Live performance + Lecture/demo for KISS2017: Augmenting Reality
Proposal for a live performance with a lecture/demonstration on one or more techniques used in the performance.
Email address *
Your name (and link to your bio) *
Your answer
Please list any co-creators or performers with links to their bios *
Please note that, once a proposal has been accepted, no substitutions or additions can be made to this list without re-submitting the proposal for a full review by the concert committee. If you are proposing more than three co-creators (including yourself), please contact the concert committee at before submitting the proposal, thanks!
Your answer
Title of the live performance *
Your answer
Title of the technical demonstration *
Focus on one or more technical aspects of your live performance (for example, "Controlling a Multigrid through MIDI foot switches during a live performance of 'Augmented Sound Robot'" or "Using Capytalk for algorithmic pitch generation in 'Augmenting Path'", or "Sound design techniques for synthesizing metallic sounds in 'Augmentation Prothesis'").
Your answer
Duration of the live performance *
Due to the large number of live performance proposals, we ask that you limit the duration of your performance to 10' or 15' (or shorter) in duration. If you are proposing a longer duration performance, please check Other and provide a compelling argument for why a longer duration is required.
Which format would be the most suitable for your live performance?
Which format do you prefer for the technical presentation? *
Brief program note *
Describe your piece (include some mention of the ways in which it is augmenting reality).
Your answer
If available, please provide link to a previous performance (or to another, similar work you've performed) *
Your answer
Which sound engine can you bring with you for the performance? *
How many line-level audio outputs will you be sending us from your audio interface (or your own small stage mixer)? *
What kind of output connectors does your audio interface have? *
How many live inputs does your piece require? *
If you require live input(s), please describe what type of microphone(s) you need and whether you plan to bring your microphone(s) along with you. Will you need mic stands and clips? How many? *
Your answer
If your piece includes video projection, what what is the video output format of your laptop(s) or tablet(s) or other video playback device? *
Where should the laptop, Pacarana, and audio interface be positioned for the performance? *
Please check all positions that would be acceptable to you
Please list any visibility/audibility constraints *
For example, are stage monitors required? Do performers have to be able to see the screen?
Your answer
Approximately how much physical space is required by your setup? *
Please list other "furniture" you may need for the performance *
For example, how much table space, how many chairs, music stands, lights, podium, or other non-electrical items that may be needed?
Your answer
How many Euro power outlets are required for your setup? *
Does all of your equipment work with 230 V, 50 Hz? Your laptop & Paca(rana) will work without voltage-converters but you may need plug adapters for your AC cords.
Your answer
How much time is needed for your physical setup? *
From the time you walk in the door until the time you can provide sound output?
How much time do you need for your sound check? *
Please note that this is to check levels, not a full rehearsal.
Will you use an identical technical setup for your lecture/demonstration? *
For example, will you need video projection to show your Kyma screen? Do you need a second screen for slides? Will you be using the same number of microphones? Please give it some thought and let us know how your demo setup may or may not be different from your live performance setup. Thanks!
Anything else? Please let us know if there are other technical or logistical considerations we may have overlooked! *
Also, if you've performed this (or a similar) piece before in other venues, what were some of the technical challenges you had to face in those other venues & how did you solve them?
Your answer
Please check: Yes *
Since KISS2017 is all about human interaction, we ask that, should your proposal be accepted, you will attend the symposium to present your work. (If unavoidable, unforeseen circumstances prevent you from attending, your presentation will have to be dropped from the program). Also, since the proposals are carefully reviewed by a selection committee, we ask that if your proposal is accepted, that you not substitute a different work or different co-presenters without submitting the new proposal for a full review by the selection committee prior to the submission deadline. Although our budget sadly does not allow for remuneration of presenters or performers, the organizers have generously offered to subsidize presenters, co-presenters and performers of accepted presentations at a reduced-rate conference fee (equal to the subsidized student rate).
How much are you looking forward to KISS2017 in Oslo?
Really excited
Really excited (augmented)++
A copy of your responses will be emailed to the address you provided.
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