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„Memoria Apei - 1650 de ani de atestare a Buzăului”;
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Project 1.A. Water circles - Marble - 250 x 100 x25 - This sculpture is an actual water circles (ripples)  presented in a stilised geometrical mode. It represents the movement of the water ripple while trowing some stones in the water,in maybe  some kids game, but the water has an effect of creating and producing this natural occurring design as a reaction of our actions.     *
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Project 1.C. The cell - Marble - 220x220x40 - This sculpture is representing the first cell of life that occurred in prehistoric times in the water. The life that we now have on earth has begun in water, so this is my way of representing this first cell that in the middle in it's core is bringing life and diversity, That is how even us as human race begun our journey on this planet and that is how life is reproducing even now. *
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Project 1.E. Duality- Marble - 170 x280 x 45 - This sculpture is pointing out the duality in water and  it's possibility  to change shapes and aggregate states, and also the magic to carry vibrations -information( to have it's own memory. This attributes which many scanties try to explain but still remained as a secret of it's  powers and possibilities , brought me to design  a shape of this sculpture that only one side  we can clearly see what is going on, but the opposite side is uncovered, it's not visible. So in a way am pointing out that water has many secrets that we are not aware yet. *
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Project 4.A. On the wave - Marble - 400 x130x60cm -For many years I have been fascinated by the forces of nature. This inspired me to express this profound feeling in drawings. Then I felt the urge to translate these impressions in sculpture. Wave is part of river and show our endless.What impressed me particularly was the obvious, organic link between these forces of nature and the working of the mind. In the various, apparently designated aspects of the processes of nature, I saw a hidden integration, a beautiful harmony. I believe that a spectator of my work, as of any other work of art, will, and must see how the apparently unrelated aspects of ordinary reality constitute, on close observation a harmonies , integrated sense. In esthetic pleasure but also the relieving sense, meaning of human life, which we are all looking for. *
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Project 4.C. Tree in bloom - Marble - 100 x600x280cm -The sculpture is vertical, made of a base and an upper part that symbolizes the crown of a tree. The difference between the straight lines of the base and the round shapes of the upper part gives movement and variety of shapes Total high is about 280 cm. *
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Project 6.A. Water Circles - Marble - 195 x70x90cm - Water is life. Like a drop of water that touches the surfice and leaving it's signs which start from a  small circle growing bigger and bigger the evelopment of the city of Buzau can be compared to this phenomenon by starting small and developing in time to the city of today. The subject of my sculpture is figurative and takes inspiration by the David of Michelangelo,symbol of freedom and mankind. *
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Project 6.B. Waves - Marble - 200 x150x100cm - My sculpture "Waves" symbolizes the energy and strength of water, fountain of life. Water is essential for every form of being on this earth. It is our past , present and future. Without water we can not survive. The face of David symbolizes strength anf freedom. *
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Project 7.A. Anahita 1 - Marble - 270 x100x85cm - For Iranians, water is a symbol of enlightenment and in their belief is sacred and has been important in people's lives from the beginning, as it is evident in Iranian culture and art. The role of water has been reflected on Iranian carpets and hand-woven fabrics, and many shapes and symbols have been designed and woven. One of the designs that can be mentioned is a star-shaped motif in the kilim of the 19th century solar, which is a symbol of light.Inspired by this symbol, I have designed works, the name of the work presented in this event is "Anahita". Anahita is the goddess of water in ancient Iranian rituals. *
