So, you’ve had a story brewing in your head for days, weeks, sometimes even months or years, but when you finally sit down, you have no idea where to start. How do you translate your adventure to the page? What even is a plot and are there different kinds? These questions run through our heads, and in this guide, we hope to provide some clarity on the different types of plot structures.
First, let’s have a quick run through some of the most common story-writing structures
- The 3-act structure is often considered the most common Western novel and screenwriting structure. Put simply, it breaks a story into three distinct parts; beginning, middle, and end.
Below is a 3-act novel outline; just copy and paste it, then fill it in. For more information on what these terms mean, visit this website. |
Act One - Hook
- Inciting Incident
- Key Event (Call to Action)
- Refusal to Call
- Key Event (End of Act 1, thrusts character out of “normal world,” everything changes, stakes are made apparent):
Act Two - First Half (recovery from Key Event)
- Midpoint/Second Plot Point (50%):
- Second Half (50-75%):
Act Three - Climax (conflict is resolved; 90%):
- Resolution (leaves door closed but unlatched, only 1-2 scenes, 95%):
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- Freytag’s Pyramid is another variation of the classic 5-act structure invented by German novelist Gustav Freytag. It goes a little something like this.
- Exposition: Also known as the introduction or Act I, exposition sets up the setting, main characters, and the atmosphere of the story. Exposition also informs the reader or viewer about each character’s backstory and how they relate to each other. The most important element of this first act is a suggestion of the story’s primary conflict through an exciting or compelling event, which is also known as the exciting force or inciting incident. In Freytag’s Pyramid, the exposition is the structure’s lowest part on the left.
- Rising action: In Act II in Freytag’s Pyramid, which he labeled the “rising movement,” the story builds toward its central conflict by placing obstacles in the path of the protagonists as they attempt to reach their goals. The action rises further with the introduction of new characters—the primary antagonist and other adversaries who further complicate matters for the other characters. Rising action is the middle left portion of the pyramid, just above exposition.
- Climax: Signals a turning point and occupies the highest point on the plot structure. The climax foreshadows the fate of the main character and the series of events that will lead to their success or failure. These series of events, which form the second half of the story are also known as the counterplay, and represent those external factors created by the main character’s choices that impact them in the remainder of the story.
- Falling action: Foreshadows the final outcome of the story. The conflict between the protagonists and antagonists will soon reach a conclusion, but Freytag also notes that a successful drama will also feature a sense of “final suspense”—a possibility that the conclusion may not end as expected.
- Denouement: Also known as the resolution, conclusion, or moment of catastrophe. The end of the story, which can be a happy ending (protagonist achieves goals) or tragic (protagonist fails, suffers loss, etc.). Writers tie up loose ends in the denouement and provide audiences with a moment of catharsis—a series of events that allows the tension of the story to dissipate. The lowest right side of the pyramid, just below the falling action arc, is the location of the denouement.
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- The 7-act structure is similar to classic 5-act structure, but with extra plot beats. The more experienced you are, the easier it will be to “stray” from the 3 or 5 act story!
- The Hook: a compelling introduction to the story’s intriguing world and/or characters
- Plot Turn 1: an inciting incident that brings the protagonist into an adventure
- Pinch 1: the stakes are raised with the introduction of the antagonist or the major conflict
- Midpoint: a turning point in the story where the protagonist goes from reaction to action
- Pinch 2: the major conflict takes a turn for the worse, and all appears lost for the protagonist
- Plot Turn 2: the protagonist discovers something that helps them resolve the major conflict or defeat the antagonist
- Resolution: the major conflict is resolved, and the antagonist is defeated.
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- Finally, we have the hero's journey! This story structure has been used throughout history and across cultures, common in myths, legends, speculative genres, but also roughly followed across all different genres!
Okay, now I know the different plot structures, but what next?
- After reading all these different plot structures, we expect you to be a bit lost. There are about a hundred steps! Where do I go from here?
- First, it is important to remember that each plot structure has its own, unique positives and negatives. No one structure is “correct.”
- So, knowing this, we recommend you look through each of these plot structures and see which one fits your story idea best.
- In long-form writing, plot structure is especially important.
- Without a specific, overarching story, readers can be lost in meandering plotlines or distracted by irrelevant subplots. Tried-and-true plot structures are helpful in the outlining and writing of a novel as tools that can guide and direct writing. They are by no means comprehensive—plenty of excellent novels follow their own plot structures—but they are a proven method of engaging readers and crafting an interesting, well-paced story.
- These tools can also be used in short forms.
- You’ll likely notice patterns among them; writers from all cultures and histories tend to follow the same basic storytelling rhythms.
Sources:
https://www.masterclass.com/articles/freytags-pyramid
https://blog.reedsy.com/guide/story-structure/seven-point-story-structure/
https://www.youtube.com/watch?v=blehVIDyuXk
https://blog.reedsy.com/guide/story-structure/heros-journey/
https://blog.reedsy.com/guide/story-structure/save-the-cat-beat-sheet/