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| UPDATE: [27. 12. 2025] | ||
BIOGRAFIJA | BIOGRAPHY | ||
Goran Despotovski rođen je 13. avgusta 1972. u Vršcu, Srbija. Diplomirao je na Višoj školi likovnih i primenjenih umetnosti u Beogradu (1995); na Akademiji umetnosti u Novom Sadu završio je osnovne akademske (1999) i magistarske studije slikarstva (2003), i stekao zvanje: Doktor umetnosti – Likovne umetnosti (2018). Na istoj akademiji je i zaposlen (od 2004). Izabran je u zvanje redovnog profesora, za užu umetničku oblast Slikarstvo (od 2019). Predsednik je Saveza udruženja likovnih umetnika Vojvodine (2017–2025). Profesor na predmetima: Slikanje, Digitalna slika, i drugim izbornim predmetima OAS, MAS, DAS, Akademije umetnosti u Novom Sadu. Koncepcija modula za studijski proigram MAS i rad na predmetu: Nove tehnologije i materijali u pripremi i realizaciji umetničkog dela. Radio u rukovodećim timovima Akademije, kao šef Katedre za slikarstvo (2012–2018), član Nastavno-naučnog umetničkog veća (2012–2014), člаn saveta Akademije (2014–2018), i člаn Stručnоg vеćа zа humаnističkе nаukе i umеtnоst Univerziteta u Novom Sadu (2012–2018). Predsednik umetničkog saveta Galerije Akademije umetnosti (2022–2024); Koordinator MAS programa (akreditacija 2022), Direktor departmana likovnih umetnosti Akademije umetnosti u Novim Sadu i član Nastavno-naučnog umetničkog veća (2024–). | Goran Despotovski was born on 13th August 1972 in Vršac, Serbia. He graduated from the College of Fine and Applied Arts in Belgrade (1995); at the Academy of Arts in Novi Sad, he completed undergraduate academic (1999) and master’s studies in painting (2003), and acquired the title of Doctor of Arts - Fine Arts (2018). Employed at the same Academy (since 2004), he was elected a Full Professor, for the artistic field of Painting (since 2019). He is the president of the Union of Fine Artists’ Associations of Vojvodina, SULUV (2017–2025). Professor of: Painting, Digital Painting, and other elective courses within Graduate, Master and Doctoral Studies at Academy of Arts in Novi Sad, he has conceptualised the module for the MA programme and teaches the course: New Technologies and Materials in the Preparation and Realisation of a Work of Art. He has been a member of the management teams at the Academy as the head of the Chair for Painting (2012-2018), a member of the Teaching and Scientific Arts Council (2012-2014), a member of the Academy Council (2014-2018), and a member of the Professional Council for Humanities and Arts of the University of Novi Sad (2012–2018). He is the president of the Artistic Council of the Gallery of the Academy of Arts (2022–); coordinator of the MA programme (accreditation in 2022), and the Director of the Fine Arts Department of the Academy of Arts in Novi Sad and a member of the Teaching and Scientific Arts Council (2024-present). |
Koncept | Concept |
Goran Despotovski se bavi istraživanjem više medijskih likovnih celina, dominantno u polju instalacija, u kojima prеdstаvlја čоvеkа, grupu, masu ljudi u formi lutke, koja u prostoru kontekstualizuje prisustvo čoveka, a da njih/njega u doslovnom smislu nema. Ovako formirani i koncipirani ljudi u grupi, kroz svoj stav, stanje, odeću, stvaraju osećaj koji se jednako može poistovetiti sa stanjem grupe u redovima, logoru, zatvoru, bolnici, čekaonici, itd. U konceptu ovih radova, predstava čoveka je izražena specifičnim modelom lutke. Ključno je da lutke ne govore isključivo o identitetu ličnosti, već apsorbuju identitet svih nas, odnosno čoveka uopšte. Posredi je prikaz čoveka koji postaje figura; ta figura dalje postaje lutka, a ona, kroz istaknute aspekte čoveka ukazuje na odsutnost života, usred ljudskog sveta koji živi ovde i sada, ali je već deziluzioniran. Pojavljivanje pojedinca u obliku lutke, reflektuje svakodnevicu savremenog ljudskog života i civilizacijske okvire uslovljene istorijskim događajima. Model lutke, kroz svoje suštinske elemente i način predstavljanja, aludira na čoveka koji je izgubio integritet socijalnog bića i preoblikovao se u reprodukovanu masu istovetnih neživotnih nebića. Primarni izvor za ovakvu predstavu grupe ljudi jesu različita turbulentna i represivna stanja koja su čoveku nametnuta u manipulativnim odnosima. Na ovaj način, autor povezuje opšta mesta čovekove istrošenosti u gubitku identiteta, kada u sprezi sa drugim čovekom ili grupom ljudi bez identiteta nastaje bezlična masa. Ova predstava mase, koja može poticati iz prošlosti ili sadašnjosti, iz određenog ili neodređenog događaja, jednako ističe problem koji se može sagledati kroz period ovog vremena i regiona (progon, redovi, čekanje, glad, migracija, strah, manipulacije, itd.). Međutim, ova pojava je univerzalna i prepoznatljiva u kolektivnoj svesti, bez obzira gde se on (čovek) nalazio i u kom vremenskom kontekstu. Stoga, sagledavanje, iščitavanje i razumevanje sadržaja ovih radova nosi jasnu poruku upozorenja ili opomene, jer istorijski gledano ovakav odnos prema čoveku je i suviše prisutan kao i to da je čovek uvek prožet kolektivnom ili individualnom patnjom. | Goran Despotovski is engaged in exploring in several fields of fine art media, predominantly installation, where he represents man, a group, a crowd of people in the form of a dummy, which spatially contextualises man’s presence, without him/them literarily being there. People thus formed and conceptualised in a group, through their positions, states, clothes, create a feeling that can be identified as the state of a group in queues, concentration camps, prisons, hospitals, waiting rooms, etc. In these works the representation of man is expressed with a specific model of dummy. It is essential that dummies do not speak only about a personal identity, but absorb the identities of all of us, that is, of man as such. It is a representation of man that becomes a figure; the figure further becomes a dummy, and it, in the emphasised aspects of man points to the absence of life, due to the human world living