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Project 7.B. Anahita 2 - Marble - 270 x100x90cm - For Iranians, water is a symbol of enlightenment and in their belief is sacred and has been important in people's lives from the beginning, as it is evident in Iranian culture and art. The role of water has been reflected on Iranian carpets and hand-woven fabrics, and many shapes and symbols have been designed and woven. One of the designs that can be mentioned is a star-shaped motif in the kilim of the 19th century solar, which is a symbol of light.Inspired by this symbol, I have designed works, the name of the work presented in this event is "Anahita". Anahita is the goddess of water in ancient Iranian rituals. *
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Project 11.A. Panta rei/ flow  - Metal - 200 x200x200cm - 3 moduls, identical parts, are cut out of the metal sheets, bent to a certain angle.These three parts are put together in a way the beginning meets the end resulting in a continuous flow.   *
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Project 11.B. Continuum ( IV )  - Metal - 200 x200x200cm - 4 moduls, identical parts, are cut out of metal sheets, bent  to a certain angle. These parts are put together in a way the beginning meets the end resulting in a continuous flow.   *
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Project 13.A. The Phoenix Arab - Marble - 300 x180x70cm - The sculpture entitled "The phoenix arab" is the representation of a perpetual movement, which hovers in space with lightness and elegance. It represents the circular movement of nature, the seasons, the regeneration and rebirth of a new life. The sculpture is an explicit reference to the history of the city of Buzau, which has experienced difficult moments: of numerous destructions and rebirths from its own ashes. The circular weave is a fluid and dynamic form, with a great centralizing and self-referential force. At the first sensation, the sculpture gives the idea of something alive and interactive, which makes you think of a bird, with a game of full and empty, opposite elements that cancel each other out, creating a harmonious balance with nature. *
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Project 14.A. Geometry of water - Marble - 250 x200 x100 cm - "Water Geometry" is a project inspired by the amazing structure of water molecules observed under a microscope. Water has an amazing structure, changing under the influence of the information it absorbs. I am delighted with the geometrical shape of water molecules from its entire time, unchanging with its volatility, its free flow. *
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Project 14.B. Surfforming - Marble - 260 x140 x70 cm - The inspiration for this project is the free movement of water, water that is moved by the wind and internal streams causing phenomenal waves. *
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Project 14.D. Chain of water - Marble - 280 x90 x90 cm *
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Project 16.A. The origin - Marble - 280 x60 x180 cm - The idea develops from an embryonic organism that little by little opens up to be born into life. Water as a source of life is the element that allows the birth of every living form. *
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Project 16.B. Universal motion - Marble - 165 x210 x71 cm - The work represents the universal motion of elements such as air and water that develop along a spiral trajectory. This determines a sensation of continuity, of infinite and constant motion of the vital energy of each element in nature. *
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Project 16.C. Vibrations - Marble - 200 x248 x95 cm - The work is composed of two parts but on the whole it forms a single composition. The idea was born as a desire to develop the elliptical shape in different poses and sizes. From here the whole view of the work appears as a body fragmented by several pieces placed in sequence of vibrations suspended  like a musical harmony . In fact this work represent the vibrant rhythm of nature. *
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Project 16.D. Fragment - Marble - 220 x60 x70 cm - The work represents the idea of ​​water, its fluidity and the effect it brings to the elements with the passing of geological eras. the sculpture in fact celebrates the importance of water in all its forms which here stands as a totem, that is, a representative symbol of the city of Buzau. *
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Project 17.B. The memory of water - Marble - 240 x140 x120 cm - Water is one of the most wonderful natural resources on earth. Its miraculous properties are investigated to this day and it still remains a mystery to us. Personally, I am fascinated by the properties of water that are so familiar to us, such as changes in aggregate states: from liquid to solid or volatile. Today, scientists try to bring us closer to the miraculous properties of water, proving that it reacts to emotions by changing its structure and thus its properties. My project "The Memory of Water" is an abstract form of searching for an answer to the question about water. Hard, cubic forms smoothly pass into softer forms. In this project, I wanted to show different states of water. Its volatility, fluidity and hardness. *
