Spring 2018 Liberal Studies Core Program
Please note that descriptions are for reference only and are subject to change prior to the start of the semester.
Creative Writing: Global Voices
How do we begin to develop and shape our creative voice? How do we discover our own voice
within the cacophony of voices all around us? How can we learn and grow as writers by
reading/hearing/studying the voices of writers from around the globe? Creative Writing/Global
Voices hopes to help answer these questions. We will consider narrative point-of- view,
character development, the Journey we all take, the imagery and fluidity of dreams, the ways in
which voice, setting, perspective alter the stories already within us. We will read narratives by
Julio Cortazar, Jamaica Kincaid, Viet Thanh Nguyen, Denis Johnson, Spalding Gray, among
others. We will write short stories of various shapes and sizes, and try to place our own creative
work in the context of writers who have gone before us.
Creative Writing: Places
Cultural Foundations II
The Heroic Tradition in its Global Setting
This course follows Cultural Foundations I by focusing on the nature of our global culture of the post-ancient world. Special emphasis will be placed on moments of encounter between international cultures, intercultural transmission of ideas and values, and how differences within a culture relate to differences across cultures. Not limited by geographical or racial boundaries, the literature and arts placed in context will reveal our global culture as a universal amalgam of many cultures through interference with or appropriations of other values, artistic endeavors, and philosophies. Conceptions and distinctions of the divine, power and disenfranchisement, beauty, and love will be examined in international context, as reflected in the literary and enriching arts. The situations encountered by protagonists in all of the literature below will exemplify the very nature of the irreducibly human condition in any culture, both in the past and in today’s global cosmopolitan culture.
In Cultural Foundations II we shall examine some of the major works spanning the
period from the early Middle Ages to the Baroque period -- literary, visual, and musical.
Students will develop their knowledge of the conventions of lyric, epic, and drama. Through reading, viewing, listening, discussion, and critical writing, students will discover some of the great works of world civilization – east and west.
Sample texts: Dante’s Inferno, Nizami’s Layla and Majnun, Shakespeare’s Othello, Rumi’s poetry
Art/Music: Italian Renaissance painting, Middle Eastern architecture, Gregorian chant,
Heroism, Love, and Gender
This course studies the arts produced within diverse cultural traditions from the early Middle Ages to the Enlightenment. We will study how Islam and Christianity influenced ideals of heroism and love presented in literary texts. After studying the Christian layers of meaning in the epic Beowulf, we will read a number of Medieval romances and discuss how the Middle Ages constructed a new ideal of love, while exploring gender ideals. We will discuss why romantic love was so important to Medieval writers and to Western culture in general. We will also study how late Medieval writers like Boccaccio developed a new vocabulary for writing about love. The course will end with the study of a Shakespearean romance, The Tempest, and some love poetry from the 17th century. In addition, a significant part of the course will be devoted to studying the art history of the Middle Ages and then of the Renaissance and Baroque periods.
Art, Religion, and the Self
Cultural Foundations 2 examines literary, musical, and visual arts from the rise of Islam to the 17 th century. We will both closely read and analyze individual “texts,” asking questions about the way in which and not just what they mean, and consider the social and cultural roles they play. The course will give particular attention to the relation in the medieval and early modern periods between religious traditions and works of literary, musical, and visual arts. Another important focus of the course will be the role of the “self” in art and literature, and we will consider not only the different conceptions of the self reflected in the works, but also the implications of the way in which the self is represented in art and literature. Potential texts include Tang poetry, Rumi, Dante, Arabian Nights, Marie de France, Shakespeare, Milton.
Modern vs. Classic – Progress or Decline?
Do the arts progress? Can the very idea of progress - an idea we readily apply to scientific discovery and technological change - be relevant to the creation of such things as stories, paintings, and songs?
Cultural Foundations II covers a period of time during which many cultures throughout the world asked these questions. By the middle of the 1st millennium CE, the cultures of Europe, the Near East, South Asia, and China all had ancient pasts that each culture regarded as “classical” – as a standard by which to compare and evaluate later work. And each of these cultures wondered how it might measure up to its own past cultural achievement.
By comparing with one another such works of literature as Nizami’s Layla and Majun, Zeami’s Atsumori, and John Milton’s Paradise Lost, works by such artists as Fan Kuan, Kamal al-Din Bihzad, and Michelangelo, and such music as Islamic plainsong, Indian raga, and J.S. Bach’s Brandenburg concertos, we will discover how different cultures from the 6th through 17th centuries answered these questions, and why during these centuries they thought it so important to do so.
Journeys of Body and Mind in the Early Modern World
While home may be where we feel most "ourselves," many works of art explore the human impulse to leave the comforts of home, and the consequences of exile and alienation. In the age of Faith--Christian, Muslim, Buddhist, Daoist, Hindu--journeys or pilgrimages were ways to prove devotion to God and to achieve enlightenment. In the Age of Discovery and Reason, journeys were undertaken not only for political and economic reasons, but also to discover further dimensions of the self through comparison with others. This section of Cultural Foundations II will focus on the motif of the journey as a means of both outer and inner discovery. We will journey into the wilderness with Nizami's Majnun, into Hell with Dante, across the mountains of Asia with Tripitaka, into the wilderness again with Shakespeare's King Lear, and all over the world with Voltaire's Candide. In addition, we will study the way visual art engages with our topic: the great church architecture that studded the pilgrimage routes of Europe; the dissolution of self in the mathematical abstracts of Islamic ornament; the representation of distance in the Renaissance exploration of linear perspective; the inner journey that can be traced in the emergent genre of self-portraiture. On this semester long intellectual journey, students will write two papers, take two exams, give a class presentation, and go on an NYC cultural excursion.
The Invention of the Self
This class looks at how writers, artists, and musicians conceive of and represent the self. The course will be bookended by two “crisis autobiographies” – the Confessions of Augustine and of Rousseau. During the semester we will look at cross-cultural constructions of subjectivity and interiority from the Middle Ages to the 18th century, treating the title of this course, “the ‘invention’ of the ‘self,’” with some healthy skepticism. We will examine narratives of crisis and conversion, sin and redemption, exile and return; and we will consider autobiographies, self-portraiture, self-fashioning, and selfies. We will pay special attention to accounts of journeys, whether they be psychological (the journey inward), spiritual (the journey to the divine), or physical (the journey through space). Our authors will include Augustine, Rumi, Dante, Petrarch, Montaigne, Shakespeare, Descartes, Wu Ch'êng-ên, Bashō, and Rousseau; and we will study the visual arts and music (including the film Amadeus).
The Self and Civilization
How we construct a sense of “self” poses a challenge across cultures and across time. The very notion of “constructing” a self raises important intellectual and personal issues that bear on our potential and our possibilities. In this class, we will explore how various cultures, from approximately the 8th through the early 18th centuries, have abetted, thwarted, limited, and inspired the development of a sense of self. We will analyze “texts,” in the broadest sense of that word, that cover a variety of genres, periods, languages, interpretive strategies, and media (including literature, art, and music).The course is global in scope and will encourage you to explore connections among the works and among the cultures.Possible texts include poems by Wang Wei, Beowulf, an essay by Sor Juana Inés de la Cruz, the Chinese novel Monkey, and Goethe’s Sorrows of Young Werther.
This course continues the thematic and historical lines of inquiry begun in Cultural Foundations I and follows them from the rise of Christianity to the rise of modernism. The literature, art, and architecture produced during this period are a testament to the past as well as a repudiation of it. As a result, major works of this time often reflect tension, conflict, and restless questioning that revolve around the matrix of ideas they inherited about God, love, and good and evil as well as art, nature, and beauty. They also grow out of exchanges, peaceful or otherwise, between differing societies. As we examine these works, we will keep these tensions in sharp focus, especially as they shape modern constructions of gender, personal identity, and the meaning of human life. Although the achievements we will study helped to create our ‘selves’ and our present cultural heritages, they are not to be seen as a series of steps on a path of global ‘progress.’ They are, rather, to be explored as crystallizations of successive periods of rebirth and dissolution in the continuing struggle that we, as individuals and as societies, undertake to reinvent and renew human culture and its possibilities.
Out of the Garden and Into the World
This course examines literature and visual art from the Middle Ages to the beginnings of the modern world, focusing on the ways writers and artists have sought to resolve the conflicting interests of self/other, romance/religion, and nature/culture. In doing so, we will come to a better understanding of how art has shaped the way we see the world today. One image that we will see recurring in various forms is that of the garden—a site of harmony with nature and the Divine but also a setting for sin and conquest. We will examine the depiction of nature in Chinese poetry and landscape painting, the image of Paradise as a garden in Muslim art and literature, and the expulsion of Adam and Eve from Eden in Milton’s Paradise Lost. We will also read Shakespeare’s The Tempest in the context of European colonial expansion and ideas about the “Other.” One required field trip to the Metropolitan Museum will be scheduled for a Friday early in the semester.
Utopia and Dystopia in the Cultural Imaginary
Cultures have imagined alternate ways of organizing societies for centuries, while even today it appears that we are entering into what some critics call a “Golden Age” of dystopian fiction. This course aims to trace the origins and follow the development of utopian and dystopian imaginaries as they evolved throughout the early modern period. We will delve into visions of the afterlife, study depictions of the New World, and read a feminist utopia to understand the process whereby societies are constructed around sets of values in both utopian and dystopian constructions. You will have the opportunity to study your own utopic or dystopic world from modern culture and we will conclude the course with a study of a modern-day “utopia” in the countryside of India.