here and now and that has been disillusioned. The appearance of an individual in a dummy form, as a body/figure, reflects the everydayness of contemporary human life and civilizational frameworks that are constituted under the influence of historic events. The model of a dummy, with its essential elements and way of representation alludes to man who has lost his integrity as a social being, and has been reshaped into a reproduced mass of identical non-living non-beings. The primary sources for such a representation of a group of people are different turbulent and repressive states, imposed on man through manipulative relationships. This is how the author links together the common places of human weariness in the loss of identity, which, in combination with the other man or a group of people without identity, gives birth to an amorphous mass. Such a representation of masses, which can originate from the past or the present, a definite or an indefinite event, equally emphasises the problem that can be observed through this time period and this region (exile, queues, waiting, hunger, migrations, fear, manipulation, etc.). However, the phenomenon is quite recognisable to man’s collective consciousness, wherever he (man) is and regardless of the context of time. Hence, perceiving, interpreting and understanding the works carries a clear warning message, since, observed historically, such an attitude to man has been all too common together with the fact that man has always been infused with a collective or individual suffering. |
Nagrade | Awards |
Višestruko je nagrađivan iz oblasti likovnih umetnosti:
| He has received many awards in the field of visual arts:
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Autorski projekti (izbor) | Authorial projects (selection) |
Autor knjige: Tragovi egzistencije – Sudbina pojedinca i njegovo izostajanje, 2020. Autor, rukovodilac i koordinator projekata u organizaciji Akademije umetnosti u Novom Sadu (izbor):
Autorski projekat Pomeraj u kôdu (2025), Kôd prelaza: prostor-vreme, Savremena galerija Pančevo Autor, rukovodilac i koordinator projekata u organizaciji Saveza udruženja likovnih umetnika Vojvodine (izbor):
Član projektnog tima u organizaciji Akademije umetnosti u Novom Sadu (izbor):
Član projektnog tima u organizaciji Saveza udruženja likovnih umetnika Vojvodine (izbor):
Koordinisanje i timski projektni rad, ostalo (izbor):
Urednik izdanja (izbor):
Komercijalni angažman (izbor):
| Author of the book: Relics of Existence – The Fate and the Absence of an Individual Author, leader, and coordinator of projects organised by the Academy of Arts in Novi Sad (selection):
Author's project Move in code (2025), Code of transition: space-time, contemporary gallery Pančevo Author, leader, and coordinator of projects organised by the Union of Fine Artists’ Associations of Vojvodina (selection):
A member of the project team for projects organised by the Academy of Arts in Novi Sad (selection):
A member of the project team for projects organised by the Union of Fine Artists’ Associations of Vojvodina (selection):
among others. Coordination and team project work, other (selection):
Publication editor (selection):
Commercial engagement (selection):
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Dodatna usavršavanja (izbor) | Additional professional development courses (selection) |
2010. Učešće na kursu Snaga boje – Promena u razmeri, kurs i izložba u organizaciji doktorskih studija Univerziteta u Pečuju, prof. Ilona Keseru, Pečuj, Mađarska. 2002. Međunarodna radionica Menadžment o savremenim kulturnim institucijama, Kultura Nova, Ohrid, Makedonija. | 2010 Participated in the course The Power of Colour – Change of Proportion, the course and exhibition organised by the Doctoral Studies of the University of Pécs, Prof. Ilona Keserü, Pécs, Hungary. 2002 International workshop Management in Contemporary Cultural Institutions, Kultura Nova, Ohrid, Macedonia. |
Citiranost u teorijskim delima (izbor) | References in theoretical works (selection) |
Teorija forme, Kosta Bogdanović, Bojana Burić (2004), str. 28, Zavod za izdavanje udžbenika i nastavnih sredstava; Savremena umetnička scena, Made in Novi Sad (2006), str. 50, Galerija Tableau; Evropski konteksti umetnosti XX veka u Vojvodini (2008), Miško Šuvaković, Dragomir Ugren, str. 334–336, Muzej savremene umetnosti Vojvodine; Istorija umetnosti u Srbiji, XX vek, Radikalne umetničke prakse (2010), Miško Šuvaković, Orion art, Beograd; Posle 2000, Sava Stepanov (2011), Centar za vizuelnu kulturu „Zlatno oko“, Novi Sad; Na putevima srpske umetnosti 1923–2023, Galerija BelArt; Perspektive, ProArtOrg (2024); i druge. | Teorija forme [The Theory of Form], Kosta Bogdanović, Bojana Burić (2004), p. 28, Zavod za izdavanje udžbenika i nastavnih sredstava; Savremena umetnička scena [The Contemporary Art Scene], Made in Novi Sad (2006), p. 50, Galerija Tableau; Evropski konteksti umetnosti XX veka u Vojvodini [European Contexts of the 20th Century Art in Vojvodina] (2008), Miško Šuvaković, Dragomir Ugren, pp. 334–336, Museum of Contemporary Art of Vojvodina; Istorija umetnosti u Srbiji, XX vek, [The History of Art in Serbia, 20th Century], Radikalne umetničke prakse [Radical Artistic Pracitces] (2010), Miško Šuvaković, Orion art, Beograd; Posle 2000 [After 2000], Sava Stepanov (2011), Centre for Visual Culture ‘Zlatno oko’, Novi Sad; Na putevima srpske umetnosti 1323-2023 [ On the Roads of Serbian Art 1923-2023], BelArt Gallery; Perspektive [Perspectives], ProArtOrg (2024); among others. |
Kolekcije, otkupi i pokloni (izbor) | Collections, Acquisitions and Donations |
