2022-2023 Season: Call for Directors
WCLOC is selecting a directors for its 2022-2023 season. Please see summaries for each show below.

Picasso at Lapin Agile
by Steve Martin
October 14-23
Paris, 1904: The Lapin Agile, beloved watering hole to struggling artists and would-be geniuses, welcomes two soon-to-be legends for one extraordinary night. Pablo Picasso and Albert Einstein spar with the regulars and each other about art, science, inspiration, love, and the promise of the 20th century. Throw into this mix a mysterious visitor with a penchant for blue suede shoes, and you’re in for a brilliant and witty evening in the theatre.

The Tale of the Allergist's Wife
by Charles Busch
December 2-11
Marjorie Taub, a middle-aged Upper West Side Doctor’s wife, is devoted to mornings at the Whitney, afternoons at MOMA and evenings at BAM. Plunged into a mid-life crisis of Medea-like proportions, she’s shaken out of her lethargy by the reappearance of a fascinating and somewhat mysterious childhood friend.

Small Mouth Sounds
by Bess Wohl
February 10-19
In the overwhelming quiet of the woods, six runaways from city life embark on a silent retreat. As these strangers confront internal demons both profound and absurd, their vows of silence collide with the achingly human need to connect. Filled with awkward humor, this strange and compassionate new play asks how we address life’s biggest questions when words fail us.

Merrily We Roll Along
April 21-30
by Stephen Sondheim and George Furth
Spanning three decades in the entertainment business, Merrily We Roll Along charts the turbulent relationship between composer Franklin Shepard and his two lifelong friends —writer Mary and lyricist & playwright Charley. An inventive, cult-classic ahead of its time, Merrily We Roll Along features some of Stephen Sondheim’s most celebrated and personal songs.
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Commitment to Diversity: WCLOC Theater Company is passionate about creating an inclusive, creative environment that promotes and values diversity as we continually strive for productions of the highest quality. It is our stated policy to establish diverse and inclusive production teams (i.e., director, music director, stage manager, choreographer) for all shows.  To further uphold our stated mission of diversity and inclusion, we have established a casting process that is open and accessible to actors of every race, ethnicity, sexual orientation, and gender identity. Unless a character’s gender, race, or ethnicity is explicitly stated, all actors auditioning for a role will be given equal consideration. As a director for a WCLOC Theater Company production, you will be expected to embrace and uphold our tenets of diversity and inclusion. Given our stated mission of diversity, inclusion,  and accessibility, how to do you feel this show, or your approach to directing this show,  supports those stated aims?
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