Religion, Sensuality, and the Pre-Modern World
Liberal Studies concerns becoming conversant with some of the most significant and striking artistic works humanity has produced. The themes of religion and sensuality -- and the relationship between the two --informed the choices of texts for the class. One of the course’s goals is to illuminate patterns in religion and sensuality we see in the past that continue in contemporary societies around the world, yet also to investigate how and why the patterns change. In this second part of the three course series, we will cover the modern geographic areas of Africa (W. Africa), Europe (France, Italy, and England), the Middle East (Arabian Peninsula), Asia (China), and Southeast Asia (India) as they existed from 599 AD through the early 1700s. In order to understand and appreciate the literature, art, and music of the time period, we will study the cultural history that forms the underpinning of the works. Students will be encouraged to see how pre-modern globalization, with its wide circulation of ideas and goods, functioned in the past. Possible texts include: Wisdom of the Prophet (Hadith); The Essential Rumi; The Arabian Nights; Lais of Marie de France; The Divine Comedy; T’ang Dynasty Poetry, the Amarusataka, John Donne’s Poetry, Indian Mystical Poetry.
Love and Transcendence
We will examine a variety of kinds of texts—literary, visual, and musical—that have exerted cultural influences and provided aesthetic pleasure, considering how and why these works served such functions in the past and what their meaning is today. We will focus on the arts as vehicles for encoding social and religious traditions and values of various cultures by concentrating on how different kinds of love are represented. We will also interrogate different means by which various cultural groups have sought to attain and/or express transcendence.
Students will become acquainted with a sampling of the most influential works of the time periods covered and continue to explore museums and other resources available in NYC. By studying the assigned texts, students will engage with a variety of philosophical, psychological, and aesthetic questions such as: What is love? How can love—divine or romantic—aid in the search for transcendence? What is the function of the beautiful? How can art be used as an agent of social change? What is mankind’s relation to nature and/or the divine?
Among the required literary texts are the following: the Qur’an, the Canterbury Tales, Dante’s Inferno, The Recognition of Sakuntala, The Lais of Marie de France, and
Rumi’s Spiritual Verses.
Joseph S. Salemi
Introduction to the Humanities, the Post-Classical Period
This course will consider a selection of major literary works and artworks from the end of the
Roman Empire up to the Renaissance and a bit beyond. It will focus on the particular differences that exist in the political, social, religious, and cultural assumptions of medieval and Renaissance thinking, and our common contemporary assumptions.
The course will be objective in its approach and treatment of all assigned material, and will
therefore be primarily a lecture class with ample opportunity for questions and discussion at all
times. However, due to the wide range of source material to be dealt with, open-ended
discussions of an extended and subjective nature are not possible. Tests will be objective—that
is, based on recalled knowledge of specific material covered in the lectures, and on directed
student essays written in standard English. For this reason, reactive or opinion-based or reader-
response approaches will be insufficient for attaining a satisfactory grade.
Out-of- class essay assignments will be carefully directed by means of a checklist, so as to
guarantee a very close examination of the required subjects. Possible essay titles will be
discussed in detail, in order to assure a specific focus in a student’s assignment rather than
vagueness or over-generalization. Every student out-of- class essay must adhere to a certain fixed format of length, style, and presentation. Student writing is expected to be of a scholarly and objective nature, and meticulously done before submission to the professor for a one-time- only grading.
Magic and Mysticism, Folklore and Fantasy Travel
This course is an extension of my Cultural Foundations I course. There, we examined a series of parallel myths and archetypes that permeated through nearly all of the ancient civilizations. Cultural Foundations II continues this investigation focusing on a variety of accounts of magic, monsters, and mysticism from the end of antiquity to the 1700s. This is a very large time period to cover, to say the least, and we will take the approach of reading longer chunks of fewer texts from different time periods and civilizations. Possible texts we will read include but are not limited to: Beowulf, the tales of Sinbad from Arabian Nights, Journey to the West, The Blazing World, and Don Quixote. We will examine why elements of mysticism and magic occur in fantasy travel narratives and why such narratives were popular at all. Topics and concerns from folklore studies will also be brought into discussions of the texts as a way of deepening our analysis. Our concern will be with how humanity tries to make sense of the other, the unknown, and the far away and with how journey narratives have long been associated since antiquity with inward discovery.
Inter-woven Cultural Travels, Tales, and Tracings
This course introduces students to major developments in literature and the arts from the 7th to the 17th centuries C.E. in several inter-connected regions: Islamic-era cultures in southern Spain, Persia and India; Germanic-Christian cultures in western Europe; the revival of Classical humanistic learning and the arts; Yuan and Ming dynasty Chinese arts; and the expansion of global travel and trade. We will examine the diverse influences, exchanges and innovations that generate and shape works of art such as the Gothic Cathedrals, the Taj Mahal, the Grand Mosque at Cordoba, Chinese landscapes, Michelangelo’s Sistine Chapel, romances from Persia and France, Sufi music and poetry, and Shakespeare’s “Merchant of Venice.” We will also study ideas and relationships produced through different travel writings -- the sagas of the Vikings, Sinbad's adventures, the Monkey-God's journey to the west, and Christopher Columbus’ letters.
Angels, Demons, and Chameleon Kings: Portrayals of Transformation, dating from the Middle Ages through the Early Modern Period
Like a chameleon that changes its color to conceal its true self from view,
Shakespeare’s Richard III is a masterful pretender, capable of showing qualities of charm,
brilliance, or deceit at any moment. Shakespeare’s character will serve as the touchstone for
our studies in this course, “Angels, Demons, and Chameleon Kings: Portrayals of
Transformation.” This course will be active and collaborative. You will be encouraged to
participate as an individual and as a member of a learning group in the interactive “Reacting
to the Past” game: Marlowe and Shakespeare 1592, a play competition in which the rival
London acting companies of seasoned playwright Christopher Marlowe and young upstart
playwright Will Shakespeare vie for sponsorship and licensing of their plays. Throughout the
course, we will interpret some of humankind’s greatest achievements in literature and the
arts, including masterworks by Rumi, Dante, Shakespeare, Marlowe, Michelangelo,
Leonardo, and Voltaire.
Cultural Foundations III
Fashioning and Refashioning Stories in Literature, Painting & Film
In this section of CFIII, we explore a range of literary and artistic texts that exemplify central movements from the mid-17th through the 20th centuries. With these, we watch a series of films by international filmmakers (including Cukor, Kurosawa, Sofia Coppola, Farhadi, Ozu, Satyajit Ray, and Truffaut) that reinterpret aspects of literary Neoclassicism, Romanticism, Modernism, or Realism within a cinematic context and in so doing examine how these films are themselves representative of Post-Modermism. In each text we explore major themes including the meaning and fashioning of the self, race, class gender, and sexuality; and the ways that these categories are defined and/or undone within the artistic texts.
Cross-Cultural Contact Zones
This course will examine a variety of cultural texts from the Enlightenment to the present with a special emphasis on the complex dynamics of global cultural encounters between Europeans and non-Europeans. Literary texts and critical writings as well as different forms of artistic expressions will be studied with particular attention to their social, cultural and historical contexts. Class readings will be arranged around such topics as exploration and discovery; imperial and Orientalist imaginaries; and colonial and postcolonial discourses. Class discussions will incorporate such issues as the intersections of race and gender, connections of power and knowledge, representations of the exotic other as well as the intertextualities and dialogisms articulated on the site of the cultural
texts. The course, overall, aims to emphasize the significance of different geographies and histories of cross-cultural “contact zones” in constructing and shaping contemporary global cultures.
Environmental decisions are frequent and important in daily life at the levels of both personal behavior and governmental policy. Students in Environmental Studies learn about modern environmental science in the context of contemporary global issues, exploring the impact that the decisions of nations and individuals have on local and world ecologies. The course emphasizes the science involved in environmental decisions while also examining the role of ethics, politics, and economics in all real life environmental decisions.
Students examine such topics as ecology and biodiversity, including the nature and effects of succession, evolution, and invasive species; the atmosphere, including air pollution, ozone depletion, and climate change; sources, use, and misuse of water resources; human population and feeding the world’s people, including developments in agriculture and genetic modifications of organisms; and the nature of earth’s energy resources and their use by humankind.
Themes central to the various components of the course include the question of sustainability of ecosystems and the role of humans as an integral part of their environment. Students examine the nature of environmental decisions and the use, limitations, and misuse of environmental science in making those decisions. Additionally, they explore the impact that environmental decisions have on cultures around the world, investigating global issues such as biological conservation, human population growth, and the use of chemical and biological technologies.
Each of these topics is explored through global case studies, scientific literature, historical environmental literature, and national and international policy protocols. Students attend and write about events throughout New York City related to critical local and global environmental issues, including special exhibits at the American Museum of Natural History, the Bronx Zoo, and other local institutions that highlight the topics covered in the course.
South Asian Cultures: South Asian Civilization
The goal of this course is to achieve a broad understanding of the contemporary politics, history, and culture of the Indian sub-continent (India, Pakistan, Bangladesh and Sri Lanka). Using a variety of literary texts, the dynamic relationship between tradition and modernity in the countries of South Asia will be examined.
This course will take the pattern of lectures at each class that will introduce the historical and sociological contexts for the prescribed texts. This will be followed by a detailed discussion of the texts under consideration. Where possible and relevant, we will intersperse this pattern of classes with the viewing of films, video cassettes, news-clips, etc. Students are strongly urged to watch at least some of the films from the list below, in their own time, to enhance their understanding of the contemporary state of the Indian sub-continent.