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Project 18.A. Energy Message - Marble - 250 x100 x70 cm - I'm presenting an "energy message" in which those three forms of rhythmic movement create a harmonious balance in space. My task is to harmoniously combine plastic movable forms in a spatial drama, where the positive energy of emotion is achieved through the play of light and shadow. My goal for this form is to take its place in the poetic world of nature, because sculpture is an eternal form in space. *
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Project 18.B. The Road to Eternity - Marble - 280 x110 x50 cm - “The Road to Eternity”, - I named my composition which carries a philosophical load, where people always strive to learn about the micro- and macrocosm. One of the most difficult tasks that humanity has solved in art is abstract thinking, which sometimes seems very simple, but it is this simplicity that hides symbolic thinking. My sketch is presented as the essence of the material form and represents a rhythmic transition from the micro-incarnate form to the cosmic world, where the plastic form is harmoniously reproduced as a symbol of the scientific and spiritual aspiration of human being to the world of knowledge. *
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Project 19.C.  A meeting with the rock - Marble - 220 x110 x110 cm - These works depict sounds inside the volumes. Water's deep relationship with other parts of nature can be heard through these sounds. These are moving forms displaying dynamism, mobility, and establishing multiple connections with the surrounding space. The base in these works no longer plays the role of a neutral piece, but is itself involved in this movement. *
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Project 21.B.  Trapped waves - Marble - 340 x150 x40 cm - A vertical sculpture in which the upper part is in the form of fingers or arms that express the river waves that meet in specific place and cannot move forwarded. *
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Project 24.C.  Big catch  - Marble - 2900 x2200 x600 cm - In my project I showed two fishermen pulling out nets with a large catch. their boat is hanging in the air, and the surrounding space becomes water, the viewer looks up at them, becoming an accomplice in the process. The sculpture becomes a symbol of fertility, prosperity and good luck. Fishing is one of the most ancient human occupations. The Buzau River keeps the memory of the very first fishing trips on its waters. *
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Project 25.C.  Look around!  - Metal - 405 x270 x270 cm - In the center of the transparent mesh structure of the teardrop shape is a kinetic element driven by the wind. The whole sculpture resembles a human head with eyes rotating, examining the surrounding space. My sculpture with its gesture offers to look back once again and explore the amazing place where you are. Rediscover a seemingly familiar landscape. Examine it with a direct fresh look and pay attention to what you miss in the daily hustle and bustle of life. *
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Project 26.A.  Erosion  - Marble - 210 x186 x81 cm - The power of water is reflected in everysurface it touches, leaving traces even inthe hardest of materials.In the act of eroding, it is imprinting the history of that time in that specific place, the strenght of its running waters, leaving a memory of its course. The texture of erosion  resembles to the tissues of many living beings (for ex. inner tissues of bones or structural tissues of plant stems). Those tissues are unique to that specific being, they tell us stories about them. Living beings are mostly conformed bywater and their tissues modify themselves toadapt to their evironments, according to their experiences and their development, again, in a specific time and place. *
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Project 33.A. Fly in the sea  - Metal - 350 x200 x200 cm *
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Project 34.A. Touch it  - Marble -100 x120 x250 cm - On the concavity of this rock Touch it And centuries Feel the river crossing! *
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Project 34.B. Raindrops  - Marble -55 x260 x320 cm - The sky thundered The clouds roared Rain drops It drizzled  The smell of water and thatch Roof knock Whimper of hopperIt turned in the alley *
