General Risk Assessment
Document 082
Last Reviewed: April 2025
Next Review: March 2026
Everybody Arts, Shaw Lane, Halifax, HX3 9ET
01422 346900 info@everybodyarts.org.uk
Charity number: 1208271
This risk assessment is intended as a reference and guidance document only. It outlines common risks associated with working in an art school environment, including studios, galleries, and shared creative spaces.
It is not exhaustive, and does not replace the need for individual, activity-specific risk assessments.
All staff, tutors, studio holders, artists and any visitors who hire our space are responsible for:
If you are planning a new project, workshop, exhibition, or studio activity, you must complete a tailored risk assessment before starting.
For guidance or support, please contact info@everybodyarts.org.uk.
Risk Matrix
Risk = Severity x Probability
1 = low, 5 = high | Severity | ||||
Likelihood | Trivial | Minor injury | Over 3 days injury | Major injury | Incapacity or death |
Highly unlikely | 1 | 2 | 3 | 4 | 5 |
Unlikely | 2 | 4 | 6 | 8 | 10 |
Possible | 3 | 6 | 9 | 12 | 15 |
Probable | 4 | 8 | 12 | 16 | 20 |
Certain | 5 | 10 | 15 | 20 | 25 |
Area | Across all spaces | |||||
Risk / Hazard | Description of Risk / Hazard | Severity | Likelihood | Risk Level | Actions to mitigate risk | New Risk level |
Trip/Fall Hazards | Loose cables, easel or table or equipment legs, cluttered spaces, student / visitor belongings, open storage, uneven floors | 3 | 3 | 9 | Running is not permitted in our building 1.5m clear wide walkways are maintained at all times Ensure adequate lighting in all areas, especially where fine detail work is needed. Place caution signs where spills have occurred or in areas with potential trip hazards. | 6 |
Heavy Lifting | Moving artworks, easels, furniture, materials, equipment | 3 | 3 | 9 | Encourage team lifting for larger items like sculptures, canvases, and furniture Students and visitors should not lift heavy objects Staff trained in correct lifting techniques Trolley, dollies and lifting equipment available | 6 |
Injury from Tools/Equipment | Various art making tools and equipment including sharp instruments and cutting tools, presses, kilns, sewing machines | 2 | 3 | 6 | Tools and equipment belonging to Everybody Arts should only be used under the supervision of trained staff (tutors or technicians) or following the successful completion of a Health and Safety induction and activity risk assessment | 2 |
Respiratory Viruses | Transmission of virus from contact with surfaces or person | 3 | 3 | 9 | Hand sanitiser and washing facilities are available throughout the building Facilities and equipment cleaned and disinfected frequently | 6 |
Toxic Exposure | Paints, solvents, glazes used in school, studios and gallery prep | 3 | 3 | 9 | Windows in place in school, studios, workshops, and galleries Where possible we encourage tutors, technicians and studio holders and members to substitute harmful chemicals with less toxic alternatives. All hazardous substances used or stored in the building must be properly labeled and accompanied by relevant Safety Data Sheets. Health and safety information provided by tutors and technicians PPE equipment available (gloves, mask, ear defenders) Studio holders, members and tutors responsible for their own risk and COSH assessments for activities | 2 |
Improper Storage or Labeling | Flammable or hazardous substances stored incorrectly | 3 | 3 | 9 | Hazardous substances stored in lockable yellow metal cupboards. All hazardous substances used or stored in the building must be properly labeled and accompanied by relevant Safety Data Sheets. | 4 |
Dust and Particulate Inhalation | From sanding, ceramics, or mixed-media prep | 3 | 3 | 9 | Dust masks are available and should be used when using a room where a dust creating activity is taking place. | 2 |
Overloaded Electrical Circuits | From lighting installations, equipment, or heaters | 2 | 2 | 4 | All electrical devices in the building must be PAT tested. Electric heaters are not permitted and extension cables should be used sparingly across the rest of the building. | 2 |