East Asian Cultures: Change and Continuity in China
Description: This course introduces East Asian cultures, focusing to a greater or lesser extent on China, Japan, and/or Korea. Aspects of East Asia’s traditional and modern culture are presented by study of some of the area’s Great Books, as well as other literary, political, philosophical, religious and/or artistic works from the traditional, modern, or contemporary periods. This semester we will focus on studying the dynamics of change and/in continuity in Chinese history, including the role of the West in this process in the modern era. We will explore trends in Chinese thought and culture from the beginnings of Chinese civilization, and examine how these trends are transformed (or not) through time. While in the beginning the focus will be on early Chinese philosophies and religious traditions, the later part of the course will involve an analysis of modern Chinese political and economic policies. Emphasis will be on integrating the textual analyses of primary and secondary sources with the larger historical narrative.
East Asian Cultures: The Quest for Stability, Wealth and Power
All societies, modern and pre-modern, have similar aspirations. Using primary sources, this class will explore how these were attempted in one region. Although there will be some thumb-nail sketches of modern East Asia, the class will focus largely on the ancient past, particularly China’s Age of Antiquity or Classical Age (1100s to 200s BCE), and introduce students to some of the Great Books and major works of Chinese traditional thought. The intellectual and philosophical developments of this period are important as they influenced China‘s later cultural and political evolution, and still color the assumptions of modern-day Chinese. One aim is for students to understand that Communism has existed in China only since l949, and that its ideas are not the sum total of Chinese ways for ethnic Chinese on the mainland, in Hong Kong, on Taiwan, or in the Chinese Diasporas within and beyond East Asia. Another goal is to provide students with a perspective of how China’s current quest for power is part of a recurring development in Chinese history. Yet another aim is to enable students to compare and contrast Chinese and Western perceptions of common societal concerns, such as: The individual’s place in the community; the issues of good government; the challenges of moral development; what constitutes the “good life”; and what it means to be “human”.
Islands in the Caribbean archipelago have been variously characterized as paradisical, the sites of wealth-producing plantations, the ideal Spring Break destination, even as staging posts for narcotics traders. Caribbean landscapes function as metaphor, emblem, symbol, or even characters. Landscape – and geography - is implicated in the ways the identities
of Caribbean states have been influenced by an accumulation of images, cultivated primarily by non-Caribbean individuals and agencies, including Columbus’ journal entries, the documentation of European colonial governments and settlers, the brochures travel agents and the fantasies of tourists. Often in conflict with the fantasy projections of others, Caribbean peoples face the ongoing challenge of reclaiming their islands and building their societies, still haunted by histories of slavery and colonialism, while still subjected to multiple forms of commodification, consumption and economic domination. Based on readings from literature, history and cultural studies, this course takes an interdisciplinary, transnational approach to unpacking connections between the histories of slavery, indentureship and European colonialism and the Caribbean’s current realities of inequality, internally – in particular inequalities of race and gender - and in its economic relations with the West. Questions addressed include: How have the residual legacies of slavery and colonization facilitated consumption in and of the Caribbean? And what cultural resources and strengths are deployed or lost to migration?
Latin American Cultures
It is often said that literature and politics are inextricably linked in Latin America. But how has literature helped shape political discourse in the region and how has politics, in turn, informed its literature and art? Drawing from a wide range of disciplines (literary criticism, history and political theory) and genres (poetry, fiction and the visual arts), in this course we will closely examine works that probe the boundary between politics and art under shifting historical conditions. We will begin by considering the origins of Latin American literature’s intimate relation to politics through works that recall the pre-colonial past or record indigenous rebellions against Spanish authorities. We will then turn to artists and writers who were instrumental in redefining the role of literature and art as revolutionary weapons or as instruments of nation-building in the independence era. Finally, we will examine works that probe the boundaries of the national body by casting a critical light on state violence in the twentieth-century. Among the leading questions that will inform class discussion: How has the political and aesthetic function of literature in Latin America changed over time? How has the intellectual historically assumed the role of agent or critic of the state? What do literature and art suggest about the relation between the state and its margins, between history and memory, and between elite and subaltern subjects?
Middle Eastern Cultures
This interdisciplinary course explores cultures, social institutions, political economies, and social change in contemporary Middle Eastern and North African societies. Using cultural studies as our critical framework we will examine historical and literary texts, as well as films and other artistic expressions to gain an understanding of the cultures and socio-political relations in this diverse region. We will begin with an examination of the early history of the region, starting with the rise of Islam and the pre-modern empires, moving on to discuss the complexities of the modern Middle East with a focus on such topics as colonialism, modernity and nationalism and the subsequent postcolonial complications. The course will incorporate contemporary media and popular culture of the region to provide a widespread perspective of the Middle East in a globalized and transnational world.
History of the Universe
We Are Stardust…
The history of the universe is the story of how the universe evolved from a tiny dense blob of particles and energy to the enormous, mind-boggling universe of today –vast regions of space inhabited by islands of galaxies filled with stars, many orbited by planets, at least one of which has life – life composed of stardust.
In this course we will focus on how scientists developed this story, what evidence they have that this story makes sense and what mysteries are still unsolved. Thus, the course follows the history of how people – curious people—from the earliest times to the present looked around the universe and tried to make sense what they observed.
We will first learn how one can determine such characteristics as the mass, temperature, motion and chemical makeup of such unreachable objects as planets and stars. Then we will look at why stars shine and how they eventually evolve into such odd objects as red giants, white dwarfs, and black holes and why “we are stardust.” Lastly, we will investigate current ideas and still open questions about dark matter, dark energy and the origin and fate of the universe. Throughout we will note the process of science – its successes and shortcomings.
Students will be expected to read the text before coming to class and the classroom time will be spent in discussions and lab activities that are designed to supplement and further explicate the textbook.
The New Universe
Students in History of the Universe examine science as a way of looking at the world. They learn about the nature of the Universe and about changes in the Universe over time, including the origin and development of stars, galaxies, climate change, the Double Dark Theory and the ultimate question, "Are we Alone"? The course traces the development of western scientific thought from the work of Aristotle, Ptolemy, Copernicus, Kepler, and Galileo to the discoveries of Newton, Einstein and Hubble, among others. The course seeks to give students an understanding not only of modern science, but also of its development and of the methods, strengths, and limitations of science. "The history of our universe may be the key to our future." (Abrams & Primack)
Where Are We? Is Anyone Else Out There?
History of the Universe is an introductory, college level physical science course which uses astronomy as its unifying theme. In this course we will study how people in various times and various cultures saw the universe and their place in it. We will examine what evidence people used to shape their understanding of the universe. We will see how their cultures shaped their understanding and how that understanding, in turn, influenced their cultures.
We will develop an understanding of physics and chemistry sufficient to get a basic understanding of how modern science determines the nature of our universe. Laboratory exercises will help you learn, and help you learn the nature of scientific inquiry. In the sixteen week Fall and Spring semester courses we will conduct an integrated three week project in which you will act as part of a scientific team to determine the nature of a fictitious planetary system and to compare it to our own Solar System.
Ultimately, we will get to the point where we can have a discussion, based in scientific understanding, of the possibility of life elsewhere in the universe and of the challenges of communication, should other intelligent life exists.
The Greatest Epic
Modern evolutionary theory is a grandiose explanation for both unity and diversity of life on Earth. Life’s unity stems from its origin in a single ancestor. Life’s diversity is a result of constant change that shapes it. In this course, we will use the theory of evolution to make sense of life on Earth. Starting at life’s origins 4 billion years ago, we will follow the footsteps of evolution to understand how atoms became genes, genes became animals, and animals became humans. We will examine both the philosophical and practical meaning of life’s major evolutionary milestones such as multicellularity or the development of language. We will specifically emphasize the role and place of humanity in the system of the natural world by focusing on how human culture arises naturally from the principles of evolution, physiology and neural sciences.
Principles of Macroeconomics
Principles of Microeconomics
Science of Technology
Communication – From Talking Drums to Cell Phones
In this course we will focus on understanding the science behind various communication and related technologies. We will follow the intertwined histories of science, technology, and society demonstrating how technological developments are inspired by scientific investigations and these investigations are, in turn, inspired by inventive technology. Interspersed are the stories of the creative personalities who provided the theories, applied the science, or conceived the inventions. We will consider how each new technology has affected society and also investigate some plans for future technologies and consider their possible impact.
Most of the science is learned through inquiry-based group activities rather than lectures or textbook. These activities are a mix of hands-on and computer-based experiments in that illustrate the scientific method and the role of experimentation in producing scientific results, while illuminating the science behind the particular technology being studied. Algebra is sometimes used to clarify ideas, but the emphasis is on the understanding of basic concepts and the experiments that discover or test these concepts. Scientific areas include the basic principles of electromagnetism, acoustics, the wave and quantum nature of light, and quantum electronics in order to understand the technology of communication from the earliest means to the telegraph to cell phones. As the course progresses other technologies such as copy machines, telephone, radio, television, lasers, and cameras will be investigated.
Social Foundations II
This course is the second of three, which explore key texts of the liberal arts tradition. Our readings will help us discover what some of the most prominent Renaissance, Enlightenment-era, and early modern world writers thought about justice, democracy, nature, death, and spirit(s). Our search will take us to the heart of the great revolutions of France and the fledgling colonies of America, and to the Near, Middle, and Far East and onto Latin America. Two themes that will merge will be a tracing of the narrative voice and the journey involved in extracting ideas across history. It is hoped that this journey into the past will help make sense of some of the ways of thinking and feeling about existence in the world today. A key learning objective will be the strengthening of critical thinking ability. We will critically assess the role this period’s ideologies have played in shaping the dominant mindsets or worldviews in the contemporary world.