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Project 39.A. Testimony of Water  - Metal -240 x125 x250 cm - Water on our planet has existed since the beginning of the Earth. The water, which was formed when the Earth was still a ball of fire, probably passed through the throat of a dinosaur millions of years ago while quenching our thirst today. This circulating water has, in a sense, witnessed all the processes our Earth has gone through. This repetitive motion of water telling what it sees and knows, is intended to be visualized in an organic form, emphasizing its antiquity. *
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Project 40.A. Stream of History  - Marble -245 x90 x90 cm - The composition is connected to the theme of water and in the same time represents movement and flow, which can be connected to the idea of the time like a flow and consequently the history like a flow of time, events and human deeds. It shows the beauty of the running water shapes and underlines the plastic characteristics of the stone material to depict the soft shapes of the running water and to enrich the composition with the unique crystal texture of the marble. *
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Project 40.B. Splashing Ray  - Marble -260 x120 x60 cm - The splash of water or a break of sparkling beam, a breaking historical achievement – they all could be associated to the shapes of this composition. It represents the dynamic of turbulent movement both in the historical process and rising water. *
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Project 40.C. Crystallized Water  - Marble -265 x85 x80 cm - The shape of the composition could be connected to the crystallized flow or stream of water. In the same time the main shape creates an impression of growing and blossoming organic structure. It represents a process of developing, growing and in the same time running water, turned in to a stone crystal flow. *
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Project 45.A. Motherland - Metal - 500x100x200cm - A women figure build from four parts of different geometric shapes .Four shapes are : legs-durability,  abdomen and chest-reproductive and nutritional ability, head – enlightened mind and education.Motherland is the place when we are born and grown up, we learn the first steps and took the education . We must love and care of her as our mothers loved and cared for us. *
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Project 45.B. A walk in time- Marble- 180x125x300cm - Time walks unstoppable and never go back. We are in present now . This moment yesterday was the future  tomorrow will be the past.  This moment tomorrow will be just a memory . We save a lot of memories in ourself  some of them we share with the others and the others with the others and somebody will write about this and it can be a history. On this way many stories and memories and thoughts were written and today we learn about all. This is the history. When we read or remember any history we meet the past in present . In this way through our mind we can go back in time to see these stories ,to meet mythologic figures and legends and to be part of hystoric events . *
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Project 48.C. Flowing memory- Metal - height 150cm -The unceasing tide is moving forward in the development and progress, and the wave covers the wave, which is the reproduction of the historical scene and the cycle of time. However, the unceasing tide is not only for the new generation and new things, but also the inevitable link of spiraling and iterative replacement, the future, the hope, and the flowing memory... *
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Project 49.A. Buzău river (The Memory of Water)-Marble and metal -350x162x232cm -The moment I first stood on the Buzău (river), an uproar of the earth subconsciously flashed through my mind.İnterweaving the sounds of the waves carried me away and gradually i was getting lighter. *
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Project 49.B. Buzău river (The Memory of Water)-Marbel -290x290x290cm -The moment I first stood on the Buzău (river), an uproar of the earth subconsciously flashed through my mind.İnterweaving the sounds of the waves carried me away and gradually i was getting lighter. *
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Project 50.A. Dive into  memory water- Metal -5.5mx2.5mx1.5m -This sculpture is simbol of human need for water . *
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Project 50.B. Reflection- Metal -4mx2mx1.5m -This sculpture shows that   water with  reflection and  that quiddity   can make   human appearance and feeling  smoothly . *
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Project 54.A. MDCL (1650) - Marble -240x105x60cm.-Sign, formed by paper sheets, rising from water waves, says 1650, written with Roman numbers. They used as more decorative part of composition, than arabic numbers. *