Flammable Materials Near Heat Sources | Including in gallery setups or studio spaces | 2 | 2 | 4 | Electrical heaters are not permitted in the building. Fire extinguishers (appropriate to the types of fire hazards) are available throughout the building. Irons, hairdryers, glue guns and other heat generating electrical equipment should only be used under tutor or technician supervision or following a health and safety induction. Lighting should not be obstructed by draping, papers or other flammable objects or materials. Ensure staff and students are familiar with fire emergency procedures. | 2 |
Obstructed Exits or Poor Signage | Bikes, furniture, refuse, materials or belonging stored incorrectly | 2 | 6 | 12 | Staff regularly inspect exits and will remove any obstruction. Clear exit signage is displayed throughout the building. Emergency Lighting activates during power failures, especially near exits and stairwells. Evacuation Plans are displayed along evacuation routes. Regular fire drills are conducted. | 3 |
Repetitive Motion Injuries | Long hours painting, drawing, sculpting, digital design | 3 | 2 | 6 | Adjustable chairs and desks are available for drawing, painting, and digital work to encourage proper posture. Tutors and technicians encourage regular breaks and stretching exercises to reduce the risk of RSI, especially during long periods of activity. Tutors and technicians encourage rotating tasks that require different postures to avoid prolonged strain on any one body part. | 3 |
Poor Ventilation | Can lead to fume buildup in studios and prep areas | 3 | 2 | 6 | Ensure that all studios and workshops are adequately ventilated with fresh air. | 2 |
Inadequate Lighting | Strains eyes and contributes to fatigue or accidents | 3 | 2 | 6 | Ensure proper lighting in work areas, with sufficient brightness for detailed work and safety. | 2 |
Psychological & Social Risks | Stress/Pressure /Burnout Isolation or exclusion Bullying or harassment Exposure to triggering or sensitive themes in artwork/discussions Burnout among staff, tutors, or students | 3 | 3 | 9 | Many staff are mental health first aid trained and we provide access to wellbeing check ins Create quiet rooms, decompression zones, or wellness spaces. Use support riders for staff and freelance artists and request information about additional needs and support from students, members and studio holders | 3 |
Physical risk related to disability, mobility, access needs or enhanced support needs | Inaccessible spaces (studio floor) Unsafe equipment or furniture for those with limited mobility Fire safety risks for people with hearing or mobility impairments Fatigue or risk of injury due to lack of rest spaces or adaptive support | 3 | 3 | 9 | Regularly review the physical space for barriers and address them (e.g. ramps, lifts, adjustable desks). Provide tools and equipment adapted to different physical needs (e.g. ergonomic tools, height-adjustable workstations). Ensure individuals with mobility or sensory impairments have documented evacuation plans. Offer low-stimulation environments or rest areas. Involve disabled artists, students, and staff in the planning of spaces and practices. Use support riders for staff and freelance artists and request information about additional needs and support from students, members and studio holders | 3 |
Privacy | Exposure of sensitive personal data (e.g. health, gender identity, support needs) Unwanted photography or filming of individuals or artwork Insecure storage of documents or digital records Breaches of confidentiality in group discussions or tutorials | 3 | 3 | 9 | Data Protection Training on GDPR, confidentiality, and responsible data handling. Create and enforce consent guidelines for photography, filming, or recording. Offer private rooms for sensitive discussions or tutorials. Use secure systems for storing and sharing sensitive data (e.g. encrypted files, limited access folders). | 3 |