Republika Srbija, Ministarstvo kulture Republike Srbije, kolekcija Narodni muzej Kruševac, otkup rad Sam (diptih), 2024; Galerija Savremene umetnosti Subotica, poklon-rad Selekcija, 2023; Republika Srbija, Ministarstvo kulture i informisanja Republike Srbije, Unverzitet u Novom Sadu, rad Plank (diptih), 2022; Republika Srbija, Ministarstvo kulture i informisanja Republike Srbije, Kolekcija Savremene galerije Zrenjanjin, Rezonanta (poliptih 9 segmenta), 2021; Srpska akademija nauka i umetnosti, ogranak SANU, Novi Sad, rad 41/12 (poliptih), 2021; Poklon-zbirka Save Stepanova, rad Rezonanta, Galerija Matice srpske, 2019; Muzej Savremene umetnosti Novi Sad, poklon-rad Trokrilna kapija (3 segmenta), 2016; Imago mundi, Luciano Benetton Coleection, 2016; „Wiener Art“, Wiener Städtische, rad iz ciklusa Logički sklopovi, 2016; Republika Srbija, Ministarstvo kulture i informisanja Republike Srbije, Galerija savremene likovne umetnosti Niš, otkup rada Lice, 2016; Muzej Kozare, Prijedor, BiH, Republika Srpska, 2016; Muzej Savremene umetnosti Novi Sad, poklon-rad Folding (4 segmenta), 2015; Republika Srbija, Ministarstvo kulture i informisanja Republike Srbija, Zbirka, Filozofski fakultet Novi Sad, tri rada: Logički sklopovi, 2015; Republika Srbija, Ministarstvo kulture i informisanja Republike Srbije, Zbirka Kulturnog centra Vršac, otkup dva rada: Slike iz ciklusa Rezonanta I, II, 2014; Republika Srbija, Ministarstvo kulture i informisanja Republike Srbije, Zbirka Univerziteta u Novom Sadu, otkup rada: Slike iz ciklusa Rezonanta III, 2014; Muzej savremene umetnosti Vojvodine, otkup slika Folding (12 segmenata), 2012; Muzej savremene umetnosti Vojvodine, otkup instalacija Mumbled, 2009; Rad Mr. 2007, Bez naziva 2007 i rad Intriga 2017, Savremena galerija Zrenjanin... | Republic of Serbia, Ministry of Culture of the Republic of Serbia, Collection of the National Museum Kruševac, acquisition of the work Alone (diptych), 2024; the Contemporary Art Gallery, Subotica, gift-the work Selection, 2023; Republic of Serbia, the Ministry of Culture and Information, the University in Novi Sad, Plank (diptych), 2022; Republic of Serbia, Ministry of Culture and Information of the Republic of Serbia, Collection of the Contemporary Gallery Zrenjanin, Resonant (polyptych 9 segments), 2021; Serbian Academy of Sciences and Arts, SANU Branch, Novi Sad, work 41/12 (polyptych), 2021; Gift Collection of Sava Stepanov, Resonant, the Gallery of Matica srpska, 2019; Museum of Contemporary Art, Novi Sad, gift-the work Three-Wood Gate (3 segments), 2016; Imago mundi, Luciano Benetton Collection, work from the cycle Logical Constructs , 2016; “Wiener Art“, Wiener Städtische (2016); Republic of Serbia, Serbian Ministry of Culture and Information, Gallery of Contemporary Fine Art Niš, acquisition Face, 2016; Museum of Kozara, Prijedor, B&H, Republika Srpska, 2016; Museum of Contemporary Art, Novi Sad, gift-the work Folding (4 segments), 2015; Republic of Serbia, Serbian Ministry of Culture and Information, Collection, Faculty of Philosophy Novi Sad, three works: Logic Gate, 2015; Republic of Serbia, Serbian Ministry of Culture and Information, Collection of the Cultural Centre Vršac, acquisition of two works: Paintings from the Series Resonanta I, II, 2014; Republic of Serbia, Serbian Ministry of Culture and Information, Collection of the University of Novi Sad, acquisition of the work: Paintings from the Series Resonant III, 2014; Museum of Contemporary Art of Vojvodina, acquisition of the painting Folding (12 segments), 2012; Museum of Contemporary Art of Vojvodine, acquisition of the installation Mumbled, 2009; Work Mr 2007, No Name 2007, Intrigue 2017, Contemporary Gallery Zrenjanin... |
Ostale aktivnosti i članstva (izbor) | Other activities and memberships (selection) |
Član žirija za izložbeni program i Bijenale Tapiserije, Atelje 61, (2023–2025); Član tima za izradu Akcionog plana Grada Novog Sada (2023); Član predsedništva SULUJ (2023–); Član žirija za idejnio rešenja izgleda javnog spomen obeležja Mitru Subotiću-Subi, Evropska prestonica kulture (2022); Član žirija za pristupačno digitalno umetničko delo, Inkluzivna galerija (2020); Član i predsednik žirija za dodelu nagrade na 6. Trijenalu tapiserije, Atelje 61, Studio M, Novi Sad (2017); Član saveta Galerije za mlade „Macut“ (2012–2013); Član saveta Novosadskog salona, Novi Sad (2010–2011); Član saveta Saveza udruženja likovnih umetnika Vojvodine (2005–2009); Član žirija, Novembarski salon, Kraljevo, Galerija „Maržik“ (2013); Član žirija manifestacije „Noć muzeja“ (2013), Omaž frankofonim umetnicima, Francuski institut u Novom Sadu; Član žirija za dodelu nagrade Mali Princ, Akademija umetnosti, Novi Sad (2011–2012); Član saveta i žirija za izlagačku sezonu Galerije za mlade „Macut“, SPENS, Novi Sad (2011); Član Udruženja likovnih umetnika Srbije (1999); Član Saveza udruženja likovnih umetnika Vojvodine (1999); i drugo. | Jury member for the exhibition programme and Tapistry Biennial, Atelje 61 (2023-2025); Team member for making the Action plan of the City of Novi Sad (2023); Member of the SULUJ Presidency (2023-present); Jury member for conceptual design of the public memorial to Mitar Subotić-Suba, European Capital of Culture (2022); Jury member for the accessible digital artwork, Inclusive Gallery (2020); Jury member and chairperson for awarding the prize of the 6th Tapestry Triennial, Atelje 61, Studio M, Novi Sad (2017); Council member of Youth Gallery “Macut“ (2012–2013); Council member of the Novi Sad Salon, Novi Sad (2010–2011); Council member of the Union of Fine Artists’ Association of Vojvodina (2005–2009); Jury member, November Salon, Kraljevo, Gallery “Maržik” (2013); Jury member of the event “The Night of Museums”(2013), Homage to Francophone Artists, French Institute in Novi Sad; Jury member for awarding the Little Prince Prize, Academy of Arts, Novi Sad (2011-2012); Council and Jury member for the exhibition season of the Youth Gallery “Macut”, SPENS, Novi Sad (2011); Member of the Association of Fine Artists of Serbia (1999); Member of the Union of Fine Artists’ Associations of Vojvodina (1999), among others. |
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Samostalne izložbe (izbor) Izlagao je na 69 samostalne izložbe. | Independent exhibitions (selection) His work has been shown in 69 solo exhibitions. |
2025.
