After 30 years of exploring the woven form, I have mastered the art of diagonal twill, with which I create forms and structures not normally found in the basketry world. My medium for this unique work is watercolor paper, which I’ve painted and cut into very narrow uniform strips to achieve the precision I seek.

Approaching my work as a puzzle drives me to discover new shapes and weaving innovations. I often think, “How will it work out if I try this, or how can I get this shape or pattern combination? What if I use these colors in this combination in this order? What if…”

I am also very much interested in the math and geometric constraints of the work. Using hundreds of strips of paper at a time, I explore new structural forms:  multiple woven units, asymmetrical corners, weaving opposite corners together, multiple-stepped corners in tandem that add structure to the work. This creates a singular look to the pieces, building unique and intriguing forms that are encoded with energy and elegance.

I am intrigued by the potential outcome of any new design. The evolution of my body of work is built on taking risks, and avoiding the “known”. The risks offer challenges, which often lead to new directions. This is the excitement that keeps me working in a repetitive medium: it is an on-going meditation on improvisation, a continual experiment through which my work can progress and develop.