Mystics, Warriors, Skeptics
This course will examine a selection of religious, social, and philosophical texts from the 7th to the 18th Century in order to reconsider fundamental questions about the relation between the individual and society. Themes will include the nature and goals of the faith-based community, the conflict between the subject-self and the object-self, the question of political legitimacy, historicity and the other, the warrior code, and doubt and causality.
Texts will include selections from both the revealed and mystical traditions of Islam and Christianity (the Qur’an, Ibn Arabi’s The Universal Tree and the Four Birds, Aquinas’s Summa Theologiae and St. John of the Cross’s Dark Night); selections from the histories and guides to life produced by the warrior cultures of colonial Spain, Aztec Mexico, and Shogunate Japan (Diaz’s The Conquest of New Spain, the Cantares Mexicanos and Yamamoto’s Hagakure); and selections from the philosophical works of Montaigne, Descartes, Al-Ghazali and Hume.
Domination, Exploitation and Philosophy
The long period under investigation in this course saw the development of the the Christian pastorate and state, the Islamic ulama and state, the modern European colonial state, mercantile capitalism along with sophisticated financial institutions, slave-based modes of resource extraction in the colonial systems, as well as modern experimental and mathematical sciences. It also saw the disintegration of European spiritual unity corresponding with the division of global empires, and finally the bloody culmination of the Thirty Years War in the Peace of Westphalia, which channeled the aggressive European race for global domination and made possible the construction of the modern liberal order. Studying texts that reflect and sometimes explicitly stake a claim in these globalizing processes, we will refer back to the traditions studied in Social Foundations I and look ahead to contemporary debates.
From the Dark Ages to the Enlightenment
In this course we will examine major texts representing intellectual movements prominent in the world during the 11th to the 17th century. We will explore important ideas and questions that became urgent in that period and that are still relevant in our own society. One type of questions in this course concerns the nature and limits of knowledge. For example, how do you know, whether you are not dreaming while you are reading this? Other questions concern education. Most questions, however, will concern the foundations of a society in which people live decently together. For example, we will ask what kind of constitution and laws will keep the spirit of citizens high, that is, what will make citizens recognize that the common welfare and their own selfish interests overlap sufficiently, to justify the restraint and cooperation that society demands.
The Rise of Modernity: From Religion and Magic to Science & Technology
SF-2 spans the period from the late 7th century to the late 1700s. We will trace radical transitions in the history of ideas (philosophical, religious and some scientific) of this period. We will focus chiefly on one aspect of the story of this period: radical changes in the concept of nature, and the relationship between humanity, nature and the supernatural.
Ours is the story of the transformation of the ancient world, the rise and ubiquity of magical worldview in Europe, its interaction with orthodox Christianity, and its eventual replacement by science and technology. Radical uncertainty, stimulated by (and stimulating) major changes in worldview and political power, shifted philosophical attention to questions about the nature of knowledge itself. The central debate between rationalism and empiricism has shaped subsequent philosophical thinking ever since. Key Texts include, selections from the Qur’an; key texts by Al-Ghazali, ibn Rushd, Suhravardi, and Rumi; Aquinas,Quinque viae; Pico, Oration; Erasmus, The Praise of Folly; Neodaoist text The Golden Lotus; Tibetan Buddhist Book of the Dead; Descartes, Meditations; Hume, Enquiry; Kant, Critique of Pure Reason. Other texts include Yates, Giardano Bruno and the Hermetic Tradition; Merchant, The Death of Nature.
Historical Background: From the late 8th to the late 13th centuries Abbasid “Houses of Wisdom” undertook the state-sponsored, systematic collection, translation and creative synthesis of mathematics, logic, philosophy, science and religion from Levantine, Byzantine, Greek, Indian, and Chinese sources. This unique and massive project gave rise to a wealth of cultural innovations. Medieval European assimilation—through military (the Crusades), economic (the “Silk Road”) and academic means—of the Islamic Empire’s vast resources stimulated the Renaissance of scientific, philosophical, religious and technological interests. European innovations quickened the pace of progress in nearly every field, including finance. The resulting rapid expansion of European culture and capital has been accelerating for the last 400 years, fueled by technological exploitation and transformation of nature, and aggressive colonization at the expense of indigenous societies worldwide. This period of intensive global adventures of exploration, discovery and exploitation gave rise the world as we know it, with all of its riches, its iniquities and its interdependencies.
Religion and Politics in the Medieval World
This course introduces students to philosophies, religions, polities, and economies of late antiquity, the medieval world, the Reformation and Enlightenment. Students will read foundational texts in the late Roman, Byzantine, Muslim, and West European Christian cultures with particular attention to the encounter of the West with Islam. Among the many topics to be explored are authority in medieval civil and ecclesial institutions, philosophical conceptions of God and the good, Islamic political and social ideals, theories of representative government and the politics of power. Among the historical characters to be encountered are Constantine, Theodoric the Ostrogoth, Boethius, the Byzantine Emperor and Empress Justinian and Theodora, Muhammad, Thomas Aquinas, Machiavelli, Erasmus, John Calvin, Martin Luther and John Locke. In addition to short papers, a midterm and final, students will engage in a debate on a contemporary hypothetical, each side taking the political positions articulated by Erasmus and Machiavelli respectively.
Histories and Societies, Citizens and the Disenfranchised, Cultural Contacts and Conflicts
The course includes the Middle Ages, Renaissance, and Reformation, from c. 476 to 1700. Among the themes examined will be theories and practices of the state/community, encounters and conflicts, and the impact of these on the disenfranchised (in particular women and slaves). The geographic/ cultural focus will include the following areas, with representative texts (subject to change) assigned included in parentheses: Europe (St. Benedict, Aquinas, Machiavelli, Reformation writers, Hobbes, Locke), Byzantium and Islam (Procopius, The Qur’an), and Colonial Mexico (Sor Juana Ines de la Cruz). This course often uses visual sources to supplement the material and provide background. There will be some focus on History, as this is my area of expertise, though also some literary and philosophical material. There will also be one or two class trips (usually on Fridays outside of class time).
This course will study events and ideas starting with the beginnings of Islam, through the medieval period up to the early Enlightenment. The creation of the last major Abrahamic religion sets the stage for much of the political and religious conflict that would involve the Mediterranean world, western Europe and the middle east to India.
This period involves some of the most significant intellectual insights about the nature of the physical universe and the laws that govern it, as well as the beginning of the Global World with the European “discovery of the New World.
There is a dramatic tension between the force of history and human attempts to comprehend and order the world. We will also take into account current events in an effort to set them in the context of previous historical and philosophical development.
Through the Medieval Looking Glass
The course explores the philosophical and political thought of the Middle Ages, the Renaissance, the Reformation, and the early Modern period through an analysis of some of the classic texts of each era. The goal for each student is to be able to read and analyze the text, write intelligently about the text, and become familiar with the work’s philosophical, historical, and cultural background and the impact the text has had on our society.
Social Foundations II: Cultural Interactions, New Religions and New Ways of Thinking
This course, which runs from the 7 th through 17 th centuries CE, looks at an increasingly
interconnected world. Islam, arising in the 7 th -century Arabian peninsula, rapidly spreads via
conquest and conversion to the Byzantine empire, east to the Sassanian Persian empire and
onward to India, and west to North Africa and Spain. Later in Europe, the Protestant
Reformation will give rise to new forms of Christianity. Aristotelian thought will influence
Muslim and Catholic thinkers, and with the European Renaissance and the scientific revolution
new modes of thinking and experimenting will be developed in an organized fashion.
Meanwhile, these worlds will come into contact through commerce and conflict, be it through
the Crusades, the travels of individuals such as Ibn Battuta and Benjamin of Tudela, the
organized travels of Zheng He, or the development and expansion of the Ottoman Empire. The
explorations funded by the Portuguese, the Spanish, the British, the French and the Dutch bring
west Africa and the Americas into this nexus of commerce, conflict and cultural diffusion.
The course requires close reading of a host of primary sources from the Koran (Qur’an)
to Machiavelli, Ibn Battuta and Thomas Hobbes among others. Regular, informed participation
in class discussion is an expected part of this class. In addition, there will be required analytical
papers, a midterm and a final. We will look at religious and philosophical thought but these will
all be placed within an historical context.
Rhetoric and Pre-Modernity: Questioning the Past
This course, which is comprised of medieval and pre-modern texts that are chosen for their debating value, treats substance and style as unified rather than separate entities. We shall examine not only what a particular argument is but also how that argument is presented. In order to examine conflicting, but often complementary points of view, we shall pair Machiavelli’s Discourses with his Prince, Hobbes’ On the Citizen with his Leviathan, and de Las Casas with de Sepúlveda. Similarly we shall compare al-Ghazali with Aquinas after we read the Koran as a way to understand the varied ways of understanding the relationship between faith and reason. Students study both sides of various debates so that they can develop their own viewpoints and learn how to present these in speech and in writing.
Revelation, Politics and Enlightenment
This course will address one of the central preoccupations of medieval and early modern thought: the role of revelation in respect of political communities and human enlightenment. Questions that we will be concerned with include the following: must human communities understand their basic laws as “divine” in some way? Or can human communities understand themselves as created simply by human reason? Does revelation assists human beings in knowing the truth—both the truth concerning nature, as well as the truth concerning morality? Or does revelation have nothing to teach concerning such truths? In asking questions such as these, the course will also be concerned with the role of revelation in respect of politics and enlightenment today. For example, why, today, do some insist that political communities must be guided by revelation? And is there any possible reconciliation—or even rational discussion—between those who believe only those truths discovered by the human mind and those who believe in truths provided by revelation? Authors whom we will read include Al-Farabi, Al-Ghazali, Judah Halevi, Moses Maimonides, Thomas Aquinas, Martin Luther, Niccolò Machiavelli, and Thomas Hobbes.
