Stieg,night has fallen. How have you spent the day, where have you done with the twins?

I have spent my time trying to sort the drug stuff together with Sanna. Spring has come and gone.

You've been at it and worked for a long time and suddenly notice that the darkness has fallen outside. Sanna left the room a while ago, you do not know exactly what for, going to the bathroom or something.

What's it like where you work?

There is a small nook behind the bar where Frost performs. Wooden boards as walls and a curtain for door. Everywhere are boxes of content that might be useful someday. In the middle of the room is an old bed, mattress miscolored by blood and pus.

How do you look, what are you wearing?

I'm dressed in a rumpled coat, over what looks like layer upon layer of t-shirts and sweatshirts. His pants are patched jeans in various colors. Face stubbled and worn.

You realize that you are very hungry, it's dark outside, and none of the twins are there. What do you do?

Snorting I go out of the cave and look for them. "Sanna! Spring! Where are you?! "

What do you have in front of you when you pass the curtain, what right, what left?

I have a bar on the left. Worn and deeply eroded remnants of years and fights. To the right are some small improvised table, a small stage with a strip pole on. Straight ahead is the door out.

Two of Atlas Copco's guards sitting there, at a worn table made of old wooden crates. Udo and Raja."What's up Angel?" hisses Raja, her voice is hoarse, as usual, it is constantly hoarse, almost wheezing.

"Have you seen Koobolts kids?"

Raja shakes her head. Udo keeps his eyes on the table and when he does not think you can see, he throws glances towards the curtain behind you.

Udos glance makes me pause. "Need help with something, Udo?"

I'm trying to ascertain whether he intends to rob me or something.

Read a Sitch

situation in itself, I would not describe as charged. But if you are tense and anxious then it is. Are you?
Bit worried that they are in and steal a lot. Perhaps more read a person?

Yes, one or the other, both works. Take it from fiction for the sake of simplicity. Describe what you are looking for, ask questions, etc..

Sure. Read a person. Roll. Enter the result here, and so continue the dialogue. Ask meta questions in this column.

2D6 + 2 => 11

He shakes his head and looks down at the table. Raja grins at him.

"Are you ill?"

"Nah, nothing, it’s nothing. Um, I gotta go and do something. See ya." He lumbers off towards the other parts of the cave.

"He waited for Frost, right?" I ask Raja.

"No, we just hang here for a while so Atlas would not put anything crap in the hands of us."

"Lazy people." I rush out to look after the twins.

Right. Where are you? Where do you go?

I'm looking down at the house. If they are not there, I rush down to their campsite.

CUT

Frost,after a full night by the campfire, and the sweaty activity in the early morning, you slept like a dead. You wake up and smell skunk out of your mouth. What are you doing?

I look around in the camper for something to eat, find the half energy bar from ancient times, chew it down and step over a woman who sleeps on the floor. I go at me, yawns and goes whistling towards the cave for the evening performance.  

When you step out the smell of forest in the evening meets you. But there is something pungent in the air. Probably an acid rain that is about to roll in. Ego, by the way, was not there when you woke up.

How do you look like, what are you wearing?

I'm wearing a pair of black baggy pants with a sparkly necklace or jewellery hanging from them and dangle and plings nicely. Nude on the upper body except for a big pink shawl with silver threads. Has claw marks on the body. No makeup, a little stubble. Black nail polish. Walking with an attitude, rocking back and forth and looking all the time around me, not vigilant, more casual. I have my giant red coat slung over his arm.  

When you come a bit over the large open gravelled area between the RV and the cave opening and you hear someone calling you. Varj seems to have been hiding on the other side of the camper. Now she peeks out around the car and wave to you. There is something broken and thin over her.

"Hello love," I say and stop. "Do not hide your beautiful face for the stars, baby" I put my hand in my side and look at her a few seconds before I stroll over to her. "What can I do for you my friend?"

"Shh, come here!" She wants to get around the car, so that it is blocking you from the cave's opening.

I grab one of my knives behind my back, and come to rest. At the same time waving my index finger on the other hand in front of her face-"I do not do free jobs my friend, what do you want?"

Read a person

I got 9

"No, no, I know, but I have got into some bloody tangle, and you have always been so kind ..." She blushes right up over her ears, but she still does not meet your gaze.

"Do not pull me into your jam, love, I'm not going to fuck it for me with the Atlas, or anyone else, come and see me dance instead, my friend."  

What does she feel?

