Response form for 597B: 9/27/2012 (Bongers)
This is the response form for B. Bongers. Physical interfaces in the electronic arts. In M. M. Wanderley and M. Battier, editors, Trends in Gestural Control of Music, pages 41–70. IRCAM—Centre Pompidou, 2000.
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Please summarize the paper (~1 paragraph) *
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How do you think Bongers would describe the motivation for using technology in making music and art? To what extent do you think this motivation is valid and compelling? *
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How do you think Bongers would describe the motivation for using new, physical interfaces-- sensor-based interfaces beyond the mouse and computer keyboard, and customized music interfaces beyond the MIDI keyboard-- for making music? To what extent do you think this motivation is valid and compelling? *
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Pick one of the sensor types described in this paper and propose a few potential ways it could be used in an interactive music system (for performance or otherwise). *
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Based on what you've read in this paper, how might you go about evaluating whether a new physical interface is a "good" one? (Are you satisfied with your answer?) *
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Please suggest at least one discussion question for this paper for the benefit your Esteemed Discussion Leader. *
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Any other thoughts/questions/comments you'd like to share? (If you have a question for which you would definitely like an answer, please post it to Piazza as well!)
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