Equality, diversity and inclusion | Unconscious bias or discriminatory behaviour (intentional or otherwise) Lack of representation in curriculum, exhibitions, or staff Barriers to participation based on socioeconomic status, race, gender identity, or other protected characteristics Cultural insensitivity in materials, artworks, or discussions | 3 | 3 | 9 | Offer EDI Training for staff Regularly review programme content to include diverse voices, histories, and practices. | 3 |
Area: | Exterior | |||||
Risk / Hazard | Description of Risk / Hazard | Severity | Likelihood | Risk Level | Actions to mitigate risk | New risk level |
Trip / fall | Uneven pavement leading to building | 3 | 2 | 6 | No running Sensor lighting installed | 4 |
Traffic accident | Narrow pavement | 5 | 3 | 15 | Single file on pavement Children must be accompanied by an adult | 5 |
Area | Entrance (School), level 0 | |||||
Risk / Hazard | Description of Risk / Hazard | Severity | Likelihood | Risk Level | Actions to mitigate risk | |
Theft / Arson | Door wedged open or left unlocked | 5 | 3 | 15 | Buzzer system installed Security cameras and alarm systems throughout the building | 5 |
Area | Stairwell - by school entrance from level 0 to level 2 | |||||
Risk / Hazard | Description of Risk / Hazard | Severity | Likelihood | Risk Level | Actions to mitigate risk | |
Vertigo | Gaps in between stairs | 1 | 3 | 3 | Use other stairwell Use handrail | 1 |
Fall | -When carrying materials up and down stairs | 3 | 2 | 6 | Sensor lights installed Walk carefully when carrying materials and not so many as to obstruct vision Do not attempt to carry anything too heavy and always in pairs | 2 |
Congestion | Narrow timber stairwell | 1 | 1 | 1 | Wait for stair users to pass before climbing / descending | 1 |
Area | Stairwell - by gallery entrance from level 0 to level 2 | |||||
Risk / Hazard | Description of Risk / Hazard | Severity | Likelihood | Risk Level | Actions to mitigate risk | |
Slip / Trip | Stone staircase with uneven surface due to age and wear. In wet weather stone may become slippery | 3 | 2 | 6 | No running Use the hand raiI Install non slip and reflective strips | 3 |
Area | Print area, Level 0 | |||||
Risk / Hazard | Description of Risk / Hazard | Severity | Likelihood | Risk Level | Actions to mitigate risk | |
Trapped fingers, hair or clothing | Heavy printmaking equipment with moving parts | 4 | 3 | 12 | Access to the area is not permitted unless H & S induction specific to print area has been completed Lone working not permitted Appropriate PPE to be worn at all times All hair must be tied back and lose clothing not permitted No open shoes allowed List of full instructions on proper use of printmaking equipment in printmaking handbook | 8 |
Burn skin/ stain clothing | Printmaking materials Gas heater | 4 | 3 | 12 | Access to the area and materials is not permitted unless H & S induction specific to print area has been completed All hazardous materials must be kept in the locked hazards cupboard and adhere to COSHH policy List of hazardous materials kept in the cupboard with all items clearly labeled First aid kit kept near sinks, record any incidents in the incident book and to a member of staff Gas heater must not be touched- sign not to touch on the heater List of full instructions on proper use of printmaking equipment in printmaking handbook COSHH file Appropriate PPE to be worn at all times | 6 |
Strike by object | Cupboard doors, moving parts on printmaking equipment | 2 | 2 | 4 | Items must be stored carefully Be aware of objects moving parts through induction | 2 |
Area | Office, level 0 | |||||
Risk / Hazard | Description of Risk / Hazard | Severity | Likelihood | Risk Level | Actions to mitigate risk | |
Cuts | Guillotine, paper | 4 | 2 | 8 | Use is not permitted unless H & S induction has been completed Take care when handling paper First aid kit and accident book by sinks | 3 |
