International Producing Organizations - soon the end of the competition (?)
We would like to ask you to help our preparatory work for the IETM Munich session about producers and production work with your answers. Filling out the questionnaire will take about 30 minutes. Your replies are of great value to us and we will treat them confidentially. We will share the results with the participants of the workshop collectively.
Many of the questions are not required to answer, however we encourage you to give an answer to as many of them as you can, as the more information we have the more useful for you we will be able to devise the workshop.
Thank you very much for your time.
1. Year of establishment of your organization? *
Your answer
2. How many people (employees, associates, other) are in you in your structure and what are their job titles, are they full-time, part-time, project-based? *
Your answer
3. How many artists or artistic teams do you represents / work for / produce? *
Your answer
4. Do you have an office ? A studio ? Working from home? Co-working space? *
Your answer
4. Where is your structure based (city and country) and where do you produce / tour (for example office based in Germany and touring in Asia, etc.)? *
Your answer
5. What does your structure offer? *
Required
6. How is your income structured? Please specify a percentage of income categories - ie.: state subsidy, local subsidy, income from artists, income from touring, rent of space, consultancy, other - of your total income:
Your answer
7. What type of contract do you do with the artists/companies?
8.a. What was the business model idea of the organization when it was founded
Your answer
8.b. What is it now?
Your answer
8.c. If it has changed what has driven the changes?
Your answer
9. How do you promote your activities to the artists and to the sector - nationally and internationally?
Your answer
10. What do you think the image of the producing organizations and producers is like in the arts sector in general?
Your answer
11. Is there an awareness of the policy makers in your country (ministry of culture, regional institutions, public art agencies, others ) of the producing organizations?
Your answer
12. Do you know of a - either formal or informal - network of producers/distributors nationally and internationally? Which are they? Are you member of any? Since when, and most importantly why?
Your answer
13. Do you have competitors? In what ways can you recognize competition or support?
Your answer
14. Is there anything else that you feel important to share with us in this topic?
Your answer
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