2024.
2023.
2022.
2021.
2018.
2017.
2016.
2015.
2014.
2013.
2012.
2009.
2008.
2005.
2003.
2001.
2000.
i dr. | 2025
2024
2023
2022
2021
2018
2017
2016
2015
2014
2013
2012
2009
2008
2005
2003
2001
2000
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Kolektivne izložbe (izbor) Izdvojena učešća na kolektivnim izložbama u zemlji i inostranstvu: | Collective exhibitions (selection) Selected participations in collective exhibitions in the country and abroad: |
2025. Utopija kao intima, DMV Galerija, Niš; Skulpturalno: Putovanje… Prostor… Kontekst… Belart, Distrikt, Novi Sad; Vreme jede pogled - Izbor iz zbirke slikarstva Muzeja savremene umetnosti Vojvodine, MSUV Novi Sad; Knjige umetnika _ Rigas Velestinlis (Feraios): Velika zapovest džamiji Zingirli, Ser, Grčka; 21. Međunaroni art simpozijum, Buljarica; Izložba Likovne kolonije Vlasina 2024, Leskovački kulturni centar; Decenija Dunavskih dijaloga, Između obala, Salon Muzeja grada Beograda; Utopija kao intima, Vršačka umetnička scena devedesetih, Galerija savremene umetnosti Pančevo; Knjige umetnika, Rigas Velestinlis (Feraios): Velika zapovest, Kulturni centar Islahanes, Solun, Grčka. 2024. DUNAVSKI DIJALOZI 2024 / FESTIVAL SAVREMENE UMETNOSTI. O (auto)destrukciji i protiv nje, MSUV; Eho Muzike, KC Negotin; 17. Međunarodni bijenale umetnosti minijature, Gornji Milanovac; Triles III, Galerija zvono, Galerija Viline vode, Beograd; Knjige umetnika, Rigas Velestinlis (Feraios): Velika zapovest, Kula Nebojša, Beograd; PUTOVANJE. Akvizicije 2023, Savremena galerija Subotica; Figura-čovek, Art expo, Novi Sad; Projekat Slika, Galerija Akademije umetnosti, Novi Sad; UTOPIJA UMETNIČKE KOLONIJE EČKA U DRUŠTVU DISTOPIJE slike iz zbirke Savremene galerije Zrenjanin od devedesetih XX v. do početka XXI v.; Kraj jezika - Još jednom o Vitgenštajnu, Muzej savremene umetnosti u Beogradu, Galerija legat Milice Zorić i Rodoljuba Čolakovića, Beograd. 2023. Kamen papir makaze. 7. Art links u Galeriji Facultad des Bellas Artes u Madridu; Na putevima srpske umetnosti 1923 - 2023: Od Konjovića do Marine Abramović, Bel art galerija, Distrikt, Novi Sad; Triles I, Galerija zvono, Galerija Viline vode, Beograd; Projekat Slika Galerija Akademije umetnosti Novi Sad; Untitled, Skulptura posle skulpture, Cazarma U, Temišvar (Rumunija); Projekat Slika, Galerija Viline vode, Beograd; Projekat Slika, SKC Fabrika; Muzej grada Beograda izložba zatvorenog tipa Društvo pravnika, Beograd; Zastave, Sekvence grada, Novi Sad; 2022. Likovna jesen, Sombor; 26. Videomedeja, Novi Sad; Kamen papir makaze, Fabrika, Novi Sad; Trijenale proširenih medija, ULUS, Beograd; The end of language – Wittgenstein reimagined, Lichtfelder i Austrijski kulturni forum; SLIKA/SADA, 16. Umetnički paviljon „Cvijeta Zuzorić“, ULUS; Međunarodni bijenale umetnosti minijature, Gornji Milanovac. 2021. Indonesian Contemporary Art and Design (ICAD),Grand Kemang, Jakarta; MFRU – 27. Međunarodni festival računalniške umetnosti, Maribor, Slovenija; Vojvođankski slikari iz privatne kolekcije Nebojše Bošnjaka, Galeriji NKC Niš. 2020. Neću može, hoću mora, Umetnički paviljon „Cvijeta Zuzorić“, Beograd; 15. Međunarodni bijenale umetnosti minijature, Gornji Milanovac; Izložba Udruženja likovnih umetnika Kruševca – Gradska savremena galerija, Aranđelovac. 2019. IV Niški salon: 12/2, Galerija savremene likovne umetnosti, Oficirski Dom, Niš, Srbija; Izložba Quo Vadis Homini? – deo programa na Dunavskim dijalozima, Triade Foundation, Temišvar; Aktuelna srpska grafička scena – jedan pogled, Galerija savremene likovne umetnosti, Oficirski dom, Niš; Projekat SMIC., Savez udruženja likovnih umetnika Vojvodine; Schere – Stein – Papier, Big Galerie, Dortmund, Nemačka; Małopolska, 7. Internacionalno bijenale pastela, Nowy Sącz; Izložba zastava mađarskih i srpskih umetnika, Galerija „Bel Art“, Dijalozi niz Dunav, Plato Doma omladine, Kladovo; Izložba zastava mađarskih i srpskih umetnika – Dunavski dijalozi – festival savremene umetnosti, proširenje bugarsko-srpske saradnje, umetnički dijalog – Izložba Zastave identiteta, Galerija Arosita, Sofija, Bugarska; Umetnički dijalozi niz Dunav – kolektivna izložba zastava – Festival Dunavski dijalozi, Zbirka strane umetnosti Muzeja grada Novog Sada; Izložba vajara/ki Srbije – Letnji salon skulpture, Narodni muzej, Pančevo; Izložba vajara/ki Srbije – Letnji salon skulpture, Paviljon „Cvijeta Zuzorić“, Beograd. 2018. Schere – Stein – Papier, Galerija grenzART, Holabrun, Austrija; PATEM 2017, Fakultet likovnih umetnosti, Skoplјe, Makedonija; Aktuelna srpska grafička scena, Nacionalna umetnička akademija, Sofija, Bugarska; 14. Međunarodni bijenale umetnosti minijature, Gornji Milanovac; Projekat Slika, SKC Fabrika, Novi Sad. 2017. Collecting is Connectin, Wiener Städtische osiguranje – Srbija, Kuća legata, Beograd; 38. Susret akvarelista, Umetnička kolonija „Ečka“, Savremena galerija, Zrenjanin; Projekat Slika, Kulturni centar „Laza Kostić“, Sombor; Izložba Nepodnošljiva lakoća tranzicije, Srpski kulturni centar, Pariz, Francuska. 