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Project 54.B. Dychotomy - Marble -250x125x80cm.-Dichotomy of water, unity of opposites.Heat and cold, gas and liquid, rise and fall. *
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Project 59.A. Caught wave (Fragment of something bigger) 1. Marble  -300/140/100 cm.- The project has two main opposing concepts of shaping, based on a cube and a sphere. In the project they are combined to form two types of space: interior and exterior space.  The sculpture is composed of an oval shape that forms the volume and the external silhouette, as well as the specific rhythm of the work.  Invisible openwork spaces are surrounded by perpendicular walls, edges and corners that rise inside the stone. They are filtered through the prism of the "mathematical" formula based on the three spatial planes that make up physical space. At the same time, they remind of the architectural structure of buildings, streets and squares.  In some objects observed under a microscope, we see similar geometric structures. Such a structure is also observed in a drop of water. The crystal lattices are different, depending on the region from which the studied water was taken, the pollution, etc.This fact introduces the hypothesis that water has a "memory".  By comparing in this work opposite binary elements (sphere - cube, vertical - horizontal, inside - outside,, micro - macro), I try to present the architecture of the visible world, but also to remind of other pairs of opposites, located in the emotional world, thanks to which our life is so unique filled with joy and sadness. *
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Project 59.B. 2 Caught wave (Fragment of something bigger) 3. Marble- 300/140/100 cm. - The project has two main opposing concepts of shaping, based on a cube and a sphere. In the project they are combined to form two types of space: interior and exterior space.  The sculpture is composed of an oval shape that forms the volume and the external silhouette, as well as the specific rhythm of the work.  Invisible openwork spaces are surrounded by perpendicular walls, edges and corners that rise inside the stone. They are filtered through the prism of the "mathematical" formula based on the three spatial planes that make up physical space. At the same time, they remind of the architectural structure of buildings, streets and squares.  In some objects observed under a microscope, we see similar geometric structures. Such a structure is also observed in a drop of water. The crystal lattices are different, depending on the region from which the studied water was taken, the pollution, etc.This fact introduces the hypothesis that water has a "memory".  By comparing in this work opposite binary elements (sver - cube, vertical - horizontal, inside - outside,, micro - macro), I try to present the architecture of the visible world, but also to remind of other pairs of opposites, located in the emotional world, thanks to which our life is so unique filled with joy and sadness. *
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Project 59.C. Caught wave (Fragment of something bigger) 3 - Marble- 200x240x110 cm. - *
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Project 60.A. River and banks. Stone- 230x170x100cm. -Water creates life, it is a substance that is essential for life and civilizations have been created on its shores since ancient times, this is the essence that creates the past and remains as a memory, the water changes but the past in time remains in the memory. *
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Project 66.A. Birds. Metal -300/200/200 cm. -The birds – the work represents а flock of flying birds, symbolizing the strength of the spirit on one hand and on the other the desire of humans for development and progress. The flock is directed upwards and it passes an abstract window, representing the endless world of the knowledge and science. Suitable lightening during the dark hours of the day would make the project even more impressive. The work is relaying on one very important principle. The integrity and the strength of the work is due to each separate element. Only when all elements are collected together and support each other, they may form the whole flock. *
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Project 67.A. Genesis. Marblel – 210 x 80 x 65cm , Base – 80 x 80 x 40cm. -“Genesis„ represents the intensive process of formation, as an effort of the natural forces to create an order in the chaos. The sculpture consists of several spheres inserted in a membrane. Leaving traces on its surface, they remind of the construction, existing in a shapeless at first sight form. Shape formation is the basic matter in my work. The process of its differentiation in space follows its own inner logic. The latest trend in my groping comes one step closer to the liberation of the shape from the creator’s will. They evoke the impression of something organic, of a unique life form. *
