Please read the job descriptions and expectations below:
Production Manager (PM) - Main point of contact for the artists and leads their artist development meetings. Helps in all technical pre-production in coordination with the President of Production (PoP), TDV, and TDS. Leads on site direction for coordinating audio, lighting, LED, and video logistics. Creates all on-site schedules, run of show, and advances for all artists and auxiliary performances. Expected to be available for the entire show length (Preproduction, Load-in, Sound checks, Dress Rehearsals, Show, Load-out), to create all schedules (production schedule, run-of-show, artist development meeting schedule), and properly advance all artist's technical information.
Associate Production Manager (APM) - Work with the Production Manager to communicate with artists and create show documentation. Offer your skillsets and see how you can best be helpful and assist. Take detailed notes during all artist, council, and production meetings. Expected to be available for entire show length (Preproduction, Load-in, Sound checks, Dress Rehearsals, Show, Load-out) and to assist the Production Manager in any way.
Stage Manager (SM) - Leads and organizes stage load-in and sound checks with artists and the production team. Coordinates with Production Manager before show to make stage plots for each artist. Organizes stagehands in stage patch, band transitions, and maintains a clean and efficient stage. Expected to be available for entire show length (Preproduction, Load-in, Sound checks, Dress Rehearsals, Show, Load-out), to create clean and clear stage plots to present to Artist at Development Meetings and use during show, to attend shop prep to familiarize yourself with the equipment.
Showcall - Serves as the coordinator responsible for executing the show precisely. Reviews the Run of Show to develop a detailed cue plan for all production elements including video, audio, lighting, entrances, exits, and MC moments. Onsite, takes thorough rehearsal notes, times transitions, tracks missed cues, ensures overall show coherence, and calls all cues live over the production channel. Expected to be fully engaged throughout all stages of production—pre-production, rehearsals, and live performance—ensures a seamless show.
FOH Engineer (FOH) - Mixes sound checks, dress rehearsals, and the show in the house for a live audience. Maintains a well-balanced mix, prioritizing the main act (usually the vocalist), and highlighting solos and special moments. Expected to be available for entire show length (Load-in, Sound checks, Dress Rehearsals, Show, Load-out), to attend
shop prep to set up your console and to learn the FOH ecosystem, to listen to artist demos before show dates, to virtual soundcheck before show and during show dates. 