From the Medieval to the Early Modern World
This course spans a thousand years of moral and political thought, from the fall of the Western Roman Empire in the fifth and sixth centuries A.D. to the beginnings of modern times at the close of the revolutionary seventeenth century. Topics include the demise of the classical world, the rise of Islam, the development of medieval philosophy, the social thought of the Renaissance, the Protestant Reformation and the ensuing ferocity of the wars of religion, the emergence of the modern nation-state, the rise of modern science, and the foundations of the Bushido tradition in Japan. We aim at placing original texts in their historical setting and developing an appreciation of the merits and limitations of each. The emphasis is on critical analysis. Class discussion and analytical essays are crucial.
Social Foundations II: The Power of Religion and the Rise of Modernity
This class continues the examination of philosophic, religious, political, social, and historical ideas from the Middle Ages to the modern age. After reading from medieval Islamic and Christian philosophy and Chinese literature on Confucianism, we will explore the intellectual and cultural dynamics of the High Middle Ages of Europe and the developments in other parts of the world. The revival of Aristotle’s works, philosophical debates on Plato’s teachings, Jewish, Christian and Islamic mystical movements, the Holy Crusade, and the rise of the vernacular literature are some of the subjects we will cover. All of these will enable us to understand some of the important developments in this time period, which later became crucial for the rise of humanism and the Renaissance. We will then read Petrarch for humanism and Valla for Renaissance philosophy. Our next period will be the rise of modernity. Here we will first study More’s Utopia and then explore Erasmus-Luther debate on theological issues, as we study some of the important issues of the Reformation. Our next topic will be explorers and the early modern scientific spirit (Kepler, Copenicus and Galileo). Our course will end with readings from two important philosophical movements of the modern age: rationalism (Descartes) and empiricism (Locke). As we read from a variety of authors in this class, students are expected to further their critical thinking, analytical skills, techniques of textual interpretation and comparative textual analysis.
Social Foundations III
Revolution in the Creation of the Modern World
In this course, students will investigate the ideas, events, people and places of the last three hundred years through the lens of revolution. This time period has produced revolutions in culture, economy, politics, empire, nation, hierarchy, race, gender, and thought. This era saw waves of creation and destruction, celebration and rage, prosperity and war. In this course, the students will collectively work towards an understanding of revolution in all of its manifestations in the modern period. Students will be comparing and contrasting revolutions/ revolutionaries of different backgrounds, eras, motives, and outcomes. Ultimately, one of the goals of this course is to acquaint students with their own passions, and to encourage students to learn from history as they pursue those passions.
The Search for Liberty, Wealth, and Power
This course will examine two themes about the 18th to early 20th centuries: the further development of Western democracy (the Quest for Liberty), and the impact of Western global dominance as countries in the West and beyond contended for economic, political and military survival (the Search for Wealth and Power). With the former theme, we will explore the ideals and problems of Western societies shifting from authoritarian rule to mass democracy. With the latter theme, we will examine how the West rose to world dominance, and how some societies (Asia, for instance) responded to Western colonialism and imperialism. One aim is to answer the question of why democracy is so hard to implement and sustain, given the difficulties (if not failures) of societies instituting democratic systems (e.g. the Arab Spring, Iraq). Through primary materials, we will look at the contradictions and paradoxes of constitutional government that created (and still create) challenges faced by all democracies, even mature ones (e.g. America). Understanding these dynamics will suggest why today’s newer democracies are struggling, and why some societies were and are skeptical over the efficacy of Western institutions. Another objective is to look at the consequences of globalization. From the 1500s on, Europe’s political, economic and military rivalries intruded into other regions of the world, challenging or overthrowing indigenous regimes and undermining their traditional ways. Western libertarianism had its oppressive side that precipitated crises in non-Western countries forcing their modernization. Debates within these countries (with China as an example) raised questions as to the viability of Western ways, and the cultural “superiority” of the colonial/imperialistic powers. Such questions are still raised today. Students may find it uncomfortable to read such criticisms; but it is hoped that they will come to understand why such critiques were and are being made.
The Self and Others
How to define the self and determine its relationship to others is a question that has occupied the minds of thinkers throughout the centuries. Beyond meeting the immediate needs for survival – food, shelter, etc. – much of our existence as humans is spent navigating relationships with others. In this third iteration of Social Foundations, we will examine how theorists from the Enlightenment to the present have defined the relationship between the individual and other individuals, between the individual and society, between the individual and government, between the individual and her employer, and between one group of people and another. We will therefore start with Jean-Jacques Rousseau (1712-1778) and end with Kwame Anthony Appiah (1954-present). Along the way we will encounter ideas about rights, liberty, revolution, legitimate government, property, and violence as explained through philosophies like the Enlightenment, Liberalism, Marxism, Feminism, Psychoanalysis, Anti-Colonialism, and Cosmopolitanism.
A defining feature of our time is that we expect our world and way of life to change dramatically from generation to generation, and even year to year. We often imagine these changes as signs of progress, although at other times we might ask, is this progress toward freedom? The course begins with two great revolutions that have shaped our ideas of human freedom and our current global conditions: the French Revolution and the Industrial Revolution. We will engage the works of thinkers grappling with the rise of modern industrial capitalism and the transformation of class structures (Marx and Smith), the emergence of new concepts of political and individual freedom (Rousseau, Mill, Freud, de Beauvoir), and struggles against global colonial empires (Gandhi, Fanon, Amin and Ahmed). Speaking from a range of historical, geopolitical, and social positions, and defining freedom differently, these texts nevertheless all address our central question, identifying oppressive social forces and proposing ways that individual or collective freedoms can be achieved.
Man: The Mirror has Many Faces
Freud once asserted that there had been three great wounds inflicted upon human narcissism-Copernicus, Darwin, and himself. In SFIII, we examine texts that advance, challenge, and re-define the humanistic perspective. By looking at man in all of his many guises-from homo sapiens to homo oeconomicus-we will investigate how socio-political, economic, and scientific ideas from the Enlightenment to today have impacted our own respective, current points of view. The goal of this course is not only to introduce you to texts that have shaped the way we think but also for you to study them as a means for constructing your own arguments, both in speech and in writing. While adopting an attitude of critical engagement towards texts and ideas, you will examine not only what a particular argument is but also how that argument is presented. In turn you will learn how to develop your own arguments and present them in a clear and persuasive fashion.
Revolutions and Counter-Revolutions
This course examines major intellectual and political movements of the modern world—from the opening of the 18th century down to the present. Vast new international markets emerge during this period, and so do new political systems. Over all, the period is one of accelerating change. Topics include the Enlightenment, the expansion and disintegration of global colonial empires, the rise of representative democracy, the nature of American slavery, the dangers to personal privacy and individual freedom represented by mass opinion, the new, 19th-century idea of the unconscious mind, and new forms of social strife generated by industrialization. Class discussions are crucial.
Self and the City
Writing II introduces students to advanced reading, writing, thinking, and research. It emphasizes writing as a means of critical thinking, inquiry, and discovery, through drafting, feedback, and revision, of three or so papers, plus short exercises. Building on skills developed in Writing I, students practice informal and formal writing, including a final research project. This section, “Self and the City,” will involve reading memoir and practicing the art of memoir as a way to know oneself, as well as reading and writing about New York City. We’ll read memoir by Lucy Grealy and Richard Ford, and possibly Chang-Rae Lee and Mary Karr. Texts about the city will include pieces by John Berger, James Baldwin, and Colson Whitehead. We’ll view films, and may analyze music, to further our understanding of identity and NYC. The final research project will be on an element of New York City life that particularly interests you.
(Re) Writing Oral History
“Oral history is vital to our understanding of the cultures and experiences of the past. Unlike written history, oral history forever captures people’s feelings, expressions, and nuances of language.” (Donald A. Ritchie)
In this course we will use oral history as the basis of exploration for many issues confronting individuals in our society today, from immigration, to changing definitions of what it means to be an American, to whatever space and/or plage might mean to an individual or even a group.
In addition to collecting and transcribing oral histories, students will grapple with such questions as: What is oral history? How reliable is the information gathered by oral historians? What are the particular uses of oral history?
Visualizing Stories and Telling Tales
This class will be experienced as a writing workshop and of particular interest to creative
thinkers and writers. Our focuses will be multifold, with a special emphasis on critical
thinking and analysis, partnered to exploring a range of writing for performance and
visual arts practices. We will consider storytelling, identity, writing styles, and language
usage, through a variety of literary and performance texts, photography, media and visual
arts exhibitions, available to us here in New York City’s expansive, cultural backdrop.
You will express your examined discoveries in response essays, creative writings, and a
final research portfolio that reflects your interpretive analysis and originality.
Family Memory, Myth, and History
What are ‘family myths’? How do they shape our lives? How can we know the truth when faced with unreliable memory? To what extent do we inherit the history of our ancestors? Students write memoir and family histories, as well as a researched, critical analysis of texts about family. Family in art, photography and film may be considered. Readings may include essays by Sigmund Freud, bell hooks, Joyce Carol Oates, Roland Barthes, Patricia Hampl, Maureen Murdock, Vivian Gornick, Adrian Nicole LeBlanc; memoirs and fiction by Antonio Barolini, Italo Calvino, Maxine Hong Kingston, James McBride and graphic novelist Art Spiegelman.