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Project 67.C. Energy and Power. Marblel -210x150x60 cm,  Base - 140x70x50cm. -The sculpture “ENERGY and POWER” represents the intensive process of formation, as an effort of the nature forces to create an order in the chaos. “ENERGY and POWER”  is a link between generations and connection between the history and the heritage of the city, the power to build together the future. Our civilization is a sequence of underlying connections – love, friendship, tolerance, generations link-up. The project exposes the links between cultures and people living together. *
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Project 67.D. Movement. Marblel -120x120x120cm, Base 120x120x50cm. -I would like to present to your attention my project “Movement”. I connect movement with the energy of the universe and the desire for creativity and progress. With my project I want to create a sense of a motion of the forms giving dynamic of the material. From a hard material as stone I want the form to be transformed into a flying and breathing substance. *
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Project 67.E. Motion. Marblel -200x200x45cm, Base- 210x55x40cm. -By de-materializing and imbalance of the static stone block I create a sense of motion of the forms– the hard and the inanimate structure of the stone transfers into a fling and breathing substance. *
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Project 68.A. The guardian. Metal -360x170x370cm. -The composition belongs to the cycle titled ”Dividualism and apparent symmetry” which has tendency to reconcile classical, figurative art and post- modern, abstract art by combining both into one composition. In the center of my artistic exploration is a Centaur, known to all as half horse half man from the Greek myths. Far less known is that the Centaurs are part of Valachian oral tradition and that stories of rage and abduction of brides and women, and this tradition still exist on both side of Danube and whole region of Balkans. The sculptures I created so far on this subject have roots in mythology and folklore but their visual definition and meaning is contemporary. It is not determined if the arrow was just released, or if the object is reaching for another one. Aesthetically, suggested project composition “The guardian”, is a modern, futuristic vision of a Centaur, of human torso- that is simplified and reduced to a basic geometric rhythms. It stands the Guardian of Buzau’s long heritage. Poetically, sculpture radiates basic Sagittarius – zodiac characteristics: faithful, intelligent, forceful, and sympathetic. As any guardian should. *
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Project 68.C. The Accordionist. Metal -430x350x170cm. -The composition belongs to the cycle titled ”Dividualism and apparent symmetry” which has tendency to reconcile classical, figurative art and post- modern, abstract art by combining both into one composition. In the center of my artistic exploration is a Centaur, known to all as half horse half man from the Greek myths. Far less known is that the Centaurs are part of Valachian oral tradition and that stories of rage and abduction of brides and women, and this tradition still exist on both side of Danube and whole region of Balkans. The sculptures I created so far on this subject have roots in mythology and folklore but their visual definition and meaning is contemporary. The composition is joyful, captured in a moment of both dancing and playing at the same time. Its meaning is to celebrate, to reflect joy of peace and prosperity, and radiate tradition and continuum of Buzau’s long history. Similar to other monumental sculptures, The Accordionist is in dynamic balance, reflecting contemporary, futuristic content. *
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Project 72.A. Splash. Metal - otel corten si inox-1300x1300x2500mm -Proiectul propus - Splash - evidentiaza capacitatea apei de a crea memorie. Interesant este ca apa este o materie fara forma dar care poate totusi sa modeleze la randul ei forme prin curgerea (miscarea) ei nesfarsita. Interventia continua a apei asupra unei materii dure, sa spunem o piatra, lasa in timp urme. Lucrarea propusa surprinde acest continuum de forme unduioase, organice care fac trimitere la valuri si picaturi care se sparg la contactul cu piatra. Incetul cu incetul, apa isi face loc, inaintand, lasandu-si amprenta in timp si spatiu. *