Lack of Safety Training | For new students, visiting artists, studio members or studio holders | Implement mandatory health and safety training via inductions, training sessions or introductions for all new staff, tutors, technicians, students, studio members and holders. Ensure that all new arrivals receive a thorough induction on safety protocols. Keep records of all training sessions, including dates and attendees. | ||||
Poor Emergency Preparedness | No first aid kits, unclear fire exit routes | Develop and communicate clear emergency response plans for fires, spills, accidents, or evacuations. Provide first aid training for key staff members and ensure first aid kits are easily accessible. Conduct regular fire drills and emergency response exercises. | ||||
Insufficient Insurance or Documentation | For artworks, equipment, or liability in shared spaces | Ensure that risk assessments are completed for all activities and are regularly reviewed. Ensure adequate insurance coverage for the organisation, its employees, and its students, particularly for artwork, materials, and studio accidents. Keep accurate records of all risk assessments, safety audits, and incident reports. | ||||
Area | Main teaching space, level 1 | |||||
Risk / Hazard | Description of Risk / Hazard | Severity | Likelihood | Risk Level | Actions to mitigate risk | |
Burn / scald | Tea / coffee station with kettle and microwave | 2 | 2 | 4 | Keep area clean and tidy Signage Take care whilst pouring | 2 |
Area | Second teaching space, level 0 | |||||
Risk / Hazard | Description of Risk / Hazard | Severity | Likelihood | Risk Level | Actions to mitigate risk | |
Burn / scald | Hot water from sinks Turps bins kept in the area | 2 | 3 | 6 | Signs to warn of hot water Turps disposal bins | 3 |
Area | 1-1 room | |||||
Risk / Hazard | Description of Risk / Hazard | Severity | Likelihood | Risk Level | Actions to mitigate risk | |
Burn / scald | Exposed boiler and pipes in room | 2 | 2 | 4 | Signs not to touch pipes | 2 |
Area | Ceramics Workshop area, level 0 | |||||
Risk / Hazard | Description of Risk / Hazard | Severity | Likelihood | Risk Level | Actions to mitigate risk | |
Cut/maimed | Moving machinery and hardware tools and equipment | 4 | 4 | 16 | Only authorized staff to use machinery who have been properly trained. | 8 |
Heavy bags of clay | Injury from lifting heavy clay bags | 2 | 3 | 6 | Students to only carry 1 bag of clay at once Staff responsible for moving multiple bags, trolleys used where possible. Walkways kept clear to enable easy movement when carrying clay | 3 |
Pug mill | Injury to hands or fingers if trapped in pug mill | 3 | 2 | 6 | Only trained staff will use the pug mill Safety mechanism on machine to prevent injury | 3 |
Irritation to skin, breathing difficulties, ingestion | Glazes | 4 | 3 | 12 | Explain risks. Avoid contact with skin when possible. Use PPE were assessed as required Avoid inhaling powdered glaze. No food to be consumed in workshop. Drinks to be in lidded cups or containers. Powdered glaze only mixed by tutor. Glaze only used under supervision. All glaze to be stored safely | 4 |
Long term health risk, silicosis | Clay dust | 5 | 2 | 10 | Dry or unworkable clay should be placed in reclaim bins. Floors kept clean and tables washed down at the end of every day. Do not dry sweep. Tools washed regularly. Rolling pins and slip brushes washed at end of class. Aprons washed regularly. No food or drink to be consumed in the workshop. | 6 |
Area | Private Studio / kiln room, level 0 | |||||
Risk / Hazard | Description of Risk / Hazard | Severity | Likelihood | Risk Level | Actions to mitigate risk | |
Burn/shock | Kiln | 4 | 3 | 12 | No public access Keys limited to approved staff Kiln fitted by qualified kiln engineer. All packing and firing of kiln to be done by ceramics tutor or technician only. Kiln to have safe area around it as stated by manufacturer. Do not open a hot kiln unless below 100 degrees C. Kiln fired in separate room away from students. Use sign to clearly state when kiln is hot and firing. Controller installed for automatic shut down at end of programme. | 4 |