Lisa del Rosso
Writing New York
Writing New York (ed. Phillip Lopate) is divided into three parts: Immigration, Writers, and Landmarks. The readings, all NY centric, dovetail into the writing.
The main objective is to develop and refine the skills necessary for writing a university-level research paper. Whatever your current writing ability or background, this course increases your self-awareness as a writer, encourages your curiosity about research and sharpens your persuasive use of evidence. Reading and writing assignments are designed to focus upon these skills.
Writers: Choose an era that interests you and pick a corresponding writer who was either from New York or had a New York period. Analyze the writer and his work from a historical perspective. It is your job to discover the world in which they lived, immerse yourself in it, and parlay your research into a dazzling paper.
Immigration: students research their family backgrounds, including personal interviews. Readings past and present describe the immigrant experience. For generations, immigrants have come to America looking for a better life. Why opt for New York City?
Landmarks: Students pick a landmark where a political, social, or historical event took place, combining the event with research of the landmark; visiting the landmark is mandatory.
Robert (Bill) Dunks
Writing I and II comprise a two-semester writing sequence in which students develop analytical thinking abilities in the context of academic essay writing. In Writing II, students develop their skills in analysis and argumentation by exploring the ways in which the ideas of others can be incorporated into their own writing. Students read and discuss longer, more challenging texts; in their own writing, students are expected to incorporate a broad range of primary and secondary sources to develop and support their increasingly complex ideas. Students are familiarized with a wide variety of possible resources at the library and learn the mechanics and conventions of the academic research essay. The course continues to encourage in-class participation, collaborative learning, and workshop presentations.
Our Writing II class will be about improving your communication skills, particularly writing, through reading, observing, interacting with, and of course writing about, various texts. Specifically, you will work on improving your argumentative skills. Each of you will write both informally and formally and discuss these writings in class. In addition to improving your writing and reading, the class’s goal will be to exercise your critical thinking skills. To these ends, we will study raising awareness in writing as modeled by James Balog in Chasing Ice, class criticism as argued by Charles Dickens in Hard Times and Karl Marx in Wage-Labour and Capital, and criticism of education as presented by Paolo Freire, amongst others.
New Ideas, New Forms for the Essay
The challenge of this course is to find new ways to articulate your ideas. At this point, most writing students have had sufficient practice in organizing their ideas within the boundaries of a conventional academic essay (with thesis, body paragraphs, conclusion, etc.), but in this course we aim to complicated those received forms with some new structures of our own making. To this end, we will study writing that challenges the structure of the essay by, for instance, merging memoir, essay writing, and creative forms into one. The course will be organized around two major projects: 1) an autobiographical, mosaic research project that revolves around “you” but only by researching and writing about the subjects that have influenced your life (Griffin, Philip);
2) a creative response to a literary work that imitates, updates, bastardizes, or modifies the literary work in order to create a new work (Ionesco-Le Fraga, Conrad-Morrison, Baudelaire-Brown). These creative responses will be accompanied by a researched rationale that can also employ an unconventional form. As we consider this shift in essay writing, it’s important to realize that our own practice of writing could serve as a new way into analysis and understanding. Hopefully, we will discover that it is possible to treat the essay as an incomplete entity, still evolving, and still in dialogue with new writers and readers.
The second semester of Writing traditionally focuses on longer projects. These projects will ask you to write from your own experience as well as consult outside sources. We’ll begin by looking at ourselves and our other selves and by reading some texts that can help us on this journey. And because we know that any long journey begins with smaller steps, we will explore how shorter pieces can help you write an essay that is longer and more substantial. But the main goal, as always, is to help you develop fluency, confidence and clarity as writers. The rest follows.
Know Your City
Whether NYC is your permanent home or temporary one, for the time being, it is the city in which you live- your city. How well do you know your city? With over 8 million people and 800 languages, we are living in the largest and most diverse city in America. This semester, our focus is on getting to know our city by reading, inquiring, researching, reflecting, and writing about the people, places, communities, histories, narratives, controversies, legends and culture of New York City.
We will continue to develop and hone the critical thinking and writing skills you developed in Writing I- with the added emphasis on research and investigation.
We will write several short papers throughout the semester and two longer formal essays: One profile of a person or place in NYC, and one longer paper where you follow your own path of inquiry into a topic of your choosing related to NYC.
Representation, Resistance, and Revolution
Throughout the term we will consider the notion of “representation” (a much-debated topic in academia, politics, and pop culture) and ask questions about the importance of representation in the age of divisive politics, in a world of vast civil and human rights abuses, oppressive governments, and radical ideologies. We will interrogate the ways that racist and misogynist ideas are fed to us, daily, throughout the culture while we think deeply about how all oppressions are interconnected. We will discuss the the ways that writers and other artists represent and resist oppression. And we will consider the meaning of the word "revolution" in relation to the word "resistance." Together we will “read” and write about a range of texts including essays, a novel, paintings, films and pop songs as you engage in research and writing about your own responses to the ideas we encounter in the course.
In his book Epic of America James Truslow Adams, coined the term The American Dream: “The American Dream is that dream of a land in which life should be better and richer and fuller for everyone, with opportunity for each according to ability or achievement.” In this course we will examine a variety of texts—fiction and creative nonfiction, film, music, and poetry—to illuminate how they address the idea of The American Dream. We will discuss the elements of the dream and explore questions including how has it changed over time, who has access to it, and who does not? During the semester, you will produce three major essays (each will which will require varying degrees of research), three response papers, and deliver a group presentation. The class also requires you to produce daily informal writing.
Mary Helen Kolisnyk
What makes New York the city we know, or believe, it to be? How do people find a place for themselves here? This course offers students opportunities to develop their writing and research skills as they get to know New York, and all of the forces that make it what it is. To do so, we will challenge our prevailing ideas about citizenship, ownership and work. The class will consider a variety of sources as we draft and revise 3 essays on the urban experience: they may include readings, films, site-specific observation and artworks. The course will appeal both to students who love writing, and those who could never imagine loving it!
Investigating American Cultural Mythology - A Course in Research Methods
This course is a continuation of the work that you began in Writing I, with the main
objective being to develop and refine the skills necessary for writing a university-level research paper. Whatever your current writing ability or background, this course will increase your self-awareness as a writer, encourage your curiosity about research, and sharpen your persuasive use of evidence. Reading assignments and writing assignments are designed to focus upon these skills, as well as encouraging critical thinking.
Part of this class is a writing workshop, not a lecture, so your active participation and commitment are necessary at all times during the semester. Every class begins with a five-minute free writing warm up exercise, so it is important to be on time. Because of the need to focus your full attention on the discussion during class, no lap top computers are permitted in class.
Our class will focus much more on your ideas than it will on the mechanical aspects of writing. We will, of course, review basic grammar rules on an as-needed basis, but mainly activities in this writing class, both in the workshop and homework, will involve reading, discussing ideas, and writing informally in preparation for producing formal research essays.
Cammie Kim Lin
Identity, Experience, and Coming-of-Age
The concepts of adolescence and coming-of-age are deeply embedded in the American consciousness. What defines coming-of-age? Is it a universal experience? To what extent might it be a cultural phenomenon? In this course, we will explore these core questions through reading, research, and intensive writing. Readings will include a wide range of nonfiction, from literary journalism to texts on adolescent psychology and queer theory, and literature by authors such as Chimamanda Ngozi Adichie, Alison Bechdel, Russell Banks, Chang-Rae Lee, Junot Diaz, and Jhumpa Lahiri. Writing assignments will include a thematic research analysis, a comparative textual analysis, and a piece of literary nonfiction. Students should expect to engage deeply with the course theme, while honing the kind of intensive research, analysis, and writing skills that will prepare them for success in advanced liberal arts courses across the curriculum.
Writing About Imaginary Persons
In Writing II, we consider a whole host of questions, observations, memories, analyses and arguments about our experience of fictional characters. We’ll begin by reading of Abraham and Odysseus, Don Quixote and Lady Macbeth, Elizabeth Bennet and Madame Bovary. By closely reading limited texts that bring these imaginary persons to literary life, we’ll examine some of the ways that great characters are constructed; how they differ from each other; how they differ from us.
The second essay, research oriented, applies some of your thoughts about literary character to our multimedia context. Using an aesthetic, sociological, or political perspective you will examine a work that engages fictional creation, and consider its techniques of characterization and to what purposes they are directed.
For both essays you will also need to keep in mind that you are yourself creating at least a very minimal fictional character--the essay writer, and you can’t forgot that character’s purpose either.
Small Screens and the Politics of Looking
How do essayists write about visual texts like selfies, memes, and television shows? What can we see when we stare into the screens of our phones? What are the politics of looking and how have essayists negotiated the complicated relationship between voyeurism and activism? How is the essay itself an act of seeing and knowing? In this course, we will immerse ourselves in two long-essay projects: a contextualized close-reading essay of a long-form television show and an essay in which we use theory and history to make meaning out of cultural/political moment. Along the way, we’ll write sentences, aphorisms, blog posts, paragraphs, and poems. Some of our favorite essayists will include: Kwame Anthony Appiah, Roland Barthes, Roxanne Gay, J. Jack Halberstam, Emily Nussbaum, Claudia Rankine, Susan Sontag, and Slavoj Zizek.
Observing Others: Thick Description
Students in this class will study and write essays about ethnographies, or “thick” descriptions of people in their everyday contexts. After considering historical studies by Zora Neale Hurston and Clifford Geertz, students will engage in certain elementary field-working techniques while researching and writing an essay about communities in New York City. Questions central to our investigations are: What is the proper point of view when writing about cultures that are foreign to the writer? What are the pros and cons of insider and outsider status when studying cultures? We will critique the uses of film as a tool for studying humans and their habits. The final research project will be a research essay about New Yorkers and their communities.