"No I do not dare go there. I believe that Atlas will be there, and I can not see him right now. " She seems to be filled with disgust, shame and anger.

I release the grip on the knife and stroll upp to her, "you have a cigarette, sweet? You know I do not mess with the Atlas-your shit is your shit, baby, you have a smoke?"

Her face hardens and becomes a mask of anger. "You bastard," she sputters. "I have seen how you have it together with the bastard Skärm."

"Skärm". I pause. "You're fishing in the wrong water, girl. Give me a cigarette and come in with me. "I pull on my red fur coat and turn halfway to the cave. If she does nothing, I'm starting to go in to perform, it is time and I am eager to find someone with pills.

"You bastard," she sputters after you when you go.

CUT

Frost, you have sauntered up to the mine entrance, it is a bit higher than the plateau of the houses and Winnebago, up the old ramp of rusted iron beams and crumbling concrete.

You have just come up to the entrance when you get all but toppled over by Stieg that comes rushing out.

"Hey, you my friend, take it easy, doctor." I grab Stieg, holding his clothes. "I need to talk to you about your small pill bottles, love"

"What? Oh, hello." I’m noticeably surprised and embarrassed. "Uh ... you have not seen the Koobolt twins? Spring and Sanna?" Avoid meeting Frost's gaze. Meets it and get stuck for a while. Avoids it again.

"Little girls don’t stay close to me, my friend. And that giant, feel free to stay in the woods if you know what I mean, he would crush me beneath him. I need to check some of your stuff, doc, for tonight, I'll dance for you "

"To me, me?" Dropping my chin a bit. Catches myself. "Not now. I need to find the girls. I promised to take care of them. "Casts a long glance at Frost. "But if you help me find them so I can probably find something for you."

"Love-all that is a misconception, children grow by caring for oneself, one should not keep on running after them-burned children learn, look at me, love 'grins. "Look, if you come with me and find me something a bit ... refreshing from your small locked boxes and I'll give you a very special performance tonight

Manipulate.

I got 9.

You get xp if you do what I say

Am silent a moment. Take Frost’s hand and drag him towards the mine. "We must hurry."

Going with him and taking pills

All right. You are standing inside the infirmary, Frost, you swallow some neon red capsule and feel the warmth spreading in the abdomen and the buzz starting in your fingertips and testicles.

What are you doing?

I lean forward and give Stieg a light kiss on the cheek, lipstick leaves a red spot, "See you later my friend", waving and sliding in behind the curtain to shave and get ready to dance tonight.

After a deep sigh, I come at me and rushes out. Must find the girls!

CUT

The night has fallen. People have been gathered. It is not yet time for Frost's performance. The smoke is dense, up on a ladder Ego is working with the fan to make the air better in here, there’s thick metal tubing attached to the ceiling with large hoppers that will suck out the smoke, but they do not work so well now, and the smoke thickens more as more people join.

At various more or less provisional tables sit about thirty residents of Forster. Not quite ten belonging to Atlas Copco's guards.

Stieg,you have returned here after your futile search for the twins. You stopped a while ago for a fracture that required your attention, and now you're back here. What are you doing?

Frost,what do you do, like with some half-hour left before you must take the stage?

I have taken pills and sit with the bartender Kärnkraftsben and shoot yellow drinks behind the bar, on a stool so no one sees me, they only see the bartender's back. Eh? I think

I sit in a corner nursing a strong drink. Torn between the shame of having lost the Koobolts children and expectant of what's to come ..

The buzz stops and people are looking towards the entrance when almost another ten of Atlas Copco's nearest soldiers enter, and after them, Atlas Copco himself. They make their place at the two best tables in front of the stage - those who sit there moving or being moved by the guards. Not until they are seated you see that Atlas Copco has Sanna with him. He puts her on his knee. The buzz of voices resume. What are you doing?

I lumber up to the Atlas. "Sanna! There you are. Where did you go? Oh, hey, Atlas. "

I sneak past Kärnkraftsben and creeping in behind the curtain and make me ready, I'm waiting for the music, pull back my hair and take a look at the bartender through the curtain, there is live music?

"Angel," nods Atlas Copco as greeting. Sanna says nothing but meets your gaze, Stieg, with something like triumph or defiance in his eyes.

"Do you know where your sister is?"

She shrugs.

"We must go out and look when this is over then. I promised to care of the twins. "Nods to the Atlas.

I enter and start dancing on stage. there is live music?