2016. Muzej Kozare, Međunarodno bijenale radova na papiru, Prijedor; 13. Međunarodni bijenale umetnosti minijature, Gornji Milanovac; Akvizicija – otkupi i pokloni, 2012–2015, Muzej savremene umetnosti Vojvodine, Novi Sad. 2015. Prigušena egzistencija, Savremena umetnička scena Srbije, Košice, Slovačka; Izložba likovne kolonije Jalovik; Projekat Slika, Muzej savremene umetnosti Vojvodine, Novi Sad; Prigušena egzistencija, Savremena umetnička scena Srbije, Muzej savremene umjetnosti Republike Srpske; Konflikti, provokacije, relacije, izazovi, strepnje, energije, odlučnosti..., Pogled na umetničku scenu Vojvodine 1995–2014, Muzej savremene umetnosti Vojvodine. 2014. Premonition/Blood/Hope, Kunstlerhaus, Beč, Austrija; Likovna jesen, Sombor; Reanimacija, Studentski kulturni centar Novi Sad, Fabrika; Prigušena egzistencija – The subdued existence (Cargo East), Nacionalni muzej likovnih umetnosti Tajvana, u Tajčungu; 7. Naučni skup Srpsko-hrvatski politički odnosi u 20. veku – zaštita identiteta, Golubić, Hrvatska; Time Collectors, Nacionalna galerija Makedonije, Skoplje, Makedonija. 2013. VI Internacionalno bijenale pastela, Nowy Sącz, Krakow, Gallery „Pałac Sztuki“; Einladung zur Ausstellungseröffnung, There will be no miracles here, Facing Belgrade – ein Einblick in die zeitgenössischen Kunstszene Serbiens, Karlsruhe, Germany; Međunarodna izložba mađarskih i srpskih umetnika, Nacionalno udruženje likovnih umetnika Srbije, Dani mađarskog slikarstva u Budimpešti; Međunarodna izložba na projektu Tvrdjav@rt, Razlike, Galerija umjetnina grada Slavonskog Broda – Galerija „Ružić“, Slavonski Brod, Hrvatska; Małopolska, 6. Internacionalno bijenale pastela, Nowy Sącz; XVII Prolećni anale, Čačak; Magmart, VIII International Videoart Festival, Italija; Brotkatze IV, Kunstück Berlin & STATT!garden Flensburg, Nemačka; Projekat Slika, Galerija 73, Beograd; SITUACIJE, Instalacije u Vojvodini, Muzej savremene umetnosti Vojvodine, Novi Sad. 2012. Novembarski salon, Kraljevo, Galerija udruženja likovnih i primenjenih umetnika, Kraljevo; Izložba projekta Slika, Studentski kulturni centar, Novi Sad; Izložba sa međunarodne kolonije „Sreten Stojanović“, Kozara, Prijedor, Republika Srpska; Međunarodna izložba na projektu Tvrdjav@rt, Slavonski Brod, Hrvatska; Ceaseless, International juried show, Centennial Student Union Gallery, Minnesota State University, Mankato, U. S. A.; Međunarodno 11. bijenale umetnosti, Gornji Milanovac; Izložba umetničkih zastava, Art expo, Novi Sad; Privremena istorija – Izbor dela iz kolekcije Muzeja savremene umetnosti Vojvodine, Novi Sad, 1950–2012, akvizicija, otkupi i pokloni. 2011. Niški crtež, Galerija savremene umetnosti, Niš; 24. Čukarički likovni salon, Beograd; Međunarodna izložba Umetnost zemlje, Deliblatska peščara; Izložba projekta Razlike, Savremena galerija, Zrenjanin; Skulptura, objekat, gde je granica...?, Galerija „Cvijeta Zuzorić“, Beograd; XIII Plein-Art Kortárs Művészetek Fesztiválja, Budimpešta. 2010. Izložba projekta Razlike, UBSM, Beograd; Umetnost od 2000. do 2010, Galerija Centra za vizuelnu kulturu „Zlatno oko“, Muzej savremene umetnosti Vojvodine; ITZ-zone, Intervencija u prostoru, Ritopek, Beograd. 2009. XXXVIII Novosadski salon, Novi Sad; VIII Bijenale akvarela, Savremena galerija, Zrenjanin; Fenomen geometrije u vršačkim umetničkim zbivanjima, Kulturni centar, Vršac; Real life presence, Međunarodna izložba u organizaciji MSUV-a i Muzeja Landesmuseum Joanneum, Kunstlerhaus Graz, Austrija; Međunarodna izložba u organizaciji Italijanskog instituta za kulturu, manifestacija „Noć muzeja“, Beograd; Iza rampe, Savremena fotografija u Novom Sadu, Foto-galerija Gradske kuće, Grac, Austrija, organizacija Visart, asocijacija za vizuelnu umetnost i kulturu iz Novog Sada i CCN – kulturne mreže gradova, Grac. 2008. U (i o) tranziciji, Pariz, Francuska, organizacija: Centre d’animation culturelle; Umetnost u Vojvodini danas, Muzej Vojvodine i Muzej savremene umetnosti Vojvodine, Novi Sad; Galerija slika „Sava Šumanović“, Šid; Galerija „Lazar Lazarević“, Sremska Mitrovica; Galerija „Kulturni centar“, Narodni muzej, Zrenjanin; Moderna galerija „Likovni susret“, Subotica; Galerija kulturnog centra, Vršac; Kulturni centar „Laza Kostić“, Sombor; Galerija „Terra“, Narodni muzej, Kikinda, itd.; Projekcija video-radova, Centar za vizuelnu kulturu „Zlatno oko“, Novi Sad; Balkanska kapija, Internacionalna revija video-radova, Pečuj, Mađarska, organizacija: Galerija za vizuelnu kulturu „Zlatno oko“, Novi Sad. 2007. Skulptura – objekti, instalacije, ambijenti, intervencije u urbanom prostoru, Visart, Muzej savremene umetnosti Vojvodine, Novi Sad; Međunarodno bijenale