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Project 72.B. Fluid. Metal - otel corten si inox-1400 x 1400 x 2000 mm -Proiectul "Fluid" reprezinta o metafora a miscarii continue a apei. De la circuitul apei in natura, la miscarile de tip flux - reflux, precum si curgerea involburata intr-un rau sau o cascada,  apa reprezinta o materie nascatoare de viata si de forma. *
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Project 78.A. Catharsis - Poarta cunoasterii. Marura și Corten-3,30 m x 2,80m x 1,15 m  (cu posibilitatea adaptarii atat timp cat cele doua blocuri vor avea dimensiuni identice) -Prezenta lucrare Catharsis – Poarta cunoașterii reprezintă poarta dintre viată și moarte, lumina și întuneric, cunoaștere și inocența, cer și pământ, portalul prin care misionarul Sava a trecut în ”Lumea de dincolo”.  Poarta Cunoașterii se dorește a fi o reprezentare a Lumii ca Labirint și calea inițiatică pe care trebuie să o  parcurgă omenirea pentru a realiza conceptul de libertate individuală și colectivă. Semnificația labirintului este dublă: dacă cărările lui sinuoase evocă chinurile iadului, în același timp conduc spre centru unde se realizează iluminarea. Există deja o serie de scrieri care atestă dorința umană de a realiza crearea unui spațiu sacru, a unui „Centru”. Avem de-a face cu două tendințe ale dorinței umane, pe de o parte cea care tinde să ajungă fără prea mult efort în „centrul lumii” și pe de altă parte una care caută să traverseze căile sinuoase. Aici se evidențiază o situație specifică ființei umane și anume nostalgia Libertății, dorința umană de a clarifica și de a găsi calea spre libertate, cunoaștere și Dumnezeu.Căile labirintului vor ilustra diferite simboluri tradiționale specifice locului căruia îi este destinată sculptura. Atât interiorul labirintului cât și colturile NU vor fi polișate ci vor rămâne cu structura marmurei naturale așa cum se va rupe în urma cioplirii invocând greutatea parcurgerii unui drum inițiatic. Sculptura va fi poziționată între Est si vest pentru ca atunci când soarele urcă sau coboară să trimită lumină prin deschizătura porților.   *
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Project 78.B. Catharsis- Poarta cunoașterii. Corten-2,5m x 2,5m x 50cm (cu posibilitatea de a redimensiona/mări proiectul, dacă  se va accepta ) -Prezenta lucrare Catharsis – Poarta cunoașterii reprezintă poarta dintre viată și moarte, lumina și întuneric, cunoaștere și inocența, cer și pământ, portalul prin care misionarul Sava a trecut în ”Lumea de dincolo”.  Poarta Cunoașterii se dorește a fi o reprezentare a Lumii ca Labirint și calea inițiatică pe care trebuie să o  parcurgă omenirea pentru a realiza conceptul de libertate individuală și colectivă. Semnificația labirintului este dublă: dacă cărările lui sinuoase evocă chinurile iadului, în același timp conduc spre centru unde se realizează iluminarea. Există deja o serie de scrieri care atestă dorința umană de a realiza crearea unui spațiu sacru, a unui „Centru”. Avem de-a face cu două tendințe ale dorinței umane, pe de o parte cea care tinde să ajungă fără prea mult efort în „centrul lumii” și pe de altă parte una care caută să traverseze căile sinuoase. Aici se evidențiază o situație specifică ființei umane și anume nostalgia Libertății, dorința umană de a clarifica și de a găsi calea spre libertate, cunoaștere și Dumnezeu.Căile labirintului vor ilustra diferite simboluri tradiționale specifice locului căruia îi este destinată sculptura.Sculptura va fi poziționată între Est si vest pentru ca atunci când soarele urcă sau coboară să trimită lumină prin deschizătura porților.   *
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Project 78.C. Portalul timpului . Marble-2,50mx1,20mx80cm -Sculptura de  fața numita Portalul timpului este derivată din simbolul spiralei și  simbolizează portalul prin care spiritul misionarului Sava a trecut  către alta dimensiune.  In aceasta sculptură Semnul spiralei reprezintă unirea contrariilor, a vieții si a morții, a principiilor masculine și feminine, a tuturor forțelor antagonice care cooperează în natură, calea naștere-moarte-renaștere. *
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Project 78.D. Geneză . Marble and corten- 4,63mx2,45mx2, 86m -Acest proiect ce poarta numele de ”Geneză”  doreste sa fie reprezentarea Facerii lumii, cercul mic alb reprezinta cuvântul lui dumnezeu iar cele doua cuburi ziua si noaptea. Sculptura Geneză se dorește a fi o reprezentare a Lumii ca Labirint și calea inițiatică pe care trebuie misionarul a trebuit sa o pargurgă pentru a il sluji pe Dumnezeu si pentru a realiza conceptul de libertate individuală și colectivă. Semnificația labirintului este dublă: dacă cărările evocă chinurile iadului, în același timp conduc spre centru unde se realizează iluminarea. Există deja o serie de scrieri care ate *
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Inadequate
Exceptional
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