Stieg,as you turn away to find a place in the premises, which has rapidly become much more crowded, so you hear Humhum,a big bastard, one of Atlas Copco's lieutenants, to answer your question. "Heard something about that brat you are looking for has been in a fight. One of Kärnkraftsbens kids, or something. "

Yes, at the edge of the stage are the musicians, three complete lunatics led by six-pack,a short, wiry woman with horns, feathers and bits of fur lashed to her body as the only clothing. They have their percussion variants started to add an evocative, melodic rhythm. The room is filled with musk and expectation.

I slip out of the scene in time to the music and start moving introvertly in a corner of the stage and start working up the expectations with my multi-colored scarves as wines through the air, slowly I begin to move out over the stage with floating dance step where I actually stand up in air, still brief little moment before I fall gently down to the feet. I swept his eyes over the crowd and start working up the mood in the audience, I play on people's feelings as an instrument, the audience is my tool and I play up their emotions

Artful and gracious  8

I sit mesmerized squeezed in between two large oxen.

Sauerkraut loves me. He is a storyteller who has traveled across Holds but have stayed here, weaving magical tales that create colors and voices in the air, one of Atlas golden pig, has several slaves whom he treats badly. Sauerkraut want to own things and people, he charms them with his tales and twisting people's heads. His three slaves are skinny and beaten, he pushes them down and spit on them.

Sauerkraut is located at Atlas Copco's table to look hungrily at you, Frost, when you dance. Occasionally he leans and Atlas Copco together and say something to each other, then they revert to regard dance.

CUT

A brief resumé, please. What just happened, what are you doing now?

Koobolt, hmm, what the heck happened...? We had killed a whole bunch of people, and I robbed Ringled’s corpse and took his gun and a hunting rifle for Sanna. Then I found a lot of maps and stuff that I gave to Skärm. We have probably set up camp some distance away and I have told Skärm that we can not have a fire because there are more of Ringled’s soldiers out there. I have been a few laps while Skärm cooked, and had spotted. I have shot a bird with a hunting rifle and now sits before the fire, Skärm still lit and pull feathers from the bird.  

Skärm sat in one uprooted trees and puffed out. They had rushed away after being killed ring road.

The maps that we found shows the positions where Byrr has been sighted. Koobolt was bitching a lot, but I calmed him with a pat. Now he does not mind having a fire here. Not enough to say something anyway. Some wild goose will taste good.

"Have you that book thing? The one with the dragon? "

"Absolutely. Let's just eat first. "

"Well, say something, how they flew against, against, what's them, the stars, didn’t the, Skärm?" Picks up the goose and throw it in the pot over the fire, "I found some horseradish, which we can rub it with."

"This should be yummy. Well, a chapter we can keep up while it’s cooking. "Picking up the book. "Ready?"

"Yes, yes!"

"So it was finally a new day. The wounds had healed nicely and Job found himself thinking happy thoughts for the first time in a very, very long time. He felt ... What was that? "

"Shhh!" Koobolt rises slowly up and gaze out of the deciduous forest around them. I take up my shotgun, and pull on my armored poncho.

How far from the uprooted tree and Ringled’s corpses have you gone?

A good bit, and hid ourselves. We know we did not kill everyone.

I cocks my gun and hiding behind a tree. Stopping in the ear plug.

Whispering toward the trees: "Norman, is that you?"

"What?" I wisper back.

"Quiet!" Agile as a cat, I, the giant, slide out away from the firelight, I recoil from one arm and slides down on my knees out of the trees. I look out into the darkness and listening.

Read a Sitch

cock - four!

I describe myself as you think, ok? A large white mask with wires and tubes and slanted eyes, grills for the mouth. A huge, unreal big man with a leather poncho with pieces of metal. Agile and large. Dead eyes behind the mask. Deep deep voice.

Koobolt. You move silently into the darkness. It takes a while for you to switch from the firelight, but eventually emerges woods in front of you. But you have to keep away from fire to see or hear anything properly. But you feel there is something out there.

This part of the forest is not identical to the home. Here it is more conifer, it is high, pillar like pines, and through the under-brush of man-high ferns and blackberry bushes, it is as labyrinthine paths covered with a soft carpet of old pine needles, which makes one's footsteps quite silent.

Skärm, when Koobolt moves away from the fire What are you doing, are you still there or are you following, or something else?

I'm staying a little while then I sneak after. Whatever it is, so it should not take us in the back. Viewing back then.

