Gretchen Andrew
Hacks systems of power with art, code, and glitter
Born in Los Angeles, United States, 1988
EDUCATION / WORK
B.S. in Information Systems (Honors), Boston College, Chestnut Hill, MA, 2010
Intuit, Software Engineer, 2006 - 2009
Google, People Technology Manager, 2010 - 2012
Billy Childish Studio Apprenticeship, 2013 - 2017
SELECTED SOLO EXHIBITIONS
2022 Growth Hacking, Galloire, Dubai UAE
Everything I Need to be Beautiful, Falko Alexander, Cologne, Germany
MISA Solo Booth, König Galerie Paris (October 2022)
2021 Other Forms of Travel, Annka Kultys Gallery, London, United Kingdom
Trust Boundary, Francisco Carolinum, Linz, Austria (Acquired 3 works)
Router at Panke Gallery, Berlin
2020 Future News, Monterey Museum of Art, Monterey, CA (Acquired a work)
2019 NOT NOT THE TURNER PRIZE, Chelsea Cookhouse, London, United Kingdom
Whitney Biennial 2019...Vision Board, LACDA, Los Angeles, CA
2018 Roughly Translated As: Ubuntu, A4 Gallery, Cape Town, South Africa
2017 Internet Imperialism, 18th Street Art Center, Santa Monica, CA
HOW TO HOW TO HOW TO draw, http://linkcabinet.eu
2016 HOW TO HOW TO HOW TO, Arebyte Gallery, London, United Kingdom
2015 Virtual Reality, De Re Gallery, Los Angeles, CA
Pigment As Pixel, Hoxton Gallery, London, United Kingdom
2014 Painting As Interface, The White Building, London United Kingdom
SELECTED GROUP EXHIBITIONS
2022 LA GRANDE BOUFFE, Elektrohalle Rhomberg, Salzburg, Austria
2021 Painting in the Digital Age, König Galerie Berlin, Germany
Screenwalk, The Photographer’s Gallery & Fotomuseum Winterthur
No Fear in Trying, Unit Gallery, London
2020 Real-Time Constraints, Arebyte, London, United Kingdom
2019 Art & AI, Swiss Re Centre for Global Dialogue, Rüschlikon, Switzerland
2018 Search Engine Art, V&A Museum, London, United Kingdom (book)
2018 Mozfest Open Web, Mozilla Foundation, London, United Kingdom
2014 Digital Futures, V&A Museum, London, United Kingdom
RESIDENCIES
2022 National Gallery X London
2021 Salzamt, Linz Austria
2021 A4 Arts Foundation, Cape Town, SA
2021 ScreenWalk, The Photographer’s Gallery London with Fotomuseum Winterthur
2020 Gazelli Art House Gazell.io, London, UK
2019 IsThisIt, London, UK
2018 18th Street Arts Center, Santa Monica, CA
2016 Whitcher Projects, Inglewood, CA
2016 Arebyte, London, UK
2014 The White Building, London, UK
TEACHING & LECTURES
2021 University of Chicago, Boston College, Willem de Kooning Academie, Mozilla Festival, Ars Electronica, The British Computer Society at EVA London, Falmouth University, OK Center for Contemporary Art Austria
2019 Feminism & Artificial Intelligence, Mozilla Foundation Festival, London, United Kingdom
Painting and New Media, University of East London, London United Kingdom
Search Engine Art, Hennessy & Ingalls, Los Angeles
Lecture to new MA students, Chelsea College of Arts, London UK
Digital Now, Margate, UK
2018 Wikimania, Cape Town, South Africa
Lux Gallery, London, United Kingdom
The British Computer Society, London, United Kingdom
2017 Art and AI, Emmanuel College at Cambridge University, Cambridge, United Kingdom
The Photographer’s Gallery, London, United Kingdom
Vivid Projects, Birmingham, United Kingdom
2016 Moving Image New Media, The London Film School, London, United Kingdom
The International Conference on the GIF, University of Bologna, Italy
2014 Digital Utopias, The British Arts Council, Hull, United Kingdom
The British Computer Society, London, United Kingdom
New Media, University of the Arts London, London United Kingdom
2013 The British Film Institute, London, United Kingdom
SHORT LISTS
2015 The Delfina Foundation, London, United Kingdom
SELECTED PUBLISHED WRITING
Columnist, The Art Newspaper, 2020
https://www.theartnewspaper.com/the-art-newspaper-s-xr-panel
What if We Educated AI..., The British Computer Society, 2021
https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2021.54
Book: Search Engine Art, V&A Museum, 2018
https://www.vam.ac.uk/blog/museum-life/search-engine-art
Google Exacerbates the Internet's Sexism, Imperica, 2018
https://www.imperica.com/en/blogger/gretchenandrew
Search Engine Art: Internet Imperialism and the image in context, The British Computer Society, 2018
https://ewic.bcs.org/content/ConWebDoc/59622
Virtual Reality as A Platform and Medium for Artists, White Wall, 2017
https://www.whitewall.art/art/virtual-reality-as-a-platform-and-medium-for-artists
Wearable Technology and Electronic Visualisation of Artistic Process, The British Computer Society, 2014
https://ewic.bcs.org/content/ConWebDoc/53041
A Moveable Fetish: Aesthetics of Post-Internet Art, Imperica, 2015
https://www.imperica.com/en/a-moveable-fetish-aesthetics-of-post-internet-art-gretchen-andrew
Painting in the New Public, HEAD TO HEAD, Edited by Jones, N. J. & Liotchev, I., Standpoint London, 2013
http://www.standpointlondon.co.uk/gallery/2014/head-to-head/index.php