proširenih medija, Oktopus, Galerija „New Moment“, Beograd, Međunarodno bijenale proširenih medija, Oktopus, Paviljon „Cvijeta Zuzorić“, Beograd; Izložba Umetničke kolonije Ečka, Savremena galerija, Zrenjanin; Balkan Art, Centar za savremenu kulturu „Zlatno oko“, Novi Sad; In Situ, Muzej savremene umetnosti Vojvodine, The Manual Forgotten Art Museum, Novi Sad; Do kraja veka – Umetnost u Vojvodini od šezdesetih do 2000 (iz privatne zbirke Save Stepanova), Muzej savremene umetnosti Vojvodine, Novi Sad; Internacionalna izložba umetničkih zastava, Galerije „Bel art“ i „Zlatno oko“, Novi Sad; VII Međunarodno bijenale akvarela, Savremena galerija, Zrenjanin; Biblioteka – otvorena knjiga Balkana, Umjetnička galerija „Collegium artisticum“, Sarajevo, Centar za vizuelna istraživanja „Krug“, Čačak. 2006. Biblioteka – otvorena knjiga Balkana, Centar za vizuelna istraživanja „Krug“, Čačak, Gradska biblioteka „Vladislav Petrović Dis“ i Dom kulture, Čačak; Početak veka: sudbine i komentari – Primeri iz aktuelne umetnosti u Vojvodini, Labin, Hrvatska; Grad – umetnička pozornica, Visart, Novi Sad. 2005. Internacionalni 46. Oktobarski salon, Beograd. 2004. Međunarodna izložba Construction/Deconstruction, A Space Gallery, Toronto, Kanada, organizator: Centar za savremenu kulturu „Konkordija“, Vršac; Međunarodna izložba Construction/Deconstruction, Observatoire 4 gallery Montreal, Kanada, organizator: Centar za savremenu kulturu „Konkordija“, Vršac; Izlagačka praksa kao kulturno politička strategija – 10 godina, Centar za savremenu kulturu „Konkordija“, Vršac. 2003. XXXIII Oktobarski salon, Pančevo; Korak napred… Dva koraka napred, Centar za vizuelnu kulturu „Zlatno oko“, Novi Sad. 2002. Niški crtež, Eksperimentalni crtež, Galerija savremene likovne umetnosti, Salon 77, Niš; Internacionalno 5. bijenale mladih, Vršac, Centar za savremenu kulturu „Konkordija“; Internacionalni festival performansa i eksperimenata, Sankt Peterburg, Rusija; Internacionalna izložba Ogledalo Balkana, Galerija Narodnog muzeja, Kraljevo; III Izložba vršačkih autora, Centar za savremenu kulturu „Konkordija“, Vršac. 2001. XXX Novosadski salon, Novi Sad; YU paleta mladih, Vrbas; XXXI Oktobarski salon, Pančevo. 2000. Internacionalno 4. bijenale mladih, Centar za savremenu kulturu „Konkordija“, Vršac. | 2025 Utopia as Intimacy, DMV Galerija, Niš; Sculptural: Journey… Space… Context… Belart, District, Novi Sad; Time eats the view - Selection from the collection of paintings of the Museum of Contemporary Art of Vojvodina, MSUV Novi Sad; Artists' Books Rígas Velestinlís (Feraíos): Mia Prostagí Megáli Thanassis Raptis, Zincirli Mosque in Serres Greece; 21st International Art Symposium, Buljarica; Vlasina Art Colony Exhibition 2024, Leskovac Cultural Center; The Decade of Danube Dialogues, Between the Shores, Gallery of the Belgrade City Museum; Utopia as Intimacy, Vršac Art Scene in the Nineties, Gallery of Contemporary Art Pančevo; Artists' Books, Rigas Velestinlis (Feraios): The Great Commandment, Islahanes Cultural Center, Thessaloniki, Greece; 2024 DANUBE DIALOGUES 2024 / FESTIVAL OF CONTEMPORARY ART. On (self)Destruction and Against It, MSUV; Eho Muzike, KC Negotin; International Biennial of Miniature Art, Gornji Milanovac., Gornji Milanovac; Triles III, Gallery Zvono, Gallery Viline vode, Belgrade; Artists' books, Rigas Velestinlis (Feraios): The Great Commandment, Kula Nebojša, Belgrade; THE JOURNEY. Acquisitions in 2023, The Contemporary Art, Gallery, Subotica; Figure-Man, Art Expo, Novi Sad; Project Painting, The Gallery of the Academy of Arts, Novi Sad; Utopia of the Artistic Collony in Ečka, accompanied by Dystopia. Paintings from the Collection of the Contemporary Art Gallery in Zrenjanin from the late 20th to the beginning of the 21st century; The End of Language: Wittgenstein re-imagined, MOCAB, Gallery-Legacy of Milica Zorić & Rodoljub Čolaković, Belgrade. 2023 Rock paper scissors. 7. Art links in the Galeria Facultad des Bellas Artes in Madrid; On the Path of Serbian Art 1923−2023: From Konjović to Marina Abramović, Bel Art Gallery, District, Novi Sad; Project Painting, The Gallery of the Academy of Arts, Novi Sad; Untitled, Sculpture after Sculpture, Serbian Sculpture Exhibition, Cazarma U, Temisoara (Romania); Project Painting, Gallery Viline vode, Belgrade; Project Painting, SKC Fabrika; Belgrade City Museum (private exhibition, Association of Lawyers, Belgrade; Flags, Sequences of a City, Novi Sad; 2022 Fine Art Autumn, Sombor; 26th Videomedeja, Novi Sad; Rock paper scissors, Fabrika, Novi Sad; Expanded and New Media Triennial, ULUS, Belgrade; The End of Language: Wittgenstein re-imagined, Lichtfelder and Austrian Cultural Forum; Picture / Now, Art Pavilion “Cvijeta Zuzorić”, ULUS; International Biennial of Miniature Art, Gornji Milanovac. 