Read a Sitch

shortly, Sitch is definitely loaded, but you get to roll in a minute ...

Skärm, neck hairs stand up on you, something is going on out there in the dark, but turn most backward as you are, towards the fire, so you will not see much out there in the dark ...

Koobolt, suddenly you hear the sound of a child who screams, a little further into the darkness. It is Spring’s voice, it sounds like she is in a fight or get hurt somehow. What are you doing?

What the hell do you think? I smash trees, rocks, people, everything and get her.

Movet: Oh Yeah! Hard +2. 2D6 +2 Get 10

Is it right to describe what you want to as charging until you find her?

Yes, it requires

 that she is actually there, of course. I run headlong toward the sound of her voice

Skärm, Koobolt rush suddenly away forward, into the darkness.

Roll for read a Sitch:

2D6 + 1 => 7 * Ding *

Where's the threat?

Skärm, you realize, while the sound of the collapse rooted trees and torn shrubs are becoming weaker, that if there is something you should be mindful of out there so is the way the shadows and sounds of this part of the forest appears to play senses a prank. You have repeatedly glimpsed things that could not possibly be here.

Koobolt, your rush has taken you to the place where the sound must have come from, and past it. You stand now, puffing, and with four hundred minor scratches, in a crevice that has become a dead end. Your daughter is nowhere to be found, and you have left your companion far behind.

What are you doing?

I takes me gently back to the camp. there do I contact Koobolt.

Should I infer that I missed my daughter and ran past her, or that I came to the right place, but she is not there? I did roll a success?

Hard to say. Now in retrospect, are you not sure if it really was her voice, for now, you hear something that sounds like the wind among the rocks, and it may have been what you heard before.

I fall down on my knees and gently touch my Byrr helmet and then turned a faint red light on, and a faint buzzing sound, I curl up in fetal position and looks just a mist of paint in front of me and my hands are tied and forced me not to breathe. Where is she?

Open my brain

running

2D6 +1

Five. Xp-ping ...

Screen, how contact him?

Koobolt, what's the kind of experience for you to open your mind?

I'm trying the radio.

He does not answer, at least in some half-hour. Do you stay there and keep trying, or do something else?

All around me are those, Byrr, like shadows, white and black, painful just to even look at, they are moving everywhere, floating in the air, I hear their voices like a buzz. I takes me out of myself while feeling the pain in my face and all over the skin when pressed into the probes of my body. I hear their voices but not understand their language. There is a mist before my eyes-Norris is there, he laughs, but I do not see him, he will not let me see him, he moves away all the time. I see colors, I feel pain and pleasure, at the same time, I hear my children's mother's voice, she whispers a hissing sound inhuman, like a cricket.

When you are in the fog where you lose all notion of time and space. The whole world will be different, as are flatter and not at the same time, as if the dimensions are screwed into, things far away is close and things close to far away.

Therefore, you will not be surprised when that greyish byrrgestalten which now attaches looked straight at you and buzzes "So, there you are" suddenly within arm's reach. The smiles with his spider's face and stretch out their claws on you. When you wake up. What are you doing?

I walk a few laps around the fire. Then I pack for me the key and open my senses to see where he may have lost.

Open your brain buy preternatural at-will brain

attunemnet. (+3)

2D6 + 3 => 8

go ahead

Screen,how is the experience for you? How does your own figure out, in this gråmörka horror world you open your mind and step out in?

Now, here in the woods, everything is like a horror movie. Trees pre-cutting fool, shadows of dreams, nightmares and memories. In the middle of everything there is a corridor. I follow it.

Is it there when I wake up, or am I alone?

You alone are in klippskrevan where you put yourself down. The wind has subsided, it is the dark quiet hours before beginning to improve. Hour of the Wolf.

What should I do, Spring, where is she. "Spring!", Spring. Norris. "Norris?" I'll slow up the mirror and see if Norris is there.

Norman Weird. +1. Should I turn?

Shade, the corridor becomes a thread in a spider web, and when you follow it you will see how a bunch of gray-white figures move along the threads of the web. It trembles in the thread you go on. There is a large and helpless fly and struggling to get out. Just when you realize it is your companion Koobolt it starts all byrr in the network to which a given signal to move against him.

MOWING

So, end of session moves. Each character must choose a different character now knows him better than the beginning of the chapter. Enjoy! (This does not matter if it is kind tomorrow, or when it works for Hakan again.)

Screen knows me a little better? Plus 1

Stieg knows me a little better? Plus 1