Section 2 out of 4: Art Criticism Quiz Directions: Select which art criticism step each statement best fits within?
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What period do you have Intro to Art?
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1. There are many diagonal lines that move our eye through the painting.
credit line: William Harnatt, Ease, 1887
credit line: William Harnatt, Ease, 1887
2. The contrast of the bright white paper in the center creates emphasis to that spot.
credit line: William Harnatt, Ease, 1887
credit line: William Harnatt, Ease, 1887
3. The contents of the table suggest that the person who owns these objects enjoys music, reading, and is wealthy.
credit line: William Harnatt, Ease, 1887
credit line: William Harnatt, Ease, 1887
4. A tapestry-covered table holds musical instruments, sheet music, books, lamps, flowers, an envelope, a lit cigar, and a fan.
credit line: William Harnatt, Ease, 1887
credit line: William Harnatt, Ease, 1887
5. The artist is skilled at creating a realistic effect. It looks like we could reach out and grab the items from the table!
credit line: William Harnatt, Ease, 1887
credit line: William Harnatt, Ease, 1887
6. The colors and lines of this artwork make me feel sad. The swirls remind me of the way my chest feels when I am anxious.
credit line: Vincent van Gogh, The Starry Night, 1889
credit line: Vincent van Gogh, The Starry Night, 1889
7. This is my favorite painting. It is so beautiful!
credit line: Vincent van Gogh, The Starry Night, 1889
credit line: Vincent van Gogh, The Starry Night, 1889
The lines show flowing movement as they move up the Cyprus tree through the swirls in the sky then back down to the mountains which then return to the Cyprus tree.
credit line: Vincent van Gogh, The Starry Night, 1889
credit line: Vincent van Gogh, The Starry Night, 1889
9. I want to buy a poster of this and hang it on my wall.
credit line: Vincent van Gogh, The Starry Night, 1889
credit line: Vincent van Gogh, The Starry Night, 1889
10. There are 4 guys sitting around a table. They are gesturing with their hands. One guy is able to stand up.
credit line: Caravaggio, Supper at Emmaus, 1601
credit line: Caravaggio, Supper at Emmaus, 1601
11. The central figure is emphasized due his contrasted red shirt and angled lines moving towards his body.
credit line: Caravaggio, Supper at Emmaus, 1601
credit line: Caravaggio, Supper at Emmaus, 1601
12. The guys are disheveled looking. They have mismatched clothes, holes in their sleeves, and they are not clean-shaven.
credit line: Caravaggio, Supper at Emmaus, 1601
credit line: Caravaggio, Supper at Emmaus, 1601
13. The artist used earth toned colors for the majority of the background and clothes and some red for the clothing.
Captionless Image
14. The successful composition is closed-in and intimate. The dramatic lighting pulls us in even more.
credit line: Caravaggio, Supper at Emmaus, 1601
credit line: Caravaggio, Supper at Emmaus, 1601
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