Contact: srrmedia@fenton.com 

FOR IMMEDIATE RELEASE: Oct. 7, 2019

Large-Scale Performance to Reenact Biggest Rebellion of Enslaved People in U.S. History

Visionary Artist Dread Scott Leads Hundreds of Reenactors Participating In 2-Day, 26-Mile Performance in Louisiana’s River Parishes, Reviving a Story of Resistance, Freedom and Revolutionary Action

NEW ORLEANS — On Friday and Saturday November 8th-9th in Louisiana, American artist Dread Scott will examine a significant milestone in our nation’s past with his latest collaborative project, Slave Rebellion Reenactment (SRR), which will reimagine the largest rebellion of enslaved people in the history of the United States. This project, a collaboration with New Orleans-based arts organization Antenna, is the result of a six-year artistic effort involving historians, artists and community members.

Through this work, Scott, alongside community reenactors, will explore the complex history of enslaved people’s fight for freedom in the U.S. and beyond. The performance seeks to recover and reclaim the narrative of the German Coast Uprising of 1811, first penned by pro-slavery politicians to suppress similar rebellions, through the lens of resistance and emancipation.

This is an art performance about freedom, resistance, and hope. Enslaved people, despite their horrendous circumstances, embraced this radical vision and heroic pursuit for a future not only where they could be free from bondage, but end the institution of slavery altogether,” said Scott. “In addition to our country grappling with the long-reaching, present-day effects of slavery and oppression, it is important to acknowledge the power that resides in reimagining your own destiny. We can learn a great deal from the many stories of that era.”

Slave Rebellion Reenactment will be a large-scale, community-engaged live art performance and film production. Set along the River Parishes in Louisiana, the 26-mile roving performance will travel over two days from St. John the Baptist Parish to St. Charles Parish, LA, retracing the route of the historic 1811 uprising, and concluding with a public celebration in New Orleans’ Congo Square inside Louis Armstrong Park.

This project marks the first time in history that the rebellion has been reenacted at this scope and scale, and it will make for an impressive sight — hundreds of Black reenactors, many on horses, dressed in period clothing, flags flying, singing in Creole and English to African drumming. The work of art is meant to inform, engage and invite reflection on how the past informs the present.

The artwork is being produced in partnership with the New Orleans arts organization Antenna, which has been integral to the development of the project and is led by Bob Snead.

“Antenna is proud of the role we have played in presenting this incredibly ambitious project,” Snead said. “Slave Rebellion Reenactment is a defining moment for both our organization and art history. Having so many local community partner organizations and participating residents, this monumental work will no doubt set a new bar for community-engaged art practices.”

Slave Rebellion Reenactment has received support from VIA Art Fund, Ford Foundation, the Open Society Institute, Surdna Foundation, MAP Fund, A Blade of Grass, amongst many other supporters including over 500 individual donors. It will be captured on film by acclaimed filmmaker and director John Akomfrah with Smoking Dogs Films, who will produce a multi-screen art film weaving together documentation of the walk.

To find out more information about SRR, visit: https://www.slave-revolt.com/. Credentialed members of the media who would like to observe the performance on the ground in Louisiana should RSVP at srrmedia@fenton.com.  

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About Antenna

Antenna is a New Orleans-based organization committed to being a vital participant in the life of the city through the creation and support of artist- and writer-driven programs. In its role as an engine for cultural production and a resource for creative practitioners, Antenna incites and supports creative endeavors with transformative approaches to effecting environmental, racial, and social justice. The organization is the principal presenting organization of Slave Rebellion Reenactment. Learn more at www.antenna.works

About Dread Scott

Dread Scott is an American artist who describes his work as “revolutionary art to propel history forward.” His work is exhibited across the U.S. and internationally. In 1989, his art became the center of national controversy over its transgressive use of the American flag, while he was a student at the School of the Art Institute of Chicago. Since then, his work has been included in exhibitions at New York's MoMA PS1, the Whitney Museum of American Art and Gallery MOMO in Cape Town, South Africa, and performance work has been presented at BAM in Brooklyn and on the streets of Harlem, New York. Scott currently serves on the board of the New York Foundation for the Arts and is an Academician in the National Academy of Design. Visit Dread Scott online at https://www.dreadscott.net/.

About John Akomfrah

Renowned Ghanaian-British artist, filmmaker, and writer John Akomfrah will collaborate with Dread Scott on Slave Rebellion Reenactment, creating the film documentation of the performance. Akomfrah’s moving image work has contributed seminal perspectives on the Black diaspora, both in the UK and around the world. Akomfrah’s work gained awareness in the early 1980s as part of Black Audio Film Collective, a group of several artists founded in 1982. The collective produced a number of experimental films, combining archival and found footage, interviews and in depth depictions of contemporary England. Akomfrah and Black Audio’s works were remarkable for their poignant political inquiries and collage-like approach. They allowed for narratives of lack British history and culture to become accessible by producing documentaries made for British Television. Throughout the 1990s, Akomfrah explored international diasporic stories from across the Americas, Caribbean and Asia and focused on the legacy of global colonialism. Akomfrah’s work now takes many forms in multichannel video work and large-scale installations.