see through material. This will help you develop structure and proportion. Think industrial or technical drawing.

These percentages may be throughout the drawing, you need to decide what needs to be done to draw in and lead the viewer through the entire picture to create an interesting well balanced composition.

This should be a measured well composed drawings using all the tools discussed in class.

5 of 86

Grading Rubric:

Content

-ability to create a believable, though not necessarily realistic, space

-creative use of observed elements, lighting, and rules of perspective

Formal Aspects

-composition, focal point, interesting arrangement of positive and negative spaces, movement, variety and rhythm, contrast

-ability to create illusion of depth and volume through use of light/ shadow and perspective

-correct observation of forms

Craft

-quality of mark, carefully layered charcoal to produce a wide range of value

-contours and edges are varied, according to lighting situation, and they describe a solid form (no wavy walls if they should be straight )

6 of 86

Giorgio Morandi

7 of 86

8 of 86

9 of 86

10 of 86

11 of 86

Gray Foy

12 of 86

13 of 86

14 of 86

15 of 86

16 of 86

Seungyea Park

17 of 86

18 of 86

19 of 86

20 of 86

21 of 86

22 of 86

John Coplans

23 of 86

24 of 86

25 of 86

26 of 86

27 of 86

Yves Tanguy

28 of 86

29 of 86

30 of 86

31 of 86

32 of 86

Adrian Avila

33 of 86

34 of 86

35 of 86

36 of 86

Miles Johnston

37 of 86

38 of 86

39 of 86

40 of 86

Kehinde Wiley

41 of 86

42 of 86

43 of 86

44 of 86

Erik Jones

45 of 86

46 of 86

47 of 86

48 of 86

49 of 86

Guo Fengyi

50 of 86

51 of 86

52 of 86

53 of 86

54 of 86

Emma Bennett

55 of 86

56 of 86

57 of 86

58 of 86

Gwen John

59 of 86

60 of 86

61 of 86

Josephine Halvorson

62 of 86

63 of 86

64 of 86

Janet Fish

65 of 86

66 of 86

67 of 86

68 of 86

Antonio Lopez-Garcia

69 of 86

70 of 86

71 of 86

72 of 86

73 of 86

Student Work

74 of 86

75 of 86

76 of 86

77 of 86

78 of 86

79 of 86

80 of 86

81 of 86

82 of 86

83 of 86

84 of 86

85 of 86

86 of 86