Understanding the television & film industries
Sam Goodfellow
THE BACKGROUND INFORMATION
Subsidiaries
NETFLIX
NETFLIX OWNERSHIP
In terms of ownership for Netflix, the two founders Reed Hastings and Marc Randolph were the
original owners. On the 29th of May 2002, Netflix started a public offering, selling 5.5 million
shares of their common stock. Splitting the ownership, meaning the bigger share bought, the
larger the amount of ownership the subject has. Netflix is owned by institutional investors as
opposed to having a specific owner. One of the main stakeholders in the company, having the
biggest ownership include, TCS Management. However one of the largest shares invested in
Netflix is by the company Goldman Sachs Asset Management. They have a 10.1% stake in the
company, one of the largest owned. The Vanguard institution also own a large stake in Netflix.
By giving the option to spread out the ownership to the public via shares is a risk, but it can also
be a potentially wealthy investment. As different companies can earn their mark and give
something different to the company. This is also an example of branching out their horizontal
integration, by this I mean that different investors and production companies who buy a large
share in Netflix can then start to develop programs and films which can then be sold to the online
streaming site for Netflix.
THE BBC
SKY
VIEWING FIGURES/STATISTICS
THE POSITIVES AND NEGATIVES OF THE 6 MAJOR STUDIOS
OLIGOPOLY
MONOPOLY
FUNDING
HORIZONTAL/VERTICAL INTEGRATION
Horizontal integration however is becoming less popular amongst production companies. This is
because companies like to produce their own productions as it brings in more money for their company,
as opposed to having to fund to get another production company to produce something for them.
This would be another example of horizontal integration, a company which often use horizontal
integration would be Channel 4. Channel 4 are a commercially funded broadcasting company,
they get the majority of their income from external productions and advertisements.
They invest a lot of their money on other production companies productions as they like to be different
from the rest and showcase raw filmmaking talent. Channel 4 promote themselves as being “Born
Risky”, they were a new cutting edge channel that like to experiment, provoke and entertain. They like
to put their profits in different programmes, programmes which bring creative risks. One of the most
controversial and risk taking horizontal programme which Channel 4 funded and was aired in 2013 was
the 6 part conspiracy thriller Utopia. This was produced by British independent production company
Kudos Film and Television. Kudos approached writer Dennis Kelly with their proposal for this new show,
Kelly was very interested in the idea and keen to write it for them. With some of the ideas being
changed. Kudos then proposed this idea to various broadcasting channels, until Channel 4 got on
board and commissioned a 6 episode series, along with funding to make this project.
CONTINUED
This was a wise but risky investment for Channel 4, as it showcases some real quality filmmaking
talent. However it also came with risks in terms of controversial themes. This is no shock to Channel 4
though as it’s in their company policy to produce these types of shows. Hence why they are more
inclined to horizontal productions.
For example they like to fund other production companies to make shows for them that
showcase undiscovered talent, making films about controversial subjects and alternate voices,
whereas the BBC are more vertically integrated as they fund a lot of inhouse productions such as
Doctor Who, Eastenders and Call The Midwife.
These are all highly established flagship programmes in the BBC and this is how they make a lot of
their money. As they can sell their vertically integrated programmes abroad, as well as making money
through merchandising and advertising. Because the BBC are funded by the public, making more
controversial and risk taking shows isn’t so high up in their agenda, as they want to appeal to all
audiences, while not putting people off. It’s in their best interest to stay safe and keep the public
happy. Because the public is what keeps them funded.