「認識香蘭35®–香港區家用機器人說明會」–施昀佑 "Know HK-ORCHID-35®–Hong Kong Region Domestic Robot" Lecture by Yunyu “Ayo” SHIH
● 日期 Date/3.15(Fri.)
● 時間 Time/18:30-20:00
● 地點 Venue/台北國際藝術村,百里廳 Taipei Hill Artist Village, Barry Room
● 地址 Address/台北市中正區北平東路7號 No. 7 Beiping E. Rd., Taipei, Taiwan
● 藝術家 Artist/施昀佑 Yunyu "Ayo" SHIH
● 活動資訊 Event Info/

展覽的現場你將會看見一本藝術家製作的機器人使用手冊、一塊想像的機器人工廠精神標語,和一份提供使用者簽署的聲明。這場【認識香蘭35®–香港區家用機器人說明會】約45分鐘,主要針對香港家用機器人的相關法規、工廠生產流程與居家使用規則進行說明。透過這場導覽,藝術家希望帶領觀眾能更清楚認識香港家用機器人的設計理念與願景,了解它如何貼近你的生活需求,無時無刻關注並保護你。

At the lecture, you will see an artist's manual for the domestic robot, an imaginary robot factory spirit slogan, and a statement for the visitor to sign. This lecture will be held for 45 minutes, mainly for the regulations of Hong Kong domestic robots, factory production processes, and usage instructions. According to the sharing, the artist expects to lead the audience to better understand the design concept and vision of Hong Kong domestic robots, to realize how it is close to your life needs, which also pay attention and protect you at every moment.

「香港區家用機器人 香蘭35® 使用手冊」作品簡介//"A Manual, How to Use Domestic Robot HK-ORCHID-35® in Hong Kong Region" Statement
本計畫由藝術家施昀佑發起,作品受謝柏齊之短篇小說「菩薩慈悲念女身」啟發,同時謝柏齊也是本計畫的共同書寫者;插畫部分由子杰完成,他也同樣參與了書寫部分的討論(本書預計於四月份正式出版)。

想像2035年的香港家家戶戶都有一台家用機器人,而這本書是機器人的組裝、操作說明書,以及相關管制品的申請流程。透過想像這台機器人的存在,藝術家希望能檢視香港在殖民史中的僱傭歷史、對疾病的恐懼,和社會中隱晦的階級關係。

This project is initiated by Yunyu “Ayo” Shih. It is inspired by Pak Chai’s short story, and he is also a co-author of this book. Illustration by June Lee. He took part of the writing as well (This book will be published in April.).

In this project, a manual book of how the robot being assembled, the operation process and how to apply for restricted functions. By imagining the existence of this robot, the artist hopes to look at Hong Kong's employment history, fear of disease, and hidden class relations in society.

想像中的機器人工廠精神標語 A Spiritual Slogan of the robot factory in imagination,190x160cm, Paint on wood
藝術家簡介 Artist Profile
施昀佑於1985年生於台灣彰化,畢業於台灣大學歷史學系(2007),芝加哥藝術學院雕塑創作碩士(MFA, 2014)。他的作品形式一直與其環境密切相關:他能以一棟歷史建築為媒材進行創作,而身處長期的移動狀態時,他的作品也隨之進入行李箱,成為檔案、文件與書冊,講述著一則又一則的故事。在創作中,他經常使用不同的形式探索紀念碑和記憶的樣貌,同時也總是納入他和國家機器以及機構之間的互動,但相對於一種對抗的姿態,施昀佑更傾向於使用一種共存或滲透的手法來探索這中間的模糊地帶。

Yunyu "Ayo" Shih (b. 1985) currently lives and works in Taipei. He graduated from National Taiwan University with a BA in History in 2007 and School of the Art Institute of Chicago with an MFA in Sculpture in 2014. Since he started to make art in 2010, Ayo’s work has always related closely to the space he situated; he turns a whole building into the subject of his art in 2010. While he is constantly moving and relocating, his works are stored in suitcases and become archives, documents, and books that tell different stories. He frequently explores different appearances of memorial and memory; meanwhile, involves interactions between himself and state apparatus. Instead of posing a confrontational gesture, he tends to choose coexistent or penetrated attitudes to explore gray areas.

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