Diversity as a wreath clearing clouds over the tower of babel, protecting us from adversity and widening our horizons.
While the basic idea behind the design is rather direct and pictographic, it also contains a number of symbolic elements which might not be immediately apparent.
The wreath itself, by its circularity, stands for harmony and unity through the intertwining of the repeated shapes. It is also intended to be reminiscent of a flower, or a chain of individual flowers, which figuratively stand for the growth and beauty that emerge from the seeds of diversity.
The repeated shapes of the wreath also contain various symbols:
1) The negative space on the inside is shaped like a human face in profile (forehead, nose, lips).
2) The yellow five-tipped cutout in each shape can either be seen as sound emanating from the lips, standing for spoken language, or as a stylised hand, to stand for signed languages.
3) The shape as a whole can be seen as a quill (nib on the counter-clockwise side), to stand for written language.
4) The shapes touching each-other stands for tactile languages.
5) The yellow cutout, if seen as a stylised hand, is also intended to be reminiscent of hand-prints as found from earliest prehistoric human art up to the present day across the world, thus standing for the artistic nature of conlanging, and the complex intertwining between human art and language across time and space on Earth.
The colours of the wreath, aside from standing for diversity itself, are inspired by the diversity of nature and biomes in which humans live: snow, stone, water, sand, grass, forests, wood, etc…
The only exception is the purple at the top, which is reused from the background of the original Conlang Flag, as a direct reference; but in the context of the design combines with the sand and blue colours to perceptually create a triangle of red, yellow and blue – the three primaries from which all other colours can be mixed, thus presenting the basic elements from which diversity can be produced.
The wreath is made of six shapes to match the six levels of the tower (sans ground), which in combination with their different colours, reveals the diversity of the community which already existed at the time of the original Conlang Flag, but was hidden under monochrome black – thus symbolising how diversity is not just a “tack-on”, but an inherent feature of the community as it already was, and is simply being openly acknowledged and elevated.
The stars on the left symbolise the more dispersed diversity of conlanging: of a myriad of communities and individuals that might not be in direct contact or even aware of each-other, but nonetheless exist – thus, each star implicitly has its own little planet with its own little tower, and its own diversity.
The clouds are asymmetric and shaped to show clear motion in and out of the flag, in contrast with the symmetry and harmonious circularity of the wreath, as a symbol for the transient and unstable nature of discrimination and adversity in the face of unity and equity.
The colour of the sky and clouds was changed to a bluer hue than the original Conlang Flag, both to be more harmonious with the new colours at the centre, but also to give the flag a more unique signature: one could instantly differentiate it from the original simply from this colour.
The flag is also designed to be easily spun off into more specific variants simply by changing the colours of the wreath, e.g. one could create an LGBTQ+ Pride version by using the colours of the Rainbow Flag.
The title of the flag, at least as given for the purpose of this contest, is a snippet from the Genesis 11.6 (KJ21) which seemed particularly appropriate:
“And the Lord said, ‘Behold, the people are one and they have all one language, and this they begin to do; and now nothing will be withheld from them which they have imagined to do.’”
(With the “one language” being the craft of conlanging, of course.)
Design by: Nel Fie
Licensed under CC0.