(Dis)placement: Belonging and Alienation
We are all products of our environments, as the old cliché goes. Yet, each of us relates to the places we occupy differently. Who we are shapes how we experience new spaces, and those spaces affect our sense of self. In this course we will read and write about how people observe and identify with various places (including, but not limited to, nations, cities, and neighborhoods). We will consider the importance of perspective: how identity—race, class, gender, sexuality, religion, and regional affiliation—and personal experience shape what a place means and even its appearance. At the same time, we will explore how writings about place shed light on the fundamental interconnectedness of human existence. Course requirements include reading various works of nonfiction, maintaining a writing journal, completing several short writing assignments, and working on an independent piece of writing based on primary and secondary research.
The Dream, The Journey, the Stranger
This course is rooted in an exploration of the late John Gardner’s famous dictum—There are only two stories in the world: I Went on a Journey and A Stranger Came to Town. Using short stories, a study of dream lore, and an interview project, we will consider the Journey/Stranger archetype in art, the unconscious, and our own lives. Readings include stories by Kafka, Oates, O’Brien, Carver (among others), magazine interviews, and The Dreamer’s Companion. Writing assignments include an interview/profile project, a dream research project, and a final essay on short stories.
Reading and Writing New York City
From the Golden Age of Henry James and Edith Wharton to the outpouring of creative and intellectual energies during the Harlem Renaissance, the 1960’s, and the AIDS crisis, New York has long inspired the imagination of writers and visual artists. This course will examine diverse representations of the city’s people, places and history in various narrative forms. What makes a text a New York narrative? What views of a particular historical/ideological moment do literature, film, and other media provide, and how do these views compare?
This course is designed to enhance critical thinking, writing and research skills through working on short papers throughout the semester, culminating in a longer paper that will use both primary and secondary sources. Our reading will collected in a packet made available to the students, and also the text They Say, I Say 3rd edition, Gerald Graff and Cathy Birkenstein.
The Smart City of New York
This writing section will focus on the meaning of the “smart city” and the ways this collection of technology affects New York City. Topics of student research will revolve around the Hudson Yards project as an example of the way New York is remaking itself for the 21st Century and will explore the impact of technology on the city in such areas as politics, architecture, city planning, connectivity, privacy, social life, the arts, and commerce.
Body Captivities and Social Place: Intersections of Race, Gender, and Desire
In this first-year writing seminar, we will engage in multi-modal research projects involving inquiries of intersectionality. We will investigate art in NYC, along with mainstream media sources, to locate and engage with identity representations, their history, and current social movements. Interdisciplinary readings may include work from Gloria Anzaldúa, LeAnne Howe, Mary Louise Pratt, Judith Butler, Jack Halberstam, Michelle Alexander, Susan Griffin, and Kristin Dombek. Students will learn 21st century creative research methods to write a long-form essay using a variety of types of sources. How can our own creative research writing enter into cultural conversations to shift normatives that maintain unjust social disparities?
Crazy in Love
What drove Miss Emily to her horrible deed? Why does Connie go with Arnold at the end? Can the brain really change itself? What’s wrong with mother at the Bate’s Motel? These are just a few of the questions raised in the readings/films for this course as we delve into the madness of characters portrayed in short stories, films and books, and study various psychological issues in household discussion and the media today. We’ll analyze cultural and social mores, gender, and madness in writings throughout different epochs and a variety of genres. We’ll read Lauren Slater, Sedaris, Gabor Maté, David Foster Wallace, Frost and Steketee, Norman Doidge, Faulkner, Oates, Gilman, and Poe, to name a few. We’ll examine cultural and social mores, psychology, character, voice, and setting, and analyze how ideas are effectively conveyed through writing and film to inform our understanding of humanity.
This course will emphasize the process of academic writing through regular in-class writing, online forum responses, peer review, and formal essays, and research with MLA documentation.
Viewing and Writing About Movies
In this course we’ll watch a variety of movies, building an awareness of film issues, film history, and film vocabulary. We’ll put that work to use in our writing about film. The writing will include two papers, one near mid-semester, one longer research paper at the end, and a film journal to be maintained throughout the semester. A sequence of Student Perspectives (presentations) concludes the year. Viewing may include some of the following: Singin’ in the Rain, Hedwig and the Angry Inch, Days of Heaven, Get on the Bus, Get Out, Y tu mama tambien, My Best Friend’s Wedding, Monsoon Wedding. Readings will be drawn from a number of journals, both popular and scholarly, and will include essays by James Baldwin, bell hooks, Pauline Kael, Robin Wood, and others. Questions the course raises include: how do movies challenge, expose, or reinforce ideologies? How have movies handled issues of race and gender? Do movies influence the way we envision the world? Do movies matter?
In this course we’ll examine a wide variety of human experiences and how they shape the narratives by which we, consciously or no, define ourselves. You’ll have latitude in the choice of topics you wish to address in your writing as the semester proceeds, and while we’ll pursue the course goals of sharpening your skills in research and argumentation, we’ll approach research as meaningful inquiry and argumentation as an exploration and deepening of ideas that matter to us. We’ll approach the course theme through a series of inquiries about central human experiences: innocence and experience; desire and power; and laughter and melancholy. We’ll read a variety of fictional and non-fictional texts by writers, ranging from Roberto Bolaño to Anne Carson, and Rainer Maria Rilke to Soren Kierkegaard. We’ll also watch examples of comedy on film by Charlie Chaplin, Mel Brooks, and others while considering the implications, cultural and social, about what makes things funny.
Writing Lives: Memoir, Profiles and Personal Essays
Writing Lives will explore the stories of self and of others. By looking at memoirs and personal essays by writers as diverse as Patti Smith, Joan Didion, Alison Bechdel, Oliver Sacks and Richard Selzer, we will examine the ways in which writers make sense of their private and public worlds through writing. In this class, students will write three longer works: a memoir, a critical profile, and an extended study of a memoir, biography or book of personal essays of their choice. The course will encourage you to read critically, conduct meaningful research, cite according to prevailing standards and, most importantly, write compelling and persuasive essays. I will run the course as a combination seminar/workshop, with a focus on discussion, textual analysis and revision.
Where Is New York?
In his famous 1949 essay “Here is New York,” E.B. White writes: “The island of Manhattan is without any doubt the greatest human concentrate on earth, the poem whose magic is comprehensible to millions of permanent residents but whose full meaning will always remain illusive.” White was just one of thousands of writers who’ve attempted over the centuries to mine Manhattan--and other equally intriguing parts of New York--for meaning. In this course we’ll examine a range of literary texts and films that explore New York as a historical and cultural juggernaut and wellspring of creativity. In addition to reading and analyzing these works, students will investigate local sites and institutions using a blend of ethnographic observation and archival research in NYU’s Fales Library.
Spring Admit Schedule
Please note that descriptions are for reference only and are subject to change prior to the start of the semester.
Cultural Foundations I
The Ancient World – East and West
We shall examine some of the major works of the Eastern and Western ancient world – literary and religious as well as architectural, and visual. Students will develop a familiarity with the conventions of lyric, epic, and drama. Through reading, discussion, and critical writing, students will discover some of the great works of world civilization – material valuable not only in itself but as a frame of reference for the study of later works of art/literature/music which rely heavily on these Classical models. Particular attention will be paid to exploring why these great works are still relevant today and why they matter. Some of the books we will read include the Epic of Gilgamesh, the Iliad, the Ramayana, and the Bhagavad Gita
Death, Divinity and Power in the Cultures of the Ancient World
This course surveys the literature, music, and art of diverse ancient civilizations. It focuses on how ideas about death, divinity, and power shaped life and art in the Near East, Egypt, Greece and India. How did beliefs about death shape what writers saw as the purpose and meaning of life? Why did Greek art emphasize life while Egyptian art served the dead? Why are gods and kings, who hold power over the living, seen as tragically flawed by one people yet as perfect by another? We will gain insight into ancient views about the nature of civilized life under the shadow of imperfect rulers, powerful gods, and an inevitable death. The arts of antiquity will be studied in a cross cultural context by reading texts as diverse as The Ramayana, Gilgamesh, the Hebrew bible, and Homer’s The Odyssey as well as by viewing sculpture, architecture, and painting.
Quests, Queries, Art, and Adventure: Portraying the Dynamics of Change in the Ancient World
What sparks the human desire to venture into unknown parts of the world? Is it to find a
lost love, to flee a natural disaster, to fight a war, or to answer a divine call? Whether prompted by choice or necessity, humans have encountered catalysts of change since antiquity, and have
expressed these experiences through a variety of media. In this course, we’ll study and interpret
how masterworks of the Ancient World from the Near East, Egypt, China, India, Greece, and the
Roman Empire portray change.
Our learning process will be active and collaborative. Your class participation will be vital.
Each of you will participate in the interactive “Reacting to the Past” game Byzantine Iconoclasm,
726-843, a contest of ideas that centers on the issue of whether the divine should be portrayed,
and, if so, how. You will visit the Met Museum in connection with the game.
Global Arts at the End of Representation
The Cultural Foundations sequence traces the global history of mimesis. Having examined its birth and global consolidation in previous semesters, we now come to the final chapters in its history: 1. the collapse of representation over the course of the eighteenth and nineteenth centuries (Rousseau, Goethe, Keats, Delacroix) culminating in twentieth-century modernism (Woolf, Blanchot, Resnais, Duras); and 2. the return of representation in postmodernism (Borges, Rushdie) and postcolonialism (Said, Rushdie).