Irritation to skin, breathing difficulties | glazes | 4 | 3 | 12 | No public access Explain risks Avoid contact with skin when possible. Use PPE were assessed as required Avoid inhaling powdered glaze. Powdered glaze only mixed by tutor. Glaze only used under supervision. All glaze to be stored safely | 4 |
Long term health risk, silicosis | clay dust | 5 | 2 | 10 | No public access Dry or unworkable clay should be placed in reclaim bins. Floors kept clean and tables washed down at the end of every day. Do not dry sweep. Tools washed regularly. Rolling pins and slip brushes washed at end of class. Aprons washed regularly. | 6 |
Area | Basement kiln room, level -1 | |||||
Risk / Hazard | Description of Risk / Hazard | Severity | Likelihood | Risk Level | Actions to mitigate risk | |
Risk of falling | Stone steps | 3 | 4 | 12 | No public access Care must be taken by staff whilst going down the stairs. Stairwell must be well lit | 3 |
Area | Entrance (Gallery) Level 1 | |||||
Risk / Hazard | Description of Risk / Hazard | Severity | Likelihood | Risk Level | Actions to mitigate risk | |
Theft / Arson / Fire | Gallery door wedged open | 5 | 5 | 20 | Ensure at all times the gallery door is closed and locked unless a staff member is in the gallery Security cameras and alarm systems throughout the building. | 3 |
Slip / trip / bump | Raised entrance to gallery door | 3 | 4 | 12 | Sign saying watch your step. Children who cannot read must be told by teachers to watch their step | 2 |
Area | Gallery- main space level 1 | |||||
Risk / Hazard | Description of Risk / Hazard | Severity | Likelihood | Risk Level | Actions to mitigate risk | |
Damage to Artwork | From mishandling, poor mounting, or environmental exposure | 3 | 2 | 6 | Provide training on how to handle artwork safely, particularly fragile items. Ensure all artworks are securely mounted or displayed to prevent them from falling or being damaged. Maintain proper temperature and humidity levels to prevent damage to artwork (e.g., prevent warping or mold growth). | 2 |
Theft or Vandalism | Particularly in public exhibition spaces | 3 | 2 | 6 | Security cameras and alarm systems throughout the building. Limit access to artwork during exhibitions or installation, ensuring only authorized individuals can handle or touch the work. | 2 |
Injury During Installation/Deinstallation | Lifting heavy works, using tools at height, etc. | 3 | 2 | 6 | Require the use of appropriate PPE during installation (e.g., gloves, hard hats). Use a team-based approach to install or deinstall large or heavy artwork to prevent accidents. Provide clear guidelines and training on safe installation methods for all involved. | 2 |
Area | Gallery- Kitchen | |||||
Risk / Hazard | Description of Risk / Hazard | Severity | Likelihood | Risk Level | Actions to mitigate risk | |
burn/scald | tea and coffee facilities, kettle/hot water | 2 | 2 | 4 | Care must be taken whilst pouring from the kettle | 2 |
Area | Studios, Level 2 | |||||
Risk / Hazard | Description of Risk / Hazard | Severity | Likelihood | Risk Level | Actions to mitigate risk | |
Fall/collide/concussion | Risk of colliding with support poles | 3 | 2 | 6 | Ensure poles are visible People must take care to walk and not run in the studio area | 2 |
Personal Safety Risks | If working alone late at night | 3 | 2 | 6 | Encourage working in pairs or groups, particularly when working late. | 2 |
Material Hoarding/Storage Overflow | Fire hazard, trip hazard, general disorganization | 3 | 2 | 6 | Implement a storage system with clear guidelines for labeling, quantity limits, and organisation. Conduct periodic inspections to ensure that studio spaces are not cluttered or unsafe. Set limits on the amount of materials stored and encourage the use of only necessary supplies. | 2 |
Burns | Coming into too close contact with the heater when it is turned on could cause burns | 3 | 2 | 6 | A sign must be placed by the heater explaining the risk of having too close contact. | 2 |
Burn/scald | kettle/microwave risk of scolding and fire hazard | 3 | 3 | 9 | Care must be taken when using electrical equipment. Follow all precautions set by manufacturers | 2 |