2021 Indonesian Contemporary Art and Design (ICAD), Grand Kemang, Jakarta; MFRU – 27. International Festival of Computer Art, Maribor, Slovenia; Vojvodina painters from the private collection of Nebojša Bošnjak, Gallery NKC Niš. 2020 I can't, I have to, Art Pavilion “Cvijeta Zuzorić”, Belgrade; 15th International Biennial of Miniature Art, Gornji Milanovac; Exhibition of the Association of Fine Artists of Kruševac - City Contemporary Gallery, Aranđelovac. 2020 I don’t want “It Is OK”, I Want “a Must”, Art Pavilion “Cvijeta Zuzorić”, Belgrade, 15th International Biennial of the Art of Miniature, Gornji Milanovac; Exhibition of the Fine Artists of Kruševac - City Contemporary Art Gallery of Aranđelovac. 2019 The 4th Niš Salon: 12/2, Contemporary Art Gallery, Oficirski Dom, Niš, Serbia; Exhibition Quo Vadis Homini? – part of the programme at The Danube Dialogues, Triade Foundation, Timisoara; The Current Serbian Graphic Scene – A Look, Contemporary Art Gallery, Oficirski dom, Niš; Project SMIC., Union of Fine Artists’ Associations of Vojvodina; Schere – Stein – Papier, Big Galerie, Dortmund, Germany; Małopolska, 7th International Biennial of Pastel, Nowy Sącz Exhibition of flags by Hungarian and Serbian artists, Gallery “Bel Art”, Dialogues down the Danube, Youth Centre Plateau, Kladovo; Exhibition of flags by Hungarian and Serbian artists - The Danube Dialogues - Contemporary Art Festival, extension of the Bulgarian-Serbian cooperation, artistic dialogue - Exhibition The Flags of Identity, Gallery Arosita, Sofia, Bulgaria; The Artist Dialogues down the Danube - collective exhibition of flags - the Festival The Danube Dialogues, Foreign Art Collection of the Museum of the City of Novi Sad; Exhibition of Serbian Sculptors - Summer Sculpture Salon, Pavilion “Cvijeta Zuzorić”, Belgrade. 2018 Schere – Stein – Papier, Gallery grenzART, Hollabrunn, Austria; PATEM 2017, Faculty of Fine Arts Skopje, Macedonia; The Current Serbian Graphic Scene – A Look, National Art Academy Sofia, Bulgaria; 14th International Biennial of the Art of Miniature, Gornji Milanovac; Project Painting SCC Fabrika, Novi Sad 2017 Collecting is Connecting, Wiener Städtische insurane – Srbija, The Legacy House, Belgrade; 38th Meeting of Aquarellists, Art Colony “Ečka”, Contemporary Gallery Zrenjanin; Project Painting, Cultural Centre “Laza Kostić”, Sombor; Exhibition The Unbearable Lightness of Transition, Serbian Cultural Centre, Paris, France 2016 Museum of Kozara, International Biennial of Works on Paper, Prjedor; 13th International Biennial of the Art of Miniature, Gornji Milanovac; Aquisition - Buy and Gift, 2012–2015, Museum of Contemporary Art of Vojvodina, Novi Sad 2015 The Subdued Existence, Contemporary Art Scene of Serbia, Košice, Slovakia; Exhibition of Art Colony “Jalovik”; Project Painting, Museum of Contemporary Art of Vojvodina, Novi Sad; The Subdued Existence, Contemporary Art Scene of Serbia, Museum of Contemporary Art of Republika Srpska; Conflicts, Provocations, Relations, Challenges, Fears, Energies, Decisiveness..., A View of the Art Scene of Vojvodina 1995–2014, Museum of Contemporary Art of Vojvodina. 2014 Premonition/Blood/Hope, Kunstlerhaus, Vienna, Austria; Art Autumn (Likovna jesen), Sombor; Reanimation, Student Cultural Centre Novi Sad, Fabrika; The Subdued Existence (Cargo East), Natinal Museum of Fine Arts of Taiwan, in Taichung; 7th Scientific Congress The 20th Century Serbian-Croatian Political Relations - Preservation of Identity, Golubić, Croatia; Time Collectors, National Gallery of Macedonia, Skople, Macedonia 2013 6th International Biennial of Pastel, Nowy Sącz, Krakow, Gallery “Pałac Sztuki”; Einladung zur Ausstellungseröffnung, There will be no miracles here, Facing Belgrade – ein Einblick in die zeitgenössischen Kunstszene Serbiens, Karlsruhe, Germany; International Exhibition of Hungarian and Serbian Artists, National Association of Fine Artists of Serbia, Days of Hungarian Painting in Budapest; International exhibition under the project Tvrdjav@rt, Differences, City Gallery of Arts of Slavonski Brod - Gallery “Ružić”, Slavonski Brod, Croatia; Małopolska, 6th International Biennial of Pastel, Nowy Sącz; 17th Spring Annals, Čačak; Magmart, 8th International Videoart Festival, Italy; Brotkatze IV, Kunstück Berlin & STATT!garden Flensburg, Germany; Project Painting, Gallery 73, Belgrade; SITUATIONS, Installations in Vojvodina, Museum of Contemporary Art of Vojvodina, Novi Sad 2012 November Salon, Kraljevo, Gallery of the Association of Fine and Applied Artists, Kraljevo; Exhibition under the project Painting, Student Cultural Centre (SCC), Novi Sad; Exhibition of International Colony “Sreten Stojanović“, Kozara, Prijedor, Republika Srpska; International exhibition under the project Tvrdjav@rt, Slavonski Brod, Croatia; Ceaseless, International juried show, Centennial Student Union Gallery, Minnesota State University, Mankato, U. S. A.; International 11th Art Biennial , Gornji Milanovac; Exhibition of Artistic Flags, Art expo, Novi Sad; Provisional History – Selection of works from the collection of the Museum of Contemporary Art of Vojvodina, Novi Sad, 1950–2012, acquisition, purchases and gifts. 