Social Foundations I
Building Social Worlds
In this course, we encounter the foundational texts of five very old, very influential traditions:
Greek, Roman, Abrahamic, Indian, and Chinese. Each of our readings is a classic that has greatly impacted human society and the way people live their lives; each has also spawned a huge literary echo chamber of commentary, meta-commentary, critique, and conversation over the centuries. Rather than read it all, the aim of this class is to stay close to the ancient works themselves — to identify some of the major social dilemmas the ancients faced, and to locate the key philosophical, mythological, and religious questions they were chewing on. Importantly, we will also place these dilemmas and questions in context: how have different political, cultural, personal, and historical circumstances shaped and occasioned the different texts? And conversely, what were the texts’ major contributions to the social worlds in which they were written?
To answer these questions, our approach will be threefold. First, we’ll consider key figures, texts, and concepts on their own terms, in the historical context of their own cultures. Second, we will think creatively — but also fairly and with great sensitivity — across cultures and eras, juxtaposing and comparing different figures, authors, events, and ideas, like Socrates and Jesus, Noah and Utnapishtim, democracy and oligarchy. And finally, we’ll look at this stuff in light of ourselves, setting ancient concerns and puzzles against contemporary experiences.
Of course, because our explorations are all largely text-based, we will have to devote some time to considering what literature “does”: how are these literary works meant to define, edify, enlighten, critique, mythologize, or even bewilder the societies they’re written for? How have the various texts we’re studying been used and repurposed over time? By examining the various ties linking society and literature, we will then try to understand what on earth this thing called literature “is”: what’s the difference, for instance, between a work of philosophy and a work of religion? Where do art and politics diverge? Can a work of literature’s value or application in society change over time? When does literature become propaganda? This class will dare us to reflect critically on these questions, and to consider why they’re worth asking.
Mythic Origins of Philosophy and Science
The standard Social Foundations I (SF-I) spans the period from pre-history to 700 CE and examines relationships between patterns of action, belief and thought in ancient societies as compared with those of current cultures. In my section of SF-I emphasize philosophy, religion and science as key formative socio-cultural factors. We study the historical development of religion, science and philosophy in Greece, India and China, as well as reflecting philosophically on the basis and rationale of their concepts. Key texts include the philosophies and cosmologies of Apology, Meno, Phaedrus and Timaeus (Plato), On Christian Doctrine (Augustine), Dao de Jing (Lao Tzu), the Upanishads, the Bible, and The Man in the High Castle (P.K. Dick). The latter is work of speculative history that casts an interesting light on the intersection of “western” and “eastern” worlds.
Politics, Ethics, and Epistemology in Ancient Times
In this course, we will study some of the most renowned texts of ancient times. We will treat these texts as portals to the worldviews of the ancient civilizations in which they appeared. Our general goal in studying these texts will be to develop more robust perspectives on the human condition. Our course will transgress territorial, temporal, and disciplinary boundaries. We will search for common denominators among the worldviews of people who inhabited very distant regions of the planet, and, with equal energy, we will seek to grasp the intense differences that existed among these worldviews. And we will ask after the use that ancient ideas might have for us today, as we try to give form to our lives in a world vastly different from those inhabited by the ancients.
In studying our selected texts, we will focus on the ideas that ancient thinkers developed within three domains of thought: politics, ethics, and epistemology. With regard to politics, we will explore comments on the nature and value of different regime types, the relation between rulers and ruled, the institution of slavery, the phenomenon of war, the question of what makes a political order legitimate, the question of what makes rulers effective, and the problem of human freedom. In regard to ethics, we will explore comments that the ancients made on human happiness, filial piety, the distinction between virtue and vice, the notion of evil, and the tactics that one might employ in the struggle for self-mastery. As regards our epistemological inquiries, we will explore questions surrounding the definition of knowledge, the distinction between truth and opinion, the distinction between essence and appearance, and the idea of non-dualism, and we will also explore some of the insights that the ancients developed about the art of learning.
This course will look at some of the most profound and fascinating philosophical,
religious and political thought developed in the classical civilizations of the ancient
world, and which still underlies our concepts and practices, and our cultures and political
orders, today. We will read Plato’s Republic and Aristotle’s Nicomachean Ethics, written
at the apogee of Ancient Greece; The Epic of Gilgamesh, an epic poem central to the
“cradle of civilization,” the cultures of Mesopotamia; and primary texts which articulate
the basic premises and directions of early Judaism and Christianity—Exodus, The Gospel
of Matthew, and Paul’s Letter to the Romans.
The Writer, The World, and The Text
What can writing reveal about the range of human experiences and worldviews? How can we use writing to convey our own ideas and to think about everyday life with more critical insight? In this class we will delve into these questions as we read about, discuss, and practice writing as an expansive yet thorny form of expression that enables us to make our way through the world: that is, to better articulate how we feel, think, and ponder what we call “reality.” To this end, we will do the following:
In this course we will investigate stories and narratives about people, places, things and events- as well as our own stories in order to develop and sharpen our ideas. To what extent do stories capture the “truth”? How do we connect to stories that may be foreign to us? Why do some stories intrigue and some disturb us? How is power related to story? How do stories and narratives shape us? Through this lens, we will work toward becoming more confident and skilled academic writers through practice and reflection. Our texts will include memoir, fiction, essay, drama and film. We will approach writing in this class as a practice and a process that develops over time. You will be asked to write both in and out of class and to write a lot. You will write in order to explore your ideas and assertions in informal ways, through short assignments in and out of class, as well as to present these ideas formally- in longer essay assignments.
Methods to the Madness
Writing I is a workshop-based course where students practice various forms of essay writing in a collaborative community. Readings, journal writings, in- and out-of-class writing exercises, and
classroom discussions will be used as tools in developing students’ writing practices. Writing is thinking, on the page. One must learn to write clearly to effectively communicate one's thinking. Essays in this course will grapple with questions of place, culture (i.e., a group’s behavior patterns and perceptions), and society (i.e., a group’s social systems and infrastructures), both local and global. (“Local” in this sense can mean something as magnified as your family or your high school.) What bothers or confuses you about the place, culture, or society from which you come? Or what bothers or confuses you about how others view your place of origin, your culture, or your society? (I say “bothers” and “confuses” here because internal conflict is the wellspring of good essay writing.)
Students will compose three essays: a description essay, a cause-and-effect essay, and an essay that mixes methods (a variety of which can be found in The Bedford Reader). Through journal writing, students will learn to use their critical examinations of texts to generate essay ideas of their own. They will have things to say about the readings and about the questions that come up during class discussions of the readings, which will later lead to essay drafting. Sometimes students will feel overwhelmed by the readings and journal responses and their fellow classmates’ thoughts and by the writing process itself and they’ll panic. Panic is an early step of any writing project. There is not a writer alive who does not experience the panic. The trick is not to get stuck in it. In this course, students will learn how to move through their panic by
learning “methods to the madness”—methods of various essay forms so they can craft and hone their madness, shaping it into literary precision and power.
Writing I is the first in the two-course series introducing students to the essay genre; it will complicate our understanding of the essay’s various forms and functions. The course offers occasions to practice essay writing across disciplines and in several modes, including personal, critical, academic, and possibly journalistic. It exposes students to writing, reading, and critical thinking skills necessary for undergraduate work as well as writing beyond academic contexts, and introduces them to some of the interdisciplinary and theoretical bases for such practices. The course engages global issues and perspectives through its reading/writing assignments, and through experiential learning. Writing I helps students develop an appreciation for the use of writing as a means of thought and inquiry. To ground this reflective process, students practice narrating, contextualizing, and analyzing different types of evidence and concrete subject matter, including personal experiences, written and visual texts, and perhaps objects, public
events, and/or social phenomena. Students become familiar with various ways of engaging other writers’ ideas and content in their own writing. By the end of the semester, new understandings of essay writing—and new skills to reflect these understandings—give students a foundation for studying and practicing the advanced approaches to reading, essay writing, and research they may do in Writing II.
Multidimensional Storytelling and The Art of Seeing
Now so, more than ever, multi-media content delivers images paired with words. Increasingly, in our hyper-packed digital world, we are simultaneously being told what we see and what stories to believe. But what stories are actually being told? And more importantly, what stories need telling? In this first-year writing course, we will focus on locating stories of identity and experience within current cultural realities. Both reading and writing assignments will engage with a variety of creative and expository forms including prose poems, literacy narratives, cultural memoirs, autofictions, visual essays, and critical essays. There will be an emphasis on peer workshopping, in-class writing, reflective writing, collaborative work, and discussion. Course texts may include selections from Harriet Jacobs; Edward Said; Alison Bechdel; John Berger; Charles Duhigg (on Disney’s Frozen); Claudia Rankine’s Citizen: An American Lyric; David Shields’s War is Beautiful; Ken Burns’s and Lynn Novick’s documentary The Vietnam War; Kara Walker’s exhibitions; and, related social media, mainstream ads, recent sitcoms, and experiential trips to NYC museums.
The City as Mirror: Approaching the Self Through Investigating New York
This course will involve exploring an aspect of NYC you individually choose as a means to locate your personal objectives as a writer and thinker, and in order to help you develop a more distinct and personal written discourse, The course will take your ideas through a range of forms, from the personal essay, to a short video, to a final multi-dimensional text you construct to capture your subject in a range of ways best suited to your long-term goals. The focus of the course is on helping prepare you for future academic, creative and professional demands, with a particular emphasis on how one’s relation to place is a vital component of self-realization.