2011 Niš Drawings, Contemporary Art Gallery, Niš; 24th Čukarica Art Salon, Belgrade; International exhibition The Art of the Land, Deliblatska peščara; Exhibition under the project Differences, Contemporary Gallery Zrenjanin; Sculpture, Object, Where Is the Boundary...?, Gallery “Cvijeta Zuzorić”, Belgrade; 8th Plein-Art Kortárs Művészetek Fesztiválja, Budapest 2010 Exhibition under the project Differences, UBSM, Belgrade; Art from 2000 to 2010, Gallery of the Centre for Contemporary Culture “Zlatno oko”, Museum of Contemporary Art of Vojvodina; ITZ-zone, Space Intervention, Ritopek, Belgrade 2009 38th Novi Sad Salon, Novi Sad; 8th Biennial of Aquarelle, Contemporary Gallery Zrenjanin; The Phenomenon of Geometry in Art Events in Vršac, Cultural Centre, Vršac; Real Life Presence, International exhibition organised by MSUV and Museum Landesmuseum Joanneum, Kunstlerhaus Graz, Austria; International exhibition organised by Italian Cultural Institute, event “The Night of Museums”, Belgrade; Behind the Barrier, Contemporary photography in Novi Sad, Photo-gallery of the City Hall, Graz, Austria, organisation Visart, Visual Art and Culture Association from Novi Sad and CCN – Cities’ cultural network, Graz 2008 In (and about) Transition (U (i o) tranziciji), Paris, France, organised by Centre d’animation culturelle; Art in Vojvodina Today, Museum of Vojvodina and Museum of Contemporary Art of Vojvodina, Novi Sad; Gallery of Paintings “Sava Šumanović”, Šid; Gallery “Lazar Lazarević”, Sremska Mitrovica; Gallery “Cultural Centre”, National Museum, Zrenjanin; Modern Gallery “Fine Art Meeting”, Subotica; Gallery of the Cultural Centre, Vršac; Cultural Centre “Laza Kostić”, Sombor; Gallery “Terra”, National Museum, Kikinda, etc.; Video art projections, Centre for Visual Culture “Zlatno oko”, Novi Sad; The Balkan Gate, International video art review, Pécs, Hungary, organised by: Gallery for Visual Culture “Zlatno oko”, Novi Sad 2007 Sculpture – objects, installations, environments, interventions in urban space, Visart, Museum of Contemporary Art of Vojvodina, Novi Sad; International Extended Media Biennial, Oktopus, Gallery “New Moment”, Belgrade, International Extended Media Biennial, Oktopus, Pavilion “Cvijeta Zuzorić”, Belgrade; Exhibition of Art Colony Ečka, Contemporary Gallery, Zrenjanin; Balkan Art, Centre for Visual Culture “Zlatno oko”, Novi Sad; In Situ, Museum of Contemporary Art of Vojvodina, The Manual Forgotten Art Museum, Novi Sad; To the End of the Century - Art in Vojvodina from the 1960s to 2000 (from the private collection of Sava Stepanov), Museum of Contemporary Art of Vojvodina, Novi Sad; International Exhibition of Artistic Flags, Galleries “Bel art” and “Zlatno oko”, Novi Sad; 7th International Aquarelle Biennial, Contemporary Gallery, Zrenjanin; Library - The Open Book of the Balkans, Art gallery “Collegium artisticum”, Sarajevo, Centre for Visual Research “Krug”, Čačak 2006 Library – The Open Book of the Balkans, Centre for Visual Research “Krug”, Čačak, City Library “Vladislav Petrović Dis” and Cultural Centre Čačak; The Start of the Century: Destinies and Commentaries – Examples of Current Art in Vojvodina, Labin, Croatia; City - Art Stage, Visart, Novi Sad. 2005 46th International October Salon, Belgrade 2004 International exhibition Construction/Deconstruction, A Space Gallery, Toronto, Canada, organised by: Centre for Contemporary Culture “Konkoridija”, Vršac; International exhibition Construction/Deconstruction, Observatoire 4 gallery Montreal, Canada, organised by: Centre for Contemporary Culture “Konkoridija”, Vršac; Exhibition Practices as Cultural and Political Strategy, 10 years, Centre for Contemporary Culture “Konkordija”, Vršac 2003 33rd October Salon, Pančevo, A Step Forward... Two Steps Forward, Centre for Contemporary Culture “Zlatno oko”, Novi Sad 2002 The Niš Drawings, Experimental drawings, Gallery of Contemporary Fine Art, Salon 77, Niš; International 5th Youth Biennial, Vršac, Centre for Contemporary Culture “Konkordija”; International Festival of Performance Art and Experiments, Saint Petersburg, Russia; International exhibition The Mirror of the Balkans, Gallery of the National Museum, Kraljevo; 3rd Exhibition of authors from Vršac, Centre for Contemporary Culture “Konkordija”, Vršac 2001 30th Novi Sad Salon, Novi Sad; YU Youth Palette, Vrbas; 31st October Salon, Pančevo 2000 International 4th Youth Biennial, Centre for Contemporary Culture “Konkordija”, Vršac |
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